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26
Viola
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String Orchestra
149
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String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
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2 Marimbas
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OTHERS
You've selected:
HEY THERE
Concert band
Sheetmusic to print
143 sheet music found
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51
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126
Hey Mon (Calypso): B-flat Bass Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0000884_BC B-flat Bass Clarinet
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Concert Band - Digital Download SKU: AX.00-PC-0000884_BC B-flat Bass Clarinet. Composed by Jack Bullock. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000884_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000884_BC). UPC: 038081277387.In his light-hearted original calypso-style work, Jack Bullock has musically captured the essence of island life. With a legato lilt, the engaging rhythms drive the work. A charming addition to enhance your young band's understanding of this important cultural style of musical literature. It's a relaxing addition to any program that will fill imaginations with the vision of lazy days on sunny, sand-covered beaches. Hey Mon is the exclamation heard often in that area of the world from the inhabitants there offering their warm hello will have them dancing in the aisles.
$3.00
2.69 €
#
Concert band
#
Jack Bullock
#
Hey Mon
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Hey Mon (Calypso): 1st Percussion
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0000884_PC1 1st Percussion. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0000884_PC1 1st Percussion. Composed by Jack Bullock. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000884_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000884_PC1). UPC: 038081277387.In his light-hearted original calypso-style work, Jack Bullock has musically captured the essence of island life. With a legato lilt, the engaging rhythms drive the work. A charming addition to enhance your young band's understanding of this important cultural style of musical literature. It's a relaxing addition to any program that will fill imaginations with the vision of lazy days on sunny, sand-covered beaches. Hey Mon is the exclamation heard often in that area of the world from the inhabitants there offering their warm hello will have them dancing in the aisles.
$3.00
2.69 €
#
Concert band
#
Jack Bullock
#
Hey Mon
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
1, 2, 3, 4: (wp) 1st Horn in E-flat
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPEH1 (wp) 1st Horn in E-f…
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Concert Band - Digital Download SKU: AX.00-PC-0014612_WPEH1 (wp) 1st Horn in E-flat. By Plain White T's. By Tom Higgenson. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014612_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014612_WPEH1). UPC: 038081387338.1, 2, 3, 4 is the second single from the Plain White T's certified Platinum album, Big Bad World. The song spent 26 weeks on the Hot Adult Top 40 Tracks, and has been compared to the band's earlier hit Hey There Delilah. This smooth, acoustic rock tune is sure to be hit with your group!
$3.00
2.69 €
#
Concert band
#
Plain White T's
#
1, 2, 3, 4:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
1, 2, 3, 4: (wp) B-flat Baritone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPBBBC (wp) B-flat Bariton…
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Concert Band - Digital Download SKU: AX.00-PC-0014612_WPBBBC (wp) B-flat Baritone B.C.. By Plain White T's. By Tom Higgenson. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014612_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014612_WPBBBC). UPC: 038081387338.1, 2, 3, 4 is the second single from the Plain White T's certified Platinum album, Big Bad World. The song spent 26 weeks on the Hot Adult Top 40 Tracks, and has been compared to the band's earlier hit Hey There Delilah. This smooth, acoustic rock tune is sure to be hit with your group!
$3.00
2.69 €
#
Concert band
#
Plain White T's
#
1, 2, 3, 4:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
1, 2, 3, 4: (wp) Baritone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPBBC1 (wp) Baritone B.C.
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPBBC1 (wp) Baritone B.C.. By Plain White T's. By Tom Higgenson. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014612_wpBBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014612_WPBBC1). UPC: 038081387338.1, 2, 3, 4 is the second single from the Plain White T's certified Platinum album, Big Bad World. The song spent 26 weeks on the Hot Adult Top 40 Tracks, and has been compared to the band's earlier hit Hey There Delilah. This smooth, acoustic rock tune is sure to be hit with your group!
$3.00
2.69 €
#
Concert band
#
Plain White T's
#
1, 2, 3, 4:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
1, 2, 3, 4: (wp) 1st B-flat Trombone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPTN1BC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0014612_WPTN1BC (wp) 1st B-flat Trombone B.C.. By Plain White T's. By Tom Higgenson. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014612_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014612_WPTN1BC). UPC: 038081387338.1, 2, 3, 4 is the second single from the Plain White T's certified Platinum album, Big Bad World. The song spent 26 weeks on the Hot Adult Top 40 Tracks, and has been compared to the band's earlier hit Hey There Delilah. This smooth, acoustic rock tune is sure to be hit with your group!
