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The Passage
Concert band
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1917: The Halifax Disaster
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
20.67 €
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Concert band
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
The Ruin
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1472717 Composed by Michael Shaw.…
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Concert Band - Level 4 - Digital Download SKU: A0.1472717 Composed by Michael Shaw. Celtic,Classical,Contest,Festival,Irish,Romantic Period. 85 pages. Michael Shaw #1050366. Published by Michael Shaw (A0.1472717). The Ruin is a captivating symphonic poem, inspired by the evocative text of English poet Walter de la Mare. This piece serves as a cross-curricular exploration, seamlessly integrating elements of literature, traditional music, and diverse musical techniques.At its core, The Ruin is a programmatic work, aiming to convey the vivid imagery and emotional depth of de la Mare's poetry. The poem itself reflects on the theme of nostalgia, contemplating the remnants of a once-great civilization now in ruins. Shaw masterfully translates these themes into music, using a rich palette of orchestral colors and textures to evoke the haunting beauty of the decaying structures and the passage of time.A unique feature of The Ruin is its incorporation of the traditional Irish reel King of the Fairies. This lively and energetic tune provides a stark and sudden contrast to the more somber and reflective opening of the piece, symbolizing an enduring spirit amidst the decay. In The Ruin, Michael Shaw has created a work that not only delights the senses but also provides rich educational insights into poetry, program music, Irish dances, non-standard percussion (cricket rasp), mixed-meter, motifs, and impressionistic music. Its blend of poetry, traditional music, and innovative compositional techniques makes it a valuable addition to the concert band repertoire and an excellent resource for educators.
$90.00
80.93 €
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Concert band
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Michael Shaw
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The Ruin
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Michael Shaw
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SheetMusicPlus
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph H…
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Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00
40.46 €
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Concert band
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Franz Joseph Haydn
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Theme and Variations
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Ted R. Marcus
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SheetMusicPlus
The Privateers
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.983162 Composed by Craig Wadley. …
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Concert Band - Level 3 - Digital Download SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #3043809. Published by Wadley Publications (A0.983162). The Privateers is a swashbuckling depiction of an oceangoing pirate adventure, presented in the form of a march. The piece starts with a brief fanfare, followed immediately by a rousing melody in the style of an old sea-shanty. Images of sailing upon an endless sea of stars come to mind as a tranquil nocturne is presented, but the peace is shattered as cutlasses and sabers clash in a dogfight sure to end in Davy Jones’ locker! The music swells to a dramatic conclusion as our mighty galleon surges across a stormy sea. Instrumentation The Privateers comes with full sets of both concert/stage and marching/field parts, allowing for great flexibility in your performance venues. Contemporary marching bands and drum & bugle corps utilize specialized field percussion which is typically not used in a concert setting. With this piece, the use of outdoor percussion (quad toms and a tonal bass drum line) onstage is encouraged, although not required. A single bass drum line is included which may be used instead of (or in addition to) the tonal bass drum line, and the Quad Toms part may be omitted. A piano part is included, primarily for optional use indoors as a color instrument for the ensemble. However, smaller bands in particular may find it useful for filling out the accompaniment line if instrumentation is limited. Optionally, a very small ensemble of melodic instruments could be used, with the piano acting as a full-fledged accompaniment. Several optional parts are included, such as Eb and Bb Horn, for ensembles with limited instrumentation. Also, the two Low Winds parts should be distributed equally across trombone, baritone/euphonium, and tenor sax players. Double reed parts are not included. Double these instruments on appropriate parts to suit the needs of your ensemble. Teaching Points Meter – The alternation of 6/8 and 4/4 with a constant pulse (rather than a constant 8th note) provides an excellent opportunity to teach your students to shift the subdivision of the beat from triple to duple and back again. Chromaticism & Accidentals – There is a recurring passage which features the prominent use of secondary dominants, or circle of fifths chord motion. Students can learn a few less-than-common accidentals and enharmonics, while also getting a larger lesson in music theory.
