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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
The
Not classified
109,767
Piano & keyboards
Piano solo
110,420
Piano, Voice
56,298
Piano, Vocal and Guitar
48,476
Easy Piano
32,887
Organ
8,543
C Instruments
7,737
Big Note Piano
5,852
Piano Accompaniment
4,755
1 Piano, 4 hands
3,549
Accordion
2,427
Piano Trio: piano, violin, cello
1,089
Piano (band part)
809
2 Pianos, 4 hands
642
Piano Quartet: piano, violin, viola, cello
301
Piano Quartet: piano, 2 violins, cello
278
Organ, Piano (duet)
229
Piano Quintet: piano, 2 violins, viola, cello
217
Melody line, Piano
185
Organ, Trumpet (duet)
185
Harpsichord
135
Keyboard
125
1 Piano, 6 hands
99
Accordion, Voice
78
Solo instrument and Organ
64
2 Pianos, 8 hands
43
2 Accordions
29
Accordion ensemble
21
Organ, Voice
13
All Instruments
9
Fake Book
8
Accordion, Piano
5
2 Organs (duet)
4
Accordion and Orchestra
3
Accordion, String(s)
3
3 Pianos
2
Concertina
2
Piano ensembles
2
Organ and Orchestra
1
Piano Trio: mixed chamber instrumentation
1
Piano Quintet: piano, violin, viola, cello, double bass
1
+ 35 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
29,581
Melody line, (Lyrics) and Chords
27,458
Guitar
10,538
Lyrics and Chords
8,608
Ukulele
7,458
Bass guitar
6,051
Guitar (band part)
1,097
2 Guitars (duet)
784
Mandolin
751
Piano, Guitar (duet)
577
Banjo
559
Dulcimer
522
4 Guitars (Quartet)
298
Guitar Ensemble
228
Baritone Ukulele
181
Electric Bass (band part)
146
3 Guitars (trio)
123
Ukulele Ensemble
114
Band Scores
91
Lap Steel Guitar
52
2 Dulcimers (duet)
39
Guitar, Violin, Cello (trio)
24
Dobro
21
Mandolin, Guitar (duet)
20
2 Ukuleles
17
Mandolin, Piano (duet)
14
Guitar, Flute, Clarinet
9
Guitar Tab, Voice, Bass, Drum
8
Zither
8
Lute
7
2 Mandolins (duet)
6
3 Dulcimers (trio)
4
Guitar, Orchestra
4
Guitar, String Quartet
4
Bouzouki
2
Plectrum Orchestra
1
2 Guitars and Orchestra
1
+ 32 instrumentations
-
Retract
Voice
Choral SATB
39,905
Choral 3-part
14,370
Choral 2-part
10,282
Choral Instrumental Pak
7,991
Choral TTBB
7,477
Choral Unison
5,145
Choral SSAA
3,988
Vocal duet, Piano
2,833
Voice solo
2,571
Choral
2,564
Vocal duet
1,161
Soprano voice, Piano
902
High voice
809
Alto voice, Piano
614
Tenor voice, Piano
584
Baritone voice, Piano
376
Low voice, Piano
264
Medium voice, Piano
221
Tenor voice
118
Choral SSATB
115
Choral SSAATTBB
115
Voice, Guitar
87
Mezzo-Soprano voice, Piano
60
Soprano voice
54
Choral SSATTB
49
Choral SSAB a cappella
43
Soli, Mixted choir and accompaniment
40
Low voice
38
Choral SSAB, Piano
33
Choral SSATBB
23
Baritone voice
18
High voice, Piano
17
Choral SSAATB
16
Choral, Organ
12
Choral SATBB
10
Medium Voice
9
Voix Masculines
8
Choral SAATB A Cappella
7
Soprano voice, Orchestra
6
Choral SATTB
4
Choral SATTBB A Cappella
4
Vocal (with Chords Symbols)
3
Lyrics only
2
Children choir
1
Choral SATTBB, keyboard
1
Choral SSAATB A Cappella
1
Vocal duet, Organ
1
+ 42 instrumentations
-
Retract
Woodwind
Saxophone (band part)
10,700
Flute
10,120
Flute and Piano
9,059
Clarinet
8,739
Saxophone Quartet: 4 saxophones
7,311
Alto Saxophone
6,730
Clarinet and Piano
6,238
Tenor Saxophone
5,864
Saxophone
5,799
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5,127
Oboe, Piano (duet)
4,974
Flute, Oboe, Clarinet, Bassoon
4,943
