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Concert band
Sheetmusic to print
29 sheet music found
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Anitra’s Dance (from Peer Gynt Suite No.1)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1287087 Composed by Edvard Grieg.…
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Concert Band - Level 4 - Digital Download SKU: A0.1287087 Composed by Edvard Grieg. Arranged by Thomas PECHOT. 19th Century,Classical. Score and Parts. 66 pages. Thomas PECHOT #878094. Published by Thomas PECHOT (A0.1287087). Concert band PDF sheet music Several extra-parts for brass Several optional parts.In 1874, Edvard Grieg composed the music for Henrik Ibsen’s play Peer Gynt. Some movements will be extracted to make two four-movement suites. Here is Anitra’s Dance from Peer Gynt Suite No. 1, arranged for concert band.More concert band PDF sheet music go to https://thomaspechot.com
$54.99
50.5 €
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Concert band
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Edvard Grieg
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Anitra’s Dance
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Thomas PECHOT
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SheetMusicPlus
Golliwogg's Cakewalk
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1287134 Composed by Claude Debuss…
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Concert Band - Level 5 - Digital Download SKU: A0.1287134 Composed by Claude Debussy. Arranged by Thomas PECHOT. 20th Century,Classical. Score and Parts. 67 pages. Thomas PECHOT #878141. Published by Thomas PECHOT (A0.1287134). Concert band PDF sheet music Several extra-parts for brass Several optional parts.Composed by Claude Debussy between 1906 and 1908 dedicated to his daughter : « To my dear Chouchou… » , Children’s Corner is a 6-movement suite for solo piano. Here is an arrangement for concert band of the best-known movement : Golliwogg’s Cakewalk.More concert band PDF sheet music go to https://thomaspechot.com
$54.99
50.5 €
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Concert band
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Claude Debussy
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Golliwogg's Cakewalk
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Thomas PECHOT
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SheetMusicPlus
Aase's Death (from Peer Gynt Suite No.1)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1287078 Composed by Edvard Grieg.…
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Concert Band - Level 3 - Digital Download SKU: A0.1287078 Composed by Edvard Grieg. Arranged by Thomas PECHOT. 19th Century,Classical. Score and Parts. 41 pages. Thomas PECHOT #878085. Published by Thomas PECHOT (A0.1287078). Concert band PDF sheet music Several extra-parts for brass Several optional parts.In 1874, Edvard Grieg composed the music for Henrik Ibsen’s play Peer Gynt. Some movements will be extracted to make two four-movement suites. Here is The Death of Åse from Peer Gynt Suite No. 1, arranged for concert bandMore concert band PDF sheet music go to https://thomaspechot.com
$49.99
45.9 €
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Concert band
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Edvard Grieg
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Aase's Death
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Thomas PECHOT
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SheetMusicPlus
Pilgrim's Chorus (from Tannhauser)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1287371 Composed by Richard Wagne…
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Concert Band - Level 3 - Digital Download SKU: A0.1287371 Composed by Richard Wagner. Arranged by Thomas PECHOT. 19th Century,Classical,Opera,Romantic Period. Score and Parts. 43 pages. Thomas PECHOT #878389. Published by Thomas PECHOT (A0.1287371). Concert band PDF sheet music Several extra-parts for brass Several optional parts.Extract from the opera Tannhauser by Richard Wagner (1813-1883) composed in 1845, here is an arrangement of the Pilgrim’s Chorus for concert band.More concert band PDF sheet music go to https://thomaspechot.com
$49.99
45.9 €
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Concert band
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Richard Wagner
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Pilgrim's Chorus
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Thomas PECHOT
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SheetMusicPlus
Titan's Forge (Concert Band)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.734884 Composed by Joseph Hasper.…
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Concert Band - Level 3 - Digital Download SKU: A0.734884 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 123 pages. Joseph Hasper #4569581. Published by Joseph Hasper (A0.734884). A bold, modern piece for full concert band composed in 2018. 7'00 duration. Includes a full score and set of parts.In Greek mythology the Titans were a powerful race that ruled the world before the Olympians. They were immortal giants of incredible strength and knowledge. According to mythology, a generation of younger Titans (Zeus, Hades, Poseidon, Hora, Hestia and Demeter) rebelled against their elders (Cronus and his followers) in a 10-year war. In the piece we hear the clashing of giant hammers forging weapons for that war. We also hear echoes of the ancient gods, Uranus and Gaea, and finally the martial beat of the rebellious Titans marching into cataclysmic battle. Musically, this piece is based on three ideas. A dynamic theme of chaos and instability reflects the conflict between the two generations of Titans. A more serene and melodic tune, the second idea, reflects the ordered and serene rule of the older Titans. The third idea is that even small actions often have far-reaching implications. This is musically represented by solo instruments that create ripples and echoes throughout the band.
