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Time To Change
Concert band
Sheetmusic to print
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Changing Times
Concert band
Concert Band - Beginning - Digital Download SKU: B0.PDF-BAND-FRA-257 Composed by Je…
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Concert Band - Beginning - Digital Download SKU: B0.PDF-BAND-FRA-257 Composed by Jerry Frazier. Multicultural. Score and Parts. 24 pages. PDF Band Music #PDF-BAND-FRA-257. Published by PDF Band Music (B0.PDF-BAND-FRA-257). 8.5 x 11 inches.Changing Times is just that.....students can learn to read time signature changes while playing a simple composition. Ranges and rhythms are limited, doubling is common and students will have fun advancing their reading abilities.
$38.70
34.81 €
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Concert band
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Jerry Frazier
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Changing Times
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PDF Band Music
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SheetMusicPlus
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
Concert band
Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contempo…
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Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
22.49 €
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Concert band
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Neal Endicott
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Isn't It Enough to Think...Without Having to Believe
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Neal Endicott Music
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SheetMusicPlus
Elegy Sentimentale for Concert Band
Concert band
Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contempor…
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Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
26.99 €
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Concert band
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Keith Terrett
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Elegy Sentimentale for Concert Band
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Keith Terrett
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SheetMusicPlus
Change In The Making
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.573905 Composed by Jeffrey Bowen.…
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Concert Band - Level 4 - Digital Download SKU: A0.573905 Composed by Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Score and parts. 56 pages. Music Arrangement Services Inc. #183068. Published by Music Arrangement Services Inc. (A0.573905). By Jeffrey Bowen. This Concert Band Score accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. The song is about changing oneself on the inside to become a better person. The song refers to inner change, self reflection, self worth, letting go, self awareness and inner growth. This arrangement is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:55.
$19.99
17.98 €
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Concert band
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Jeffrey Bowen
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Jeffrey Bowen
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Change In The Making
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Music Arrangement Services Inc.
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SheetMusicPlus
A Promise to Stand By:
Concert band
Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemp…
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Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99
17.98 €
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Concert band
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Down A Country Lane
Concert band
Concert Band - Digital Download SKU: A0.1014286 Composed by Mark Hillegass Jr. Cont…
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Concert Band - Digital Download SKU: A0.1014286 Composed by Mark Hillegass Jr. Contemporary. Score and parts. 27 pages. Mark Hillegass Jr. #6353467. Published by Mark Hillegass Jr. (A0.1014286). Grade 1.5 - Band - Written in the Key of Bb with a key change to FM that modulates back to Bb, Down A Country Lane is a beautiful, lyrical piece that utilizes time signature changes, dynamic contrast, legato articulations, phrasing, and features a saxophone solo.
$50.00
44.98 €
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Concert band
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Mark Hillegass Jr
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Down A Country Lane
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Mark Hillegass Jr.
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SheetMusicPlus
Our Flirtations
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip S…
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Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99
13.49 €
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Concert band
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John Philip Sousa
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
Amidst the Thunder of Cannons
Concert band
Concert Band - Digital Download SKU: A0.732944 Composed by Carl Meinecke. Arranged …
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Concert Band - Digital Download SKU: A0.732944 Composed by Carl Meinecke. Arranged by Marc Oliver. Contemporary. Score and parts. 152 pages. Ayotte Custom Musical Engravings #2002251. Published by Ayotte Custom Musical Engravings (A0.732944). Amidst the Thunder of Cannons' is 1 of 2 band works written by Carl Meinecke although his focus was mostly on orchestra where he was both violinist and conductor. The music was published first by A.E. Fischer in Germany in 1907 and in 1913 by Carl Fischer in the US. The piece is well crafted in the German march style with skillful melodic and contrapuntal writing. There is a refreshing change of meter from cut time to 6/8 at the Trio. Marc Oliver's brand new edition is crisp and clean and the first new edition in nearly a century. 'Amidst the Thunder of Cannons' is a welcome addition to the band repertoire in the 21st century.