$3.00
2.69 €
#
Concert band
#
Plain White T's
#
1, 2, 3, 4:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
1, 2, 3, 4: (wp) B-flat Tuba T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPTBBTC (wp) B-flat Tuba T…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPTBBTC (wp) B-flat Tuba T.C.. By Plain White T's. By Tom Higgenson. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014612_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014612_WPTBBTC). UPC: 038081387338.1, 2, 3, 4 is the second single from the Plain White T's certified Platinum album, Big Bad World. The song spent 26 weeks on the Hot Adult Top 40 Tracks, and has been compared to the band's earlier hit Hey There Delilah. This smooth, acoustic rock tune is sure to be hit with your group!
$3.00
2.69 €
#
Concert band
#
Plain White T's
#
1, 2, 3, 4:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
1, 2, 3, 4: (wp) E-flat Tuba T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPTBETC (wp) E-flat Tuba T…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPTBETC (wp) E-flat Tuba T.C.. By Plain White T's. By Tom Higgenson. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014612_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014612_WPTBETC). UPC: 038081387338.1, 2, 3, 4 is the second single from the Plain White T's certified Platinum album, Big Bad World. The song spent 26 weeks on the Hot Adult Top 40 Tracks, and has been compared to the band's earlier hit Hey There Delilah. This smooth, acoustic rock tune is sure to be hit with your group!
$3.00
2.69 €
#
Concert band
#
Plain White T's
#
1, 2, 3, 4:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
1, 2, 3, 4: (wp) B-flat Tuba B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPTBBBC (wp) B-flat Tuba B…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPTBBBC (wp) B-flat Tuba B.C.. By Plain White T's. By Tom Higgenson. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014612_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014612_WPTBBBC). UPC: 038081387338.1, 2, 3, 4 is the second single from the Plain White T's certified Platinum album, Big Bad World. The song spent 26 weeks on the Hot Adult Top 40 Tracks, and has been compared to the band's earlier hit Hey There Delilah. This smooth, acoustic rock tune is sure to be hit with your group!
$3.00
2.69 €
#
Concert band
#
Plain White T's
#
1, 2, 3, 4:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
1, 2, 3, 4: (wp) E-flat Tuba B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPTBEBC (wp) E-flat Tuba B…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPTBEBC (wp) E-flat Tuba B.C.. By Plain White T's. By Tom Higgenson. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014612_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014612_WPTBEBC). UPC: 038081387338.1, 2, 3, 4 is the second single from the Plain White T's certified Platinum album, Big Bad World. The song spent 26 weeks on the Hot Adult Top 40 Tracks, and has been compared to the band's earlier hit Hey There Delilah. This smooth, acoustic rock tune is sure to be hit with your group!
$3.00
2.69 €
#
Concert band
#
Plain White T's
#
1, 2, 3, 4:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
1, 2, 3, 4: (wp) 1st B-flat Trombone T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014612_WPTN1TC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0014612_WPTN1TC (wp) 1st B-flat Trombone T.C.. By Plain White T's. By Tom Higgenson. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014612_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014612_WPTN1TC). UPC: 038081387338.1, 2, 3, 4 is the second single from the Plain White T's certified Platinum album, Big Bad World. The song spent 26 weeks on the Hot Adult Top 40 Tracks, and has been compared to the band's earlier hit Hey There Delilah. This smooth, acoustic rock tune is sure to be hit with your group!
$3.00
2.69 €
#
Concert band
#
Plain White T's
#
1, 2, 3, 4:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Venus
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1429858 By Bananarama. By Robert …
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Concert Band - Level 3 - Digital Download SKU: A0.1429858 By Bananarama. By Robert van Leeuwen. Arranged by John Ivor Holland. 20th Century,Disco,Film/TV,Pop. 45 pages. John Ivor Holland #1010492. Published by John Ivor Holland (A0.1429858). Venus is a song by Dutch rock band The Shocking Blue, released as a single in the Netherlands in the summer of 1969. Written by Robbie van Leeuwen, the song topped the charts in nine countries. It has since been covered dozens of times by many artists. In 1986, English girl group Bananarama covered Venus for their third studio album, True Confessions, with the single reaching number one in six countries and has been featured in numerous films, television shows, and commercials. Venus had been a part of Bananarama's repertoire for several years before they actually recorded it. The group's three members, Sara Dallin, Siobhan Fahey and Keren Woodward had the idea of turning the song into a dance tune, but they were met with resistance from their producers at the time, Steven Jolley and Tony Swain. The group brought the idea to the production trio of Stock Aitken Waterman, and it became Bananarama's first collaboration with them. The track was initially produced in an arrangement more faithful to the Shocking Blue original, but was reworked in hi-NRG style after Fahey suggested that their version should sound similar to Dead or Alive's You Spin Me Round (Like a Record). Turn back the clock with this great song, perfect for outdoor performances - there are solo spots for alto sax and trumpet, as desired and the key has been shifted up from the original E minor to make it more band-friendly.
