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It Could Be You
Concert band
Sheetmusic to print
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Your Favorite Thanksgiving and Harvest Hymns for Wind Instruments
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.522168 Composed by Various. Arran…
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Concert Band - Level 2 - Digital Download SKU: A0.522168 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 185 pages. Colin Kirkpatrick Publications #4727417. Published by Colin Kirkpatrick Publications (A0.522168). This new collection of Thanksgiving and Harvest hymns contains all your favorites, or at least, most of them. It’s probably all you’ll ever need for thanksgiving and harvest festivals and the arrangements can be used for virtually any combination of wind instruments. This is an essential title for any band library or for any ensembles that are called upon to provide music for schools or churches. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The score and all the parts are contained in a single PDF file. The following 25 hymns are included: All Creatures of our God and King (Lasst uns Erfreuen); As the Sun doth Daily Rise (Innocents); All Things Bright and Beautiful (Bright and Beautiful); Bringing in the Sheaves (George Minor); Come Ye Thankful People Come (St George’s Windsor); Fair Waved the Golden Corn (Holyrood); Fill your hearts with Joy and Gladness (Ode to Joy); For the Beauty of the Earth (Dix); For the Fruits of His Creation (Ar Hyd y Nos); Glorious Things of Thee are Spoken (Austrian Hymn); Immortal, Invisible (St Denio); Let all Things now Living (Ash Grove); Let us with a Gladsome Mind (Monkland); Now Thank we all Our God (Nun danket); Praise and Thanksgiving (Bunessan); Praise God for the Harvest (Stowey); Praise my Soul the King of Heaven (Lauda anima); Praise to the Lord the Almighty (Lob den herren); Rejoice the Lord is King (Darwall’s 148th); Sing to the Lord of Harvest (Wie lieblich ist der maien); This is my Father’s World (Terra Beata); To thee, O Lord, our Hearts we Raise (Golden Sheaves); We Gather Together (Kremser); We plough the Fields and Scatter (Wir pflügen); Praise God from whom all Blessings Flow (Old Hundredth) The publication consists of a four-staff score for each hymn plus: Part 1 in B flat (clarinet, trumpet, cornet, soprano sax); Part 1 in C (8ve higher for flute, oboe); Part 1 in E flat (alto saxophone, E flat clarinet); Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn); Part 2 in C (8ve higher for flute, oboe); Part 2 in E flat (alto saxophone); Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet); Part 3 in F (French horn in F); Part 4 in B flat (B flat bass clarinet, B flat bass); Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba); Part 4 in E flat (E flat baritone saxophone, E flat bass).
$29.95
27.5 €
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Concert band
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Various
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Your Favorite Thanksgiving and Harvest Hymns for Wind Instruments
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Colin Kirkpatrick Publications
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SheetMusicPlus
It Is Well With My Soul
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.897950 Composed by Phillip P. Bli…
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Concert Band - Level 2 - Digital Download SKU: A0.897950 Composed by Phillip P. Bliss. Arranged by Dana Usealman. Christian,Praise & Worship,Spiritual. Score and parts. 20 pages. Dana Usealman #3861451. Published by Dana Usealman (A0.897950). It Well With My Soul for small Concert Band. Includes score and parts: Flute, Clarinet, Alto Sax 1, Alto Sax 2, Bb Trumpet, Trombone (or Baritone), Mallets, Bass Drum, and Cymbals. When I arranged this, I only had early elementary clarinet players so that part is entirely written below the break. It can be taken up an octave for more advanced players. There is a flute solo for your best flute player, it could also be omitted if necessary. The mallet part could also be omitted in a pinch. It Is Well With My Soul is a hymn penned by hymnist Horatio Spafford and composed by Philip Bliss. First published in Gospel Songs No. 2 by Ira Sankey and Bliss (1876), it is possibly the most influential and enduring in the Bliss repertoire and is often taken as a choral model, appearing in hymnals of a wide variety of Christian fellowships. Horatio Spafford's original lyrics are included below. I had verses 1, 2, 3, and 6 in mind for this arrangement: When peace like a river, attendeth my way,When sorrows like sea billows roll;Whatever my lot, Thou hast taught me to knowIt is well, it is well, with my soul.RefrainIt is well, (it is well),With my soul, (with my soul)It is well, it is well, with my soul.Though Satan should buffet, though trials should come,Let this blest assurance control,That Christ has regarded my helpless estate,And hath shed His own blood for my soul.My sin, oh, the bliss of this glorious thought!My sin, not in part but the whole,Is nailed to the cross, and I bear it no more,Praise the Lord, praise the Lord, O my soul!For me, be it Christ, be it Christ hence to live:If Jordan above me shall roll,No pang shall be mine, for in death as in life,Thou wilt whisper Thy peace to my soul.But Lord, 'tis for Thee, for Thy coming we wait,The sky, not the grave, is our goal;Oh, trump of the angel! Oh, voice of the Lord!Blessed hope, blessed rest of my soul.And Lord, haste the day when the faith shall be sight,The clouds be rolled back as a scroll;The trump shall resound, and the Lord shall descend,A song in the night, oh my soul!