$39.00
35.81 €
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Concert band
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Joseph Hasper
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Titan's Forge
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Joseph Hasper
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SheetMusicPlus
Echoes Of The American West
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Stein…
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Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Steinberg. Contemporary,Folk. Score and parts. 181 pages. Randy A. Steinberg #1932601. Published by Randy A. Steinberg (A0.870387). This work commemorates the founding and settlement of the western United States. The piece consists of a number of musical episodes that evoke key historic milestones that took place as the west developed and grew over time. The work opens with a fanfare tribute to the mountains and valleys that were first seen by those arriving there. The fanfare starts out majestically and leads into a chorale tune that evokes the calmness of the river and the greenery around it. The clock then moves to a later time when the area was settled by bands of Indian tribes, dwellings and villages. This then melds into tribal life along the river and growth of the Indian culture. Suddenly, the sound of Indian raiding tribes is heard. This then settles down and Pioneer Wagon Trains are heard heading west, their wheels stumbling through mud and rock. In comes the U.S. Calvary. Trumpet calls are heard as the Calvary advances and eventually overcome the Indians, pushing them out of the west. The choral tune heard earlier is brought back which then leads to the sounds of the first trains heading west. As more and more trains arrive, the sound of towns and cities sprouting up is heard. At this point, the music gains momentum as more and more settlers arrive. Dance hall music can suddenly be heard followed by a segment that evokes the building of farms and raising of livestock. The music picks up into the 20th century culminating in a grand return of the opening River Valley fanfare heard at the start of the piece. A popular piece that resonates well with audiences bringing them a spirit of renewal and hope that they will find most uplifting.
$45.00
41.32 €
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Concert band
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Randy A
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Echoes Of The American West
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Randy A. Steinberg
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SheetMusicPlus
Shepherds' Rocking Carol — concert band
Concert band
Composed by Czech traditional carol. Arranged by Todd Marchand. Christmas. Score, Se…
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Composed by Czech traditional carol. Arranged by Todd Marchand. Christmas. Score, Set of Parts. 28 pages. Published by Con Spirito Music
“Shepherds’ Rocking Carol” is a traditional Czechoslovakian folk tune (“Hajej, nynej, Jezisku”) with lyrics loosely translated by the Anglican clergyman, Percy Dearmer. With Ralph Vaughan Williams, Dearmer was co-editor of The English Hymnal (1906) as well as The Oxford Book of Carols (1928), in which his translation, “Little Jesus, Sweetly Sleep,” appears with the Czech tune.<br> <br> This arrangement for young/developing band is an ideal vehicle for the budding oboist, featuring the oboe on melody in the first presentation of the tune and recapitulating at the work’s end. (A clarinet solo / substitute for oboe part is provided.)<br> <br> Although conservative in range and technical demands, “Shepherds’ Rocking Carol” incorporates a variety of instrumental, dynamic, and harmonic contrasts that make it both simple and elegant, and ideal for developing musicianship in every section of the band.
