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Music Speaks
Concert band
Sheetmusic to print
7 sheet music found
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1
Accentus
Concert band
Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and P…
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Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital (IZ.CBW221). 9 x 12 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.
$50.00
46.04 €
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Concert band
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Gary Gazlay
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Accentus
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Imagine Music - Digital
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SheetMusicPlus
Laissez Entrer Le Soleil
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1309797 Composed by Arthur Mac De…
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Concert Band - Level 3 - Digital Download SKU: A0.1309797 Composed by Arthur Mac Dermot, Bertrand Castelli, Gerome Ragni, Jacques Lanzman, and James Rado. Arranged by Benoit BARRAIL. 20th Century,Broadway,Musical/Show,Pop,Rock. 55 pages. Benoît Barrail #898963. Published by Benoît Barrail (A0.1309797). For 2-part choir and concert bandAll parts of the choir are doubled in the instrumental parts. Hair is a rock musical by James Rado and Gerome Ragni (lyrics) and Galt MacDermot (music) created off-Broadway, in a cellar in Greenwich Village, in October 1967 and then played on Broadway at the Public Theater from April 1968 for four years without interruption. The New York Times said: It's finally the first musical that speaks to today. A product of the hippie counterculture and sexual revolution of the 1960s, some of his songs, inspired by New Age theory, became anthems of the peace movements against the Vietnam War. After a first export to London, the French version was created in Paris at the Théâtre de la Porte-Saint-Martin on May 30, 1969, its naked scenes causing a real scandal. The song Laissez entrer le soleil (Let the sunshine in) was performed by Julien Clerc during this French creation.Toutes les parties de chœur sont doublées à l’orchestre. Hair est une comédie musicale rock de James Rado et Gerome Ragni (paroles) et de Galt MacDermot (musique) créée «off-Broadway», dans une cave de Greenwich village, en octobre 1967 puis jouée à Broadway au Public Theater à partir d'avril 1968 pendant quatre ans sans interruption. Le New-York Times dit: « C'est enfin la première comédie musicale qui parle d'aujourd'hui ». Produit de la contre-culture hippie et de la révolution sexuelle des années 1960, certaines de ses chansons, inspirées de la théorie du New Age, sont devenues des hymnes des mouvements pacifistes contre la guerre du Viêt Nam. Après une première exportation à Londres, la version française est créée à Paris au théâtre de la Porte-Saint-Martin le 30 mai 1969, ses scènes dénudées provoquent un véritable scandale. La Chanson Laissez entrer le soleil fut interprétée par Julien Clerc lors de cette création française.
$54.99
50.64 €
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Concert band
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Arthur Mac Dermot, Bertrand Castelli, Gerome Ragni, Jacques Lanzman, and James Rado
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Laissez Entrer Le Soleil
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Benoît Barrail
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SheetMusicPlus
Let The Sunshine In
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1309819 By The Fifth Dimension. B…
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Concert Band - Level 3 - Digital Download SKU: A0.1309819 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by Benoit BARRAIL. 20th Century,Broadway,Musical/Show,Pop,Rock. 55 pages. Benoît Barrail #898965. Published by Benoît Barrail (A0.1309819). All parts of the choir are doubled in the instrumental parts. French lyrics. Hair is a rock musical by James Rado and Gerome Ragni (lyrics) and Galt MacDermot (music) created off-Broadway, in a cellar in Greenwich Village, in October 1967 and then played on Broadway at the Public Theater from April 1968 for four years without interruption. The New York Times said: It's finally the first musical that speaks to today. A product of the hippie counterculture and sexual revolution of the 1960s, some of his songs, inspired by New Age theory, became anthems of the peace movements against the Vietnam War. After a first export to London, the French version was created in Paris at the Théâtre de la Porte-Saint-Martin on May 30, 1969, its naked scenes causing a real scandal. The song Laissez entrer le soleil (Let the sunshine in) was performed by Julien Clerc during this French creation.Toutes les parties de chœur sont doublées à l’orchestre. Paroles françaises. Hair est une comédie musicale rock de James Rado et Gerome Ragni (paroles) et de Galt MacDermot (musique) créée «off-Broadway», dans une cave de Greenwich village, en octobre 1967 puis jouée à Broadway au Public Theater à partir d'avril 1968 pendant quatre ans sans interruption. Le New-York Times dit: « C'est enfin la première comédie musicale qui parle d'aujourd'hui ». Produit de la contre-culture hippie et de la révolution sexuelle des années 1960, certaines de ses chansons, inspirées de la théorie du New Age, sont devenues des hymnes des mouvements pacifistes contre la guerre du Viêt Nam. Après une première exportation à Londres, la version française est créée à Paris au théâtre de la Porte-Saint-Martin le 30 mai 1969, ses scènes dénudées provoquent un véritable scandale. La Chanson Laissez entrer le soleil fut interprétée par Julien Clerc lors de cette création française.
