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Wellerman for (easy) concert band and opt. recorders and/or boomwackers
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1224359 Composed by Traditional. …
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Concert Band - Level 1 - Digital Download SKU: A0.1224359 Composed by Traditional. Arranged by Scaver. 21st Century,Children,Multicultural,Pop,Traditional,World. Score and Parts. 55 pages. Scaver #820463. Published by Scaver (A0.1224359). The Wellerman is a popular sea shanty that originated from New Zealand in the 19th century. The song tells the story of a group of whalers who are waiting for a supply ship called the Wellerman to arrive and bring them provisions, including sugar, tea, and rum. The crew is eagerly anticipating the arrival of the Wellerman and they sing the song to keep their spirits up while they work. The song has gained renewed popularity in recent years through social media, with many people creating their own versions and adaptations. This version by Scaver of The Wellerman is arranged for normal concert band and can also be performed by young concert band due to the easy parts for a lot of instruments. In addition to being performed by concert band, this arrangement can also be performed with children using boomwhackers and/or recorders. The parts are easy enough for young musicians to learn and can be a fun and engaging way to introduce them to the world of music. Instruments: Keyboard (chords) Guitar (chords) Boomwackers Sopr. Recorder Flute Flute (easy) Oboe Bassoon 1,2 Clarinet Bb 1,2,3 Clarinet Bb (easy) Bass Clarinet Sopr. Clarinet Alto Saxophone 1,2 Alto Saxophone (easy) Tenor Saxophone Baritone Saxophone Bass Saxophone Trumpet Bb 1,2,3 Trumpet (easy) Horn F 1/2,3/4 Trombone 1,2 Euphonium Tuba Contrabastuba C Timpani Xylophone Percussion 1,2 Tambourine.
$59.99
53.76 €
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Concert band
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Traditional
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Wellerman for
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Scaver
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SheetMusicPlus
Border Lands
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1204082 Composed by Paula Goodwin…
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Concert Band - Level 3 - Digital Download SKU: A0.1204082 Composed by Paula Goodwin. Contemporary,Contest,Festival,Folk,Instructional,Patriotic. Score and parts. 89 pages. JPM Services #802652. Published by JPM Services (A0.1204082). Inspired by the border lands between England and Scotland we open as a new day emerges as the mists clear and the people wake up, then move into a lively dance like section based on the Northumbrian folk song John Peel which eventualy emerges from the dance. Next we move into a soulful section of extended woodwind solos with the oboe and bassoon taking the initial lead. We finish up with a triumphant march section recognising the regeon's long military traditions.A lively piece with something for everyone in the band, excellent either as an opener or as and finale.
$39.99
35.84 €
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Concert band
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Paula Goodwin
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Border Lands
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JPM Services
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SheetMusicPlus
True Faith
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1274563 By New Order. By Bernard …
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Concert Band - Level 3 - Digital Download SKU: A0.1274563 By New Order. By Bernard Sumner, Gillian Gilbert, Peter Hook, Stephen Hague, and Stephen Morris. Arranged by John Ivor Holland. 20th Century,Pop,Rock. Score and Parts. 57 pages. John Ivor Holland #866704. Published by John Ivor Holland (A0.1274563). One of the most popular New Order songs, this bass-thumping classic reached number 4 in the UK and 32 in the US Top 100 upon its original release in 1987 (it was subsequently remixed in 1994). The single was accompanied by a surreal music video by French director Philippe Decouflé, featuring men slapping each other, clownish costumes and a person in dark make-up emerging from an upside-down boxer's bag signing the lyrics in LSF (French sign language). This arrangement includes a quieter section in the middle before launching into a key change and powerful ending - sure to be a crowd-pleaser!
$49.99
44.8 €
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Concert band
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New Order
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True Faith
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John Ivor Holland
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SheetMusicPlus
The Raft of the Medusa
Concert band
Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15…
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Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$12.00
10.75 €
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Concert band
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
The Raft of the Medusa
Concert band
Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and P…
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Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital (IZ.CBW205). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$60.00
53.77 €
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Concert band
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Accentus
Concert band
Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and P…
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Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital (IZ.CBW221). 9 x 12 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.