$45.00
41.32 €
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Concert band
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Czech traditional carol
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Shepherds' Rocking Carol — concert band
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Con Spirito Music
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.03 €
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Concert band
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
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Concert band
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
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Concert band
#
Giovanni Gabrieli
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
#
SheetMusicPlus
Can-Can (Orpheus in the Underworld)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1287062 Composed by Jacques Offen…
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Concert Band - Level 4 - Digital Download SKU: A0.1287062 Composed by Jacques Offenbach. Arranged by Thomas PECHOT. 19th Century,Opera. Score and Parts. 68 pages. Thomas PECHOT #878069. Published by Thomas PECHOT (A0.1287062). Concert band PDF sheet music Several extra-parts for brass Several optional parts.Here is an arrangement for an infernal galop from Jacques Offenbach's famous opera Orpheus in the Underworld. This musical theme still remains today associated with this free and acrobatic dance: the French Cancan.More concert band PDF sheet music go to https://thomaspechot.comÂ
$54.90
50.41 €
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Concert band
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Jacques Offenbach
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Can-Can
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Thomas PECHOT
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SheetMusicPlus
Peer Gynt Suite No. 1
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1287322 Composed by Edvard Grieg.…
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Concert Band - Level 3 - Digital Download SKU: A0.1287322 Composed by Edvard Grieg. Arranged by Thomas PECHOT. 19th Century,Classical,Romantic Period. Score and Parts. 267 pages. Thomas PECHOT #878339. Published by Thomas PECHOT (A0.1287322). Concert band PDF sheet music Several extra-parts for brass Several optional parts.In 1874, Edvard Grieg composed the music for Henrik Ibsen’s play Peer Gynt. Some movements will be extracted to make two four-movement suites. Here is Peer Gynt Suite No. 1 with Morning Mood, The Death of Åse, Anitra’s Dance and In The Hall of the Mountain King arranged for concert band.YouTube Score : https://bit.ly/3R4ACu4More concert band PDF sheet music go to https://thomaspechot.com
$99.99
91.82 €
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Concert band
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Edvard Grieg
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Peer Gynt Suite No. 1
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Thomas PECHOT
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SheetMusicPlus
Allegretto (from the Symphony No. 7)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1287076 Composed by Ludwig van Be…
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Concert Band - Level 3 - Digital Download SKU: A0.1287076 Composed by Ludwig van Beethoven. Arranged by Thomas PECHOT. 19th Century,Classical,Film/TV. Score and Parts. 68 pages. Thomas PECHOT #878083. Published by Thomas PECHOT (A0.1287076). Concert band PDF sheet music Several extra-parts for brass Several optional parts.Taken from Symphony No. 7 in A Major, Op. 92 by Ludwig van Beethoven (1791-1828), composed between 1811 and 1812, the allegretto theme was used in the soundtrack to Tom Hooper's film A King's Speech (2014). More concert band PDF sheet music go to https://thomaspechot.com
$49.99
45.9 €
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Concert band
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Ludwig van Beethoven
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Allegretto
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Thomas PECHOT
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SheetMusicPlus
In the Hall of the Mountain King (from Peer Gynt Suite No. 1)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1287138 Composed by Edvard Grieg.…
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Concert Band - Level 3 - Digital Download SKU: A0.1287138 Composed by Edvard Grieg. Arranged by Thomas PECHOT. 19th Century,Romantic Period. Score and Parts. 78 pages. Thomas PECHOT #878145. Published by Thomas PECHOT (A0.1287138). Concert band PDF sheet music Several extra-parts for brass Several optional parts.In 1874, Edvard Grieg composed the music for Henrik Ibsen’s play Peer Gynt. Some movements will be extracted to make two four-movement suites. Here is In the Hall of the Mountain King from Peer Gynt Suite No. 1, arranged for concert band.More concert band PDF sheet music go to https://thomaspechot.com
$54.99
50.5 €
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Concert band
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Edvard Grieg
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In the Hall of the Mountain King
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Thomas PECHOT
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SheetMusicPlus
Morning Mood (from Peer Gynt Suite No. 1)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1287321 Composed by Edvard Grieg.…
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Concert Band - Level 3 - Digital Download SKU: A0.1287321 Composed by Edvard Grieg. Arranged by Thomas PECHOT. 19th Century,Romantic Period. Score and Parts. 81 pages. Thomas PECHOT #878338. Published by Thomas PECHOT (A0.1287321). Concert band PDF sheet music Several extra-parts for brass Several optional parts.In 1874, Edvard Grieg composed the music for Henrik Ibsen’s play Peer Gynt. Some movements will be extracted to make two four-movement suites. Here is Morning Mood from Peer Gynt Suite No. 1, arranged for concert band.More concert band PDF sheet music go to https://thomaspechot.com