$59.99
53.97 €
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Concert band
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Carl Meinecke
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Amidst the Thunder of Cannons
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Waltzing Through the Mid-West, Little Known, Official State Waltzes for Band
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1358962 Composed by L.A. Rescala,…
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Concert Band - Level 4 - Digital Download SKU: A0.1358962 Composed by L.A. Rescala, R. Stewart, Pee Wee King, R.A. King. Arranged by Michael Maschmeier (ASCAP). 20th Century,Classical,Contemporary,Instructional,Traditional. 99 pages. Warrior Musician LLC #943380. Published by Warrior Musician LLC (A0.1358962). Waltzing Throught the Mid-west is Grade 2.5-3.0. This waltz uses three official state songs for source material, Hush-a-bye Ma Baby (Missouri Waltz), Beautiful Ohio (Ohio Waltz) and the Tennessee Waltz. It has one foot in traditional entertainment aspects from Wind Band's history, and the other foot in modern choices in tempo, time signature changes (including two juxtaposed feels that will challenge even your best students), along with chordal changes that keep it from sounding 'dated.' I feature several low instruments, giving them the limelight at times and with three mallet instruments written into the score, your melodic percussion have plenty to do. This piece lays well in more than one part of your lconcert line-up, including as the feature piece.
$69.99
62.96 €
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Concert band
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L
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Waltzing Through the Mid-West, Little Known, Official State Waltzes for Band
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Warrior Musician LLC
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SheetMusicPlus
Gonna Fly Now
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1452042 Composed by Ayn Robbins, …
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Concert Band - Level 3 - Digital Download SKU: A0.1452042 Composed by Ayn Robbins, Bill Conti, and Carol Connors. Arranged by Lorenzo Bocci. Disco,Film/TV,Pop. 120 pages. Lorenzo Bocci #1031289. Published by Lorenzo Bocci (A0.1452042). GONNA FLY NOW - Theme from Rocky - performed by Maynard Fergusonfor Concert Band/Big Band - Grade 3 - Digital Download Composed by Bill Conti, Carol Connors, Ayn Robbins. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'38''. Published by Lorenzo Bocci.Instrumentation:Full Score, Piccolo, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Solo Trumpet, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine, Cowbell), Conga Drums, Guitar - Piano (Ad libitum).Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.for Big Band:Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Solo Trumpet, Bb Trumpet 1, 2, 3, Trombone 1, 2, Bass Trombone, Electric Bass, Drum Set, Percussion (Tambourine, Cowbell), Conga Drums, Guitar - Piano (Ad libitum).Gonna Fly Now, also known as Theme from Rocky, is the theme song from the movie Rocky, composed by Bill Conti with lyrics by Carol Connors and Ayn Robbins and released in 1976. Gonna Fly Now was nominated for Best Original Song at the 49th Academy Awards. The version of the song from the movie, performed by Conti with an orchestra, hit number one on the Billboard Hot 100 chart in 1977, while a version by jazz trumpeter Maynard Ferguson had a 13-week run chart, eventually peaking at number 28 on June 25. While Ferguson was known to have an uncanny ability to change with the times, no one suspected that in the Spring of 1977, he would pull off the coup of his life. As AllMusic reviewer Richard Ginell put it: Maynard was shrewd, and Maynard was quick, and he managed to beat almost everyone to the punch... It had been decades since a big band recording had made the charts, but when he released his recording ahead of the soundtrack version, Ferguson scored the biggest hit of his long career. Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
80.06 €
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Concert band
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Ayn Robbins, Bill Conti, and Carol Connors
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Gonna Fly Now
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Lorenzo Bocci
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SheetMusicPlus
Amazon Explorers - for beginning band
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1288190 Composed by John McAllist…
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Concert Band - Level 1 - Digital Download SKU: A0.1288190 Composed by John McAllister. 21st Century,Folk,Instructional,Multicultural,Video Game,World. Score and Parts. 25 pages. John McAllister #879195. Published by John McAllister (A0.1288190). Amazon Explorers is a captivating and evocative composition designed for young bands, taking young musicians and audiences on a thrilling journey deep into the heart of the Amazon rainforest. With a lightly programmatic approach, the piece artfully incorporates a rich array of wooden percussion instruments, including maracas, claves, and hand drums, to emulate the soundscape of the jungle. Mallet parts should be played on available wooden instruments like xylophone or marimba.The piece utilizes modal melodies and harmonies to create a unique texture for the beginning band. Examples include non-scalar patterns and open fifths at times. This can be beneficial to change things up for the young performer when learning various note patterns. There are no written dynamics, but add them in if the group is ready! This piece directly correlates with the Foundation Warm-Up Series, specifically set two. The series is designed to follow most beginning band methods. The early sets focus primarily on airflow, common patterns, and reinforcing concepts presented in the method books. As the series develops, the sets become more like a traditional band warm-up, including long tones, flexibility exercises, articulation, scale patterns, and a chorale.
