Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
980
Digital
Sheet Music
11
Sheet Music
Books
26,544
Music
Equipment
15,849
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
135
PIANO & KEYBOARDS
Piano, Voice
218
Piano solo
165
Easy Piano
21
Piano, Vocal and Guitar
17
Accordion
8
Organ
6
1 Piano, 4 hands
5
Piano Trio: piano, violin, cello
4
Piano Quintet: piano, 2 violins, viola, cello
1
2 Pianos, 8 hands
1
Harpsichord
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
14
Guitar notes and tablatures
6
Lyrics and Chords
3
Melody line, (Lyrics) and Chords
3
3 Guitars (trio)
2
Ukulele
2
Mandolin
2
Instrumentations suivantes
Retracter
VOICE
Choral SATB
61
Voice solo
45
Choral TTBB
20
Choral 3-part
15
Choral SSAA
11
Baritone voice, Piano
9
Soprano voice, Piano
8
Low voice, Piano
3
Tenor voice, Piano
3
Choral SSATTB
3
Mezzo-Soprano voice, Piano
3
Voice, Basso continuo
2
Choral
2
Alto voice, Piano
2
Choral SSAATTBB
1
Choral SAATB A Cappella
1
High voice
1
Instrumentations suivantes
Retracter
WOODWIND
Flute
35
2 Flutes, Piano
25
Flute and Piano
16
Saxophone
15
Clarinet Ensemble
12
Recorder
10
Clarinet
9
Clarinet and Piano
7
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
7
2 Saxophones (duet)
6
Flute, Oboe, Clarinet, Bassoon
5
Saxophone Quartet: 4 saxophones
5
2 Flutes (duet)
4
Oboe
4
Saxophone, Clarinet (duet)
3
2 Clarinets (duet)
3
Saxophone Quintet: 5 Saxophones
3
Oboe, Piano (duet)
3
English horn, Piano
3
Descant (Soprano) Recorder
3
Alto Saxophone and Piano
3
Clarinet, Violin (duet)
2
Clarinet, Trumpet (duet)
2
Tenor Saxophone and Piano
2
Flute ensemble
2
Clarinet Quartet: 4 clarinets
2
Flute, Clarinet (duet)
2
Ocarina
2
Tenor Saxophone
1
Soprano Saxophone and Piano
1
Clarinet Quintet: Clarinet, String Quartet
1
Oboe, Flute
1
Clarinet Quintet: 5 clarinets
1
Tenor Recorder
1
Oboe (band part)
1
Clarinet (band part)
1
Flute Trio: 3 flutes
1
Oboe, Bassoon (duet)
1
Recorder, Guitar (duet)
1
Flute, Clarinet and Bassoon.
1
Flute and Guitar
1
2 Recorders (duet)
1
Treble (Alto) Recorder
1
Oboe, Clarinet (duet)
1
Flute, Trumpet (duet)
1
2 Oboes (duet)
1
Flute, Violin
1
Flute (band part)
1
Clarinet, Guitar (duet)
1
Clarinet and Viola
1
Flute Quartet: 4 flutes
1
Flute, Saxophone (duet)
1
Flute, Viola (duet)
1
Harmonica
1
Flute, Violin, Violoncello and Piano
1
Oboe, Clarinet, Bassoon (trio)
1
Flute, Basso continuo
1
Alto Saxophone
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet
8
Trumpet, Piano
6
French horn
5
Trombone
5
Brass Quintet: 2 trumpets, horn, trombone, tuba
5
Euphonium
4
Tuba
3
Brass quartet : 2 trumpets, trombone, tuba
3
English horn, Piano
3
Brass Quartet: 2 trumpets, horn, trombone
3
Trumpet, Trombone (duet)
3
Trumpet, Saxophone (duet)
2
Trombone and Piano
2
Trumpet ensemble
2
Trumpet (band part)
2
Brass Quartet
2
Trombone (band part)
1
French Horn and Piano
1
Euphonium, Piano (duet)
1
French horn (band part)
1
Trombone ensemble
1
2 Trumpets (duet)
1
2 Euphoniums (duet)
1
Brass Trio
1
2 Trombones (duet)
1
3 Trombones (trio)
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
28
Cello
15
Violin
15
Violin and Piano
15
Cello, Piano
12
Viola
10
Viola, Piano
6
Harp
4
Violin, Cello (duet)
2
Violin (band part)
2
Violin, Viola (duet)
2
Double Bass
2
String Trio: violin, viola, cello
2
String trio
1
Viola, Guitar (duet)
1
Cello (band part)
1
2 Violas (duet)
1
Violin, Guitar (duet)
1
Harp, Flute (duet)
1
Viola (band part)
1
2 Violins (duet)
1
Viola, Cello (duet)
1
4 Cellos
1
2 Cellos (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Orchestra
22
Brass ensemble
12
Concert band
11
String Orchestra
6
Percussion
4
Percussion (band part)
3
Jazz Ensemble
3
Chamber Orchestra
2
Jazz combo
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
CH Music
Concert band
Sheetmusic to print
11 sheet music found
<
1
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. ÂÂ
$47.95
43.47 €
#
Concert band
#
Gabrieli
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.47 €
#
Concert band
#
Giovanni Gabrieli
#
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.47 €
#
Concert band
#
Gabrieli
#
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
#
jmsgu3
#
SheetMusicPlus
Lascia ch'io pianga for soprano and concert band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1284866 Composed by George Frider…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1284866 Composed by George Frideric Handel. Arranged by Mark Armstrong. Opera. Score and Parts. 32 pages. Seolta Music Limited #876046. Published by Seolta Music Limited (A0.1284866). Lascia ch'io pianga from Handel's opera Rinaldo arranged for soprano (Almirena) and concert band (Key F).To explore all voice and band titles from Seolta Publishing click here.