$24.99
22.47 €
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Concert band
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Craig Wadley
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The Privateers
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Wadley Publications
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SheetMusicPlus
The Love of God
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.933695 Composed by Frederick M. L…
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Concert Band - Level 3 - Digital Download SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and parts. 44 pages. Leandro Bizama Music #2907105. Published by Leandro Bizama Music (A0.933695). The Love of God, for Concert Band, Grade Level 2.5, dur. 4 mins.The lyrical nature of the tune combined with the powerful poem about God's love make this one of the greatest hymns ever. This arrangement maintains the power of the tune and represents the beauty of the poetry musically. Each verse has its own special setting corresponding to the words of the hymn. Starting in a mysterious, martial and subdued style, The Love of God develops into a strong but respectful to the hymn type of finale, complete with musical representations of the waves of the sea. It is accessible to High School groups but also appropriate for Community or College ensembles. Because of its history (see below) it can appeal to a wide range of faiths and inspire unity and peace. Audiences and performers alike are sure to find it inspiring and uplifting.---A little about the history of the hymn:Could we with ink the ocean fill, and were the skies of parchment made;Were every stalk on earth a quill, and every man a scribe by trade;To write the love of God above would drain the ocean dry;Nor could the scroll contain the whole, though stretched from sky to sky.These timeless words inspired Lehman to write The Love of God after they were found edged on the wall of an asylum patient's room. They are an adaptation and translation of a poem originally written in Aramaic by the Jewish Rabbi of Worms, Germany around the year 1050. This poem in turn is similar to a passage in the Qur'an. What an incredible journey for these great words: an ancient poem that has its roots in the Qur'an, later adapted by a Rabbi, written on the wall of an insane asylum by a patient, and finally taken up by a Christian to be the basis of a beautiful song. Surely God's love and music are the only two things powerful enough in our World to bring unity and respect in the face of pride and violence.For more about the arranger, visitwww.leandrobizama.comSources:http://www.hymnary.org/text/the_love_of_god_is_greater_farhttp://library.timelesstruths.org/music/The_Love_of_God/http://www.tanbible.com/tol_sng/sng_theloveofgod.htm
$30.00
26.98 €
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Concert band
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Frederick M
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The Love of God
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Leandro Bizama Music
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SheetMusicPlus
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
Concert band
Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contempo…
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Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
22.48 €
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Concert band
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Neal Endicott
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Isn't It Enough to Think...Without Having to Believe
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Neal Endicott Music
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SheetMusicPlus
Lithuania National Anthem: Tautiðka Giesmë
Concert band
Large Ensemble - Level 2 - Digital Download SKU: A0.522138 Composed by Vincas Kudir…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522138 Composed by Vincas Kudirka (1858-1899). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3462085. Published by Colin Kirkpatrick Publications (A0.522138). Colin Kirkpatrick’sNational Anthems ExpressLITHUANIA: Tautiðka Giesmë This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!The arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Tacet sections (e.g. a brass or trombone tacet in quiet passages) can be easily created with the aid of a pencil. For example, in the audio sample you’ll hear that the trumpets have been omitted from the first part of the anthem with the exception of the triplet fanfare figures. The arrangement consists of a three-page score with seven instrumental staves and three percussion staves. The score and all the parts are contained in the same 34-page pdf file. The following parts appear on separate pages:Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon).Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.The original music files have been converted to pdf files digitally scanned at 1,200 dpi, which can produce professional quality output on standard US-size paper.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
6.29 €
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Concert band
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Vincas Kudirka
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Lithuania National Anthem: Tautiðka Giesmë
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Colin Kirkpatrick Publications
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SheetMusicPlus
Elegy-Field of Blood
Concert band
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eisme…
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
10.79 €
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Concert band
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Elegy-Field of Blood
Concert band
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeie…
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
71.94 €
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Concert band
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
South Africa National Anthem: Nkosi Sikelel' iAfrika
Concert band
Large Ensemble - Level 3 - Digital Download SKU: A0.522139 Composed by Enoch Mankay…
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Large Ensemble - Level 3 - Digital Download SKU: A0.522139 Composed by Enoch Mankayi Sontonga (1873-1905) and Marthinus Lourens de Villiers (1885-1977). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3464591. Published by Colin Kirkpatrick Publications (A0.522139). Colin Kirkpatrick’sNational Anthems ExpressSouth Africa: Nkosi Sikelel' iAfrikaThis quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!The arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. Tacet sections (e.g. a brass or trombone tacet in quiet passages) can be easily created with the aid of a pencil. For example, in the audio sample you’ll hear that the woodwind alone has been given the melody beginning in measure 24. The arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The score and all the parts are contained in the same 34-page pdf file. The following parts appear on separate pages:Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon).Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani and percussion (3 players).The music has been digitally scanned at 1,200 dpi, which can produce professional quality output on standard US-size paper.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
6.29 €
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Concert band
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Enoch Mankayi Sontonga
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Part 1 in C (oboe, violin)
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South Africa National Anthem: Nkosi Sikelel' iAfrika
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Light Shines in the Darkness: (wp) 1st Horn in E-flat
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015137_WPEH1 (wp) 1st Horn in E-f…
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Concert Band - Digital Download SKU: AX.00-PC-0015137_WPEH1 (wp) 1st Horn in E-flat. Composed by Barry Milner. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015137_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015137_WPEH1). UPC: 038081407913.A lighthouse stands upon a shoreline to be a beacon for all ships coming into a harbor. This beacon guides ships to safety that otherwise might have been destroyed by the rocks of the shoreline. This beacon also serves as a hope to those ships that are lost at sea. The light also refers to wisdom, compassion, and love. John 1:5 of the bible states that, The light shines in the darkness, but the darkness has not understood it (NIV). The light in this passage refers to Jesus who was trying to reach out to a world that did not understand and was looking for hope. The piece is a good choice to teach lyrical playing and intonation in sustained chords. -The InstrumentalistConcert/Contest.
