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Vocal Works
Concert band
Sheetmusic to print
16 sheet music found
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1
Angels We Have Heard on High [Glee] for solo female vocalist, SATB chorus and wind band
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1255521 By Glee Cast. By Edward S…
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Concert Band - Level 5 - Digital Download SKU: A0.1255521 By Glee Cast. By Edward Shippen Barnes. Arranged by Patrick Sheehan. Christian,Christmas,Pop. Score and Parts. 119 pages. Patrick Sheehan #849027. Published by Patrick Sheehan (A0.1255521). Transcribed as recorded by the cast of â??Gleeâ?? on the album â??Glee â?? The Christmas Albumâ?INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Piccolo Clarinet (Eb), Clarinet I (Bb), Clarinet II (Bb), Clarinet III (Bb), Bass Clarinet (Bb), Alto Saxophone I (Eb), Alto Saxophone II (Eb), Tenor Saxophone (Bb), Baritone Saxophone (Eb), Solo Female Vocalist, SATB Chorus, Piccolo Trumpet (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Euphonium, Tuba, Piano, Electric Bass, Drumset, Sleigh Bells.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop and rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
46.04 €
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Concert band
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Glee Cast
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Angels We Have Heard on High [Glee] for solo female vocalist, SATB chorus and wind band
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Patrick Sheehan
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SheetMusicPlus
Sexteto Mistico
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1284635 Composed by Heitor Villa …
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Concert Band - Level 5 - Digital Download SKU: A0.1284635 Composed by Heitor Villa Lobos. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. Score and Parts. 99 pages. John Ivor Holland #875810. Published by John Ivor Holland (A0.1284635). Heitor Villa-Lobos was a prolific Brazilian composer, conductor, ‘cellist, and classical guitarist, and was probably the most significantly inventive individual in 20th-century Brazilian art music. He wrote over 2,000 orchestral, chamber, and vocal works. Central to Villa-Lobos’s compositional language is Brazilian folk music – he spent his formative musical years playing popular songs on the streets of Rio de Janeiro – but also using elements of European classical works and influenced by French music, creating his unique sound world. Sexteto Mistico is a unique composition in one movement, consisting of short sections, each bringing unexpected richness, strangeness, virtuosity and polyrhythms. The opening is diaphanous and other-worldly; instruments enter in turn as if introducing themselves, continually weaving their dreamlike harmonies. In the next segment we’re taken into a dark, atmospheric oboe solo; this, to rippling accompanying arpeggios, twists and turns with lyrical eeriness. In the final section the theme, that the repeated motif had been hinting at, clearly emerges, leading us to a bright conclusion. Reimagined for symphonic band from the original sextet of flute, oboe, alto saxophone, guitar, celesta and harp.
$99.99
92.07 €
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Concert band
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Heitor Villa Lobos
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Sexteto Mistico
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John Ivor Holland
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SheetMusicPlus
Cantate Domino
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.757452 Composed by James Michael …
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Concert Band - Level 3 - Digital Download SKU: A0.757452 Composed by James Michael bicigo. Christian,Contemporary. Score and parts. 33 pages. Polar Publications #3012435. Published by Polar Publications (A0.757452). This is a setting for band of my choral work Cantate Domino. It is set for band in the tradition of setting vocal works for winds such as Lauridsen's O Magnum Mysterium.
$25.00
23.02 €
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Concert band
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James Michael bicigo
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Cantate Domino
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Polar Publications
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SheetMusicPlus
Adoration
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1389361 Composed by Florence Beat…
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Concert Band - Level 2 - Digital Download SKU: A0.1389361 Composed by Florence Beatrice Price. Arranged by John Ivor Holland. 20th Century,Christian,Classical,Multicultural,World. 41 pages. John Ivor Holland #972946. Published by John Ivor Holland (A0.1389361). Born in Little Rock, Arkansas in 1887, Florence Price received early musical training from her mother, going on to study at the prestigious New England Conservatory of Music, graduating in 1906 with a Soloist’s Diploma in Organ Performance, and a Teacher’s Diploma in Piano Performance. After completing her degree, Price returned back to the south to teach music and after about 20 years, moved her family moved to Chicago to ultimately escape the racial tension in the south. It was here that she was able to properly establish herself as a concert pianist, organist and composer. She composed over 300 works, including 20 full orchestral pieces and over 110 art songs, many performed by leading American orchestras and esteemed vocalists. Price was the first African-American woman composer to earn national recognition. Seen as a pioneer among women, she was celebrated constantly for her achievements.Originally, written for organ, 'Adoration' (dating from 1951, just a few years before her death), is one of Florence Price’s best-known works, available in several different versions. Beginning in the 1930s, Price earned a living by playing organ in churches as well as in theatres. Adoration is a work of deep devotion and sincerity, a simple yet beautiful work suitable for church concerts and for remembrance/memorial events.
