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Mark James
Concert band
Sheetmusic to print
22 sheet music found
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1
Always On My Mind
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1410260 By The Pet Shop Boys. By …
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Concert Band - Level 2 - Digital Download SKU: A0.1410260 By The Pet Shop Boys. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by John Ivor Holland. 20th Century,Country,Disco,Film/TV,Pop. 49 pages. John Ivor Holland #992678. Published by John Ivor Holland (A0.1410260). Always on My Mind was originally conceived as a ballad written by Wayne Carson, Johnny Christopher, and Mark James and first recorded by country artist Brenda Lee in 1972. The song has been a crossover hit, charting in both country and pop categories. Elvis Presley's recording was the first commercially successful version of the song, followed by a 1987 hi-NRG/synth-pop interpretation from Pet Shop Boys (which reached UK number one and made US Top Ten). This version by PSB came about in 1987 as part of an anniversary show called 'Love Me Tender', to mark 10 years since the death of Elvis Presley (who had also charted well with the song) - in November 2004, The Daily Telegraph placed the version at number two in a list of the 50 best cover versions of all time and ten years later, a public poll compiled by the BBC saw the song voted the all-time best cover version. The PSB cover has recenbtly been used in the acclaimed British film 'All Of Us Strangers', launching it back into popularity again - this arrangement features, towards the end, an ad lib repeated section where your lead alto sax can really bring down the house!
$49.99
46.09 €
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Concert band
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The Pet Shop Boys
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Always On My Mind
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John Ivor Holland
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SheetMusicPlus
Hooked On A Feeling (29-Piece Digital Pack)
Concert band
Concert band Percussion 1 - Level 2-3 - Digital Download SKU: HX.303427 By B.J. Tho…
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Concert band Percussion 1 - Level 2-3 - Digital Download SKU: HX.303427 By B.J. Thomas, Blue Swede, and Mark James. Arranged by Paul Murtha. Pop,Rock. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.303427).
Digital Pack includes
:
Hooked On A Feeling - Conductor Score (Full Score)
Hooked On A Feeling - Pt.1 - Flute
Hooked On A Feeling - Pt.1 - Oboe
Hooked On A Feeling - Pt.1 - Bb Clarinet/Bb Trumpet
Hooked On A Feeling - Pt.1 - Violin
Hooked On A Feeling - Pt.2 - Bb Clarinet/Bb Trumpet
Hooked On A Feeling - Pt.2 - Eb Alto Saxophone
Hooked On A Feeling - Pt.2 - Violin
Hooked On A Feeling - Pt.3 - Bb Clarinet
Hooked On A Feeling - Pt.3 - Bb Tenor Saxophone
Hooked On A Feeling - Pt.3 - Eb Alto Sax/Alto Clar.
Hooked On A Feeling - Pt.3 - F Horn
Hooked On A Feeling - Pt.3 - Violin
Hooked On A Feeling - Pt.3 - Viola
Hooked On A Feeling - Pt.4 - Bb Tenor Sax/Bar. T.C.
Hooked On A Feeling - Percussion 2
Hooked On A Feeling - Mallet Percussion
Hooked On A Feeling - Timpani
Hooked On A Feeling - Pt.4 - F Horn
Hooked On A Feeling - Pt.4 - Trombone/Bar. B.C./Bsn.
Hooked On A Feeling - Pt.4 - Cello
Hooked On A Feeling - Pt.5 - Bb Bass Clarinet
Hooked On A Feeling - Pt.5 - Trombone/Bar. B.C./Bsn.
Hooked On A Feeling - Pt.5 - Baritone T.C.
Hooked On A Feeling - Pt.5 - Cello
Hooked On A Feeling - Pt.5 - Eb Baritone Saxophone
Hooked On A Feeling - Pt.5 - Tuba
Hooked On A Feeling - Pt.5 - String/Electric Bass
Hooked On A Feeling - Percussion 1
$60.00
55.31 €
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Concert band
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B
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Hooked On A Feeling
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Hal Leonard - Digital
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SheetMusicPlus
Hooked On A Feeling - Pt.4 - F Horn
Concert band
Concert band F Horn - Level 2-3 - Digital Download SKU: HX.303417 By B.J. Thomas, B…
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Concert band F Horn - Level 2-3 - Digital Download SKU: HX.303417 By B.J. Thomas, Blue Swede, and Mark James. Arranged by Paul Murtha. Pop,Rock. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.303417).