$50.00
44.81 €
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Concert band
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Gary Gazlay
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Accentus
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Imagine Music - Digital
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SheetMusicPlus
The Sandy Hook Lullaby
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1028045 Composed by Nicholas McCl…
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Concert Band - Level 3 - Digital Download SKU: A0.1028045 Composed by Nicholas McClure. Contemporary. Score and parts. 11 pages. Nicholas McClure #3226621. Published by Nicholas McClure (A0.1028045). On December 14, 2012, at 9:35 a.m., the entire country stood motionless, for a horrific act of terror was underway. Adam Lanza shot and killed 20 first-graders and 6 adults, at Sandy Hook Elementary School in Newtown, Connecticut; a moment in history as one of the worst school shootings that our country has ever faced. Every single child which was murdered had a future of their own, taken away at the hands of a ruthless gunman, who in an instant, ended any chance that these 20 children had to have a happy life. Along with these children, were the 6 heroic staff members who so selflessly gave their life in order to stop this perpetrator who came to destroy the fragile object that we all call life. The title of this piece, The Sandy Hook Lullaby, is symbolic to represent the deaths and aftermath on that faithful day. This particular piece is a lullaby to represent the day that the victims lives were taken, ending with a peaceful goodbye. The song starts strong and valiant, to represent the beginning and potential of a new day. As it progresses, the song softens a bit, with clarinet lead, which represents the students learning in the classroom and the staff working as normal. A swell in volume represents the knowledge learned, as they are completely unaware of the events to follow. Halfway through, terror strikes. The percussion solo is representative of the the 5 minutes that the entire attack took place. The entire finale of the song is to represent the peaceful rest of those murdered, the final goodbye. The song ends softly, as the victims are put to rest, and because most of the victims were children, this comes in the form of a lullaby. Just as a loving and caring parent would put their child to sleep with a song, we give our final goodbyes with this Sandy Hook Lullaby. Thank you, and please enjoy with reverence and respect. -Nicholas McClure, Composer.
$30.00
26.89 €
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Concert band
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Nicholas McClure
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The Sandy Hook Lullaby
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Nicholas McClure
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SheetMusicPlus
1917: The Halifax Disaster
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
20.6 €
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Concert band
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Do You Hear How Many You Are?
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southar…
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Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
76.18 €
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Concert band
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Humility, The People Walking in Darkness Have Seen a Great Light!
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.971618 Composed by Jonathan S. La…
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Concert Band - Level 3 - Digital Download SKU: A0.971618 Composed by Jonathan S. Laflamme. Christian,Christmas,Contemporary,Sacred,Standards. Score and parts. 114 pages. Jonathan S. Laflamme #515247. Published by Jonathan S. Laflamme (A0.971618). HUMILITY by Jonathan S. Laflamme ©2012 The people walking in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned. Isaiah 9:2* Humility seeks to draw attention to the Advent portion of the holiday season. This programmatic composition seeks to create an aural picture of the atmosphere both physically and spiritually in the eastern world B. C. and then try and connect it to Christmas traditions today. Students will really enjoyed rehearsing and performing this piece because of it’s programmatic nature, use of a plethora of percussion as well as some unusual uses of and combinations of instruments. Piccolo flute in the low register, soprano saxophone, open tom drums and oboe to create some Middle Eastern ambiance. Then, in order to create ‘the land of the shadow of death’ some unusual techniques call for whispers through instruments, french horns ringing their hands in and out of the bell, flutes playing on the head joints only, attaching a tenor saxophone mouthpiece to a euphonium and a baritone saxophone mouthpiece to a sousaphone. Add some trumpets and trombones playing only on their lead pipes and double reeds buzzing on just the reed and a haunting canvas to build the chaos of a world without salvation is created. Then, with the calming of the piano to present an extremely stark and hallow arrangement of the 7th century antiphon Veni Immanuel, ‘O Come, O Come Immanuel’ which crescendos to the coming of the savior at measure 128 precipitates the a highly antiphonal arrangement of ‘Joy to World.’ While this piece has some characteristics of ‘novelty band music’ there are plenty of technical demands that must be met in order to make it a legitimate concert band literature selection. *THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide.
$39.99
35.84 €
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Concert band
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Jonathan S
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Humility, The People Walking in Darkness Have Seen a Great Light!