$14.99
13.76 €
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Concert band
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Phillip P
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It Is Well With My Soul
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Dana Usealman
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SheetMusicPlus
Oh It's A Lovely War - Concert Band Score and Parts PDF
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.750891 Composed by J. P. Long and…
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Concert Band - Level 3 - Digital Download SKU: A0.750891 Composed by J. P. Long and Maurice Scott in 1917. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 43 pages. BJE Music #4366396. Published by BJE Music (A0.750891). The song Oh! It's a Lovely War was written by J. P. Long and Maurice Scott in 1917.The lyrics of the first verse and the chorus are as follows:Up to your waist in water,Up to your eyes in slush -Using the kind of language,That makes the sergeant blush;Who wouldn't join the army?That's what we all inquire,Don't we pity the poor civilians sitting beside the fire.ChorusOh! Oh! Oh! it's a lovely war,Who wouldn't be a soldier eh?Oh! It's a shame to take the pay.As soon as reveille is goneWe feel just as heavy as lead,But we never get up till the sergeant bringsOur breakfast up to bedOh! Oh! Oh! it's a lovely war,What do we want with eggs and hamWhen we've got plum and apple jam?Form fours! Right turn!How shall we spend the money we earn?Oh! Oh! Oh! it's a lovely war.This is an arrangement for full Concert Band that could be used to accompany a sing-a-long of this World War 1 song's 3 verses and chorus. The MP3 plays only 2 verses with Chorus plus repeats. There are Horns in F and Eb, Basses in C, Eb and Bb as well as an optional Piano part (Not on the score).Grade = 3 Duration = 3:08 mins.
$25.00
22.96 €
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Concert band
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J
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Duration = 3:08 mins.
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Oh It's A Lovely War - Concert Band Score and Parts PDF
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BJE Music
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SheetMusicPlus
Rondo for Band - a piece for young concert band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.778240 Composed by John McAlliste…
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Concert Band - Level 2 - Digital Download SKU: A0.778240 Composed by John McAllister. 20th Century,Contemporary,Standards. Score and parts. 53 pages. John McAllister #6691135. Published by John McAllister (A0.778240). Rondo for Band is a great, fun piece for developing band. It is composed in the most basic of Rondo forms with a ABACA.... aaand done form. It continually comes back to the catchy and syncopated main theme. In the non-A tutti sections, smaller groupings of instruments get a chance to shine (woodwinds, low brass, etc). Playing this piece could also be a great chance to begin teaching students about musical form, with rondo being the easiest to understand. Then you can slap Mozart's Rondo Alla Turca on the speakers and BAM, music history!
$30.00
27.55 €
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Concert band
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John McAllister
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Rondo for Band - a piece for young concert band
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John McAllister
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SheetMusicPlus
Do You Hear How Many You Are?
