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Once Was A Time I Thought
Concert band
Sheetmusic to print
11 sheet music found
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1
I Am An Important Person
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.889114 Composed by hugh goodrdge.…
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Concert Band - Level 3 - Digital Download SKU: A0.889114 Composed by hugh goodrdge. African,Contemporary. Score and parts. 4 pages. Goodridge & Huvon Music Publishing #2035979. Published by Goodridge & Huvon Music Publishing (A0.889114). This is a timely chorus, a driving force for any institution. This was the theme or motto used at J.W. Coleman school around 2,001 in District 23. This was the creation of Rosemarie Sinclair, the principal at that time. I thought I would share this song with the general public and to places beyond the borders of the United States of America. The message is powerful, and it shows that once we believe in ourselves, we can climb mountains and reach all our goals. The music has a foot tapping movement. The result, everyone will stand and break into singing.
$2.99
2.7 €
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Concert band
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hugh goodrdge
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I Am An Important Person
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Goodridge & Huvon Music Publishing
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
45.08 €
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Concert band
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A
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
La Tomatina for Symphonic Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze.…
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Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica Nova USA #4805407. Published by Musica Nova USA (A0.917395). La Tomatina was composed in 1996 in Buñol, Spain while I was researching Spanish band music. Buñol is a small town of about 9,000 inhabitants about 19 miles (30 kilometers) from Spain’s 3rd largest city, Valencia. For 364 days of the year, it is a typical small town, but on the last Wednesday of August it becomes an international attraction. On that day the La Tomatina festival is held. Several trucks drop as many as 145,000 kilograms of tomatoes unto the main street and for an hour at 12:00 noon there are up to 100,000 people taking part in throwing tomatoes at each other. At 1:00 everybody goes to the specialpublic showers to wash up. A fire truck comes down the street washing down the buildings and the main street and by about 2:00 all is returned to normal and all references to the tomato fight are gone. Thetradition has been going on since 1945. I was in the streets taking part in throwing tomatoes for three years. After that when I was in Spain during the festival I watched it on TV.Buñol also has a rich tradition of having two very good concert bands – the Litros and the Feos. Most of the 9,000 inhabitants formally belong to one of the two social clubs. There are several band competitionsheld in Spain and both of these bands take part. The band competition is fierce as bragging rights are won by the winning society. It is thought that this fierce competition is what helps develop excellentmusicians in that many young people become professional musicians and play in many orchestras and bands throughout the country.La Tomatina was premiered by the U. S. Army Band Pershing’s Own on the U. S. Capital steps in June 1996, the composer conducting. La Tomatina is the second movement of SinfonÃa de Valencia, a three- movement composition that was premiered in Buñol by the band of Centro Instructivo Musical El Litro Buñol, conducted by Francisco Tamarit in August 1997. SinfonÃa de Valencia is recorded by the band of Centro Instructivo Musical El Litro Buñol, conducted by Fernando Bonete Piqueras on Mark Records (CD3816). La Tomatina is also on Youtube with video of the festival at: https://www.youtube.com/watch?v=bbpZU7vK3PQ.La Tomatina was a winning composition in 1996, awarded a grant by the Massachusetts Cultural Council. It also won the IBLA Grand Prize in Sicily, Italy in 1998 and was a Semi Finalist as part of the American Prize Composition Competition – Band Division in 1996.This arrangement of La Tomatina was prepared especially for conductor Natalia Montañés in 2004. In thisarrangement there are four percussionists instead of the original five.La Tomatina has been very popular among bands around the world, performed over one hundred times.