Alto Saxophone and Piano
4,818
Clarinet (band part)
4,777
2 Saxophones (duet)
4,636
Clarinet Quartet: 4 clarinets
3,970
2 Flutes (duet)
3,827
Tenor Saxophone and Piano
3,511
2 Clarinets (duet)
3,209
Oboe (band part)
3,147
Flute (band part)
2,528
Soprano Saxophone and Piano
2,190
Saxophone Quintet: 5 Saxophones
2,130
Flute Quartet: 4 flutes
2,055
3 Saxophones (trio)
1,694
3 Clarinets (trio)
1,605
Flute, Clarinet (duet)
1,413
Clarinet Ensemble
1,238
Oboe
1,218
Flute Trio: 3 flutes
1,080
Baritone Saxophone, Piano
1,023
Flute ensemble
972
Recorder
941
Clarinet Quintet: 5 clarinets
935
Flute and Guitar
910
2 Oboes (duet)
876
Saxophone ensemble
855
2 Recorders (duet)
706
Soprano Saxophone
689
Oboe, Bassoon (duet)
684
English horn, Piano
677
Clarinet, Violin (duet)
664
Descant (Soprano) Recorder
654
Flute, Violin
594
Harmonica
585
Oboe, Clarinet (duet)
556
Eb Instruments
550
Saxophone, Clarinet (duet)
549
Ocarina
539
Flute, Oboe, Clarinet (trio)
467
Flute, Violin, Piano
466
Treble (Alto) Recorder
431
Flute, Clarinet and Bassoon.
408
Bass Clarinet, Piano
380
Recorder Quartet
373
Flute, Violoncello
361
Clarinet, Bassoon (duet)
354
Flute Quintet : 5 flutes
339
Flute, Oboe (duet)
334
Clarinet, Guitar (duet)
316
Flute, Oboe, Bassoon
313
Oboe, Flute
305
Clarinet, Trumpet (duet)
305
Flute, Viola (duet)
275
Oboe, Clarinet, Bassoon (trio)
274
Clarinet and Viola
262
Baritone Saxophone
252
Clarinet, Cello (duet)
232
Flute, Saxophone (duet)
228
Clarinet, Harp (duet)
225
Flute, Trumpet (duet)
222
Flute, Clarinet, Piano (trio)
221
English Horn
217
Flute, Violin and Violoncello
207
Flute, Cello, Piano (trio)
205
Oboe, Cello
183
2 Flutes, Piano
156
Bass Clarinet
145
Piccolo
139
Treble (Alto) Recorder, Piano
139
Recorder Ensemble
132
Descent (Soprano) Recorder, Piano
132
2 Saxophones, Piano
130
3 Recorders (trio)
129
2 Clarinets, Piano
128
3 Oboes
125
Flute, Trombone (duet)
114
Oboe, Violin (duet)
110
Pennywhistle
105
Flute, Oboe, Violin
105
Flute, Clarinet, Violin (trio)
102
Tenor Recorder
98
Saxophone and Guitar
97
Oboe, Guitar (duet)
96
Flute, Bassoon, and Piano
96
Clarinet, Cello, Piano (trio)
94
5 Recorders
90
Saxophone and Piano
86
Flute, Oboe, Piano (trio)
81
Recorder, Piano
76
Oboe and viola (duet)
75
Flute, harp and violin
74
English Horn, Guitar (duet)
73
2 Clarinets, Bassoon
67
Flute, Harp and Cello
67
Piccolo, Piano
65
Flute, Viola and Piano
64
Clarinet, Trombone (duet)
63
Bagpipe
61
4 Oboes
51
Saxophone and Organ
51
Flute, Clarinet, Horn and Bassoon (Quartet)
49
Flute, Violin, Violoncello and Piano
44
Saxophone, Violin (duet)
41
Flute, Tuba (duet)
40
Saxophone and Harp
36
Oboe, Harp
35
Clarinet, Bassoon, Piano (trio)
34
Flute, Organ (duet)
34
Oboe, Trumpet (duet)
31
Oboe, Trombone (duet)
30
Flute, trombone and piano
30
Clarinet, Tuba
29
Flute and Strings Trio
27
Clarinet Quartet: Clarinet, Violin, Viola, Cello
27
Clarinette, Viola and Piano (trio)
25
Wind ensemble
21
Flute, Cello, Guitar
20
Treble (Alto) Recorder, Basso continuo
19
Oboe, Bassoon and Piano
19
Recorder, Guitar (duet)
18
Clarinet, trumpet and piano
18
2 English horns and Pianoforte
18
Oboe, Cello and Piano
18
Saxophone, Bassoon (duet)
17
Oboe, Clarinet and Piano (Trio)
15
Clarinet, Organ
14
Clarinet, Double bass (duet)
14
Clarinet Quintet: Clarinet, String Quartet
13
Oboe, Violin, Piano
13