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Jonathan S. Laflamme
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SheetMusicPlus
Humility
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.971613 Composed by Jonathan S. La…
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Concert Band - Level 3 - Digital Download SKU: A0.971613 Composed by Jonathan S. Laflamme. 20th Century,Christmas,Renaissance. Score and parts. 114 pages. Jonathan S. Laflamme #2018099. Published by Jonathan S. Laflamme (A0.971613). HUMILITY by Jonathan S. Laflamme ©2012 The people walking in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned. Isaiah 9:2* Humility seeks to draw attention to the Advent portion of the holiday season. This programmatic composition seeks to create an aural picture of the atmosphere both physically and spiritually in the eastern world B. C. and then try and connect it to Christmas traditions today. Students will really enjoyed rehearsing and performing this piece because of it’s programmatic nature, use of a plethora of percussion as well as some unusual uses of and combinations of instruments. Piccolo flute in the low register, soprano saxophone, open tom drums and oboe to create some Middle Eastern ambiance. Then, in order to create ‘the land of the shadow of death’ some unusual techniques call for whispers through instruments, french horns ringing their hands in and out of the bell, flutes playing on the head joints only, attaching a tenor saxophone mouthpiece to a euphonium and a baritone saxophone mouthpiece to a sousaphone. Add some trumpets and trombones playing only on their lead pipes and double reeds buzzing on just the reed and a haunting canvas to build the chaos of a world without salvation is created. Then, with the calming of the piano to present an extremely stark and hallow arrangement of the 7th century antiphon Veni Immanuel, ‘O Come, O Come Immanuel’ which crescendos to the coming of the savior at measure 128 precipitates the a highly antiphonal arrangement of ‘Joy to World.’ The piece concludes with the same chord it started with-a bright C major! This is done in the beginning to show the intention of a beautiful creation story without death and in the end as kind of a, this is just the beginning, sentiment by way of a half cadence. After all, in regards to this composition, Christmas day is just the beginning of the purpose of the Word made flesh. While this piece has some characteristics of ‘novelty band music’ there are plenty of technical demands that must be met in order to make it a legitimate concert band literature selection. *THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide.
$50.00
44.81 €
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Concert band
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Jonathan S
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Humility
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Jonathan S. Laflamme
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SheetMusicPlus
The Opener March
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1181336 By Jaxson Salter. By Jaxs…
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Concert Band - Level 4 - Digital Download SKU: A0.1181336 By Jaxson Salter. By Jaxson Salter. Arranged by Jaxson Salter. Contest,Festival,March,New Age. Score and Parts. 81 pages. Wesley Besancon #781175. Published by Wesley Besancon (A0.1181336). In a standard concert program, the order is [Opener, Quick Lyrical , March, Chorale, and Premire/Exuberant Piece]. Well, this new and original march by Jaxson Salter is a great way to shorten the program, or add another march! This amazing, intelligent march feels like the opening of a movie, with the dominant 7th interrupting the F major, hinting at the transition to B flat in the Trio. Some minor is used to give the resolution to F feel more comfortable. This is an amazing, exuberant, and lively march, and is nescessary for your band's (or bands') next concert.
$44.99
40.32 €
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Concert band
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Jaxson Salter
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The Opener March
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Wesley Besancon
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SheetMusicPlus
Our Flirtations
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip S…
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Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99
13.43 €
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Concert band
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John Philip Sousa
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
Lady in the Water: (wp) 1st B-flat Trombone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001203_WPTN1BC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001203_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by James Newton Howard. Arranged by Paul Cook. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001203_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001203_WPTN1BC). UPC: 038081300986.Paul Cook's arrangement of the main theme from Lady in the Water is an emotional ballad. In order to remain true to James Newton Howard's film-score, very easy meter changes are introduced in this captivating theme. A charming arrangement from the big screen! This title is available in SmartMusic.
$3.00
2.69 €
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Concert band
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James Newton Howard
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Lady in the Water:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Lady in the Water: (wp) E-flat Tuba T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001203_WPTBETC (wp) E-flat Tuba T…
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Concert Band - Digital Download SKU: AX.00-PC-0001203_WPTBETC (wp) E-flat Tuba T.C.. Composed by James Newton Howard. Arranged by Paul Cook. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001203_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001203_WPTBETC). UPC: 038081300986.Paul Cook's arrangement of the main theme from Lady in the Water is an emotional ballad. In order to remain true to James Newton Howard's film-score, very easy meter changes are introduced in this captivating theme. A charming arrangement from the big screen! This title is available in SmartMusic.
