Download Digital Sheet Music of Always Where I Need To Be for Concert band

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PIANO & KEYBOARDS

Easy Piano 4 Piano, Vocal and Guitar 4 Piano solo 3 2 Pianos, 4 hands 1

GUITARS

Lyrics and Chords 2 Melody line, (Lyrics) and Chords 2 Guitar notes and tablatures 2 Guitar 1

VOICE

Choral 2-part 2

WOODWIND

2 Flutes (duet) 9 Flute 4 Flute, Oboe, Clarinet, Bassoon 3 Saxophone Quartet: 4 saxophones 1 Oboe, Clarinet, Bassoon (trio) 1

Clarinet Ensemble 1 Flute Quartet: 4 flutes 1 Flute, Clarinet and Bassoon. 1 Flute, Oboe (duet) 1 Flute, Oboe, Bassoon 1

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WOODBRASS

Trumpet, Trombone (duet) 5 Brass Quintet: 2 trumpets, horn, trombone, tuba 2 Brass Trio 2 2 Trombones (duet) 1 2 Trumpets (duet) 1

STRINGS

String Quartet: 2 violins, viola, cello 143 Violin, Cello (duet) 140 String Trio: violin, viola, cello 115 Violin 108 String Quintet: 2 violins, viola, cello, bass 20

Violin, Viola (duet) 7 2 Cellos (duet) 2 4 Cellos 2 Viola 2 String Trio: 2 violins, cello 2 2 Violas (duet) 1 String Quintet: 2 violins, 2 violas, cello 1 String Trio: 3 cellos 1 Cello 1 String Trio: 2 violins, viola 1

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PERCUSSION & ORCHESTRA

String Orchestra 85 Jazz Ensemble 2 Concert band 2 Percussion Ensemble 1

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Always Where I Need To Be

Concert band

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2 sheet music found

Bluey Theme Song Concert band

Concert Band - Level 1 - Digital Download SKU: A0.1377507 Composed by Jonathan Bush…(+)

Concert Band - Level 1 - Digital Download SKU: A0.1377507 Composed by Jonathan Bush. Arranged by Sam Fettig. Children,Pop. 37 pages. Sam Fettig #962100. Published by Sam Fettig (A0.1377507). https://www.samfettigmusic.com/BLUEY FOR BEGINNING BAND!The original Bluey Theme uses a 3-2 clave rhythm for the entire song. This two-measure pattern ends differently every other time, creating a four-measure pattern that occurs throughout and never changes! All students (except the shaker) play this pattern at the very beginning, establishing the basis for the entire arrangement.Only six notes are used. Studentsâ€™ familiarity with the music will be an asset as they tackle a melody that may be a new challenge to them. With this in mind, the melody is always doubled or cued elsewhere; no section will ever have to play it alone.Â There are four opportunities for either a soloist or a soli of any combination! These occur at bars 21, 25, 49 and 53. Â Have fun with these spots, giving everyone an opportunity. It will, of course, need to be mapped out for a performance.Â Students will shout the Bluey charactersâ€™ names just like the showâ€™s theme. There is one spot to insert a name of your choosing - a student, teacher, administrator, family member, or pet! Alternatively, you can replace any of the characterâ€™s names to truly personalize the song.Â I hope you and your students enjoy learning and performing Bluey!

$50.00 46.1 € #Concert band #Jonathan Bush #Bluey Theme Song #Sam Fettig #SheetMusicPlus

Rhythms of the Spirit Concert band

Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Co…(+)

Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble â€“ one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).

$140.00 129.07 € #Concert band #James M #Rhythms of the Spirit #Jim Stephenson Music, Inc. #SheetMusicPlus