Flute, Viola and harp
12
Flute, French horn (duet)
11
Saxophone and cello
11
Oboe ensemble
11
2 Oboes, Piano
10
Flute, Violin, Guitar
10
2 Recorders, Piano
10
Oboe, Violin, Viola and Violoncello (Quartet)
9
Flute, Basso continuo
9
Harmonica, Piano
9
Clarinet, Orchestra
7
2 Harmonicas
6
Flute and String Quartet
6
Pan Flute
6
2 Flutes and Guitar
6
Flute, Orchestra
5
Recorder, Harp
5
English horn, Harp (duet)
5
Melodica
4
2 Flutes, 2 Clarinets (Quartet)
4
2 Oboes and Basson
3
Descant (Soprano) Recorder, Basso continuo
3
Flute, Viola and Cello
3
Clarinet, Saxophone, Piano
3
2 Flutes and Harp
3
2 Oboes and English horn
3
2 Recorders, Guitar
2
Saxophone, Tuba (duet)
2
3 Recorders, Piano
1
Flute, Guitar, Piano
1
Flute, viola, cello and guitar
1
Oboe and Orchestra
1
2 Flutes, Basso continuo
1
Oboe, Organ
1
2 Oboes, 2 Horns and 2 Bassoons
1
+ 170 instrumentations
-
Retract
Woodbrass
Trumpet
8,750
Trombone
7,065
Trumpet (band part)
6,860
Brass Quintet: 2 trumpets, horn, trombone, tuba
6,856
Trombone (band part)
6,727
Trumpet, Piano
4,667
French horn
4,395
Trombone and Piano
4,191
Brass quartet : 2 trumpets, trombone, tuba
3,501
French Horn and Piano
3,020
French horn (band part)
2,387
Tuba
1,764
2 Trumpets (duet)
1,738
Tuba (band part)
1,696
2 Trombones (duet)
1,608
Brass Quartet: 2 trumpets, horn, trombone
1,462
Brass Quartet
1,410
Tuba and Piano
1,320
Trumpet, Trombone (duet)
905
Brass Quartet: 4 trombones
808
2 French horns (duet)
797
Euphonium
704
English horn, Piano
677
Bass Clef Instruments
666
Euphonium, Piano (duet)
656
Brass Quartet: 4 horns
644
Bb Instruments
545
Trumpet, Saxophone (duet)
454
Trumpet, Horn (duert)
441
2 Euphoniums and 2 Tubas
386
Trombone ensemble
369
3 Trombones (trio)
295
Brass Trio
283
2 Tubas (duet)
270
English Horn
217
Trumpet ensemble
201
4 Tubas
197
Horn Ensemble
173
3 Trumpets (trio)
171
Brass Quartet: 4 trumpets
155
Tuba or Euphonium or Saxhorn
126
Tuba and Organ
122
Trumpet, Tuba (duet)
109
Trombone, Tuba (duet)
93
Brass Quartet: 2 trumpets, 2 trombones
92
Euphonium, Tuba (duet)
85
F Instruments
76
Cornet
75
Bass Trombone and Piano
75
English Horn, Guitar (duet)
73
Horn, Cello (duet)
71
Trumpet, violin (duet)
67
Trombone, Horn (duet)
65
2 Trumpets, Keyboard (piano or organ)
63
Bass Trombone
62
Trumpet, Cello (duet)
61
Trumpet, Bassoon (duet)
57
Horn, Tuba (duet)
54
Trombone, Violin (duet)
51
3 French horns (trio)
47
French Horn and Harp
46
Trombone, Organ
43
2 Euphoniums (duet)
42
Trombone, cello (duet)
40
Trumpet, Trombone, Piano
33
Trumpet, Harp
33
Trumpet, Cello, Piano
30
French horn and Basson (duet)
29
3 Tubas (trio)
22
Clarinet, Horn (duet)
22
Euphonium (band part)
21
2 Trombones, Piano
19
2 English horns and Pianoforte
18
Horn and Organ
16
Tuba ensemble
16
Trumpet and Guitar
15
Horn, Trumpet, Trombone (trio)
13
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
10
3 Euphoniums
10
2 French horns, Piano
10
Trombone, Viola (duet)
9
Cornet and Piano
8
Brass Quintet: 2 trumpets, horn, 2 trombones
7
Horn and Orchestra
7
Trombone and Orchestra
7
Trumpet, Orchestra
6
4 Euphoniums
6
English horn, Harp (duet)
5
Instruments en Sol
4
Cornet and Orchestra
2
Trumpet, Euphonium (duet)
2
Horn, Cello and Piano
2
Flügelhorn
2
+ 88 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
18,499
Violin and Piano
11,118
Violin
11,115
Cello