$49.99
44.78 €
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Concert band
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Bananarama
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Venus
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John Ivor Holland
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SheetMusicPlus
Clashing Destinies
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1361865 Composed by Brayden Bogdo…
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Concert Band - Level 5 - Digital Download SKU: A0.1361865 Composed by Brayden Bogdon. 21st Century,Classical,Video Game. 84 pages. Braben music co. #946269. Published by braben music co. (A0.1361865). Includes: Digital .pdf w/Full Score and PartsClashing Destinies was originally a work for digital media composed in March-April of 2023, later adapted for Full Orchestra/Symphonic Wind Ensemble. Clashing Destinies takes the listener through a spiral into insanity, starting with the constant thudding of the lows. Even as different parts add on, the thudding persists, representing one's inability to think clearly. There is a sharp dissonant line initially played by the glockenspiel that comes up time and time again, representing the internal panic that cuts through one's rational thoughts during their spiral into madness. Finally we hit the breaking point, a moment of silence followed by the screams of pain one experiences after reaching their breaking point. Soon after, a screaming trumpet takes the spotlight, any form of rational thought has now dithered away. Nothing is left but screams. After an intense battle of struggling to find a grasp on reality, there is a moment of calm. Things slow down as it is believed sanity is being regained, but still, there is that persistent thudding and sharp dissonance. Alas, the realization occurs, it is impossible to regain sanity. As the brass section overtakes the calm of the woodwinds, insanity fully takes over. The homestretch of this piece is pure chaos, every motif comes back. It is one huge reprise of all the feelings that have been experienced, except now they are all sounding much more rapidly, all just a small part of the chaos that is ensuing. Now there is nothing left to do except yell for help. There are three final screams, three final pleads for help. After screaming for help, it is realized... No one is there. Now there is nothing, left unresolved, all alone in the silence.
$14.99
13.43 €
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Concert band
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Brayden Bogdon
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Clashing Destinies
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braben music co.
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SheetMusicPlus
Arctic Fanfare
Concert band
Concert Band - Digital Download SKU: A0.757442 Composed by James Michael bicigo. Co…
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Concert Band - Digital Download SKU: A0.757442 Composed by James Michael bicigo. Contemporary,World. Score and parts. 52 pages. Polar Publications #3012023. Published by Polar Publications (A0.757442). This work was commissioned by Ron Inyoue for the Arctic Winer Games in Fairbanks, Alaska 2014. When Ron Inouye first discussed a fanfare for the Arctic Winter Games to be held in Fairbanks in 2014, he asked me to somehow represent the peoples of the north and to include something of native drumming, particularly, Inuit drumming. Since the fanfare is for the games, it needs to be able to be used in its entirity or in parts depending on how much time or the purpose of the fanfare in a given situation. This fanfare is therefore composed with three distinct sections that can be used separately or together depending on the circumstance. The Opening four measures of the brass is reminiscent of much of my music representing the Aurora Borealis. The Drumming is inspired by Inuit and Yupik drumming. I use the two different types of drum and blend the drumming style of the Yupik and Inuit cultures in a bit of a western context. The Yupik tradition of hard beat and soft beat is represented in the dynamics of the drums. The Inuit tradition of establishing the steady beat and then passing rhythmic patterns between the parts is represented throughout the work in all of the drum parts. There is a nod to Athabascan old time fiddle music in the choice of an Irish/Scotish traditional melody entitled The Far North. This is also a traditional Canadian Northern Tier American camping and scouting song. Finally, there is a traditional Fanfare that can be used independently to call people to an event or back from an intermission. It is my sincere hope that this fanfare represents all of us in some way and leaves enough to the listener, that they will relate their own experience of the North in the music they hear. James Bicigo August 18, 2013
$50.00
44.79 €
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Concert band
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James Michael bicigo
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Arctic Fanfare
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Polar Publications
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.95 €
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Concert band
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.95 €
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Concert band
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Giovanni Gabrieli
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
42.95 €
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Concert band