$3.00
2.7 €
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Concert band
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Barry Milner
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The Light Shines in the Darkness:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Light Shines in the Darkness: (wp) B-flat Contrabass Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015137_WPBCBC (wp) B-flat Contrab…
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Concert Band - Digital Download SKU: AX.00-PC-0015137_WPBCBC (wp) B-flat Contrabass Clarinet. Composed by Barry Milner. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015137_wpBCBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015137_WPBCBC). UPC: 038081407913.A lighthouse stands upon a shoreline to be a beacon for all ships coming into a harbor. This beacon guides ships to safety that otherwise might have been destroyed by the rocks of the shoreline. This beacon also serves as a hope to those ships that are lost at sea. The light also refers to wisdom, compassion, and love. John 1:5 of the bible states that, The light shines in the darkness, but the darkness has not understood it (NIV). The light in this passage refers to Jesus who was trying to reach out to a world that did not understand and was looking for hope. The piece is a good choice to teach lyrical playing and intonation in sustained chords. -The InstrumentalistConcert/Contest.
$3.00
2.7 €
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Concert band
#
Barry Milner
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The Light Shines in the Darkness:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Light Shines in the Darkness: (wp) E-flat Contrabass Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015137_WPECBC (wp) E-flat Contrab…
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Concert Band - Digital Download SKU: AX.00-PC-0015137_WPECBC (wp) E-flat Contrabass Clarinet. Composed by Barry Milner. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015137_wpECBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015137_WPECBC). UPC: 038081407913.A lighthouse stands upon a shoreline to be a beacon for all ships coming into a harbor. This beacon guides ships to safety that otherwise might have been destroyed by the rocks of the shoreline. This beacon also serves as a hope to those ships that are lost at sea. The light also refers to wisdom, compassion, and love. John 1:5 of the bible states that, The light shines in the darkness, but the darkness has not understood it (NIV). The light in this passage refers to Jesus who was trying to reach out to a world that did not understand and was looking for hope. The piece is a good choice to teach lyrical playing and intonation in sustained chords. -The InstrumentalistConcert/Contest.
$3.00
2.7 €
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Concert band
#
Barry Milner
#
The Light Shines in the Darkness:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Light Shines in the Darkness: (wp) E-flat Alto Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015137_WPAC1 (wp) E-flat Alto Cla…
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Concert Band - Digital Download SKU: AX.00-PC-0015137_WPAC1 (wp) E-flat Alto Clarinet. Composed by Barry Milner. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015137_wpAC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015137_WPAC1). UPC: 038081407913.A lighthouse stands upon a shoreline to be a beacon for all ships coming into a harbor. This beacon guides ships to safety that otherwise might have been destroyed by the rocks of the shoreline. This beacon also serves as a hope to those ships that are lost at sea. The light also refers to wisdom, compassion, and love. John 1:5 of the bible states that, The light shines in the darkness, but the darkness has not understood it (NIV). The light in this passage refers to Jesus who was trying to reach out to a world that did not understand and was looking for hope. The piece is a good choice to teach lyrical playing and intonation in sustained chords. -The InstrumentalistConcert/Contest.
$3.00
2.7 €
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Concert band
#
Barry Milner
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The Light Shines in the Darkness:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Then I Saw the Lucent Sky: Tuba
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001428_TB1 Tuba. Composed by …
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Concert Band - Digital Download SKU: AX.00-PC-0001428_TB1 Tuba. Composed by Todd Stalter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001428_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001428_TB1). UPC: 038081315720.This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvelously embodying all the meaning I had heard before. (3:15)Concert/Contest.
$3.00
2.7 €
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Concert band
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Todd Stalter
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Then I Saw the Lucent Sky: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Then I Saw the Lucent Sky: (wp) E-flat Contrabass Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001428_WPECBC (wp) E-flat Contrab…
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Concert Band - Digital Download SKU: AX.00-PC-0001428_WPECBC (wp) E-flat Contrabass Clarinet. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001428_wpECBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001428_WPECBC). UPC: 038081315720.This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvelously embodying all the meaning I had heard before. (3:15)Concert/Contest.