$50.00
45.33 €
#
Concert band
#
George Frideric Handel
#
Lascia ch'io pianga for soprano and concert band
#
Seolta Music Limited
#
SheetMusicPlus
Air from Rinaldo - "Lascia ch'io pianga" (Handel arr. for flexible ensemble by David Catherwood)
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.739395 Composed by George Frideri…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.739395 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Contemporary,Instructional,Wedding. Score and parts. 17 pages. Opus 3 Music #3142059. Published by Opus 3 Music (A0.739395). Air from Rinaldo by Handel (A memorable tune by Handel arranged for young players)This arrangement is suitable for school orchestras and ensembles. The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring and generous supply of parts allows for expansion up to a full symphonic orchestra, concert band or brass band.As with all music available from Opus 3 Music this arrangement has been well tried and tested in performance - In this case in Campbell College where the orchestra of around forty young players use arrangements such as this regularly in Services and concerts in the college.THIS IS ONE OF A SERIES OF PIECES ARRANGED IN THIS FLEXIBLE INSTRUMENTATION AND AS A SPECIAL INTRODUCTION TO THE SERIES IT IS PRICED AT THE MINIMUM PRICE SMP WILL ALLOW OF $1.99 (Regular price for the series is between $9.50 and $15Each set contains a score and a full set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe 1, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)PercussionÂÂ
$1.99
1.8 €
#
Concert band
#
George Frideric Handel
#
Air from Rinaldo - "Lascia ch'io pianga"
#
Opus 3 Music
#
SheetMusicPlus
National Anthem of ROC Taiwan (for Band): San Min Chu I
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1089002 Composed by Ch'eng Mao-yÃ…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1089002 Composed by Ch'eng Mao-yün 1900-1957. Arranged by Colin Kirkpatrick. Patriotic. Score and parts. 27 pages. Colin Kirkpatrick Publications #693217. Published by Colin Kirkpatrick Publications (A0.1089002). This anthem should not be confused with the National Anthem of the People's Republic of China, known as March of the Volunteers which is the anthem of mainland China including its special administrative regions of Hong Kong and Macau. The national anthem of ROC Taiwan was first used as the anthem for the whole of China when the country was controlled by the Kuomintang. However, in 1949 the Kuomintang government was ousted and relocated to the island of Taiwan to continue their government, using the same symbols of state that they used in mainland China. The anthem is informally known as San Min Chu I or San Min Zhu Yi (Three Principles of the People), though this name is never used in formal or official occasions. This band set comprises the following: Full Score (20 staves) plus parts for Flutes, Oboe 1, Oboe 2, Clarinet 1, Clarinet 2, Clarinet 3, Bassoons, Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, Horn 1 in F, Horn 1 in E flat, Horn 2 in F, Horn 2 in E flat, Trombone 1, Trombone 2, Baritone BC and TC (same part as Trb 1), Tuba, Timpani and Percussion (3 players).