$59.99
55.09 €
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Concert band
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Edvard Grieg
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Morning Mood
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Thomas PECHOT
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SheetMusicPlus
Night on Bald Mountain
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1287334 Composed by Modest Petrov…
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Concert Band - Level 4 - Digital Download SKU: A0.1287334 Composed by Modest Petrovich Mussorgsky. Arranged by Thomas PECHOT. 19th Century,Classical,Romantic Period. Score and Parts. 140 pages. Thomas PECHOT #878351. Published by Thomas PECHOT (A0.1287334). Concert band PDF sheet music Several extra-parts for brass Several optional parts.The first notes of this score will give you shivers of fear! Here is an arrangement of Mussorgsky’s Night on Bald Mountain, which brings together the main themes of this symphonic poem. More concert band PDF sheet music go to https://thomaspechot.com
$69.99
64.27 €
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Concert band
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Modest Petrovich Mussorgsky
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Night on Bald Mountain
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Thomas PECHOT
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SheetMusicPlus
Carmen Suite
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1287080 Composed by Georges Bizet…
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Concert Band - Level 4 - Digital Download SKU: A0.1287080 Composed by Georges Bizet. Arranged by Thomas PECHOT. 19th Century,Classical,Opera. Score and Parts. 132 pages. Thomas PECHOT #878087. Published by Thomas PECHOT (A0.1287080). Concert band PDF sheet music Several extra-parts for brass Several optional parts.Here is a medley of arias from the opera Carmen composed by Georges Bizet (1838-1875). This arrangement for concert band includes the following themes: Aragonaise, Séguedille, Habanera and Chanson du Toréador.More concert band PDF sheet music go to https://thomaspechot.com
$69.99
64.27 €
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Concert band
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Georges Bizet
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Carmen Suite
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Thomas PECHOT
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SheetMusicPlus
Beethoven Greatest Hits
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1287608 Composed by Ludwig van Be…
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Concert Band - Level 3 - Digital Download SKU: A0.1287608 Composed by Ludwig van Beethoven. Arranged by Thomas PECHOT. 19th Century,Classical,Romantic Period. Score and Parts. 90 pages. Thomas PECHOT #878632. Published by Thomas PECHOT (A0.1287608). Concert band PDF sheet music Several extra-parts for brass Several optional parts.Do you recognize all these melodies? These were composed by Ludwig van Beethoven. This arrangement includes the introduction to Symphony No. 5, the main themes of Symphony No. 7’s Allegretto, Piano Sonata No. 8, For Elise and Ode to Joy: This is Beethoven Greatest Hits!More concert band PDF sheet music go to https://thomaspechot.com
$69.99
64.27 €
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Concert band
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Ludwig van Beethoven
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Beethoven Greatest Hits
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Thomas PECHOT
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SheetMusicPlus
The Cross Kirk and the lang walk
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Gr…
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Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
36.73 €
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Concert band
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
SOULFUL PEACE (with When Peace Like A River, It is Well With My Soul)
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.934822 Composed by Christopher Du…
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Concert Band - Level 2 - Digital Download SKU: A0.934822 Composed by Christopher Durigg, Horatio Spafford, and Philip Bliss. Arranged by Christopher Durigg. Contemporary,Folk. Score and parts. 31 pages. Christopher Durigg #6267033. Published by Christopher Durigg (A0.934822). PRODUCT INFORMATIONPUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb003C. DURIGG MUSIC ID FOR THIS PIECE: CDB-003GRADE LEVEL: SOARING BAND SERIES (Grade 2)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back? My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:According to the Merriam-Webster Dictionary, soulful is defined as full of or expressing feeling or emotion. In a soulful manner, the piece begins with the familiar song When Peace Like a River. This soulful hymn insists on finding peace, regardless of the world’s sorrows. The music then moves to a majestic trumpet processional. Entitled Soulful Peace, this tune honors those who made it possible for us to feel peace: parents, caregivers, family members, mentors, teachers, friends, and veterans who have served our country. Whether we feel the soulful melody in honor of them or in their memory, they remain an important part of our peace. After shifting to a calming woodwind verse, the processional then crescendos to a very emotive, full band verse. After the climax, the processional settles and gives way to a delicate chorus of It is Well With My Soul. The hymn tune begins delicately in the flutes, yet the brass echo the stately processional. The hymn majestically builds toward its own climax, accompanied by a trumpet fanfare. This triumphant piece reminds us that it can indeed be Well With My Soul!.
