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You've selected:
Money Man
SheetMusicPlus
Concert band
Sheetmusic to print
9 sheet music found
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1
Money, Money, Money
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Concert band
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INTERMEDIATE
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Pop music
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ABBA
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Benny Andersson, Bjorn Ulvaeus
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Lorenzo Bocci
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Money, Money, Money
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1400016 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Lorenzo Bocci. Broadway,Film/TV,Musi...
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Concert Band - Level 3 - Digital Download SKU: A0.1400016 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Lorenzo Bocci. Broadway,Film/TV,Musical/Show,Pop,Rock. 66 pages. Lorenzo Bocci #983245. Published by Lorenzo Bocci (A0.1400016). MONEY, MONEY, MONEY Performed by ABBAfor Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Benny Andersson, Bjorn Ulvaeus. Arranged by Lorenzo Bocci. Pop/Rock/Musical/Film. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 3'00''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Timpani, Tambourine, Drum Set, Xylophone, Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Money, Money, Money is a song recorded by Swedish pop group ABBA, written by Benny Andersson and Björn Ulvaeus with Anni-Frid Lyngstad singing lead vocals. It was released on 1 November 1976, as the second single from their fourth album, Arrival (1976). The song became a number-one chart hit in Australia, Belgium, France, West Germany, The Netherlands, Mexico and New Zealand, while reaching the top three in Austria, Ireland, Norway, Switzerland and the UK. Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
Oh, Pretty Woman
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Concert band
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EASY
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Roy Orbison
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John Holland
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Oh, Pretty Woman
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1288901 By Roy Orbison. By Bill Dees and Roy Orbison. Arranged by John Holland. 20th Century,Film/TV,Po...
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Concert Band - Level 2 - Digital Download SKU: A0.1288901 By Roy Orbison. By Bill Dees and Roy Orbison. Arranged by John Holland. 20th Century,Film/TV,Pop,Rock,Singer/Songwriter. Score and Parts. 42 pages. John Ivor Holland #879740. Published by John Ivor Holland (A0.1288901). Featured, of course, in the Julia Roberts and Richard Gere film (1990) and now in its own stage musical, Oh, Pretty Woman was originally recorded by Roy Orbison and released as a single in August 1964, spending three weeks at number one in the US and, later that year, in the UK. The title was apparently inspired by Orbison's wife, Claudette, interrupting a conversation to announce she was going out. When Orbison asked if she had enough cash, his co-writer Bill Dees interjected, A pretty woman never needs any money. In 2004, Rolling Stone magazine ranked it number 224 on their list of the 500 Greatest Songs of All Time. In 2008, The Library of Congress selected the song for preservation in the National Recording Registry. A great song for any time of the year, your band and audience will love this toe-tapping classic from the 60s, sounding as timeless today as it did back then.
$49.99
Elegy-Field of Blood
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Concert band
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INTERMEDIATE/ADVANCED
#
Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by ...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Concert band
#
INTERMEDIATE/ADVANCED
#
Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Publish...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
Ain't No Rest For The Wicked
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Concert band
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INTERMEDIATE/ADVANCED
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Cage The Elephant
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Jeffrey Bowen
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Ain't No Rest For The Wicked
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Music Arrangement Services Inc.
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1235771 By Cage The Elephant. By Daniel Tichenor, Donald Schultz, Jared Champion, Lincoln Parish, and M...
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Concert Band - Level 4 - Digital Download SKU: A0.1235771 By Cage The Elephant. By Daniel Tichenor, Donald Schultz, Jared Champion, Lincoln Parish, and Matthew Schultz. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Score and Parts. 44 pages. Music Arrangement Services Inc. #831282. Published by Music Arrangement Services Inc. (A0.1235771). Performed by Cage The Elephant. Â This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. . Â This song is about no rest for the wicked (or eternal work for evil doers). Â The song refers to money not growing on trees, working unethically to make money, making a living any way possible, a girl offering company, a man attempting to rob, a preacher robbing from the church. Â This arrangement includes a dance break and is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:00.
$49.99
Symbology for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Symbology for Concert Band
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brando...
