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Rather Be - Synthesizer
Concert band
Sheetmusic to print
45 sheet music found
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I'd Rather Be Blue Over You Than Be Happy With
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1002654 Composed by Billy Rose an…
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Concert Band - Level 3 - Digital Download SKU: A0.1002654 Composed by Billy Rose and Fred Fisher. Arranged by Chris Harris. 20th Century,Blues,Jazz,Jewish,Standards. Score and parts. 38 pages. CHRIS HARRIS MUSIC #603763. Published by CHRIS HARRIS MUSIC (A0.1002654). I’D RATHER BE BLUE, THINKING OF YOU (than be happy with somebody else) was originally recorded by pioneering American songstress Fanny Brice in 1929. Since then it was featured in her biography “Funny Girl†when it was sung (and danced on roller-skates!) by Barbra Streisand. This is a FLEXIBLE ORCHESTRATION which implies that it is intended for community bands, bands in small schools, club bands etc. and can be played, not only by full bands or orchestras but by incomplete bands and bands that are made up of almost any mixture of instrument that you can imagine. To achieve this, the music is made up of five “Parts†or voices which are defined by pitch and key e.g. Part II Bb – Trumpet, Clarinet, Tenor saxophone etc. To those five are added additional parts for percussion, tuned percussion, piano and voice. I should mention here that, besides regular band or orchestral instruments, it is possible to include less used instruments such as harmonica, piano-accordion, ukulele, electric guitar – the list is endless! Lastly, it is possible to use flexible orchestrations for chamber groups of any size. They can be chosen by instrument family e.g. Woodwind quintet, or by particular instrument e.g. Clarinet Trio.
$49.99
45.9 €
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Concert band
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Billy Rose and Fred Fisher
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I'd Rather Be Blue Over You Than Be Happy With
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CHRIS HARRIS MUSIC
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SheetMusicPlus
Rather Be
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1399023 By Clean Bandit Feat. Jes…
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Concert Band - Level 3 - Digital Download SKU: A0.1399023 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Janina Schülin. Pop. 25 pages. Janina Schülin #982300. Published by Janina Schülin (A0.1399023). Mixed Band ArrangementViolin, Viola, Clarinet 1&2, Alto Sax, Tenor Sax, Trumpet, Horn, Piano/Keyboard, Bass.
$49.99
45.9 €
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Concert band
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Clean Bandit Feat
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Rather Be
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Janina Schülin
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
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Concert band
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.03 €
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Concert band
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
Parker's Lullaby For Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1135076 Composed by Christian Pau…
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Concert Band - Level 2 - Digital Download SKU: A0.1135076 Composed by Christian Paulson. Contemporary,Contest,Festival. Score and parts. 34 pages. Christian Paulson #734412. Published by Christian Paulson (A0.1135076). I originally wrote Parker's Lullaby for our orchestra to celebrate the birth of my first grandchild, Parker. Then I wanted to explore the sounds of the concert band with this piece...so away I went. A couple of fun things went into writing this piece originally. It had to be a lullaby, represent the anticipation of her arrival and the peacefulness of her sleeping, while contrasting her whimsical side with her bold and dramatic side. A couple of other things. The chords are rather jazzy because grandpa is a rather jazzy guy. At letter C, the drum part is grandpa being playful while the flute melody is her grandma doing the same. The ranges are comfortable allowing your band to sound full and confident. I think your horns will enjoy their heroic part in the climax. I'm very pleased with how this turned out. It was important that it kept its simplicity going from strings to band. I hope you enjoy it.