7,837
Cello, Piano
7,146
Viola
6,067
Harp
6,037
Viola, Piano
5,438
Violin, Cello (duet)
3,657
Violin (band part)
3,399
2 Violins (duet)
3,343
String Trio: violin, viola, cello
2,985
2 Cellos (duet)
2,269
Doublebass (band part)
1,977
Violin, Viola (duet)
1,744
Viola (band part)
1,700
String Quintet: 2 violins, viola, cello, bass
1,469
Double Bass
1,420
2 Violas (duet)
1,325
Double bass, Piano (duet)
1,221
String Trio: 2 violins, cello
1,104
Cello (band part)
1,062
Viola, Cello (duet)
792
String Trio: 3 violins
607
4 Cellos
567
2 Harps (duet)
563
Piano Trio: Violin, Viola, Piano
553
Harp, Flute (duet)
527
Violin, Guitar (duet)
438
String Trio: 3 cellos
347
Harp, Violin (duet)
318
String quartet: 4 violins
296
Cello, Guitar (duet)
279
2 Double basses (duet)
244
String trio
243
String Trio: 3 violas
221
String Trio: 2 violins, viola
202
Cello, String Bass (duet)
190
Viola, Guitar (duet)
189
String Quartet : 4 violas
183
Violin, Bassoon (duet)
173
2 Violins, Piano
119
String Quintet: 2 violins, 2 violas, cello
91
Viola and Bassoon
87
Harp, Cello (duet)
80
Violin, Clarinet, Piano (trio)
71
Harp and Piano
61
Harp, Voice
58
Viola and Harp
55
String Quintet: 2 violins, viola, 2 cellos
50
2 Cellos, Piano
48
Flute, Doublebass (duet)
48
Cello, Organ
45
4 Double Basses
44
Harp, Violin, Violoncello
42
Cello Ensemble
39
Violin ensemble
36
Violin, Organ
35
Violin, Tuba (duet)
31
Viola ensemble
31
Harp (band part)
30
Cello, Orchestra
26
Harp and mandolin
23
2 Violas, Piano
19
3 Harps
19
3 double basses
19
Violin, Basso continuo
18
Harp, Trombone (duet)
14
Violin, Cello, Clarinet
13
Autoharp
11
Violoncello, Basso continuo
10
Violin, Trumpet and Piano
8
Viola, Organ
7
Harp and Organ
6
Violin, Double bass (duet)
5
Harp, String quartet
4
4 Harps
4
2 Violins and Basso
2
Harp, Orchestra
2
5 Harps
2
Viola and orchestra
2
+ 76 instrumentations
-
Retract
Orchestra & Percussion
Concert band
38,787
Orchestra
10,077
String Orchestra
8,890
Jazz Ensemble
7,440
Marching band
6,541
Drums
4,683
Handbells
4,377
Brass ensemble
3,893
Percussion (band part)
3,164
Chamber Orchestra
2,234
Jazz combo
1,621
Drum (band part)
1,045
Percussion
908
Percussion Ensemble
808
Timpani (band part)
698
Marimba
296
Xylophone
275
Vibraphone
227
Timpani
191
Xylophone, Piano
111
Woodwind Quintet
109
Snare drums
84
Piano and Orchestra
69
2 Xylophones
52
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
49
Orchestra, Violin
35
Flexible Instrumentation
29
Big band
28
Brass Quintet: other combinaisons
26
Woodwind Quartet: any 4 woodwinds
22
Vibraphone (band part)
21
School Ensemble
16
Vibraphone and Marimba
13
Xylophone (band part)
10
3 Marimbas
8
Xylophone or Marimba or Vibraphone
7
Woodwind Trio: any 3 woodwinds
5
Bongos
4
Bodhran
3
3 Percussions
3
Voice and Orchestra
3
2 Marimbas
3
Marimba, Piano (duet)
3
Marimba or Xylophone and Piano
2
Conga
2
Cajon
2
Marimba and Organ
2
Marimba, Saxophone (duet)
1
2 Snare Drums (duet)
1
Voice Mezzo-Soprano, Orchestra
1
+ 45 instrumentations
-
Retract
Others
Musical course - Solfege
272
Music Theory
53
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SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
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Oot-kwa-tah, Dance of the Seven Sisters
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #...