$3.00
2.69 €
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Concert band
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James Newton Howard
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Lady in the Water:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Lady in the Water: (wp) B-flat Tuba T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001203_WPTBBTC (wp) B-flat Tuba T…
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Concert Band - Digital Download SKU: AX.00-PC-0001203_WPTBBTC (wp) B-flat Tuba T.C.. Composed by James Newton Howard. Arranged by Paul Cook. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001203_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001203_WPTBBTC). UPC: 038081300986.Paul Cook's arrangement of the main theme from Lady in the Water is an emotional ballad. In order to remain true to James Newton Howard's film-score, very easy meter changes are introduced in this captivating theme. A charming arrangement from the big screen! This title is available in SmartMusic.
$3.00
2.69 €
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Concert band
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James Newton Howard
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Lady in the Water:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Lady in the Water: (wp) E-flat Tuba B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001203_WPTBEBC (wp) E-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0001203_WPTBEBC (wp) E-flat Tuba B.C.. Composed by James Newton Howard. Arranged by Paul Cook. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001203_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001203_WPTBEBC). UPC: 038081300986.Paul Cook's arrangement of the main theme from Lady in the Water is an emotional ballad. In order to remain true to James Newton Howard's film-score, very easy meter changes are introduced in this captivating theme. A charming arrangement from the big screen! This title is available in SmartMusic.
$3.00
2.69 €
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Concert band
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James Newton Howard
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Lady in the Water:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Lady in the Water: (wp) 1st Horn in E-flat
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001203_WPEH1 (wp) 1st Horn in E-f…
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Concert Band - Digital Download SKU: AX.00-PC-0001203_WPEH1 (wp) 1st Horn in E-flat. Composed by James Newton Howard. Arranged by Paul Cook. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001203_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001203_WPEH1). UPC: 038081300986.Paul Cook's arrangement of the main theme from Lady in the Water is an emotional ballad. In order to remain true to James Newton Howard's film-score, very easy meter changes are introduced in this captivating theme. A charming arrangement from the big screen! This title is available in SmartMusic.
$3.00
2.69 €
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Concert band
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James Newton Howard
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Lady in the Water:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Lady in the Water: (wp) 1st B-flat Trombone T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001203_WPTN1TC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001203_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by James Newton Howard. Arranged by Paul Cook. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001203_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001203_WPTN1TC). UPC: 038081300986.Paul Cook's arrangement of the main theme from Lady in the Water is an emotional ballad. In order to remain true to James Newton Howard's film-score, very easy meter changes are introduced in this captivating theme. A charming arrangement from the big screen! This title is available in SmartMusic.
$3.00
2.69 €
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Concert band
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James Newton Howard
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Lady in the Water:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Lady in the Water: (wp) B-flat Tuba B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001203_WPTBBBC (wp) B-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0001203_WPTBBBC (wp) B-flat Tuba B.C.. Composed by James Newton Howard. Arranged by Paul Cook. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001203_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001203_WPTBBBC). UPC: 038081300986.Paul Cook's arrangement of the main theme from Lady in the Water is an emotional ballad. In order to remain true to James Newton Howard's film-score, very easy meter changes are introduced in this captivating theme. A charming arrangement from the big screen! This title is available in SmartMusic.
$3.00
2.69 €
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Concert band
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James Newton Howard
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Lady in the Water:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Lady in the Water: (wp) B-flat Baritone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001203_WPBBBC (wp) B-flat Bariton…
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Concert Band - Digital Download SKU: AX.00-PC-0001203_WPBBBC (wp) B-flat Baritone B.C.. Composed by James Newton Howard. Arranged by Paul Cook. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001203_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001203_WPBBBC). UPC: 038081300986.Paul Cook's arrangement of the main theme from Lady in the Water is an emotional ballad. In order to remain true to James Newton Howard's film-score, very easy meter changes are introduced in this captivating theme. A charming arrangement from the big screen! This title is available in SmartMusic.