$30.00
26.99 €
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Concert band
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John McAllister
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Amazon Explorers - for beginning band
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John McAllister
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SheetMusicPlus
The Four Seasons in the Basque Country
Concert band
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
89.96 €
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Concert band
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
Merry! Don't You Know?
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1314114 Composed by David Ahrens.…
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Concert Band - Level 3 - Digital Download SKU: A0.1314114 Composed by David Ahrens. 21st Century,Advent,Christian,Christmas,Holiday. 74 pages. Baseline Music Publishing #902847. Published by Baseline Music Publishing (A0.1314114). Composer's web store: https://www.sounded.us/baseline/product/merry-dont-you-know-by-david-ahrens-wind-band/“God Rest You Merry, Gentlemen†is a traditional English Christmas carol dating to the mid 17th Century. It was referenced by Charles Dickens in his 1843 novella “A Christmas Carol†but with the lyric:“God bless you, Merry Gentleman!May nothing you dismay!â€The phrase “God rest you merry†historically meant “may God grant you peace and happinessâ€. “Rest you merry†was used both in Shakespeare’s “As You Like It†and “Romeo and Julietâ€. Over time, there has been confusion over this title due to changes in common language usage. The word ‘merry’ is an adverb of rest and not an adjective of Gentlemen.“Pat-A-Pan†is a traditional Burgundian French Christmas carol written by Bernard de La Monnoye and published in 1720. The text calls for the bringing of a drum and flute to play for newborn Jesus Christ in worship. The title is onomatopoeic for the sound of a drum, as is the additional lyric “tu-re-lu-re-lu†for the sound of a flute.“Yigdal†is a Jewish hymn and prayer that is a poetic adaptation of Maimonides’ 13 principles of faith. The text is attributed to 14th century poet Daniel ben Judah. The melody dates to the 17th century or earlier. It is traditionally sung for morning prayer and as the conclusion of Shabbat evening services. Upon hearing Yigdal, English Methodist Thomas Olivers adapted this melody for use in his Christian hymn “The God of Abraham Praiseâ€, which is a paraphrase of the ben Judah doxology, and was first published in 1772.“Merry! Don’t You Know?†is a playful melding of these sacred songs, acting as a reminder that Christmas is a time to be merry and joyful as we celebrate the nature, power, and love of God.
$74.99
67.46 €
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Concert band
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David Ahrens
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Merry! Don't You Know?
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Baseline Music Publishing
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SheetMusicPlus
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett.…
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Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
26.98 €
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Concert band
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Lost and Found
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1219650 Composed by Daniel Boukni…
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Concert Band - Level 4 - Digital Download SKU: A0.1219650 Composed by Daniel Bouknight. Classical. Score and Parts. 52 pages. Daniel Bouknight #816008. Published by Daniel Bouknight (A0.1219650). The idea behind the piece is supposed to potray the process of overcoming obstacles in life, in this case, its the obstacle of losing people. When somesone in our life is lost suddenly, we're left a mess, everything seems discombobulated, nothing seems to quite make sense anymore. The beginning of the piece gets that across with the drone coming in on its own and the different chord changes through out helps drive that message along. Then the whole band joins in to really set in the confussion and disorientate you. The two soloists, Trombone and Trumpet, will be offstatge solos. These are playing the roles of Gods angels coming to your rescure trying to guide you through it all. But, you do not listen and the confussion continues on. Soon enough, you give in, listening to the angels you find yourself and you realize...its all okay. The ensemble is playing this emotional and warm hit with the solosits singing over the top giving the sense that we've made it. Then to close out the piece, the soloists chime in one last time to bring in the resolution of the piece, that you are home, you are safe, you can rest.