$60.00
54.11 €
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Concert band
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GregoryFritze
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La Tomatina for Symphonic Band
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Musica Nova USA
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SheetMusicPlus
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
Concert band
Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contempo…
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Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
22.55 €
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Concert band
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Neal Endicott
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Isn't It Enough to Think...Without Having to Believe
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Neal Endicott Music
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SheetMusicPlus
7 to 9
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.986863 Composed by Ben Pritchard.…
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Concert Band - Level 4 - Digital Download SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. Benjamin Pritchard #5465. Published by Benjamin Pritchard (A0.986863). This piece was originally written for jazz ensemble and then arranged for concert band. This was done, in part, to make available concert band literature that utilizes jazz/rock instruments (guitar, bass, piano) and improvisation. There are many arrangements of rock and pop tunes available to band directors. While those arrangements sometimes include bass parts they rarely, if ever, have guitar or piano/keyboard parts. Why not? Why not include these parts, even if they are optional? In addition, I’ve noticed that there is very little concert band literature that involves improvisation. Again, why not? I believe that this is the concert band literature of the future – the integrated utilization of electric guitar, keyboards, and improvisation. This piece is my first attempt at such a venture. Having just finished the premier performance of the original jazz ensemble version of 7 to 9 I thought it would be a good platform. Most of 7 to 9 transitions between 7/4 and 9/4. It is a fun, quirky piece with a Latin feel. There is a short 5-bar swing section in the middle for open solos. There is also a one chord solo section later in the piece for less experienced improvisers. The students will really enjoy putting this together, especially with the electric guitar, piano, and bass. It adds a completely new dimension to the concert band as well as an overall excitement. The piece ends with a long building Latin groove with a jam feel to it. The guitarist ends this build with an improvised solo which soars above the rest of the band. It is a fun piece to play but requires a great deal of focus due to the changing meter and odd phrase lengths and entrances. There is only a midi recording available at this time. A live recording will be available soon.
$49.99
45.08 €
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Concert band
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Ben Pritchard
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7 to 9
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Benjamin Pritchard
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SheetMusicPlus
Trapped
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Sc…
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Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
22.55 €
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Concert band
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Creature
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.927173 Composed by George Willson…
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Concert Band - Level 5 - Digital Download SKU: A0.927173 Composed by George Willson. 20th Century,Contemporary. Score and parts. 98 pages. George Willson #4601563. Published by George Willson (A0.927173). Creature began as a joke in high school between a friend of mine and me where we described the radical mood swings of our band directors as a creature coming forth from inside of them. Think about the alien from Alien 3 where it opened its mouth and its tongue was a little alien head with teeth of its own. I thought it would be fun to write a piece of music around this creature, so I wrote a short series of story beats and then some music around it. The full story is, unfortunately, lost to history, but the music survived the twenty-five years since its original composition, and in honor of my young self, I merely edited any typos and left it just as I wrote it when I was a seventeen-year-old high school senior. This was my first, solo-written, full band composition, and one can hear that I was a huge fan of Igor Stravinsky. This is not an easy piece to play. It has time changes aplenty, fast runs in the upper woodwinds, very exposed parts in nearly every section, large interval leaps, and spares hardly anyone's range. The eighth note remains constant across the 4 and 8 time signatures, and the breakdown of the complex time signatures is apparent in how the eighth notes are barred. As a conductor, it will be challenging as well, but I survived it on two occasions as both a senior in high school and in front of a military band, so it can be done. So enjoy the musical story of a creature who attacks people in its rage and hunger before it is chased and defeated by an angry mob ... but did it really die? George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00
31.57 €
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Concert band
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George Willson
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Creature
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George Willson
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SheetMusicPlus
He Lives In You (reprise)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1309766 Composed by Jay Rifkin, L…
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Concert Band - Level 4 - Digital Download SKU: A0.1309766 Composed by Jay Rifkin, Lebo M, and Mark Mancina. Arranged by Andrea Smiley. Broadway,Classical,Film/TV,Multicultural,Musical/Show,World. 77 pages. Andrea Smiley #898932. Published by Andrea Smiley (A0.1309766). Several years ago, I lost my father suddenly. One of the things that helped me through the grieving proess was music. The music of Kings of the Past and He Lives in You from Disney's The Lion King resonated in me during this time and, being a musician, I started searching for an arrangement of this for symphonic wind ensemble. Much to my disappointment, I could not find such an arrangement. So, I sat down and wrote this out, developing the emotional tones I felt during the process, traveling from grief and despair to eventually hope and celebraton of who my father was and that he continues to abide in me in spirit, and developing the difficuty level I thought would be welcome in the type of ensemble I like to play in. I would recommend this score and parts to a community band or a skilled high school band, as ther are several chances to highlight the different sections of the band with multiple solos that will challenge the range on the instrumentalists.