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Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
1917: The Halifax Disaster
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501....
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
The Best Hymns of All Time (for Wind Instruments) Book 3
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Concert band
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EASY
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Sacred music
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 13...
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Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
Nearer My God To Thee (Titanic) for Young Concert Band
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Concert band
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INTERMEDIATE
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Sacred music
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Keith Terrett
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged b...
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Concert Band - Level 3 - Digital Download SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Multicultural,Praise & Worship,Sacred,Traditional,World. 20 pages. Keith Terrett #615015. Published by Keith Terrett (A0.1009356). Nearer, My God, to Thee arranged for Young Concert Band, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
Denmark: The Two National Anthems
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Concert band
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EASY
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Patriotic
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Ditlev Ludvig Rogert
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Colin Kirkpatrick
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Denmark: The Two National Anth
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged b...
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Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
$8.99
The Dancing Forest
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Concert band
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INTERMEDIATE
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New Age
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Contemporary
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Ben Ledochowski
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The Dancing Forest
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Ben Ledochowski
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1023643 Composed by Ben Ledochowski. Contemporary,New Age. Score and parts. 31 pages. Ben Ledochowski #...
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Concert Band - Level 3 - Digital Download SKU: A0.1023643 Composed by Ben Ledochowski. Contemporary,New Age. Score and parts. 31 pages. Ben Ledochowski #6217581. Published by Ben Ledochowski (A0.1023643). Far to the westernmost regions of Russia, and then farther still, there is a place known as theDancing Forest of Kaliningrad. It is a mysterious, otherworldly place where trees grow in tangles,knots, and other unfathomable shapes, a place described by local psychics as a point of conflict where great positive and negative forces collide. Due to its remarkable air of mystery, the forest has woven its way into the legends and folklore of the region. My personal favorite legend about it goes as follows: The Prussian prince Barty used to hunt in these forests. Chasing a Roe deer one day, heheard a wonderful tune, and as he came to a field, he saw a beautiful girl playing a lyre. She was a Christian and her name was Predislava. The prince proposed to her but she replied that she would marry only a man of her faith. Prince Barty agreed to become a Christian as long as she could prove the power of her invisible God was more powerful than the surrounding trees. Predislava played her lyre. Birds grew silent, and the trees started dancing. The prince then took a bracelet from his hand and gave it to her as a token of their betrothal. On this very spot, many years later, there grew the Dancing Forest.This piece is my homage to the Dancing Forest of Kaliningrad and all its associated legends. Premiered by the Santa Teresa High School Concert Band in May 2019, the work is scored for a concert band of intermediate size and skill level and is designed to help introduce high school musicians to modal music and unconventional key signatures. Furthermore, the piece is inspired by multiple rhythmic and harmonic elements of rock and folk music in an attempt to help bridge the gap between popular music and contemporary wind ensemble repertoire. Enjoy!
$19.99
Three Irish Folk Songs (that became popular in the US.)
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Concert band
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EASY
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Unknown Traditional folk songs
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David Berlin (ASCAP)
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Three Irish Folk Songs
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David Berlin
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.958083 Composed by Unknown Traditional folk songs. Arranged by David Berlin (ASCAP). Instructional,Roma...
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Concert Band - Level 2 - Digital Download SKU: A0.958083 Composed by Unknown Traditional folk songs. Arranged by David Berlin (ASCAP). Instructional,Romantic Period,Standards. Score and parts. 96 pages. David Berlin #3559075. Published by David Berlin (A0.958083). This collection of folk melodies from Ireland can be studied independently or in a variety of groupings. While created in open scoring for beginning and young instrumentalists, these pieces could be used by anyone. They are accessible with as few as two players and as many as are available in almost any combination of instruments. The folk melodies are also excellent to use as warm-ups because they can serve the purpose while also providing aesthetic value. The teacher is encouraged to be flexible and creative with them. Directors are encouraged to perform these in various combinations and sets. Feel free to be creative. For example, repeats could be added featuring various soloists and/or small groupings in contrast with the full group (as in a concerto.) Creativity could be promoted by allowing students to make suggestions pertaining to the formal organization of the material. In addition to decisions as to which pieces to perform directors are encouraged to involve students in making creative decisions such as which ones to put together, which phrases to repeat in various combinations and instrumental subsets and other appropriate aesthetic decisions. Each piece could function as a locus for branching into various content areas in connection with social studies, integrated curriculum and/or inquiry. Many of the melodies have very smooth and conjunct voice leading making them excellent for solfege/sight-reading training. These melodies are offered as a resource for the teacher to use in a variety of ways and possibilities are unlimited. Lyrics are readily available online.