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Concert Band - Level 4 - Digital Download SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99
King Of The Road
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Concert band
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INTERMEDIATE
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Country
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Randy Travis
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Brendan James Elliget MAGA 537
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King Of The Road
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1261243 By Randy Travis. By Roger Miller. Arranged by Brendan James Elliget MAGA 537. Country,Pop. Scor...
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Concert Band - Level 3 - Digital Download SKU: A0.1261243 By Randy Travis. By Roger Miller. Arranged by Brendan James Elliget MAGA 537. Country,Pop. Score and Parts. 46 pages. BJE Music #854314. Published by BJE Music (A0.1261243). King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite having little money (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. This is an arrangement for the Concert Band. There are parts of both Horns in Eb and F, Trombones 1-2 BC and TC, Euphonium in BC and TC, and Tubas in Bb, Eb, and C. There is also an optional Piano part - not shown in the score... Grade = 3 Duration = 3:03 mins The MP3 was recorded with NotePerformer 4.
$50.00
Freed From Desire
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Concert band
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EASY
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Gala
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Benoit BARRAIL
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Freed From Desire
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Benoît Barrail
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1282616 By Gala. By Filippo Carmeni, Gala Rizzatto, and Maurizio Molella. Arranged by Benoit BARRAIL. 2...
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Concert Band - Level 2 - Digital Download SKU: A0.1282616 By Gala. By Filippo Carmeni, Gala Rizzatto, and Maurizio Molella. Arranged by Benoit BARRAIL. 20th Century,21st Century,Hip-Hop,Pop,R & B. Score and Parts. 44 pages. Benoît Barrail #873872. Published by Benoît Barrail (A0.1282616). Arrangement for Concert Band. Score in portrait format and parts in landscape format. The song Freed From Desire was recorded in 1996 by Italian singer Gala on her second album Come into my life. The lyrics criticize the desire to always have more money, but also power or fame. This song very quickly became an international hit, often played and sung during football or rugby world cups. There are many doubled parts in the orchestration, which will allow you to play this piece with a small band. Arrangement pour orchestre d'harmonie. Score en format portrait et parties séparées en paysage. La chanson Freed From Desire a été enregistrée en 1996 par la chanteuse italienne Gala sur son deuxième album Come into my life. Les paroles critiquent l'envie de posséder toujours davantage d'argent, mais également de pouvoir ou de célébrité. Cette chanson est très rapidement devenue un tube international, souvent jouée et chantée lors des coupes du monde de football ou de rugby. Ce morceau peut aussi être joué par des orchestres festifs de type fanfares ou bandas. Il y a beaucoup de parties doublées dans l'orchestration, ce qui vous permettra de jouer ce morceau avec un petit orchestre.
$49.99
Me And My Shadow (folio Only)
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Concert band
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INTERMEDIATE/ADVANCED
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Al Jolson, Billy Rose, and Dav
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James Symington
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Me And My Shadow
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James Edward Ernest Symington
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1039140 Composed by Al Jolson, Billy Rose, and Dave Dreyer. Arranged by James Symington. Broadway,Film/...
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Concert Band - Level 4 - Digital Download SKU: A0.1039140 Composed by Al Jolson, Billy Rose, and Dave Dreyer. Arranged by James Symington. Broadway,Film/TV,Jazz,Musical/Show,Standards. Score and parts. 40 pages. James Edward Ernest Symington #644107. Published by James Edward Ernest Symington (A0.1039140). Me and My Shadow is a 1927 popular song. Officially the credits show it as written by Al Jolson, Billy Rose, and Dave Dreyer, with Jolson and Dreyer being shown on the sheet music as being responsible for the music and Rose the lyrics. Al Jolson was often given credits on sheet music so he could earn more money by popularising them, but he played no actual part in writing this song. Jolson never recorded the song although he did use it in the touring version of Big Boy in 1927. Popular recordings in 1927 were by Whispering Jack Smith, Nat Shilkret (vocal by Johnny Marvin) and the separate recording by Johnny Marvin himself for Columba Records. The song became particularly associated with Ted Lewis who used it to close his act. The song has since become a standard, with many artists performing it. This is an arrangement for vocal duet and Symphonic Wind Band.
$49.99
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