$34.99
31.48 €
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Concert band
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Daniel Bouknight
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Lost and Found
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Daniel Bouknight
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SheetMusicPlus
Clair de Lune [Arrangement for concert band] - Score Only
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1091230 By Masakazu YAMAMOTO. By …
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Concert Band - Level 4 - Digital Download SKU: A0.1091230 By Masakazu YAMAMOTO. By Claude Debussy. Arranged by Masakazu YAMAMOTO. 20th Century,Classical,Contest,Festival,Film/TV,Pop. 14 pages. Motch Music #695394. Published by Motch Music (A0.1091230). Arrangement for concert band.This is the third song of Suite â€Bergamasque composed by Claude Debussy around 1890. Written in the style of nocturne, it is one of the most famous songs in Debussy's work. And also it is often featured as a repertoire among classical pianos as a whole.In this arrangement, while respecting the original song, bold “reharmonization†(change of chord) is applied. And further, an opening section as fade-in effect and an ending section extending the aftertaste time are added. All of them are used for creating new attractive of this song. And, I am also inspired by the title “A sentimental promenade which had been named at the time of publication in 1900-1901. There are many weak sounds throughout this song, but each phrase requires a rich expression centered on romanticism. At the same time, it is also important for the phrase to be passed down smoothly, and especially in the middle part, a flowing propulsion is required. I hope that those elements will be organically linked to the harmony taste, which is the key to this arrangement. Commissioned by conductor Keiko Kobayashi, and the Sony Concert Band. Premiered on July 2, 2022. Playing time: about 5'30(arr. Masakazu YAMAMOTO)[Instrumentation] Flute 1, 2Oboe Bassoon (option)Bb Clarinet 1, 2, 3 Bb Bass ClarinetEb Alto Saxophone 1, 2 Bb Tenor Saxophone Eb Baritone SaxophoneBb Trumpet 1, 2 F Horn 1, 2, 3, 4 (only 4th option) Trombone 1, 2 Euphonium TubaString BassHarp (option)Glockenspiel Vibraphone Percussion (Triangle, Wind-chime, Suspended Cymbal)  Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english  Â
$32.00
28.79 €
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Concert band
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Masakazu YAMAMOTO
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Clair de Lune [Arrangement for concert band] - Score Only
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Motch Music
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SheetMusicPlus
Here Comes The Sun
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1311771 By The Beatles. By George…
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Concert Band - Level 3 - Digital Download SKU: A0.1311771 By The Beatles. By George Harrison. Arranged by John Ivor Holland. 20th Century,Film/TV,New Age,Pop,Singer/Songwriter. 48 pages. John Ivor Holland #900727. Published by John Ivor Holland (A0.1311771). Here Comes the Sun is a song by The Beatles from their 1969 album 'Abbey Road'. It was written by George Harrison and is one of his best-known compositions. He wrote the song at his friend Eric Clapton's house, whilst he was avoiding a dull business meeting. It peaked at number 3 on the US Billboard Hot Rock Songs chart in September 1969 and as of 2021, it was the most streamed Beatles song on Spotify globally. Reflecting the continued influence of Indian classical music on Harrison's writing, the composition includes several time signature changes, which may present a few challenges to players initially, but this wonderful song would make an excellent choice in a concert for all ages.
$49.99
44.97 €
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Concert band
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The Beatles
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Here Comes The Sun
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John Ivor Holland
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SheetMusicPlus
Daybreak
Concert band
Concert band - Grade 3 - Digital Download SKU: IZ.CBS1512-S Composed by Jeff Frost.…
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Concert band - Grade 3 - Digital Download SKU: IZ.CBS1512-S Composed by Jeff Frost. Score. 14 pages. Imagine Music - Digital #CBS1512-S. Published by Imagine Music - Digital (IZ.CBS1512-S). 9 x 12 in inches.When I was growing up, I used to like watching the sun peek over the horizon. My room faced east so I could watch the sun rise and see how it would change positions in the sky throughout the seasons. I still like to watch the sunriseand see the sun peek through the clouds, sometimes evening hiding behind the clouds and have some rain before the sun shines fully upon the ground. My favorite time is watching the sunrise in the spring, just after a soft spring rain. The dark gloomy sky starts to appear light as the sun shines through the clouds as the dark sky slowly gives way to the warm spring sun.
$10.00
9 €
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Concert band
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Jeff Frost
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Daybreak
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Imagine Music - Digital
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SheetMusicPlus
Daybreak
Concert band
Concert band - Grade 3 - Digital Download SKU: IZ.CBS1512 Composed by Jeff Frost. S…
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Concert band - Grade 3 - Digital Download SKU: IZ.CBS1512 Composed by Jeff Frost. Score and Parts. 69 pages. Imagine Music - Digital #CBS1512. Published by Imagine Music - Digital (IZ.CBS1512). 9 x 12 in inches.When I was growing up, I used to like watching the sun peek over the horizon. My room faced east so I could watch the sun rise and see how it would change positions in the sky throughout the seasons. I still like to watch the sunriseand see the sun peek through the clouds, sometimes evening hiding behind the clouds and have some rain before the sun shines fully upon the ground. My favorite time is watching the sunrise in the spring, just after a soft spring rain. The dark gloomy sky starts to appear light as the sun shines through the clouds as the dark sky slowly gives way to the warm spring sun.