$9.99
Fanfare For The Fallen
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Concert band
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INTERMEDIATE
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George Willson
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Fanfare For The Fallen
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George Willson
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. Geor...
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Concert Band - Level 3 - Digital Download SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607975. Published by George Willson (A0.927174). War, by its nature, claims the lives of those who enter it, and over the course of history, many have fallen in the service of their countries who have gone to war for one reason or another. Fanfare for the Fallen seeks to honor those who have fallen in service and conjure the image of them marching into their glorious afterlife. Christianity holds that there is no greater love than laying down one's life for another, and many cultures believe that dying in battle yields glory in the great beyond. So whether marching into heaven, Valhalla or some other bright light at the end of the tunnel, let this music provide the soundtrack of trumpeting angels and one last ticker tape parade as these warriors are welcomed into their eternal home.This is a piece of intermediate difficulty with a nice melody and a John Williams' Olympic Fanfare feel to it. While the trumpets soar in their high registers for the heralding sections, the range for the rest of the piece (and the rest of the band) stays mostly in the center of the instruments. While 32nd notes are found here and there, the tempo sitting at around 80 keeps their difficulty, as well as the 16th note woodwind runs, in check. George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00
Bluey Theme Song
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Concert band
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BEGINNER
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Jonathan Bush
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Sam Fettig
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Bluey Theme Song
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Sam Fettig
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1377507 Composed by Jonathan Bush. Arranged by Sam Fettig. Children,Pop. 37 pages. Sam Fettig #962100. ...
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Concert Band - Level 1 - Digital Download SKU: A0.1377507 Composed by Jonathan Bush. Arranged by Sam Fettig. Children,Pop. 37 pages. Sam Fettig #962100. Published by Sam Fettig (A0.1377507). https://www.samfettigmusic.com/BLUEY FOR BEGINNING BAND!The original Bluey Theme uses a 3-2 clave rhythm for the entire song. This two-measure pattern ends differently every other time, creating a four-measure pattern that occurs throughout and never changes! All students (except the shaker) play this pattern at the very beginning, establishing the basis for the entire arrangement.Only six notes are used. Students’ familiarity with the music will be an asset as they tackle a melody that may be a new challenge to them. With this in mind, the melody is always doubled or cued elsewhere; no section will ever have to play it alone. There are four opportunities for either a soloist or a soli of any combination! These occur at bars 21, 25, 49 and 53.  Have fun with these spots, giving everyone an opportunity. It will, of course, need to be mapped out for a performance. Students will shout the Bluey characters’ names just like the show’s theme. There is one spot to insert a name of your choosing - a student, teacher, administrator, family member, or pet! Alternatively, you can replace any of the character’s names to truly personalize the song. I hope you and your students enjoy learning and performing Bluey!
$50.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Concert band
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Publi...
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Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Amazing Grace (And Then Some)
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Concert band
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Sacred music
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Marc Oliver
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Ayotte Custom Musical Engravin
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Amazing Grace
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.733028 Composed by Marc Oliver. Arranged by Ayotte Custom Musical Engravings. Praise & Worship,Sacred,Spiritual. ...
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Concert Band - Digital Download SKU: A0.733028 Composed by Marc Oliver. Arranged by Ayotte Custom Musical Engravings. Praise & Worship,Sacred,Spiritual. Score and parts. 42 pages. Ayotte Custom Musical Engravings #2347283. Published by Ayotte Custom Musical Engravings (A0.733028). Almost everybody and his mother on the Planet have written their own arrangements of Amazing Grace so I guess I should not be the exception. Amazing Grace (And Then some) is written for Solo Tuba, accompanied by a wind band. I was inspired to write this chart by a young man named Brandon Jones who lives in the Mobile, Alabama area. He was about 20 years old at the time of this writing (in 2012). He wanted to dedicate it to his father who had died when Brandon was about 4 or 5 years old. My arrangement of Amazing Grace (And Then Some) is not just another theme and variations type of work. Instead, I have interwoven two additional hymns (Praise to the Lord, the Almighty and I Will Sing of My Redeemer) in order to break up the monotony of just the one hymn (hence the subtitle And Then Some) Oh, did I mention that Brandon plays a C tuba that was passed down from his father?