$30.00
27.55 €
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Concert band
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Christopher Durigg, Horatio Spafford, and Philip Bliss
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SOULFUL PEACE
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Christopher Durigg
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SheetMusicPlus
Kalla
Concert band
Concert Band - Digital Download SKU: A0.987813 Composed by Allan Gilliland. Contemp…
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Concert Band - Digital Download SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by Allan Nimmo Gilliland (A0.987813). The word Kalla is Norwegian for call, a theme that appears both in the inspiration for this piece and the structure of the work itself. Commissioned by the 2009 National Youth Band of Canada and funded through a grant from MacEwan University’s Centre for the Arts Research and Scholarly Activity Fund, the work was premiered May 13, 2009 by the National Youth Band of Canada under the direction of Dr. Shelley Jagow, featuring Dean McNeill as the soloist. For me Kalla is a crossover piece stylistically for the soloist. It draws upon both classical and jazz inspired techniques including traditional cadenzas with virtuosic runs and triple tonguing and contrasting sections featuring jazz plunger techniques, a unique sound not often heard in band music. The trumpet culture at turn of the century (late 19th century-early 20th century) in New Orleans was the inspiration for Kalla. Trumpet players would go down to the river and play a note to see how long it took the echo to come back. Soon, another trumpet would answer, higher and louder, and the game of one-upsmanship would begin. Trumpet calls and answers from across the city would sound. Kalla is based on this concept of call and response with the opening trumpet call coming physically from three different places in the concert hall. As the piece develops call and response continues between the soloist and ensemble.
$100.00
91.83 €
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Concert band
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Allan Gilliland
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Kalla
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Allan Nimmo Gilliland
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SheetMusicPlus
Tik, Tik, Tik, Tik, Tik, Tik
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1455063 Composed by Joseph Hasper…
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Concert Band - Level 3 - Digital Download SKU: A0.1455063 Composed by Joseph Hasper. 21st Century,Classical,Contemporary,Contest,Festival. 26 pages. Joseph Hasper #1034135. Published by Joseph Hasper (A0.1455063). Twelve short movements for wind ensemble by Joseph Hasper composed in 2024. Program notes: Tik, Tik, Tik, Tik, Tik, Tik the rich tapestry of harmonic possibilities across all twelve keys. Each movement is a concise musical vignette, delving into the unique character and mood of its respective key while reflecting a post-modern approach that embraces eclecticism, irony, and an intertextual dialogue with past musical traditions. This work is deeply influenced by the innovative spirit of Leonard Bernstein and Charles Ives, two iconic American composers who challenged conventional musical boundaries. Bernstein's ability to seamlessly blend diverse musical genres, from classical to jazz, resonates in the stylistic pluralism of this piece. Each movement offers a distinct musical landscape, reminiscent of Bernstein's kaleidoscopic score for West Side Story, where classical and contemporary idioms collide and coalesce into a vibrant sonic tapestry. Echoes of Charles Ives can be heard in the fragmented, juxtaposed themes and the adventurous harmonic language that defies traditional expectations. Like Ives' Three Places in New England, this composition revels in the collision of disparate musical elements, creating a rich tapestry that reflects the complexity and plurality of the modern musical landscape. Ives’ technique of layering different melodies and harmonies simultaneously is reflected in several movements where multiple key centers overlap, creating a soundscape that is at once disorienting and captivating. Tik, Tik, Tik, Tik, Tik, Tik invites listeners to experience a post-modern journey through sound, where each movement stands as an independent piece, yet contributes to a greater whole. The brevity of each segment—each capturing a distinct emotional and harmonic essence—echoes the concept of musical snapshots, offering a fleeting yet profound exploration of the vast possibilities within the twelve keys. This work is not merely a cycle through the keys, but a commentary on the diversity and potential of musical expression in the post-modern era.