$60.00
53.98 €
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Concert band
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Jeff Frost
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Daybreak
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Imagine Music - Digital
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SheetMusicPlus
Texas Symphony, Movement V. "Metro"
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.885230 Composed by Kathryn Ellis.…
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Concert Band - Level 3 - Digital Download SKU: A0.885230 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 73 pages. Ellis #3620143. Published by Ellis (A0.885230). Metro is the fifth and final movement of A Texas Symphony- This piece takes the listener on a current day musical road trip, from Houston to Dallas to Austin. The journey begins with a travel theme, a variation of which is also then played between each city. The beginning of the travel theme is identified by a snare and timpani rhythm. Houston is the first city of the road trip an the music represents oil wells pumping – a constant timpani beat and triangle is played throughout the Houston music to represent the rhythm of the active oil wells pumping. The travel theme comes back with a key change as the music takes the listener to Dallas, where three ideas are represented; art and glamour, driving on freeway loops around Dallas, and exhilarating night life. The music is upbeat and changes keys several times. The travel theme returns in a different key while traveling to Austin, which is represented by a lyrical Texas waltz, a familiar Texas folk song, and a fiddle theme played in a more classical style. The finale is a blending of themes from the three cities and the travel theme.
$50.00
44.98 €
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Concert band
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Kathryn Ellis
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Texas Symphony, Movement V. "Metro"
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Ellis
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser.…
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Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
40.48 €
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Concert band
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Slide Ride
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SheetMusicPlus
2/3 March
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.927168 Composed by George Willson…
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Concert Band - Level 4 - Digital Download SKU: A0.927168 Composed by George Willson. 20th Century,Contemporary. Score and parts. 73 pages. George Willson #3515727. Published by George Willson (A0.927168). The piece is at least a grade 3 due to competing time signatures, contrapuntal melodies, and persistent upper register work across several sections.Written during my time in the Army, this march emerged as a sort of musical joke. The melody and rhythm parts alternate between 6/8 and 2/4 (or 2 over 3) time throughout the piece with the quarter and dotted-quarter keeping the same beat. It incorporates nearly every march convention that my friend and I could think of from the low brass taking over the strain and piccolo obbligato to the baffling euphonium arpeggios in the final strain along with the equally bafflingly obnoxious trombone countermelody. At the same time, it breaks convention by granting the horn players the melodic line in the trio section instead of giving them the back beats they love so much. One of the stranger jokes whose meaning one might miss is the mix up of beats at the key change which was done deliberately to put the generals and first sergeants out of step. It also contains a symphony's worth of stingers at the end (because 19-year-old me was hilarious ... apparently).
$35.00
31.49 €
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Concert band
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George Willson
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2/3 March
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George Willson
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SheetMusicPlus
Toxic
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1373131 By Britney Spears. By Cat…
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Concert Band - Level 3 - Digital Download SKU: A0.1373131 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arranged by John Ivor Holland. 21st Century,Disco,Film/TV,Pop,Singer/Songwriter. 76 pages. John Ivor Holland #957474. Published by John Ivor Holland (A0.1373131). Toxic is a song by American singer Britney Spears, released as the second single from her fourth studio album, 'In the Zone' (2003). It was initially offered to Kylie Minogue for her album 'Body Language', by leading songwriter Cathy Dennis, but she turned it down. The song been featured in films such as 'Knocked Up and 'Pitch Perfect 3', and TV series 'Doctor Who' and 'Chuck'. Toxic has become one of Spears' signature songs and has been included in multiple all-time lists of best songs, ranked among Rolling Stone's 500 Greatest Songs of All Time. Starting off majestically, with a clarinet flourish, the familiar sounds of the track kick-in, and there's an epic 'Half-Time' moment towards the end, with a key change! Arranged as part of a project to bring more music by women into the worldwide concert band repertoire.
$49.99
44.97 €
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Concert band
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Britney Spears
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Toxic
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John Ivor Holland
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SheetMusicPlus
Elegy-Field of Blood
Concert band
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eisme…
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
10.8 €
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Concert band
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Elegy-Field of Blood
Concert band
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeie…
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
71.97 €
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Concert band
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Jordan Eismeier
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Elegy-Field of Blood
#
Imagine Music - Digital
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SheetMusicPlus
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