$49.99
The Best Hymns of All Time (for Wind Instruments) Book 2
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Concert band
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EASY
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Sacred music
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 12...
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Concert Band - Level 2 - Digital Download SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin Kirkpatrick Publications #5726781. Published by Colin Kirkpatrick Publications (A0.522171). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 123-page PDF file for instant download. Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland) Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
The Sands of Time Movement II: Go Down Moses
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Concert band
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EASY
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Peyton T
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The Sands of Time Movement II:
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Starkweather Arts Publications
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. S...
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Concert Band - Level 2 - Digital Download SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts Publications #3686107. Published by Starkweather Arts Publications (A0.993114). This piece is intended for Field Opera: an orchestral Marching Band featuring theatre, ballet, and strings. This piece is elegant and suited for Orchestra, Wind Ensemble, and of course, Marching Band.The piece is one minute long and is meant to be suited next to other Egyptian features, such as the other movement of The Sands of Time. In the second movement of The Sands of Time, we further into Egyptian mythology with a cross arrangement of Go Down Moses, an African American Spiritual about the Harriet Tubman, whose codename was Moses among the slaves at the time and Aquarium, by Camille Saint-Saens from Carnival of The Animals.At the surface level, the concepts of these pieces have nothing in common, but musically, their melodies are quite similar. The piece is beautiful and catchy, despite its literal and lyrical meanings, although we can use this as a tool to delve from our time into an Egyptian fantasy.Audio Link:https://soundcloud.com/charmonicmajor/go-down-moses
$20.00
The True Heroes
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Concert band
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ADVANCED
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Contemporary
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Classical
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Keiron Anderson
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The True Heroes
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Songburd Music
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1411069 Composed by Keiron Anderson. Classical,Contemporary. 124 pages. Songburd Music #993415. Publish...
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Concert Band - Level 5 - Digital Download SKU: A0.1411069 Composed by Keiron Anderson. Classical,Contemporary. 124 pages. Songburd Music #993415. Published by Songburd Music (A0.1411069). Keiron Anderson brings us music for the moment, and perhaps no other moment yet in the 21st Century has revealed the vulnerable nature of humanity, and the interconnectedness of our world more than the COVID-19 pandemic, officially announced on March 11, 2020 by the World Health Organization.  The True Heroes is a piece that tells a part of the dramatic story of the struggles, heartaches and triumphs of the world’s medical professionals, and all who were a part of the health care industry to whom this piece is dedicated.  Using a dissonance in the chords, structured upon two perfect fifths a semi-tone apart, Anderson opens the story with suddenness and a pushed tempo that conveys an urgency and anxiety about the growing pandemic, and depicts how the health care workers are not people with super-powers, but rather individuals who are committed to self-sacrifice in using their skills to save the lives of others. The crisis is not over as we reach the middle of the piece where the tempo slows to a more thoughtful pace, allowing the health care worker (and the listener) a moment to rest, to reflect and to meditate, and to give enough time for the emotions to mend and energy to rebuild while the pandemic rages on around them.  Then the music once again resumes its original pace with growing fanfare for the health care worker and their resilience in the face of a momentous task, leading to a more dramatic and triumphal sound and force to conclude the piece.
$125.00
The Raft of the Medusa
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Concert band
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music ...
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Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$12.00
The Raft of the Medusa
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Concert band
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine ...
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Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital (IZ.CBW205). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$60.00
Variations on a Theme in D Flat
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Concert band
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EASY
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Contemporary
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Kendra Brown
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Variations on a Theme in D Fla
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Kendra Brown
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Bro...
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Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
Heroes of Telemark (The) March for Brass Band ''Keith Terrett Classic March Collection''
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Concert band
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INTERMEDIATE
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Trad/Ludvig Mathias Lindeman
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Keith Terrett
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Heroes of Telemark
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.746509 Composed by Trad/Ludvig Mathias Lindeman (1812-1887). Arranged by Keith Terrett. 20th Century,Fi...