$19.95
18.09 €
#
Concert band
#
Ch'eng Mao-yün 1900-1957
#
National Anthem of ROC Taiwan
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Laissez Entrer Le Soleil
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1309797 Composed by Arthur Mac De…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1309797 Composed by Arthur Mac Dermot, Bertrand Castelli, Gerome Ragni, Jacques Lanzman, and James Rado. Arranged by Benoit BARRAIL. 20th Century,Broadway,Musical/Show,Pop,Rock. 55 pages. Benoît Barrail #898963. Published by Benoît Barrail (A0.1309797). For 2-part choir and concert bandAll parts of the choir are doubled in the instrumental parts. Hair is a rock musical by James Rado and Gerome Ragni (lyrics) and Galt MacDermot (music) created off-Broadway, in a cellar in Greenwich Village, in October 1967 and then played on Broadway at the Public Theater from April 1968 for four years without interruption. The New York Times said: It's finally the first musical that speaks to today. A product of the hippie counterculture and sexual revolution of the 1960s, some of his songs, inspired by New Age theory, became anthems of the peace movements against the Vietnam War. After a first export to London, the French version was created in Paris at the Théâtre de la Porte-Saint-Martin on May 30, 1969, its naked scenes causing a real scandal. The song Laissez entrer le soleil (Let the sunshine in) was performed by Julien Clerc during this French creation.Toutes les parties de chœur sont doublées àl’orchestre. Hair est une comédie musicale rock de James Rado et Gerome Ragni (paroles) et de Galt MacDermot (musique) créée «off-Broadway», dans une cave de Greenwich village, en octobre 1967 puis jouée àBroadway au Public Theater àpartir d'avril 1968 pendant quatre ans sans interruption. Le New-York Times dit: « C'est enfin la première comédie musicale qui parle d'aujourd'hui ». Produit de la contre-culture hippie et de la révolution sexuelle des années 1960, certaines de ses chansons, inspirées de la théorie du New Age, sont devenues des hymnes des mouvements pacifistes contre la guerre du Viêt Nam. Après une première exportation àLondres, la version française est créée àParis au théâtre de la Porte-Saint-Martin le 30 mai 1969, ses scènes dénudées provoquent un véritable scandale. La Chanson Laissez entrer le soleil fut interprétée par Julien Clerc lors de cette création française.
$54.99
49.85 €
#
Concert band
#
Arthur Mac Dermot, Bertrand Castelli, Gerome Ragni, Jacques Lanzman, and James Rado
#
Laissez Entrer Le Soleil
#
Benoît Barrail
#
SheetMusicPlus
Let The Sunshine In
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1309819 By The Fifth Dimension. B…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1309819 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by Benoit BARRAIL. 20th Century,Broadway,Musical/Show,Pop,Rock. 55 pages. Benoît Barrail #898965. Published by Benoît Barrail (A0.1309819). All parts of the choir are doubled in the instrumental parts. French lyrics. Hair is a rock musical by James Rado and Gerome Ragni (lyrics) and Galt MacDermot (music) created off-Broadway, in a cellar in Greenwich Village, in October 1967 and then played on Broadway at the Public Theater from April 1968 for four years without interruption. The New York Times said: It's finally the first musical that speaks to today. A product of the hippie counterculture and sexual revolution of the 1960s, some of his songs, inspired by New Age theory, became anthems of the peace movements against the Vietnam War. After a first export to London, the French version was created in Paris at the Théâtre de la Porte-Saint-Martin on May 30, 1969, its naked scenes causing a real scandal. The song Laissez entrer le soleil (Let the sunshine in) was performed by Julien Clerc during this French creation.Toutes les parties de chœur sont doublées àl’orchestre. Paroles françaises. Hair est une comédie musicale rock de James Rado et Gerome Ragni (paroles) et de Galt MacDermot (musique) créée «off-Broadway», dans une cave de Greenwich village, en octobre 1967 puis jouée àBroadway au Public Theater àpartir d'avril 1968 pendant quatre ans sans interruption. Le New-York Times dit: « C'est enfin la première comédie musicale qui parle d'aujourd'hui ». Produit de la contre-culture hippie et de la révolution sexuelle des années 1960, certaines de ses chansons, inspirées de la théorie du New Age, sont devenues des hymnes des mouvements pacifistes contre la guerre du Viêt Nam. Après une première exportation àLondres, la version française est créée àParis au théâtre de la Porte-Saint-Martin le 30 mai 1969, ses scènes dénudées provoquent un véritable scandale. La Chanson Laissez entrer le soleil fut interprétée par Julien Clerc lors de cette création française.