$6.00
5.53 €
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Concert band
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B
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Hooked On A Feeling - Pt.4 - F Horn
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Hal Leonard - Digital
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SheetMusicPlus
Hooked On A Feeling - Pt.5 - Baritone T.C.
Concert band
Concert band Baritone T.C. - Level 2-3 - Digital Download SKU: HX.303422 By B.J. Th…
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Concert band Baritone T.C. - Level 2-3 - Digital Download SKU: HX.303422 By B.J. Thomas, Blue Swede, and Mark James. Arranged by Paul Murtha. Pop,Rock. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.303422).
$6.00
5.53 €
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Concert band
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B
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Hooked On A Feeling - Pt.5 - Baritone T.C.
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Hal Leonard - Digital
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SheetMusicPlus
Hooked On A Feeling - Pt.5 - Tuba
Concert band
Concert band Tuba - Level 2-3 - Digital Download SKU: HX.303425 By B.J. Thomas, Blu…
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Concert band Tuba - Level 2-3 - Digital Download SKU: HX.303425 By B.J. Thomas, Blue Swede, and Mark James. Arranged by Paul Murtha. Pop,Rock. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.303425).
$6.00
5.53 €
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Concert band
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B
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Hooked On A Feeling - Pt.5 - Tuba
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Hal Leonard - Digital
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SheetMusicPlus
Hooked On A Feeling - Pt.5 - Trombone/Bar. B.C./Bsn.
Concert band
Concert band Trombone/Bar. B.C./Bsn. - Level 2-3 - Digital Download SKU: HX.303421 …
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Concert band Trombone/Bar. B.C./Bsn. - Level 2-3 - Digital Download SKU: HX.303421 By B.J. Thomas, Blue Swede, and Mark James. Arranged by Paul Murtha. Pop,Rock. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.303421).
$6.00
5.53 €
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Concert band
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B
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Hooked On A Feeling - Pt.5 - Trombone/Bar. B.C./Bsn.
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Hal Leonard - Digital
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SheetMusicPlus
Hooked On A Feeling - Pt.3 - Bb Clarinet
Concert band
Concert band Bb Clarinet - Level 2-3 - Digital Download SKU: HX.303407 By B.J. Thom…
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Concert band Bb Clarinet - Level 2-3 - Digital Download SKU: HX.303407 By B.J. Thomas, Blue Swede, and Mark James. Arranged by Paul Murtha. Pop,Rock. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.303407).
$6.00
5.53 €
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Concert band
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B
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Hooked On A Feeling - Pt.3 - Bb Clarinet
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Hal Leonard - Digital
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SheetMusicPlus
Hooked On A Feeling
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1087177 By B.J. Thomas. By Mark J…
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Concert Band - Level 2 - Digital Download SKU: A0.1087177 By B.J. Thomas. By Mark James. Arranged by Kris Berg. Pop. Score and parts. 39 pages. Kris Berg Jazz #691379. Published by Kris Berg Jazz (A0.1087177). High energy pep band arrangement of popular classic pop tune.
$49.99
46.09 €
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Concert band
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B
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Hooked On A Feeling
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Kris Berg Jazz
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SheetMusicPlus
Always On My Mind
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1355561 By Elvis Presley. By John…
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Concert Band - Level 3 - Digital Download SKU: A0.1355561 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Nejc BeÄan, Marjan Peternel. 20th Century,Blues,Film/TV,Standards,Wedding. 38 pages. UpBeat Editions #940286. Published by UpBeat Editions (A0.1355561). Arrangement of a well known ballad for Concert band and Solo Trombone. With some adaptation the Solo part is playable by other instruments (Euphonium, Tenor Sax., etc.).Full set of Score and parts.Youtube link and .mp3 file are of the symphonic version of the same arrangement. Further info: www.upbeateditions.comupbeat.editions@gmail.comhttps://www.facebook.com/UpBeatEditions.
$89.00
82.05 €
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Concert band
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Elvis Presley
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Always On My Mind
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UpBeat Editions
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SheetMusicPlus
Somewhere Out There
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1495931 By Linda Ronstadt & James…
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Concert Band - Level 4 - Digital Download SKU: A0.1495931 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by Mark Vause. Broadway,Film/TV,Musical/Show,Pop. 34 pages. Mark Vause #1072462. Published by Mark Vause (A0.1495931). Somewhere Out There (from An American Tail) is suitable for Intermediate to Advanced Level Concert Bands.Comes with Score & all parts.