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southar…
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Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
78.05 €
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Concert band
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphso…
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Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
13.76 €
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Concert band
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Austin Ralphson
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'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Austin Ralphson
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SheetMusicPlus
Someone Like You
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.751054 By Adele. By Adele Adkins …
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Concert Band - Level 3 - Digital Download SKU: A0.751054 By Adele. By Adele Adkins and Dan Wilson. Arranged by Brendan Elliget MAGA 537. Film/TV. Score and parts. 64 pages. BJE Music #6503075. Published by BJE Music (A0.751054). Someone Like You is a song recorded by English singer-songwriter Adele. It was written and produced by Adele and Dan Wilson for her second studio album, 21 (2011). It is the second single and final track on the album. The song was inspired by a broken relationship with one's life partner and lyrically speaks of Adele's coming to terms with it. This is an arrangement for Solo Flugelhorn and Concert Band (includes an optional Piano part). The Solo part could also be taken by another Bb instrument instead - including the Tenor Saxophone, Euphonium TC, etc… Grade = 4 (Solo) 3 (Band) Duration = 4:45 mins The audio was recorded with NotePerformer 3. Copyright © 2011 MELTED STONE PUBLISHING LTD., BMG MONARCH and SUGAR LAKE MUSIC All Rights for MELTED STONE PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC. All Rights for BMG MONARCH and SUGAR LAKE MUSIC Administered by BMG RIGHTS MANAGEMENT (US) LLC All Rights Reserved Used by Permission
$49.99
45.9 €
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Concert band
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Adele
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Someone Like You
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BJE Music
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SheetMusicPlus
Moving On
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1073919 Composed by Kyle L. McKin…
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Concert Band - Level 1 - Digital Download SKU: A0.1073919 Composed by Kyle L. McKinzey. Contest,Festival. Score and parts. 39 pages. KyleMac Music #678180. Published by KyleMac Music (A0.1073919). This is a fun and well-written march with 1st-year players in mind. It could be a level 1/2 if not for the length and percussion parts. All wind parts are easily approachable by 1st-year players. Ranges are generally within the first 6 notes. Upper WW are mostly unison with an occasional 2nd Clarinet split. Lower WW/Brass are rhythmically unison with trombone occasionally split for harmonic depth. The Trumpet split is like the Clarinet in that it is rare and used for harmonic support and lower range for the youngest players. Percussion parts are somewhat more “advanced†than the wind parts. It can still be performed using fewer players and simplified parts are provided. There is a Simplified Snare Drum part that removes the 16th note patterns from the Adv. Snare.
$25.00
22.96 €
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Concert band
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Kyle L
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Moving On
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KyleMac Music
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SheetMusicPlus
Morning Star Serenade
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1378471 Composed by John R. Danie…
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Concert Band - Level 4 - Digital Download SKU: A0.1378471 Composed by John R. Daniels. Classical,Contemporary,Pop,Rock. 69 pages. John R. Daniels #963091. Published by John R. Daniels (A0.1378471). Morning Star Serenade expresses  a variety of emotions, displayed as an assortment of variations on a theme. It could be called a tone poem with lots of motion, including an assortment of chord progession settings that make the themes into a kaleidescope of musical colors. There are also some fugal treatments of the theme, including an inverted motif. It's an advanced intermediate piece owing to the number of accidentals, dynamic changes and the counterpoint type movement in the instrument sections. If you'd like to make your band a bit famous, please consider recording your performance of Morning Star Serenade and sending it to me so I can use it in my website and promotions. Your school and band name will appear in all promotions. Send it to CustomMusic@Salt-Cellar-Creations.com. Thanks.
$64.99
59.68 €
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Concert band
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John R
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Morning Star Serenade
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John R. Daniels
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SheetMusicPlus
Dragon Warrior - for Young Concert Band
Concert band
Composed by John McAllister. 21st Century, 20th Century, Modern, Technique Training. …
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Composed by John McAllister. 21st Century, 20th Century, Modern, Technique Training. 26 pages. Published by John McAllister
Dragon Warrior is a piece for beginners, as it only uses the first six notes typically learned on wind instruments (Concert Bb-Concert G). I wrote this to be a piece to get kids excited about playing their instruments and making music together (it's definitely not "high art"). It also appeals to the imagination and a lot of what we see in film/tv and video games these days. If your speakers are powerful enough you could play along with a larger group of students, maybe as a Fun Friday activity.
$30.00
27.55 €
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Concert band
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John McAllister
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Dragon Warrior - for Young Concert Band
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John McAllister
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SheetMusicPlus
Spring Fountain March
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1228871 By Kyle L. McKinzey. By K…
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Concert Band - Level 2 - Digital Download SKU: A0.1228871 By Kyle L. McKinzey. By Kyle L. McKinzey. March. Score and Parts. 31 pages. KyleMac Music #824782. Published by KyleMac Music (A0.1228871). SPRING FOUNTAINS MARCH is a fun, exci􀆟ng concert march for young bands. With tutti syncopation and lots of flourishes, the band will be able to express the joy of spring as fountains in the park start up again.Woodwinds—Only the clarinet part is split throughout. The alto sax has a couple of split measures to reinforce the trills but supports the horn line for the rest of the march. The tenor sax supports the horn part when the altos have the trills. The ranges are within most 1st-year players and easily within 2nd-year players range. The 2nd Clarinet never goes above the break. The trills for all woodwinds (fountains) are easy trills for younger players.Brass—Only the trumpet part is split and it is rhythmically unison throughout. Low brass/woodwinds are mostly entirely unison throughout the piece. Like the WW’s, all parts are playable by 1st-year players. Percussion uses a standard concert march instrumentation. The bells have some trills and tremolos that could be new to a younger player.I hope you and your students enjoy SPRING FOUNTAINS MARCH and I would appreciate any commentsto kylemacmusic#@gmail.com.