$39.00
35.81 €
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Concert band
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Joseph Hasper
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Tik, Tik, Tik, Tik, Tik, Tik
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Joseph Hasper
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SheetMusicPlus
Fear and Awe
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1300301 By Simon Arruda. By Simon…
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Concert Band - Level 2 - Digital Download SKU: A0.1300301 By Simon Arruda. By Simon Arruda. Arranged by Simon Arruda. 21st Century,Christian,Contemporary,March. Score and Parts. 29 pages. Simon Arruda #890035. Published by Simon Arruda (A0.1300301). Title: Fear and Awe - A Concert Band CompositionComposer: Simon ArrudaDescription:Fear and Awe is a compelling concert band composition composed by Simon Arruda, a piece that evokes a powerful narrative of trepidation and courage in the face of seemingly insurmountable odds. This musical journey takes the audience on an emotional rollercoaster as it navigates through the shadowed valleys of uncertainty, ultimately inspiring hope and determination through its rhythmic and evocative composition.The composition is crafted to convey the contrasting emotions of fear and awe. As the performance unfolds, the audience is immersed in a world where darkness looms, yet the spirit of bravery burns brightly.The rhythmic march in the percussion section serves as the backbone of the composition, grounding the piece with an insistent and driving beat. It symbolizes the relentless march of time and the persistence required to face the challenges of life. This rhythmic motif forms a bridge between the different sections of the band, connecting them in a cohesive and harmonious whole.The dark and haunting melodies played by the woodwinds and brass sections create an atmosphere of trepidation, echoing the moments of doubt and uncertainty that all heroes must confront. Yet, interspersed within these haunting passages are bursts of courage and determination.As the composition progresses, the tension between fear and awe gradually gives way to a sense of hope and inspiration. The band's collective efforts reflect the resilience and indomitable spirit of humanity. The music inspires listeners to march onward, to face the darkness with unwavering resolve, and to emerge victorious on the other side.Fear and Awe is a musical journey that draws audiences into a world where heroes rise to overcome adversity. It reminds us all that even in the darkest of times, the human spirit has the power to triumph and inspire. With its powerful percussion-driven rhythm, evocative melodies, and orchestration.This piece is suggested for beginner-level 1 band.
$30.00
27.55 €
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Concert band
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Simon Arruda
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Fear and Awe
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Simon Arruda
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SheetMusicPlus
Kittatinny Ridge Suite
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1121338 Composed by Nathaniel Hon…
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Concert Band - Level 4 - Digital Download SKU: A0.1121338 Composed by Nathaniel Hontz. Classical,Contemporary,Sacred. Score and parts. 129 pages. TigerSong LLC #722510. Published by TigerSong LLC (A0.1121338). Kittatinny Ridge Suite is composed of three movements: I. On the Delaware at Carpenter's Point, II. The Fields of Walpack at Dusk, and III. Yellow Frame's Harvest Home. The suite is a musical landscape of different points along the Kittatinny mountain ridge in western Sussex County, New Jersey. I. On the Delaware at Carpenter's Point explores a kayaking trip at the very northern point of New Jersey. From the river one can see the High Point monument, the highest point in the state, as one crosses under bridges, passes islands, and speeds through small rapids. II. The Fields of Walpack at Dusk paints the tiny, rural township of Walpack, with its quiet fields and forests. The central theme is In Babilone: an old Dutch melody, echoing the regions colonial-era settlers. III. Yellow Frame's Harvest Home is a fantasy on Come, Ye Thankful People, Come, illustrating the late summer community dinner, Harvest Home run by the Yellow Frame Presbyterian Church, of Fredon township. Other hymn tunes surface in the piece, including May the Lord Mighty God and St. Anne (the colonial-era psalm tune for O God our Help in Ages Past).
$39.99
36.72 €
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Concert band
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Nathaniel Hontz
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Kittatinny Ridge Suite
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TigerSong LLC
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SheetMusicPlus
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