$45.00
41.32 €
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Concert band
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Christian Paulson
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Parker's Lullaby For Band
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Christian Paulson
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
45.9 €
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Concert band
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A
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
Elegy-Field of Blood
Concert band
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eisme…
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
11.02 €
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Concert band
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
The Privateers
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.983162 Composed by Craig Wadley. …
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Concert Band - Level 3 - Digital Download SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #3043809. Published by Wadley Publications (A0.983162). The Privateers is a swashbuckling depiction of an oceangoing pirate adventure, presented in the form of a march. The piece starts with a brief fanfare, followed immediately by a rousing melody in the style of an old sea-shanty. Images of sailing upon an endless sea of stars come to mind as a tranquil nocturne is presented, but the peace is shattered as cutlasses and sabers clash in a dogfight sure to end in Davy Jones’ locker! The music swells to a dramatic conclusion as our mighty galleon surges across a stormy sea. Instrumentation The Privateers comes with full sets of both concert/stage and marching/field parts, allowing for great flexibility in your performance venues. Contemporary marching bands and drum & bugle corps utilize specialized field percussion which is typically not used in a concert setting. With this piece, the use of outdoor percussion (quad toms and a tonal bass drum line) onstage is encouraged, although not required. A single bass drum line is included which may be used instead of (or in addition to) the tonal bass drum line, and the Quad Toms part may be omitted. A piano part is included, primarily for optional use indoors as a color instrument for the ensemble. However, smaller bands in particular may find it useful for filling out the accompaniment line if instrumentation is limited. Optionally, a very small ensemble of melodic instruments could be used, with the piano acting as a full-fledged accompaniment. Several optional parts are included, such as Eb and Bb Horn, for ensembles with limited instrumentation. Also, the two Low Winds parts should be distributed equally across trombone, baritone/euphonium, and tenor sax players. Double reed parts are not included. Double these instruments on appropriate parts to suit the needs of your ensemble. Teaching Points Meter – The alternation of 6/8 and 4/4 with a constant pulse (rather than a constant 8th note) provides an excellent opportunity to teach your students to shift the subdivision of the beat from triple to duple and back again. Chromaticism & Accidentals – There is a recurring passage which features the prominent use of secondary dominants, or circle of fifths chord motion. Students can learn a few less-than-common accidentals and enharmonics, while also getting a larger lesson in music theory.
$24.99
22.95 €
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Concert band
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Craig Wadley
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The Privateers
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Wadley Publications
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
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Concert band
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Giovanni Gabrieli
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Elegy-Field of Blood
Concert band
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeie…
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
73.46 €
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Concert band
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Nuclear - Wind Ensemble
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1000459 Composed by Bryce Styles.…
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Concert Band - Level 5 - Digital Download SKU: A0.1000459 Composed by Bryce Styles. Contemporary. Score and parts. 75 pages. Bryce Styles #5732243. Published by Bryce Styles (A0.1000459). After two years of off and on progress with months in between, I finally had the motivation to finish my third wind band piece, Nuclear. When first composing this piece, I imagined an apocalyptic scene, similar to that of those video games set in some kind of wasteland (hence the name, Nuclear). The piece is completely through-composed, and around the 3:30 minute mark, I decided to shift the theme from armageddon to rebuilding and hope. Here, the piece makes a sudden character change with a rather abrupt transition, which actually just results from my lack of skill in writing... Either way, the overall story that I am trying to tell, whether it be literal or philosophical, is that life will eventually return to normal, as one takes absorbed damage and attempts to heal. This is applicable especially today, as the 2020 pandemic has torn apart lives from all cultures and backgrounds. Someday, we will be celebrating the moment that we can all be together again. Please, if you like wind band repertoire, consider giving this piece a listen and find the story it can tell in your life. Thank you, and enjoy Nuclear.
$25.00
22.96 €
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Concert band
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Bryce Styles
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Nuclear - Wind Ensemble
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Bryce Styles
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SheetMusicPlus
That Tumbarumba Cucumber Rhumba
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1456822 Composed by Kara Williams…
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Concert Band - Level 1 - Digital Download SKU: A0.1456822 Composed by Kara Williams. Classical,Contemporary,Contest,Festival,Latin,Rock. 37 pages. Kara Williams #1035903. Published by Kara Williams (A0.1456822). Admittedly, the choice of title for this work for novice wind ensemble was based more on what would rhyme with the word ‘Tumbarumba’, than staying true to the style of the North American Latin groove made popular in the 1930s! It does; however, introduce players to some of the musical aspects found in Latin American and Afro-Cuban music in an accessible way. Written for and premiered by the Sturt Public School Band (near the town of Tumbarumba) this fun work utilises narrow instrumental tessituras, and incorporates simple off off-beat entries, section solis, layered melodies, and a fun bass line that will keep your low woodwind and brass players engaged and audience tapping their feet all the way through! Optional easier (rather than harmonically lower) 3rd trumpet and 3rd clarinet parts make this chart more inclusive and achievable for less experienced players; and, at around two and a half minutes in length, it’s a great addition to any concert!Scoring:Fl 1-2; Ob; Cl 1-2-(3 opt); BCl; AS; TS; BS; Bsn; F Hn 1-(2 opt); Tpt 1-2-(3 opt); Tbn; Euph; Tba (Bass); Glock (opt); Xylo (opt); Cabasa-Shaker; Drum set* (H.H. crash S.D. B.D.) Tambourine (doubles H.H.) *Drum set instruments can be performed separately and percussion can be added/doubled up as desired.karawilliamsmusic.com.