$35.00
32.14 €
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Concert band
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Kyle L
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Spring Fountain March
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KyleMac Music
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SheetMusicPlus
The Lily of the Valley--flex band/orchestra
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.786848 Composed by Antonio Vivald…
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Concert Band - Level 3 - Digital Download SKU: A0.786848 Composed by Antonio Vivaldi, William S. Hays. Arranged by Beka Wilson. Baroque,Christian,Sacred. Score and parts. 44 pages. Beka Wilson #6624827. Published by Beka Wilson (A0.786848). A cheerful, uplifting arrangement of an old favorite in the setting of Vivaldi's Spring from The Seasons. This flex piece is perfect for a smaller ensemble or orchestra, or one with an untraditional assortment of instruments. It could be played as written in cut time or in 4/4 for a slightly slower pace.Time: Approximately 3 minutes (at 80 bpm cut time)Level: 3.5 Includes score and parts (flute, oboe, clarinet, bassoon, alto/tenor saxophone, trumpet, horn, trombone, mallet percussion, violin, and cello). If there is an instrument you’d like parts for that isn’t included, feel free to contact me at bekmars10@gmail.com so I can get a custom arrangement put up on Sheet Music Plus for you.
$40.00
36.73 €
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Concert band
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Antonio Vivaldi, William S
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The Lily of the Valley--flex band/orchestra
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Beka Wilson
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SheetMusicPlus
Of Lake & Hill & Heaven Splendor - Concert Band - Wind Ensemble
Concert band
Concert Band - Digital Download SKU: A0.1012284 Composed by Chris Kamerling. Contem…
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Concert Band - Digital Download SKU: A0.1012284 Composed by Chris Kamerling. Contemporary. Score and parts. 36 pages. Phantom K Music #6260577. Published by Phantom K Music (A0.1012284). Of Lake & Hill & Heaven Splendor is a beautiful, emotional piece of music perfect for teaching musical phrasing and balance, blend, and intonation. It is a great choice for a more lyrical middle selection for concerts or could be played as a stand-alone piece. It would be equally as comfortable in an educational setting as it would be in a sacred setting. The inspiration for the piece comes from Psalm 89:11, The heavens are yours, and also the earth; you founded the world and all that is in it. It's performance time is approximately 3:30. Chris Kamerling is a member of ASCAP. His Facebook page can be found at https://www.facebook.com/KamerlingComposer and his YouTube channel is at https://www.youtube.com/user/ckamerling93
$40.00
36.73 €
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Concert band
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Chris Kamerling
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Hill &
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Of Lake & Hill & Heaven Splendor - Concert Band - Wind Ensemble
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Phantom K Music
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SheetMusicPlus
La Cumparsita (Tango-Sinphonic Wind Band)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.946247 Composed by Gerardo Matos …
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Concert Band - Level 4 - Digital Download SKU: A0.946247 Composed by Gerardo Matos Rodriguez. Arranged by Adrian Placenti. World. Score and parts. 37 pages. Adrian Placenti #6331551. Published by Adrian Placenti (A0.946247). One of the most popular Old Argentinean Tango, La Cumparsita, in a arregemnt for Band. It could be played in any University Band if you want to enjoy a real Tango, in a real Argentinean style.