$49.99
46.09 €
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Concert band
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Linda Ronstadt & James Ingram
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all parts.
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Somewhere Out There
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Mark Vause
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SheetMusicPlus
Somewhere Out There
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1288809 By Linda Ronstadt & James…
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Concert Band - Level 2 - Digital Download SKU: A0.1288809 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by Mark Fabio. Broadway,Film/TV,Instructional,Musical/Show,Pop,Standards. Score and Parts. 28 pages. Mark Fabio #879661. Published by Mark Fabio (A0.1288809). This is one of the first arrangements I did for band when I was at Belleville Elementary Schools many moons ago! I still kept it pretty simple in this version but it is probably now a 1+ or 2 grading level (That would be at 6th or 7th grade level depending on the district). It is a not only a cool concert piece that everyong will enjoy, but it will teach your students lyrical and legato playing, dynamics, and tuning as there are some pretty cool pop harmonies! I hope you like it!!
$49.99
46.09 €
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Concert band
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Linda Ronstadt & James Ingram
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Somewhere Out There
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Mark Fabio
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SheetMusicPlus
The Hills of Heaven
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1018616 Composed by James Michael…
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Concert Band - Level 3 - Digital Download SKU: A0.1018616 Composed by James Michael Creider. Contemporary. Score and parts. 52 pages. James Michael Creider #4727577. Published by James Michael Creider (A0.1018616). Composed for concert band and organ (no pedals), The Hills of Heaven honors the music and memory of William Mark, co-founder of the McKinney Community Band of McKinney, Texas. The band premiered this composition on March 31, 2012 in the McKinney Performing Arts Center. Running time is approximately 8 minutes.
$35.00
32.27 €
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Concert band
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James Michael Creider
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The Hills of Heaven
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James Michael Creider
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SheetMusicPlus
Jingle Bells for Beginner Concert Band
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1029426 Composed by James Lord Pi…
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Concert Band - Level 1 - Digital Download SKU: A0.1029426 Composed by James Lord Pierpont. Arranged by Deanna Hnatiw. 20th Century,Christmas,Folk. Score and parts. 17 pages. Deanna Hnatiw #4968217. Published by Deanna Hnatiw (A0.1029426). Jingle Bells is one of the most recognized winter songs in North America. It was written by James Lord Pierpont (1822–1893) and published under the title One Horse Open Sleigh in the autumn of 1857. This arrangement is in a march style and is great for beginner concert band with no tenor saxophone and rhythm percussion section. The general range is a concert Bb scale with added low concert A. An optional clarinet 1 part written above the break. Rehearsal suggestions: The entire band has the rhythm, jingle bells except the bass part which is bells jingle in the main melody sections. At rehearsal mark 21 the saxophone part does extend to low Es and Ds, but this can be changed to high Es and Ds to accommodate range. If you do have rhythmic or melodic percussion, snare and bells can play the rhythms and melodies of the flute and bass drum could play the bass guitar rhythms. .
$25.00
23.05 €
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Concert band
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James Lord Pierpont
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Jingle Bells for Beginner Concert Band
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Deanna Hnatiw
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SheetMusicPlus
A Beethoven Celebration
Concert band
Concert Band - Digital Download SKU: A0.926710 Composed by Ludwig van Beethoven. Ar…
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Concert Band - Digital Download SKU: A0.926710 Composed by Ludwig van Beethoven. Arranged by James E. Goodwin. Classical. Score and parts. 110 pages. James Goodwin #5302777. Published by James Goodwin (A0.926710). This year marks the 250th anniversary of Ludwig van Beethoven's birth. In commemoration of this historic event, and because of the greatness of his music, I composed A Beethoven Celebration for concert band. Included is music from five different pieces: Symphony #3 (The Eroica); Piano Sonata #8 (The Pathetique); Symphony #5; March for Military Music in F; and Symphony #9 (Ode to Joy). Optional parts for harp (or piano) and soprano saxophone (substitute for oboe) are included.