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
Stella Nova
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1237526 Composed by Helmut Kogler…
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Concert Band - Level 2 - Digital Download SKU: A0.1237526 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,World. 81 pages. Pentharmonics #833041. Published by Pentharmonics (A0.1237526). Stella Nova - Grade 2 - Duration 4:20 min.... a new star. In the beginning there is darkness, filled with dust in nothingness. It takes some time for massive clouds to form from this deep cold nebula. But gradually they grow and then attract each other. They are therefore getting bigger and unite with huge momentum resulting in a large whole thing. Now the cold diminishes until it even disappears. It's getting warm, then hot and hotter, finally a spark ignites and a new fresh light is kindled. From now on it brightens up the dark and gives the warmth, which is indispensable for new life to arise.With a duration of approx. 4 1/2 minutes and grade 2, the piece is suitable for a relaxing rest point in the concert programme for the audience and the musicians as well.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$69.99
62.7 €
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Concert band
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Helmut Kogler
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Stella Nova
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Pentharmonics
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SheetMusicPlus
Variations on a Theme in D Flat
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown.…
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Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
8.96 €
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Concert band
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Kendra Brown
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Variations on a Theme in D Flat
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Kendra Brown
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SheetMusicPlus
The Christmas Waltz
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1469360 By Frank Sinatra. By Jule…
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Concert Band - Level 2 - Digital Download SKU: A0.1469360 By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by John Ivor Holland. 20th Century,Advent,Christmas,Film/TV,Holiday. 74 pages. John Ivor Holland #1047381. Published by John Ivor Holland (A0.1469360). The Christmas Waltz is a Christmas song written by Sammy Cahn and Jule Styne for Frank Sinatra, who recorded it in 1954 as the B-side of a new recording of White Christmas. Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.' The two met in Styne's apartment to begin work on the project, and Cahn asked the composer, 'Hey, Jule, has there ever been a Christmas waltz?' He said no. I said, 'Play that waltz of yours.' He did so, and Cahn began work on the lyrics of The Christmas Waltz, which many other artists have also recorded, including Doris Day, Peggy Lee, Bing Crosby, Natalie Cole, The Carpenters and many more. This arrangement has been created for concert band from the jazz ensemble version by John Berry.
$59.99
53.74 €
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Concert band
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Frank Sinatra
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The Christmas Waltz
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John Ivor Holland
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SheetMusicPlus
7 to 9
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.986863 Composed by Ben Pritchard.…
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Concert Band - Level 4 - Digital Download SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. Benjamin Pritchard #5465. Published by Benjamin Pritchard (A0.986863). This piece was originally written for jazz ensemble and then arranged for concert band. This was done, in part, to make available concert band literature that utilizes jazz/rock instruments (guitar, bass, piano) and improvisation. There are many arrangements of rock and pop tunes available to band directors. While those arrangements sometimes include bass parts they rarely, if ever, have guitar or piano/keyboard parts. Why not? Why not include these parts, even if they are optional? In addition, I’ve noticed that there is very little concert band literature that involves improvisation. Again, why not? I believe that this is the concert band literature of the future – the integrated utilization of electric guitar, keyboards, and improvisation. This piece is my first attempt at such a venture. Having just finished the premier performance of the original jazz ensemble version of 7 to 9 I thought it would be a good platform. Most of 7 to 9 transitions between 7/4 and 9/4. It is a fun, quirky piece with a Latin feel. There is a short 5-bar swing section in the middle for open solos. There is also a one chord solo section later in the piece for less experienced improvisers. The students will really enjoy putting this together, especially with the electric guitar, piano, and bass. It adds a completely new dimension to the concert band as well as an overall excitement. The piece ends with a long building Latin groove with a jam feel to it. The guitarist ends this build with an improvised solo which soars above the rest of the band. It is a fun piece to play but requires a great deal of focus due to the changing meter and odd phrase lengths and entrances. There is only a midi recording available at this time. A live recording will be available soon.