$54.99
50.64 €
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Concert band
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The Fifth Dimension
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Let The Sunshine In
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Benoît Barrail
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SheetMusicPlus
The Search for Hope
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1416191 Composed by Keiron Anders…
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Concert Band - Level 5 - Digital Download SKU: A0.1416191 Composed by Keiron Anderson. Classical,Contemporary. 88 pages. Songburd Music #997877. Published by Songburd Music (A0.1416191). The Search for Hope is a work for wind orchestra comprised of three distinct motifs that tell a story of looking for hope.  Beginning with a crisp and airy feeling, this intensive work gives us a sense of taking flight over a diverse human landscape in the time reflecting the global pandemic, and the ensuing personal struggles, economic problems and conflicts that continue to have lasting consequences for so many people in the world.  Opening with a “questioning phrase,†illustrated by using a rising minor third motif, the music develops into a more ominous melody that is carried by the bass instruments.  From that questioning phrase the music sharply transitions into a second motif where the music picks up the pace with its own distinctive phrase and musical features, suggesting a time of invasions and military clashes, while tugging and moving our emotions back and forth with a single impression, and raising the question:  Where is hope found? With the final motif the tempo begins to slow and express a more tempered and solemn course of thought, punctuated by the higher brass that takes the lead in carrying the phrase of the music by using a descending minor third to carry the mood.  Allowing the music to reflect and express the vocal inflections used as when a mother gently speaks the name of her child with love and support—the very essence of hope.
$115.00
105.89 €
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Concert band
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Keiron Anderson
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The Search for Hope
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Songburd Music
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SheetMusicPlus
Feed The Birds (tuppence A Bag)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1236233 Composed by Richard M. Sh…
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Concert Band - Level 3 - Digital Download SKU: A0.1236233 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Matt Nabozny. Broadway,Film/TV,Musical/Show. Score and Parts. 38 pages. Matthew Nabozny LLC #831745. Published by Matthew Nabozny LLC (A0.1236233). Feed the Birds is a song written by the Sherman Brothers (Richard M. Sherman & Robert B. Sherman) and featured in the 1964 motion picture Mary Poppins. The song speaks of an old beggar woman (the Bird Woman) who sits on the steps of St Paul's Cathedral, selling bags of breadcrumbs to passers-by for two pence a bag (equivalent to about 13p in 2022) so that they can feed the many pigeons which surround the old woman. The scene is reminiscent of the real-life seed vendors of Trafalgar Square who began selling birdseed to passers-by shortly after its public opening in 1844.
$60.00
55.25 €
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Concert band
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Richard M
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Robert B
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Feed The Birds
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Matthew Nabozny LLC
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SheetMusicPlus
Someone Like You
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.751054 By Adele. By Adele Adkins …
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Concert Band - Level 3 - Digital Download SKU: A0.751054 By Adele. By Adele Adkins and Dan Wilson. Arranged by Brendan Elliget MAGA 537. Film/TV. Score and parts. 64 pages. BJE Music #6503075. Published by BJE Music (A0.751054). Someone Like You is a song recorded by English singer-songwriter Adele. It was written and produced by Adele and Dan Wilson for her second studio album, 21 (2011). It is the second single and final track on the album. The song was inspired by a broken relationship with one's life partner and lyrically speaks of Adele's coming to terms with it. This is an arrangement for Solo Flugelhorn and Concert Band (includes an optional Piano part). The Solo part could also be taken by another Bb instrument instead - including the Tenor Saxophone, Euphonium TC, etc… Grade = 4 (Solo) 3 (Band) Duration = 4:45 mins The audio was recorded with NotePerformer 3. Copyright © 2011 MELTED STONE PUBLISHING LTD., BMG MONARCH and SUGAR LAKE MUSIC All Rights for MELTED STONE PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC. All Rights for BMG MONARCH and SUGAR LAKE MUSIC Administered by BMG RIGHTS MANAGEMENT (US) LLC All Rights Reserved Used by Permission
$49.99
46.03 €
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Concert band
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Adele
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Someone Like You
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BJE Music
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SheetMusicPlus
Rhapsody for Concert Band
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
18.42 €
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Concert band
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July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
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