$80.00
73.75 €
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Concert band
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Ludwig van Beethoven
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A Beethoven Celebration
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James Goodwin
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SheetMusicPlus
Samarqand Concert Overture
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.992463 Composed by Eric Watson. 2…
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Concert Band - Level 5 - Digital Download SKU: A0.992463 Composed by Eric Watson. 20th Century. Score and parts. 26 pages. Eric Watson #4107859. Published by Eric Watson (A0.992463). This is a work for concert band, 9 minutes in length suitable for advanced players. The work is ideal as either an opening piece or as part of a programme and is an evocation loosely based on James Elroy Flecker's poem Samarkand. The programme notes can be obtained from trepicos@gmail.com. and the parts afre available as a separate PDF. My performance rights organisation is Composers and Authors Society of Singapore (COMPASS).
$28.00
25.81 €
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Concert band
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Eric Watson
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Samarqand Concert Overture
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Eric Watson
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SheetMusicPlus
Samarqand Concert Overture instrument parts
Concert band
Concert Band - Digital Download SKU: A0.992464 Composed by Eric Watson. 20th Centur…
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Concert Band - Digital Download SKU: A0.992464 Composed by Eric Watson. 20th Century. Score and parts. 106 pages. Eric Watson #4107879. Published by Eric Watson (A0.992464). This PDF contains all the instrument parts for Samarqand Concert Overture. The full score and midifile is a separate PDF. The work is for concert band, advanced players, and is 9.00 minutes in length. I can be contacted at trepicos@gmail.com for programme notes and further information. The work is an evocation of James Elroy Flecker's poem Samarkand.
$62.00
57.16 €
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Concert band
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Eric Watson
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Samarqand Concert Overture instrument parts
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Eric Watson
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SheetMusicPlus
Jingle Bells (Very Young Band)
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.764073 Composed by James Lord Pie…
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Concert Band - Level 1 - Digital Download SKU: A0.764073 Composed by James Lord Pierpont. Arranged by Wesley D. Peters. Christmas,Instructional. Score and parts. 17 pages. Asbury Publishing #3880049. Published by Asbury Publishing (A0.764073). Do you find it difficult to find music for your 1st and 2nd year band students to play at the Holiday/Winter Concert? This simple band arrangement was written by an elementary/middle school band teacher specifically for first and second year players (parts are clearly marked). First year students only need to be able to play their first 5 notes. Ranges are expanded somewhat for second year players but are still very manageable.Purchase includes a Score and parts for flute (oboe), clarinet, alto sax, tenor sax, bass clarinet, bassoon, trumpet, horn in f, trombone, baritone, tuba, and percussion (snare/bass).Need additional copies for your ensemble? Feel free to make copies for your group only. Copyright prohibits sharing with other schools/ensembles.Need additional instrumentation? Please contact the arranger at wesley.d.peters@gmail.com.
$16.99
15.66 €
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Concert band
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James Lord Pierpont
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Jingle Bells
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Asbury Publishing
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Concert band
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Concert band
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Giovanni Gabrieli
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.21 €
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Concert band
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
King Cotton (concert band arrangement)
Concert band
Concert Band - Digital Download SKU: A0.913561 Composed by John Philip Sousa. Arran…
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Concert Band - Digital Download SKU: A0.913561 Composed by John Philip Sousa. Arranged by Michael James Daniel Robets. 20th Century,Contemporary. Score and parts. 84 pages. Mike Roberts #6039417. Published by Mike Roberts (A0.913561). An arrangement of a classic Sousa march. It's quite faithful to the original, with some instrumentation changes and a few tweaks here and there. It should be well within the capability of a school or college concert band. The dynamic markings are fairly unsubtle, but are crucial to making the piece work. Watch out for the sudden drops to 'p'!A note about the parts: trumpets 2-4 are combined on the score for ease of reference, but are separated on the parts. The other combined (doubled) instruments are NOT separated on the parts, but I will be happy to provide separated parts if desired - please get in touch at michael.roberts@ucl.ac.uk
$14.99
13.82 €
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Concert band
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John Philip Sousa
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King Cotton
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Mike Roberts
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SheetMusicPlus
Hooked On A Feeling - Conductor Score (Full Score)
Concert band
By Blue Swede, Mark James, and B.J. Thomas. Arranged by Paul Murtha. Concert band. Pop; Ro…
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By Blue Swede, Mark James, and B.J. Thomas. Arranged by Paul Murtha. Concert band. Pop; Rock. Conductor Score (Full Score). 15 pages. Published by Hal Leonard - Digital Sheet Music
$5.00
4.61 €
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Concert band
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Blue Swede, Mark James, and B
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Rock
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Hooked On A Feeling - Conductor Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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