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The Way We Were - Percussion 2
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You've selected:
The Way We Were - Percussion 2
Concert band
Sheetmusic to print
6 sheet music found
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1
The Way We Were - Conductor Score (Full Score)
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Concert band
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Jazz
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James Kazik
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The Way We Were - Conductor Sc
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Arranged by James Kazik. Standards. Concert Band. 8 pages. Duration 2:40. Published by Hal Leonard - Digital Sheet Music ...
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Arranged by James Kazik. Standards. Concert Band. 8 pages. Duration 2:40. Published by Hal Leonard - Digital Sheet Music
$5.00
Abraham’s Daughter: March from the Civil War
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Concert band
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INTERMEDIATE
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Folkloric/Traditional
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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but no daughters
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Abraham’s Daughter: March fr
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs)....
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Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Concert band
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Publi...
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Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
The Loneliest
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Concert band
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INTERMEDIATE
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Rock
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Maneskin
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Rami Yacoub, Jason Evigan, Dam
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Lorenzo Bocci
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The Loneliest
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1314267 By Maneskin. By Damiano David, Ethan Torchio, James John Abrahart Jr., Jason Evigan, and Rami Y...
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Concert Band - Level 3 - Digital Download SKU: A0.1314267 By Maneskin. By Damiano David, Ethan Torchio, James John Abrahart Jr., Jason Evigan, and Rami Yacoub. Arranged by Lorenzo Bocci. Lent,Rock. 62 pages. Lorenzo Bocci #903009. Published by Lorenzo Bocci (A0.1314267). For Concert Band - Grade 3 - Digital Download Composed by Rami Yacoub, Jason Evigan, Damiano David, Ethan Torchio, James John Abrahart Jr. Arranged by Lorenzo Bocci. Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'03''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Clarinet in Eb, 1st Clarinet in Bb, 2nd & 3rd Clarinet in Bb, Bass Clarinet in Bb, 1st & 2nd Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb, 1st Trumpet in Bb, 2nd & 3rd Trumpet in Bb, 1st & 3rd Horn in F, 2nd & 4th Horn in F, 1st & 2nd Trombone in C, Bass Trombone in C, Euphonium in C, Bass in C, Electric Bass, Drum Set, Electric Guitar, Piano.Additional Parts:Soprano Saxophone in Bb, 1st & 3rd Horn in Eb, 2nd & 4th Horn in Eb, 1st & 2nd Trombone in Bb T.C., B.C., Bass Trombone in Bb T.C., B.C., Euphonium in Bb T.C., B.C., Bass in Bb T.C., B.C., Bass in Eb T.C., B.C.The Loneliest is a song by Italian rock band Måneskin, released on 7 October 2022 as the third single from their third studio album Rush! (2023). The song was written by the band members with James Abrahart, Jason Evigan, Rami Yacoub and Sarah Hudson, with production by Fabrizio Ferraguzzo, during a recording session in Los Angeles, California. The Loneliest was performed live for the first time during the group's performance at Underworld in London on 6 October 2022.The frontman Damiano David talked about the meaning of the song:  The song is somewhere between a love letter and a will. I wrote it at a very difficult time in my life, when I was away from home and the people I love. The idea is: what would I want to say to these people if I were to die? It talks about feelings that everyone can relate to, and we would love to understand how different people understand the lyrics. We are happy that we were able to take some time to write a lot of new music. We chose to come out with this single because it shows a side of us that people haven't seen yet and we wanted to start our new journey from here..
$99.00
Bound For South Australia Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Folkloric/Traditional
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Traditional Australian Folk So
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Brendan Elliget MAGA 537
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Duration = 2:35 mins.
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Bound For South Australia Conc
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750867 Composed by Traditional Australian Folk Song. Arranged by Brendan Elliget MAGA 537. Folk. Score ...
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Concert Band - Level 3 - Digital Download SKU: A0.750867 Composed by Traditional Australian Folk Song. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 40 pages. BJE Music #4322387. Published by BJE Music (A0.750867). In South Australia, I was born Heave away, haul away South Australia round Cape Horn We’re bound for South AustraliaHeave away, you rolling king Heave away, haul away Heave away, oh hear me sing We’re bound for South AustraliaBound for South Australia or South Australia is a sea shanty used by the wool traders who worked the clipper ships between Australian ports and London. This traditional tune is well known as a farewell song, sung at the docks as the big ships were leaving.The song has two distinct parts: The Shanty and Halyard.This is a short arrangement for concert band. I also used this tune in my Australian Folksong Medley No. 2 for concert band. If you use this arrangement, let me know how it goes.Parts include Eb Horns, Bb Bass, and Eb Bass.Grade = 2.5 Duration = 2:35 mins.
$20.00
Do You Hear How Many You Are?
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Concert band
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EASY
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Contemporary
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. P...
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Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
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