$65.00
58.62 €
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Concert band
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Jay Rifkin, Lebo M, and Mark Mancina
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He Lives In You
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Andrea Smiley
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SheetMusicPlus
March: The Kings (Conductor's Score)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1027430 Composed by Robert L. Ane…
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Concert Band - Level 4 - Digital Download SKU: A0.1027430 Composed by Robert L. Anello. Arranged by Robert Anello. 20th Century,Traditional. Score and parts. 22 pages. Robert Anello #4765283. Published by Robert Anello (A0.1027430). A couple of years ago, I was thinking about how Elvis Presley in 1956 turned the Civil War-era ballad Aura Lee into a hit love song. Over time, I identified a half-dozen ballads and folk tunes that Presley and his writers reworked into hit tunes. I mused on Elvis’ popular title as the King of Rock and Roll, and thought of another king, as Karl L. King is often called the King of the Circus March. I decided to write a march paying tribute to both Elvis Presley and Karl L. King: March: The Kings. I composed the march loosely styled on King’s famous circus marches but overlay the march with five original, public domain ballads and folk tunes later arranged into popular love songs performed by Elvis. • Plaisir d’Amour (Jean-Paul Martini, 1784) • O Sole Mio (Edorado de Capua, 1899) • Muss i denn (Friedrich Silcher, 1827) • Torna a Surriento (Ernesto DeCurtis, 1902) • Aura Lee (George Poulton, 1861) I hope you enjoy this pleasant little novelty piece. Your audience will have fun guessing the names of the hit tunes Elvis Presley adapted from these ballads and folk tunes.
$4.99
4.5 €
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Concert band
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Robert L
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March: The Kings
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Robert Anello
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SheetMusicPlus
March: The Kings (Score and Parts)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1027432 Composed by Robert L. Ane…
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Concert Band - Level 4 - Digital Download SKU: A0.1027432 Composed by Robert L. Anello. Arranged by Robert Anello. 20th Century,Traditional. Score and parts. 78 pages. Robert Anello #4765329. Published by Robert Anello (A0.1027432). A couple of years ago, I was thinking about how Elvis Presley in 1956 turned the Civil War-era ballad Aura Lee into a hit love song. Over time, I identified a half-dozen ballads and folk tunes that Presley and his writers reworked into hit tunes. I mused on Elvis’ popular title as the King of Rock and Roll, and thought of another king, as Karl L. King is often called the King of the Circus March. I decided to write a march paying tribute to both Elvis Presley and Karl L. King: March: The Kings. I composed the march loosely styled on King’s famous circus marches but overlay the march with five original, public domain ballads and folk tunes later arranged into popular love songs performed by Elvis. • Plaisir d’Amour (Jean-Paul Martini, 1784) • O Sole Mio (Edorado de Capua, 1899) • Muss i denn (Friedrich Silcher, 1827) • Torna a Surriento (Ernesto DeCurtis, 1902) • Aura Lee (George Poulton, 1861) I hope you enjoy this pleasant little novelty piece. Your audience will have fun guessing the names of the hit tunes Elvis Presley adapted from these ballads and folk tunes.
$15.99
14.42 €
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Concert band
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Robert L
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March: The Kings
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Robert Anello
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser.…
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Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
40.58 €
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Concert band
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Slide Ride
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SheetMusicPlus
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