$3.00
2.7 €
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Concert band
#
Todd Stalter
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Then I Saw the Lucent Sky:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Then I Saw the Lucent Sky: (wp) 2nd B-flat Trombone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001428_WPTN2BC (wp) 2nd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001428_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001428_wpTN2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001428_WPTN2BC). UPC: 038081315720.This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvelously embodying all the meaning I had heard before. (3:15)Concert/Contest.
$3.00
2.7 €
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Concert band
#
Todd Stalter
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Then I Saw the Lucent Sky:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Then I Saw the Lucent Sky: (wp) B-flat Contrabass Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001428_WPBCBC (wp) B-flat Contrab…
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Concert Band - Digital Download SKU: AX.00-PC-0001428_WPBCBC (wp) B-flat Contrabass Clarinet. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001428_wpBCBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001428_WPBCBC). UPC: 038081315720.This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvelously embodying all the meaning I had heard before. (3:15)Concert/Contest.
$3.00
2.7 €
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Concert band
#
Todd Stalter
#
Then I Saw the Lucent Sky:
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Then I Saw the Lucent Sky: (wp) 1st Horn in E-flat
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001428_WPEH1 (wp) 1st Horn in E-f…
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Concert Band - Digital Download SKU: AX.00-PC-0001428_WPEH1 (wp) 1st Horn in E-flat. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001428_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001428_WPEH1). UPC: 038081315720.This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvelously embodying all the meaning I had heard before. (3:15)Concert/Contest.
$3.00
2.7 €
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Concert band
#
Todd Stalter
#
Then I Saw the Lucent Sky:
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Then I Saw the Lucent Sky: (wp) E-flat Alto Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001428_WPAC1 (wp) E-flat Alto Cla…
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Concert Band - Digital Download SKU: AX.00-PC-0001428_WPAC1 (wp) E-flat Alto Clarinet. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001428_wpAC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001428_WPAC1). UPC: 038081315720.This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvelously embodying all the meaning I had heard before. (3:15)Concert/Contest.
$3.00
2.7 €
#
Concert band
#
Todd Stalter
#
Then I Saw the Lucent Sky:
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Then I Saw the Lucent Sky: (wp) B-flat Tuba B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001428_WPTBBBC (wp) B-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0001428_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001428_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001428_WPTBBBC). UPC: 038081315720.This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvelously embodying all the meaning I had heard before. (3:15)Concert/Contest.
$3.00
2.7 €
#
Concert band
#
Todd Stalter
#
Then I Saw the Lucent Sky:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Then I Saw the Lucent Sky: (wp) E-flat Tuba T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001428_WPTBETC (wp) E-flat Tuba T…
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Concert Band - Digital Download SKU: AX.00-PC-0001428_WPTBETC (wp) E-flat Tuba T.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001428_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001428_WPTBETC). UPC: 038081315720.This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvelously embodying all the meaning I had heard before. (3:15)Concert/Contest.
$3.00
2.7 €
#
Concert band
#
Todd Stalter
#
Then I Saw the Lucent Sky:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Then I Saw the Lucent Sky: (wp) E-flat Tuba B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001428_WPTBEBC (wp) E-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0001428_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001428_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001428_WPTBEBC). UPC: 038081315720.This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvelously embodying all the meaning I had heard before. (3:15)Concert/Contest.
$3.00
2.7 €
#
Concert band
#
Todd Stalter
#
Then I Saw the Lucent Sky:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Then I Saw the Lucent Sky: (wp) 1st B-flat Trombone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001428_WPTN1BC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001428_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001428_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001428_WPTN1BC). UPC: 038081315720.This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvelously embodying all the meaning I had heard before. (3:15)Concert/Contest.
$3.00
2.7 €
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Concert band
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Todd Stalter
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Then I Saw the Lucent Sky:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Then I Saw the Lucent Sky: (wp) 2nd B-flat Trombone T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001428_WPTN2TC (wp) 2nd B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001428_WPTN2TC (wp) 2nd B-flat Trombone T.C.. Composed by Todd Stalter. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001428_wpTN2TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001428_WPTN2TC). UPC: 038081315720.This work was inspired by the music of Hildegaard von Bingen, a medieval Benedictine nun whose chant melodies are remarkable for their soaring passages and simple beauty, and whose theological and visionary writings were unique for her time. The title comes from one of her writings: Then I saw the lucent sky, in which I heard different kinds of music, marvelously embodying all the meaning I had heard before. (3:15)Concert/Contest.
$3.00
2.7 €
#
Concert band
#
Todd Stalter
#
Then I Saw the Lucent Sky:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
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