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Most People Are Good
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Concert band
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6 sheet music found
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1
Your Move, I've Seen All Good People
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Concert band
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INTERMEDIATE/ADVANCED
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Chris Squire and Jon Anderson
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Jonathan Kenneth Sadler
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Your Move, I've Seen All Good
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Jonathan Kenneth Sadler
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1254503 Composed by Chris Squire and Jon Anderson. Arranged by Jonathan Kenneth Sadler. 20th Century,Fo...
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Concert Band - Level 4 - Digital Download SKU: A0.1254503 Composed by Chris Squire and Jon Anderson. Arranged by Jonathan Kenneth Sadler. 20th Century,Folk,Pop,Rock,Singer/Songwriter. Score and Parts. 78 pages. Jonathan Kenneth Sadler #848096. Published by Jonathan Kenneth Sadler (A0.1254503). This intermediate concert band arrangement of the classic 1971 Yes song is full of energy and emotion - an excellent addition to an oldies or rock show! Most instruments are heavily featured, and there is multi-voice layering which stays true to the original while letting your musicians shine.Includes parts for:Flute, Oboe, Basson, 1st and 2nd Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Horn in F, 1st and 2nd Trumpets, Trombone and Bass Trombone (or 2nd Trombone), Euphonium, Tuba, Timpani, Glockenspiel, and Drum Set or Concert Band Drums (Bass, Snare, Toms, Crash, Hi-Hat, and Tambourine).
$54.99
Medioevo By Jannes Jacobs
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Concert band
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Contemporary
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Jannes Jacobs
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Medioevo By Jannes Jacobs
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Jannes Jacobs
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by...
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Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
$15.00
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
La Tomatina for Symphonic Band
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Concert band
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INTERMEDIATE
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GregoryFritze
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La Tomatina for Symphonic Band
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica No...
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Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica Nova USA #4805407. Published by Musica Nova USA (A0.917395). La Tomatina was composed in 1996 in Buñol, Spain while I was researching Spanish band music. Buñol is a small town of about 9,000 inhabitants about 19 miles (30 kilometers) from Spain’s 3rd largest city, Valencia. For 364 days of the year, it is a typical small town, but on the last Wednesday of August it becomes an international attraction. On that day the La Tomatina festival is held. Several trucks drop as many as 145,000 kilograms of tomatoes unto the main street and for an hour at 12:00 noon there are up to 100,000 people taking part in throwing tomatoes at each other. At 1:00 everybody goes to the specialpublic showers to wash up. A fire truck comes down the street washing down the buildings and the main street and by about 2:00 all is returned to normal and all references to the tomato fight are gone. Thetradition has been going on since 1945. I was in the streets taking part in throwing tomatoes for three years. After that when I was in Spain during the festival I watched it on TV.Buñol also has a rich tradition of having two very good concert bands – the Litros and the Feos. Most of the 9,000 inhabitants formally belong to one of the two social clubs. There are several band competitionsheld in Spain and both of these bands take part. The band competition is fierce as bragging rights are won by the winning society. It is thought that this fierce competition is what helps develop excellentmusicians in that many young people become professional musicians and play in many orchestras and bands throughout the country.La Tomatina was premiered by the U. S. Army Band Pershing’s Own on the U. S. Capital steps in June 1996, the composer conducting. La Tomatina is the second movement of SinfonÃa de Valencia, a three- movement composition that was premiered in Buñol by the band of Centro Instructivo Musical El Litro Buñol, conducted by Francisco Tamarit in August 1997. SinfonÃa de Valencia is recorded by the band of Centro Instructivo Musical El Litro Buñol, conducted by Fernando Bonete Piqueras on Mark Records (CD3816). La Tomatina is also on Youtube with video of the festival at: https://www.youtube.com/watch?v=bbpZU7vK3PQ.La Tomatina was a winning composition in 1996, awarded a grant by the Massachusetts Cultural Council. It also won the IBLA Grand Prize in Sicily, Italy in 1998 and was a Semi Finalist as part of the American Prize Composition Competition – Band Division in 1996.This arrangement of La Tomatina was prepared especially for conductor Natalia Montañés in 2004. In thisarrangement there are four percussionists instead of the original five.La Tomatina has been very popular among bands around the world, performed over one hundred times.
$60.00
Western Legends
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Concert band
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EASY
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Judith Katz
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Western Legends
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 2 - Digital Download SKU: IZ.CBW1811-S Composed by Judith Katz. Score. 17 pages. Imagine Music - Digital #CBW1811-S. Published by Im...
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Concert band - Grade 2 - Digital Download SKU: IZ.CBW1811-S Composed by Judith Katz. Score. 17 pages. Imagine Music - Digital #CBW1811-S. Published by Imagine Music - Digital (IZ.CBW1811-S). 9 x 12 in inches.Since the earliest days of cinema, music has played a vital role in helping people understand both, the mood and the plot. Whether it was the movie house pianist, in the case of silent films, or the composer of a full score, the musician could, cleverly, portray characters with their individual themes, or leit motifs. The development of the theater organ came about to provide music and sound effects for the first three decades of the 20th Century. The tradition of iconic music themes carried well into radio, television, and in more modern times, video games.Growing up in New York City, I was able to view more than my fair-share of both movie house westerns, as well as TV shows. Saturday mornings were filled with Lone Ranger, Cisco Kid, and Hopalong Cassidy episodes with their own themes. The bad guy had his theme, as well as the good guy. You cheered, or you booed to the one you connected with. Big screen westerns almost always had their theme songs, and almost always sung by Frankie Laine.Western Legends is an homage to the radio, television, and film composers whose scores will always be etched on my mind.
$10.00
Western Legends
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Concert band
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EASY
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Judith Katz
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Western Legends
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 2 - Digital Download SKU: IZ.CBW1811 Composed by Judith Katz. Score and Parts. 55 pages. Imagine Music - Digital #CBW1811. Published...
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Concert band - Grade 2 - Digital Download SKU: IZ.CBW1811 Composed by Judith Katz. Score and Parts. 55 pages. Imagine Music - Digital #CBW1811. Published by Imagine Music - Digital (IZ.CBW1811). 9 x 12 in inches.Since the earliest days of cinema, music has played a vital role in helping people understand both, the mood and the plot. Whether it was the movie house pianist, in the case of silent films, or the composer of a full score, the musician could, cleverly, portray characters with their individual themes, or leit motifs. The development of the theater organ came about to provide music and sound effects for the first three decades of the 20th Century. The tradition of iconic music themes carried well into radio, television, and in more modern times, video games.Growing up in New York City, I was able to view more than my fair-share of both movie house westerns, as well as TV shows. Saturday mornings were filled with Lone Ranger, Cisco Kid, and Hopalong Cassidy episodes with their own themes. The bad guy had his theme, as well as the good guy. You cheered, or you booed to the one you connected with. Big screen westerns almost always had their theme songs, and almost always sung by Frankie Laine.Western Legends is an homage to the radio, television, and film composers whose scores will always be etched on my mind.
$50.00
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