$20.00
18.37 €
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Concert band
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Kara Williams
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That Tumbarumba Cucumber Rhumba
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Kara Williams
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SheetMusicPlus
Going Home (Theme From "Local Hero")
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1440613 By Dire Straits. By Mark …
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Concert Band - Level 3 - Digital Download SKU: A0.1440613 By Dire Straits. By Mark Knopfler. Arranged by John Ivor Holland. 20th Century,Film/TV,Multicultural,Pop,Rock,World. 49 pages. John Ivor Holland #1020589. Published by John Ivor Holland (A0.1440613). Going Home is an instrumental rock track by Mark Knopfler, and the closing track from the 1983 film 'Local Hero'. It was the debut solo single by Knopfler and charted at number 56 in the UK, number 26 in the Netherlands and 18 in New Zealand. Despite its rather modest chart position in Knopfler's native UK, Going Home remains one of the artist's most popular songs. A supergroup, referred to as Mark Knopfler's Guitar Heroes, recorded Going Home to support the Teenage Cancer Trust and Teen Cancer America. The recording, released 15 March 2024, was Jeff Beck's final recording before his death. Due to the film's Scottish setting, it has become popular amongst bagpipe players to perform this melody and a part for bagpipes has been included in this arrangement (a B flat chanter may be required to help with tuning to the ensemble) but it can be performed without.
$49.99
45.9 €
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Concert band
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Dire Straits
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Going Home
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John Ivor Holland
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SheetMusicPlus
Bush Ballad
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1408466 Composed by Margaret Ada …
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Concert Band - Level 4 - Digital Download SKU: A0.1408466 Composed by Margaret Ada Sutherland. Arranged by John Ivor Holland. 20th Century,Classical,Folk. 84 pages. John Ivor Holland #991057. Published by John Ivor Holland (A0.1408466). Margaret Sutherland was one of the most innovative and influential Australian composers. In the first half of the twentieth century, her desire to be both serious composer and mother was atypical, and she faced significant challenges – public and private – in blending these roles. Against the backdrop of an unhappy and unsupportive marriage and a society not yet ready to accept her creative ambitions and strong views on Australia’s musical development, she remained admirably steadfast in pursuing her goals. Sutherland created over two hundred compositions, ceaselessly campaigned on behalf of Australian music and musicians, and led the initial push to construct what is now Arts Centre Melbourne. In her attempts to redefine beauty in music she used idiosyncratic musical language, being at the mercy of ‘sound pictures’ and ‘floating ideas’. Not much is known about this particular piece, 'Bush Ballad', save that its opening folk-like melody and sinewy variations on it are rather wonderful and very indicative of Sutherland's style - certain portions of the score seemed to be missing, and there were several handwritten corrections, so a certain amount of reconstruction and editing has been necessary to present this arrangement for full band.
$59.99
55.09 €
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Concert band
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Margaret Ada Sutherland
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Bush Ballad
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John Ivor Holland
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SheetMusicPlus
Broken Bow: Baritone T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014377_BTC1 Baritone T.C.. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0014377_BTC1 Baritone T.C.. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_BTC1). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
2.75 €
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Concert band
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Carl Strommen
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Festival.
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Broken Bow: Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Broken Bow: 2nd Percussion
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014377_PC2 2nd Percussion. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0014377_PC2 2nd Percussion. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_PC2). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
2.75 €
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Concert band
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Carl Strommen
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Festival.
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Broken Bow: 2nd Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Broken Bow: Baritone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014377_BBC1 Baritone B.C.. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0014377_BBC1 Baritone B.C.. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_BBC1). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
2.75 €
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Concert band
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Carl Strommen
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Festival.
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Broken Bow: Baritone B.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Broken Bow: Timpani
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014377_TMP Timpani. Composed …
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Concert Band - Digital Download SKU: AX.00-PC-0014377_TMP Timpani. Composed by Carl Strommen. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_TMP). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
2.75 €
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Concert band
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Carl Strommen
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Festival.
