Download Digital Sheet Music of I Have Decided for Concert band

I Have Decided
Concert band

Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monodyâ€™s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word â€œMonodyâ€ refers to, in a literal sense, a song sung to mourn oneâ€™s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narratorâ€™s mourning, and the enchanting lyrics originally written for this section further confirms their loss: Â Â Â I still hear you in the breeze, Â Â Â See your shadows in the trees; Â Â Â Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sisterâ€™s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. â€œMonodyâ€ Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!

Dream of a Witches' Sabbath Concert band

Concert Band - Level 5 - Digital Download SKU: A0.1028397 Composed by Hector Berlio…(+)

Concert Band - Level 5 - Digital Download SKU: A0.1028397 Composed by Hector Berlioz. Arranged by Vincent Fung Kin Yuen. Romantic Period. Score and parts. 150 pages. Vincent Fung Kin Yuen #3558347. Published by Vincent Fung Kin Yuen (A0.1028397). A few years ago, I attended a concert by the National University of Singapore Symphony Orchestra, a group of passionate students, at the National University of Singapore. They performed Berliozâ€™s Symphonie Fantastique, which has continuously captivated me through the wild, grotesque sounds. Recently, my friend, Joshua suggested that I could write an orchestral transcription for Dream of a Witchesâ€™ Sabbath. I have decided to keep the instrumentation to a minimum, where smaller size bands can give it a try without the fear of not owning unusual auxiliary instruments, but still able to maintain the original orchestral sounds. The original program notes by Berlioz is as follows: He sees himself at a witches' sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts. The beloved melody appears once more, but has now lost its noble and shy character; it is now no more than a vulgar dance tune, trivial and grotesque: it is she who is coming to the sabbath ... Roar of delight at her arrival ... She joins the diabolical orgy ... The funeral knell tolls, burlesque parody of the Dies irae, the dance of the witches. The dance of the witches combined with the Dies irae.
$200.00 184.16 € #Concert band #Hector Berlioz #Dream of a Witches' Sabbath #Vincent Fung Kin Yuen #SheetMusicPlus

Dan Galbraith: I Have Decided - concert band (orchestration)

Brad Henderson: I Have Decided - concert band (orchestration)