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Concert Band - Level 3 - Digital Download SKU: A0.746509 Composed by Trad/Ludvig Mathias Lindeman (1812-1887). Arranged by Keith Terrett. 20th Century,Film/TV,Patriotic,World. 30 pages. Keith Terrett #1988951. Published by Keith Terrett (A0.746509). A march dedicated to the Heroes of Telemark entitled ''Heltane frå Telemark (Sabateurs March). The melodies come from vest telemark where I worked from 2001-2006 as Band Director to Kviteseid Hornmusik. The melodies used in this new march entitled 'The Heroes of Telemark' are songs from Norway, Kviteseidsangen and Fjaasesundsangen are from Vest Telemark in Southern Norway, while Mellom bakker og berg is an old melody by Ludvig Mathias Lindeman (1812-1887). Keith Terrett has re-harmonised and orchestrated these fine melodies into an exciting march, in honour of the gallant 'Heroes of Telemark'. A great addition to your march repertoire from the ''Keith Terrett Classic March Collection''. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$34.99
Advance! The Royal British Legion
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Concert band
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INTERMEDIATE
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Clive Longhurst
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Advance! The Royal British Leg
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Clive Longhurst
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1346333 Composed by Clive Longhurst. March. 61 pages. Clive Longhurst #931156. Published by Clive Longh...
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Concert Band - Level 3 - Digital Download SKU: A0.1346333 Composed by Clive Longhurst. March. 61 pages. Clive Longhurst #931156. Published by Clive Longhurst (A0.1346333). I wrote this march over 12 years ago, when I was first getting into composing/arranging, and it was rather too 'busy'. Too many musicians doing too much. So I had another look and made it more playable by bands of a lesser technical aptitude.It is dedicated to all the volunteers, who give up their time, to make the Royal British Legion the steadfast organisation it has become. They truly are the unsung heroes of the charity. I hope this march pays them the compliment it is meant to. There will soon be a brass band version available.Page 11 is a useful advice sheet for printing.I hope your band enjoys playing it, be it on the march or a concert.
$10.00
The Fog Meets the Storm for small wind band and percussion
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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James M Johnson
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The Fog Meets the Storm for sm
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Myles Music James Johnson
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson ...
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Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
The Four Seasons in the Basque Country
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Concert band
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6...
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
Let The Sunshine In
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Concert band
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INTERMEDIATE
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The Fifth Dimension
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Benoit BARRAIL
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Let The Sunshine In
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Benoît Barrail
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1309819 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by Benoit BAR...
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Concert Band - Level 3 - Digital Download SKU: A0.1309819 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by Benoit BARRAIL. 20th Century,Broadway,Musical/Show,Pop,Rock. 55 pages. Benoît Barrail #898965. Published by Benoît Barrail (A0.1309819). All parts of the choir are doubled in the instrumental parts. French lyrics. Hair is a rock musical by James Rado and Gerome Ragni (lyrics) and Galt MacDermot (music) created off-Broadway, in a cellar in Greenwich Village, in October 1967 and then played on Broadway at the Public Theater from April 1968 for four years without interruption. The New York Times said: It's finally the first musical that speaks to today. A product of the hippie counterculture and sexual revolution of the 1960s, some of his songs, inspired by New Age theory, became anthems of the peace movements against the Vietnam War. After a first export to London, the French version was created in Paris at the Théâtre de la Porte-Saint-Martin on May 30, 1969, its naked scenes causing a real scandal. The song Laissez entrer le soleil (Let the sunshine in) was performed by Julien Clerc during this French creation.Toutes les parties de chœur sont doublées à l’orchestre. Paroles françaises. Hair est une comédie musicale rock de James Rado et Gerome Ragni (paroles) et de Galt MacDermot (musique) créée «off-Broadway», dans une cave de Greenwich village, en octobre 1967 puis jouée à Broadway au Public Theater à partir d'avril 1968 pendant quatre ans sans interruption. Le New-York Times dit: « C'est enfin la première comédie musicale qui parle d'aujourd'hui ». Produit de la contre-culture hippie et de la révolution sexuelle des années 1960, certaines de ses chansons, inspirées de la théorie du New Age, sont devenues des hymnes des mouvements pacifistes contre la guerre du Viêt Nam. Après une première exportation à Londres, la version française est créée à Paris au théâtre de la Porte-Saint-Martin le 30 mai 1969, ses scènes dénudées provoquent un véritable scandale. La Chanson Laissez entrer le soleil fut interprétée par Julien Clerc lors de cette création française.
$54.99
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