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Broken Bow: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Broken Bow: Tuba
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014377_TB1 Tuba. Composed by …
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Concert Band - Digital Download SKU: AX.00-PC-0014377_TB1 Tuba. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_TB1). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
2.75 €
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Concert band
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Carl Strommen
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Festival.
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Broken Bow: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Broken Bow: 1st F Horn
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014377_H1 1st F Horn. Compose…
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Concert Band - Digital Download SKU: AX.00-PC-0014377_H1 1st F Horn. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_H1). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
2.75 €
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Concert band
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Carl Strommen
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Festival.
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Broken Bow: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Broken Bow: Mallets
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014377_M1 Mallets. Composed b…
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Concert Band - Digital Download SKU: AX.00-PC-0014377_M1 Mallets. Composed by Carl Strommen. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_M1). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
2.75 €
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Concert band
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Carl Strommen
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Festival.
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Broken Bow: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Broken Bow: 2nd B-flat Trumpet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014377_T2 2nd B-flat Trumpet.…
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Concert Band - Digital Download SKU: AX.00-PC-0014377_T2 2nd B-flat Trumpet. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_T2). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00
2.75 €
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Concert band
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Carl Strommen
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Festival.
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Broken Bow: 2nd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Advance! The Royal British Legion
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1346333 Composed by Clive Longhur…
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Concert Band - Level 3 - Digital Download SKU: A0.1346333 Composed by Clive Longhurst. March. 61 pages. Clive Longhurst #931156. Published by Clive Longhurst (A0.1346333). I wrote this march over 12 years ago, when I was first getting into composing/arranging, and it was rather too 'busy'. Too many musicians doing too much. So I had another look and made it more playable by bands of a lesser technical aptitude.It is dedicated to all the volunteers, who give up their time, to make the Royal British Legion the steadfast organisation it has become. They truly are the unsung heroes of the charity. I hope this march pays them the compliment it is meant to. There will soon be a brass band version available.Page 11 is a useful advice sheet for printing.I hope your band enjoys playing it, be it on the march or a concert.
$10.00
9.18 €
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Concert band
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Clive Longhurst
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Advance! The Royal British Legion
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Clive Longhurst
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SheetMusicPlus
Never Enough
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1265062 By Boyce Avenue. By Benj …
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Concert Band - Level 4 - Digital Download SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Score and Parts. 40 pages. Jason Howard #857689. Published by Jason Howard (A0.1265062). Thank you for you're interest in my arrangement one of The Greatest Showman's greatest hits! This arrangement of Never Enough is for concert band with an optional vocal soloist.The work starts out with the simple piano arpeggios that really hooked my ear on the original, before leading into an intimate blend of woodwind timbres and flowing percussive melodies for the first verse. Low Brass lead the work into the first chorus, where a Horn solo carries the emotion to the first full ensemble hit that pushes through until the end of the work where sudden silence and soft, warm extended chord punctuates the piece.This piece was written with advanced high school and higher level musicians in mind. Though the pieces isn't incredibly difficult overall, the range asked of some of the performers and the raw emotion that this work represents demands a level of training. The score will likely be better printed on Legal sized paper to help with readability, but the parts are all easily printable on standard 8.5x11 copy paper.Instrumentation:Flute 1 & 2*Oboe*Bb Clarinet 1 & 2Bb Clarinet 3*Bass ClarinetAlto Saxophone 1Alto Saxophone 2Tenor SaxophoneBaritone SaxophoneBb Trumpet 1 & 2Bb Trumpet 3Horn in F 1 & 3*Horn in F 2 & 4*Trombone 1Trombone 2Eupnonium*TubaOptional Solo VoicePianoGlockenspielChimesXylophoneMarimbaConcert Bass DrumSuspended Cymbal*Part includes a solo sectionI hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$49.99
45.9 €
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Concert band
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Boyce Avenue
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Never Enough
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Jason Howard
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SheetMusicPlus
Revelations 5 (Mvt. II)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1024060 Composed by John Dorhauer…
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Concert Band - Level 4 - Digital Download SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title – it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope – even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with John’s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality – how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the piece’s latter half, which is a softer reimagining of the Lion character’s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPA’s wind ensemble composition contest.
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45.91 €
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Concert band
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John Dorhauer
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Revelations 5
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John J Dorhauer
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