$15.00
13.77 €
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Concert band
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Gerardo Matos Rodriguez
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La Cumparsita
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Adrian Placenti
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SheetMusicPlus
America's Favorite Christmas Carols - Wind Instruments
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.522188 Composed by Various. Arran…
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Concert Band - Level 2 - Digital Download SKU: A0.522188 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship. Score and parts. 190 pages. Colin Kirkpatrick Publications #6403623. Published by Colin Kirkpatrick Publications (A0.522188). This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The publication consists of a four-staff score in concert pitch together with fifteen separate parts in various transpositions plus a simplified optional keyboard part. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumental tone color by omitting groups of instruments. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities.The complete set includes: Part 1 in B flat, E flat and C; Part 2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in B flat, E flat and C. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because invariably the parts lie too low for flute or oboe. For elementary players, a Part 1 in C (low) is included at concert (score) pitch. Parts 3 and 4 in C are in the bass clef. The arrangements could be played by virtually any combination of conventional wind band instruments. Using the optional keyboard part they could also be used as solos, duets or trios. The scores and all the parts are contained in a single 190-page PDF file. Please note that these arrangements are not necessarily compatible with other Kirkpatrick arrangements published by Glyn Joseph Editions. The collection incuers the following favorite carols: Angels We Have Heard On High (Gloria); Lo, How a Rose E’er blooming (Es ist ein Ros entsprungen); O Come, O Come Emmanuel (Veni Emmanuel); The First Noel; Ding Dong! Merrily on High (Bransle de l’Officiel); O Come All Ye Faithful (Adeste Fidelis); Hark! The Herald Angels Sing (Mendelssohn); Go Tell It on the Mountain; O Little Town of Bethlehem (St. Louis); O Holy Night (Cantique de Noël); Silent Night (Stille Nacht); Away in a Manger (Mueller); Joy to the World (Antioch); O Christmas Tree (Tannenbaum); We Three Kings (Kings of Orient); I Heard the Bells on Christmas Day (Waltham); What Child is This? (Greensleeves); God Rest You Merry, Gentlemen; Good King Wenceslas (Tempus Adest Floridum) and We Wish You a Merry Christmas.
$19.99
18.36 €
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Concert band
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Various
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America's Favorite Christmas Carols - Wind Instruments
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Colin Kirkpatrick Publications
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
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Concert band
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
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Concert band
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Giovanni Gabrieli
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.03 €
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Concert band
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
March of the Trolls
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1401120 Composed by Ron Flintjer.…
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Concert Band - Level 2 - Digital Download SKU: A0.1401120 Composed by Ron Flintjer. March. 25 pages. Ron Flintjer #984306. Published by Ron Flintjer (A0.1401120). March of the Trolls - a troll is a Nordic mythological creature who lives in caverns or underground. A Troll could be either short or tall in stature and appearance is similar to that of a goblin. This composition is written for the beginning Intermediate band and rehearsal time should be minimal. Rhythms and ranges are well within grasp and it comes complete with full score and parts for all instruments. If you give this composition a try, I am sure your students and audience will appreciate it. If this piece appeals to you, please try others in my listings by typing RON FLINTJER in the search bar located on the home page. Thank you for your consideration and I wish you and your students much musical success.
$16.00
14.69 €
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Concert band
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Ron Flintjer
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March of the Trolls
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Ron Flintjer
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SheetMusicPlus
The Best Hymns of All Time (for Wind Instruments) Book 2
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.522171 Composed by Various. Arran…
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Concert Band - Level 2 - Digital Download SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin Kirkpatrick Publications #5726781. Published by Colin Kirkpatrick Publications (A0.522171). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 123-page PDF file for instant download. Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland) Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
29.38 €
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Concert band
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Various
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Best Hymns of All Time (for Wind Instruments) Book 3
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arran…
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Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
29.38 €
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Concert band
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Various
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Hands
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1004082 Composed by James F. Hodg…
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Concert Band - Level 3 - Digital Download SKU: A0.1004082 Composed by James F. Hodgdon III. 20th Century,Contemporary,Instructional,Standards. Score and parts. 56 pages. Jhcompositions #3447683. Published by Jhcompositions (A0.1004082). Hands is a large scale percussion piece. It was written for the Pinkerton Academy Percussion Ensemble in 2017. The piece aimed to provide music that a percussion ensemble containing first year percussionists, as well as seasoned musicians could participate in. It is designed so that more experienced players can choose a more difficult parts, but that new percussionists could choose more simple. The piece contains body percussion that could be performed by even a brand new musician, but could be combined with other instrument parts to shrink the size of the ensemble. No one will be bored!!The work would be great for a high school percussion ensemble or community band!You are purchasing the full score and individual parts. Give a listen!Duration: 3:45.