$3.00
2.69 €
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Concert band
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James Newton Howard
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Lady in the Water:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Wind Energy
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1239490 Composed by Helmut Kogler…
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Concert Band - Level 3 - Digital Download SKU: A0.1239490 Composed by Helmut Kogler. 21st Century,Disco,Funk,Pop,Rock. 178 pages. Pentharmonics #834542. Published by Pentharmonics (A0.1239490). Grade 3 - Duration approx. 4:50 min.Wind Energy is well known as a form of renewable energy, using wind turbines to generate electricity. However, this type of energy generation was already used in ancient times to drive grinders, pumps and sawmills. Apart from that, there is another definition of wind energy. A wind band also generates energy, which is released in the form of music and ultimately transformed into pure emotion in the audience. In this sense, wind music can also be seen as an inexhaustible form of energy that connects people and keeps life going.The lively piece in the popular style is well suited for every concert, but also for festivals in order to spread a good mood and positive energy.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$89.99
80.65 €
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Concert band
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Helmut Kogler
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Wind Energy
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Pentharmonics
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SheetMusicPlus
Viaje al Atardeser
Concert band
Concert Band - Digital Download SKU: A0.1024253 Composed by Sir Lunch. Latin. Score…
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Concert Band - Digital Download SKU: A0.1024253 Composed by Sir Lunch. Latin. Score and parts. 76 pages. Sir Lunch #2917889. Published by Sir Lunch (A0.1024253). Some years ago, I saw a video of an orangutang sort of running about with some latin music and it was labled Salsa Time and I knew that someday I would write a piece with that title. Well, once it was finished, and I listened and meditated over what it said to me, what I heard was the westward migration of the early settlers of America, only in and through Mexico. Journey To The Setting Sun became my title, but to give it a bit more authenticity, the title is in Spanish, and has become Viaje al Atardeser.The piece opens with a train whistle. If you have none, the Flute 1 & 2 parts have it simulated. Rehearsal markers 1A through 1D serve as layers that lead to the main melody starting at A. At letter B, the Solo 1st trumpet takes on the melody with a slight variation of rhythm. There is a trombone trio from C to D. If you have 3 stong trombonists, I recommend the Eupf and Baritone TC opt out of playing through this section, in order to highlight your great trombone section. *Optional* You may, at your discretion put a fermata after the first beat of the bar before D and allow your solo trumpeter to play a free form cadenza. The mp3 has a sample of how this would sound. The cadenza would end with the pick-up to letter D and you may feel free to let that high note of the solo trumpet ring for a second or two before cuing the rest of the band in. Although from D to the a tempo 4 bars before E is a trumpet solo, the most crucial part of that section is the tambourine part going into double time, creating that extra pop and sense of urgency.This piece represents a watershed moment in my life, as it is my first composition for Concert Band.I encourage all feedback at sirlunch@gmail.comI hope you enjoy it!
$60.00
53.77 €
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Concert band
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Sir Lunch
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2 parts have it simulated
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Viaje al Atardeser
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Sir Lunch
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SheetMusicPlus
The Home Coming March (1908) - Concert Band Score and Parts PDF
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
26.89 €
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Concert band
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E
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The Home Coming March
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BJE Music
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SheetMusicPlus
Have You Met Miss Jones?
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1504155 By George Shearing Quinte…
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Concert Band - Level 4 - Digital Download SKU: A0.1504155 By George Shearing Quintet. By Lorenz Hart and Richard Rodgers. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. 81 pages. John Ivor Holland #1079611. Published by John Ivor Holland (A0.1504155). 'Have You Met Miss Jones?' is a song from the 1937 Broadway musical I'd Rather Be Right, a Depression-era political satire set in New York City about Washington politics and political figures such as President Franklin D. Roosevelt. The plot centres on Peggy Jones and her boyfriend Phil, who needs a raise in order for them to get married; the President ultimately steps in and solves their dilemma. This jazz standard has been covered by many artists over the years, including George Shearing, Anita O'Day, Frank Sinatra, Robbie Williams and Seth MacFarlane - it is also cited as a potential inspriation, in its bridge passage, for saxophonist John Coltrane. This arrangement has been created from the jazz combo version by Michael Philip Mossman and features short solos (with suggested lines and chords) for clarinet, flute, trumpet and alto sax, with drum breaks towards the end.
$49.99
44.8 €
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Concert band
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George Shearing Quintet
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Have You Met Miss Jones?
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John Ivor Holland
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SheetMusicPlus
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