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Fill Me
Concert band
Sheetmusic to print
6 sheet music found
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1
You Matter To Me
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.911682 By Sara Bareilles. By Sara…
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Concert Band - Level 4 - Digital Download SKU: A0.911682 By Sara Bareilles. By Sara Bareilles. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show,Pop. Score and parts. 39 pages. Music Arrangement Services Inc. #517662. Published by Music Arrangement Services Inc. (A0.911682). Performed by Sara Bareilles and Jason Mraz (from the Musical Waitress). This Concert Band Score accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This arrangement offers dramatic vocal features (refer to sound sample). This song is about finding and really feeling love for the first time. The song refers to falling in love, getting over being scared of love, being accepted, fulfillment in love. This arrangement is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 4:30.
$49.99
45.09 €
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Concert band
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Sara Bareilles
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You Matter To Me
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Music Arrangement Services Inc.
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SheetMusicPlus
Abide with me Band Arrangement
Concert band
Concert Band - Digital Download SKU: A0.995433 Arranged by Omir Charley. Christian.…
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Concert Band - Digital Download SKU: A0.995433 Arranged by Omir Charley. Christian. Score and parts. 2 pages. Omir Charley #3535855. Published by Omir Charley (A0.995433). This arrangement is filled with harmonies that are not easy to pick up by ear, especially for high school students. .
$10.00
9.02 €
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Concert band
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Abide with me Band Arrangement
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Omir Charley
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SheetMusicPlus
Rhapsody for Concert Band
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
18.04 €
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Concert band
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July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Do You Hear How Many You Are?
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southar…
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Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
76.67 €
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Concert band
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Amazing Grace for Wind Ensemble
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1350795 Composed by Traditional. …
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Concert Band - Level 3 - Digital Download SKU: A0.1350795 Composed by Traditional. Arranged by Michael Maschmeier (ASCAP). Classical,Contest,Festival,Religious,Sacred,Spiritual. 33 pages. Warrior Musician LLC #935617. Published by Warrior Musician LLC (A0.1350795). Amazing Grace is THE consummate melody that has had the ability to move nearly every person that feels it's emotive, poignant notes. I treated this melody to full wind ensemble greatness, including gorgeous melodic percussion, for an ensemble I put together for my band director's funeral, consisting of former students of all ages from his 30+ years of service. This ensemble included students of the four band directors playing, me included. Giving rise to the influence Tom Orear had on our students indirectly. This piece fits in almost any situation where moving music is needed, even a thoughtful closer. Euphonium and trumpet present together first and it finishes with a moving flugelhorn solo interweaved with multiple instrument groups in a tremendous chime-filled finish. Title includes and 8 X11 format score and 11 X 17 format large score.
$39.99
36.07 €
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Concert band
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Traditional
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Amazing Grace for Wind Ensemble
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Warrior Musician LLC
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SheetMusicPlus
In the Crater of a Fallen Giant
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1015664 Composed by John Bratton.…
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Concert Band - Level 2 - Digital Download SKU: A0.1015664 Composed by John Bratton. Instructional,Standards. Score and parts. 98 pages. John Bratton #4810803. Published by John Bratton (A0.1015664). In the Crater of a Fallen GiantFor Concert BandDifficulty: METhis is a wonderful piece that was inspired by the Crater Lake National Park in Oregon. Crater Lake formed approximately 7,700 years ago when the 12,000ft Mount Mazama Volcano erupted explosively. This caused it to collapse and create an enormous caldera that has since filled with rainwater and snowmelt. This once massive volcano has created an absolutely stunning vista that is simply breathtaking.Learn more about John on his website: www.creativeintonationmusic.com
$70.00
63.14 €
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Concert band
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John Bratton
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In the Crater of a Fallen Giant
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John Bratton
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SheetMusicPlus
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