$9.99
9.17 €
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Concert band
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James F
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Hands
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Jhcompositions
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SheetMusicPlus
'Ave Maria' - Raymond Fenech (For Concert Band, Soprano, Baritone and Choir)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.879776 Composed by Raymond Fenech…
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Concert Band - Level 4 - Digital Download SKU: A0.879776 Composed by Raymond Fenech. Arranged by Raymond Fenech. 20th Century,Latin,Sacred,Spiritual,Wedding. Score and parts. 58 pages. Raymond Fenech #486184. Published by Raymond Fenech (A0.879776). This is an original Ave Maria with Traditional Latin Lyrics, composed for Concert Band, Soprano, Baritone and Choir (two voices). The level is Intermediate/ advance Intermediate. You will also get an Optional piano score which could be used for rehearsing the Choir and voices. The duration of this Ave Maria is 7.05 minutes and it could be reduced to 4.35 minutes if you omit the repeat.
$40.00
36.73 €
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Concert band
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Raymond Fenech
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'Ave Maria' - Raymond Fenech
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Raymond Fenech
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SheetMusicPlus
Threshold
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1272805 Composed by Drew Morris. …
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Concert Band - Level 4 - Digital Download SKU: A0.1272805 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 107 pages. Yellow Envelope Publications #865003. Published by Yellow Envelope Publications (A0.1272805). Threshold is meant to portray time slowing down as you approach a black hole due to Gravitational Time Dilation. As such, I took a melody and reworked it in several different time signatures, to allow you to feel it stretch out or shrink, leading to moments where time basically goes out the window with prolonged moments of aleatoric metallic cacophony in the percussion section. Mixed in with the increasing and decreasing time signatures is something loosely resembling a fugue subject in the woodwinds. I’m not sure where it came from, but I love the feeling it gave this piece.By the way, I always thought it would be really cool if, during the end of the piece, the percussion could be spread throughout the performance venue to create a true surround sound experience, playing the aleatoric motive all around the audience. (Maybe even let some of the audience members participate too!)  …just a thought.Instrumentation2 Flute, Oboe, Bassoon, 2 Clarinet, Bass Clarinet,2 Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 2 Trumpet, French Horn, 2 Trombone, Euphonium, Treble Clef Euphonium, Tuba6 Percussionists - Timpani, Snare Drum, Bass Drum, Floor Tom,2 Suspended Cymbal, Shaker (egg or shekere), Crash Cymbals, Tam-tam,Glockenspiel, and as many pitched metallic instruments as possible (G, A-flat, B-Flat)
$75.00
68.87 €
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Concert band
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the way, I always thought it would be really cool if, during the end of the piece, the percussion could be spread throughout the performance venue to create a true surround sound experience, playing the aleatoric motive all around the audience
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Drew Morris
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Threshold
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Yellow Envelope Publications
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SheetMusicPlus
Beatlecracker Suite
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1452596 Composed by John Lennon a…
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Concert Band - Level 5 - Digital Download SKU: A0.1452596 Composed by John Lennon and Paul McCartney. Arranged by John Ivor Holland. 20th Century,Christmas,Classical,Holiday,Pop. 269 pages. John Ivor Holland #1031902. Published by John Ivor Holland (A0.1452596). In the mid 1960s, Roy Castle had a series of variety shows on BBC Television and Arthur Wilkinson was his musical director. On one of the shows, the celebrity guest was ballet star Doreen Wells who asked if she could dance to music of the Beatles. It fell to Wilkinson to arrange some of the hit songs for use by a ballerina. He hit on the idea of Tchaikovsky's Nutcracker Suite as a model; it was so popular that further movements were added for an EP recording and the complete Beatlecracker Suite is the result. The EP was issued throughout the world and was to be followed by an album if it did well enough, but it appears there was none. The movements are:1. Miniature Overture (Help!)2. March (When I'm 64)3. Dance of the Sugar Plum Fairy (Can't buy me love)4. Russian Dance (Trepak) (Norwegian Wood) [not part of the original suite] 5. Arabian Dance (It's for you)6. Chinese Dance (Ticket to ride)7. Dance of the Reed Flutes (She loves you)8. Waltz of the Flowers (From me to you)9. Pas de Deux (All my loving)A perfect chart for an alternative Christmas/Holiday event, or just a great opportunity to celebrate the enduring legacy of the Beatles.
$99.99
91.82 €
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Concert band
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John Lennon and Paul McCartney
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Beatlecracker Suite
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John Ivor Holland
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SheetMusicPlus
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