$49.99
44.78 €
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Concert band
#
Ben Pritchard
#
7 to 9
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Benjamin Pritchard
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SheetMusicPlus
Magnon (for Concert Band)
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.934376 Composed by Luis Cardoso. …
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Concert Band - Level 5 - Digital Download SKU: A0.934376 Composed by Luis Cardoso. Contemporary. Score and parts. 129 pages. Luis Cardoso #6168173. Published by Luis Cardoso (A0.934376). For Concert Band 12mThe anthropologists say that Cro-Magnon men lived in caves and used some basic tools, such as hooks and needles. They cooked, made clothes, and buried the dead. Some say they made art, painting on the walls of the caves. They were the first to question things. I imagine that, with curiosity, they invented faith. They cooked faith with fear to invent courage. I made this piece in 2011 when I started researching new languages ​​for my writing. The previous piece, Eli, Eli, sought to represent a current men walking on their faith, searching for it. Magnon seeks to represent an older man, seeking to give reason to his own fear. The style of musical writing is different from my other works. There are three distinct pieces within this piece, almost like movements, unified by a structure of relationships between notes and use of motifs, although these rarely occur in the same way. The melodies are divided and their pieces are thrown for as multiple possibilities of the timbres. Above technical considerations, there is a constant sense of instability more or less pronounced. Such is fear
$200.00
179.16 €
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Concert band
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Luis Cardoso
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Magnon
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Luis Cardoso
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SheetMusicPlus
Begin To Swing
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1259289 By KyleMac! Music. By Kyl…
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Concert Band - Level 1 - Digital Download SKU: A0.1259289 By KyleMac! Music. By Kyle L. McKinzey. Contest,Festival,Jazz. Score and Parts. 32 pages. KyleMac Music #852561. Published by KyleMac Music (A0.1259289). A fun tune for Beginner or young bands. Great intro to swing style. Though there are split parts in the clarinet and trumpet, this is still playable by most beginner bands. A lot of unison rhythms and doubling for reinforcement. There is also a concert Db, which is not normal for this range, but most have it and it's in unison as well. I added a more challenging percussion part (toms) which can be omitted if needed. NOTE - There is a separate Trombone part that avoids 5th position. If they are comfortable with that, they should play the Euphonium part.
$35.00
31.35 €
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Concert band
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KyleMac! Music
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Begin To Swing
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KyleMac Music
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SheetMusicPlus
Great Optimism!
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1441681 Composed by Caiden Christ…
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Concert Band - Level 5 - Digital Download SKU: A0.1441681 Composed by Caiden Christensen. Classical,Contest,Festival,Instructional,Romantic Period. 57 pages. Caiden Christensen #1021705. Published by Caiden Christensen (A0.1441681). I came up with this song by answering one simple question: “What do I really want to do with my music?” The answer came very quickly: “I want people to feel strong emotions of happiness when they listen to my music!” Soon after, I started composing a very simple outline of the piece.My biggest hope when you listen to this song is that it brings you much joy and happiness! I believe Optimism is a truly important view to have on life. Sometimes, you just have to look on the bright side! Unfortunately, there cannot always be happiness. If there was no sadness, you would not recognize or appreciate the happiness. There has to be opposition in order to feel anything. Without sadness and pain there would be no joy and happiness. That's why I wrote this song the way I did. In the beginning, it starts fairly happy and exciting! But then, sadness enters and even a bit of anger. It adds great contrast to the end which feels even more exciting and elated! I hope this song helps you feel optimistic, excited, and happy!
$49.99
44.78 €
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Concert band
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Caiden Christensen
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Great Optimism!
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Caiden Christensen
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SheetMusicPlus
March of the Martian Caterpillars
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.872438 Composed by James K. Taylo…
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Concert Band - Level 2 - Digital Download SKU: A0.872438 Composed by James K. Taylor. Folk,Instructional,Standards,World. Score and parts. 48 pages. James K. Taylor #238411. Published by James K. Taylor (A0.872438). This is a unique young band march. You may perform it at quarter = 120 OR in cut time -half=96. It works either way. The score instrumentation is for beginning band--flute, clarinet, alto sax, tenor sax, trumpet, horn, trombone, baritone, tuba, xylophone, snare/bass drum and cymbals. For bands playing it in cut time, there are parts (but not on score) in the PDF file for oboe (flute double) and bassoon-bass clarinet--bari sax (all trombone double). You will have to listen to the MP3 recording to believe your ears. NOTICE: THE SAMPLE STARTS WITH THE 4/4 VERSION AND WHEN IT IS OVER, THE 2/2 VERSION WILL BE PLAYED. Very few parts exceed one octave in the key of Bb. The flute/oboe part has one C above the high Bb. The rhythms are fairly easy, but in cut time, they sound challenging. There is lots of dynamic contrast, and your students will learn about lip slurs and march style. The clarinet and bass clarinet parts do not go across the break. The biggest challenge will be endurance for your brass players, but since there are no first and second parts, the lead players might can get a little rest time in the big tutti sections. The horn is kept in the middle range with tenor sax doubling.There are a few solos towards the beginning, but the soloists are getting to play the fun melody of this little two in one young band composition. I hope you enjoy this two marches for the price of one.
$30.00
26.87 €
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Concert band
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James K
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March of the Martian Caterpillars
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James K. Taylor
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SheetMusicPlus
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