$54.99
49.85 €
#
Concert band
#
The Fifth Dimension
#
Let The Sunshine In
#
Benoît Barrail
#
SheetMusicPlus
Republic of China (Taiwan) National Anthem
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.522169 Composed by Chéng Mà…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.522169 Composed by Chéng Màoyún (1900-1957). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 32 pages. Colin Kirkpatrick Publications #4795369. Published by Colin Kirkpatrick Publications (A0.522169). This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! It will also work with an orchestra. This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment for school use. This arrangement consists of a three-page score with fivee instrumental staves and four percussion staves (including timpani). The following parts are printed on separate pages. The score and all the parts are contained in the same PDF file.Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets (9th above concert pitch); Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below Part 3 in B flat for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn); Part 4 in F (French horn).Part 5 in B flat (B flat bass, bass clarinet); Part 5 in C (bass clef for bass trombone, bassoon, tuba, double bass); Part 5 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.Parts 1a and 2a are provided because Parts 1 and 2 are too low for to be comfortably played by flute and oboe. By using these parts you can create a high woodwind tone above the other instruments.
$5.99
5.43 €
#
Concert band
#
using these parts you can create a high woodwind tone above the other instruments
#
Chéng Màoyún
#
Republic of China
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Handel Highlights - March from Scipio Air from Rinaldo See the Conquering Hero- for Flex ensembles
Concert band
Concert Band - Digital Download SKU: A0.739498 Composed by George Frideric Handel. …
(+)
Concert Band - Digital Download SKU: A0.739498 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Multicultural,Wedding,World. Score and parts. 55 pages. Opus 3 Music #5792461. Published by Opus 3 Music (A0.739498). Three of Handel's best loved tunes arranged for flexible quartets or ensembles.1. March from Scipio2. Air from Rinaldo (Lascia ch'io pianga)3. See the Conquering Hero (Thine be the Glory) from Judas MaccabeusThese arrangements are suitable for school orchestras and ensembles and more experienced players. The arrangements allow for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass band. Very suitable for brass or string quartets or mixed wind groups. The generous set of parts included in the download is listed below. As with all music available from Opus 3 Music these arrangements have been well tried and tested in performanceA full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)Percussion
$17.50
15.86 €
#
Concert band
#
George Frideric Handel
#
Handel Highlights - March from Scipio Air from Rinaldo See the Conquering Hero- for Flex ensembles
#
Opus 3 Music
#
SheetMusicPlus
Inno di Garibaldi
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1396310 Composed by Alessio Olivi…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1396310 Composed by Alessio Olivieri, Luigi Mercantini. Arranged by Lorenzo Bocci. March,Patriotic,Traditional. 37 pages. Lorenzo Bocci #979683. Published by Lorenzo Bocci (A0.1396310). INNO DI GARIBALDI (1858) (Versione Integrale)for Concert Band and Choir - Grade 2,5 - Digital Download Composed by Alessio Olivieri, Luigi Mercantini. Arranged by Lorenzo Bocci. March/Patriotic/Traditional/Hymn. Concert Band - Blasorchester - Harmonie. Score A4 (21 x 29,7 cm) and card size parts A5 (19,5 x 14,2 cm). Duration 3'50''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute (Piccolo), Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, F Horn 1, 2, Trombone 1, 2, Euphonium, Bass, Snare Drum, Cymbals, Bass Drum.Additional Parts:Bb Soprano Saxophone, Eb Cornet, Bb Flugelhorn 1, 2, Eb Horn 1, 2, Bb Trombone 1, 2 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.The Garibaldi Hymn is a famous patriotic anthem of the Italian Risorgimento. The author of the text was, at the request of the hero of the two worlds himself, the poet Luigi Mercantini (1821-72), also known for The Gleaner of Sapri, a poignant romantic re-enactment of Carlo Pisacane's Republican and Mazzinian expedition; particularly known - and quoted - is the refrain « Eran trecento, eran giovani e forti, e sono morti. »Garibaldi's Hymn was set to music by Alessio Olivieri and was performed for the first time on 31 December 1858, and therefore dates back to the decisive years of the process that led to the unification of Italy, in the presence of Garibaldi and Nino Bixio.Especially known, and still quoted, are the opening lines:« Si scopron le tombe, si levano i morti,I martiri nostri son tutti risorti »and the refrain:« Va' fuori d'Italia! va' fuori ch'è l'ora!Va' fuori d'Italia! va' fuori, stranier! »Subscribe to my YouTube Channel to stay updated on new releases.
$33.00
29.92 €
#
Concert band
#
Alessio Olivieri, Luigi Mercantini
#
Inno di Garibaldi
#
Lorenzo Bocci
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