$39.99
36.82 €
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Concert band
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Florence Beatrice Price
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Adoration
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John Ivor Holland
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SheetMusicPlus
Baby, It's Cold Outside
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1256097 By She & Him. By Frank Lo…
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Concert Band - Level 5 - Digital Download SKU: A0.1256097 By She & Him. By Frank Loesser. Arranged by Patrick Sheehan. Christmas,Pop. Score and Parts. 78 pages. Patrick Sheehan #849565. Published by Patrick Sheehan (A0.1256097). Transcribed as recorded by the cast of ‘Glee’ on the album “Glee – The Christmas Albumâ€INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Piccolo Clarinet (Eb), Clarinet I (Bb), Clarinet II (Bb), Clarinet III (Bb), Bass Clarinet (Bb), Alto Saxophone I (Eb), Alto Saxophone II (Eb), Tenor Saxophone (Bb), Baritone Saxophone (Eb), Solo Female Vocalist, Solo Male Vocalist, Piano, Electric Bass, Drumset.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
46.04 €
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Concert band
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She & Him
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rock selections
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Baby, It's Cold Outside
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Patrick Sheehan
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SheetMusicPlus
The Oak
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1389302 Composed by Florence Beat…
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Concert Band - Level 5 - Digital Download SKU: A0.1389302 Composed by Florence Beatrice Price. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 188 pages. John Ivor Holland #972867. Published by John Ivor Holland (A0.1389302). Born in Little Rock, Arkansas in 1887, Florence Price received early musical training from her mother, going on to study at the prestigious New England Conservatory of Music, graduating in 1906 with a Soloist’s Diploma in Organ Performance, and a Teacher’s Diploma in Piano Performance. After completing her degree, Price returned back to the south to teach music and after about 20 years, moved her family moved to Chicago to ultimately escape the racial tension in the south. It was here that she was able to properly establish herself as a concert pianist, organist and composer. She composed over 300 works, including 20 full orchestral pieces and over 110 art songs, many performed by leading American orchestras and esteemed vocalists. Price was the first African-American woman composer to earn national recognition. Seen as a pioneer among women, she was celebrated constantly for her achievements. Composed in 1943, about 10 years before her death, 'The Oak' is an unpublished tone poem, perhaps more appropriately described as an 'orchestral essay', quite serious in tone and character. The foreboding opening slowly grows as more instruments enter the mix. The piece explores a number of different moods and atmospheres, from mysterious to more aggressive and irritated. Arranged for symphonic wind ensemble, 'The Oak' is a major contribution to the repertoire and deserves detailed attention - there are two different endings, the second, one that resolves quietly, is written in the score as 'the composer's preference'.
$99.99
92.07 €
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Concert band
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Florence Beatrice Price
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The Oak
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John Ivor Holland
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SheetMusicPlus
TIDINGS OF JOY (young concert band - Easy - score, parts, & license to copy)
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1435814 Composed by Brian Harris.…
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Concert Band - Level 1 - Digital Download SKU: A0.1435814 Composed by Brian Harris. Arranged by Brian Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1015909. Published by HMS Music (A0.1435814). ___________________________With a nice minor mode sound and a propelling timpani line, TIDINGS OF JOY opens with God Rest Ye, Merry, harmonized in drone fashion, then features a soli middle section of Pat-a-Pan for which you audition the players who get to play this more difficult middle section (keeps your best players challenged!) while the rest of the band vocalize a single pitch on ahh. The piece then recaps with God Rest You Merry with a slightly fuller instrumentation and a simple flute obligato line.FEATURES: Melody opportunities for all wind parts; Multiple percussion parts give colorful sound; timpani provide bass ostinato; Students sing ahh on a single note - great for improving intonation!; Soli section in middle will motivate players to learn the part so they get to play the melody (keeps your better players challenged); Low brass parts are very simple.RANGES: C minor (3 flats). Some Clarinets play low G and F (m. 14 and 48) - put your best players on these low notes and have rest play the comfortable notes of D and C.CHALLENGES: Appropriate for young players who have encountered eighth-notes and the key of E-flat; Independence of lines (melody played with/against simple bass and accompaniment; simple flute obligato line in last section); Some slurs and eighth-notes; Key/few accidentals (mostly in flutes, oboe, clarinet, and trumpet); A few extended range notes for some parts.INSTRUMENTATION: includes Full Conductor Score (8 pages) and PARTS (16 pages): one each for Flute, Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn in F, Trombone/Euphonium/Bassoon, T.C. Euphonium, Tuba, Percussion 1 (Suspended Cymbal/Tenor Drum, Bass Drum), Percussion 2 (Triangle, Finger Cymbals), Timpani (3 or 4 drums), Bells/Tambourine, Chimes.PERCUSSION: parts to occupy 9 or more players; playable by as few as four players.MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto Sax, Trumpet, 1 Percussion (Timpani), and 2 bass voices (Voice 1: Trombone, Horn, or Tenor Sax; Voice 2: Bassoon, Bass Clarinet, Bari Sax, or Tuba).NOTE: This Digital Download document is assembled with the Clarinet part appearing as page 1 so you may view it as you listen to the sound file. When you print the full document (25 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. Also included is a SITE LICENSE granting permission to photocopy as many SCORES or PARTS as needed for use by your school. (BcP-YB)___________________________Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________.
$31.99
29.46 €
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Concert band
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Brian Harris
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TIDINGS OF JOY
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HMS Music
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.15 €
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Concert band
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.15 €
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Concert band
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Giovanni Gabrieli
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.15 €
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Concert band
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
What The World Needs Now Is Love
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1186378 By Jackie DeShannon. By B…
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Concert Band - Level 2 - Digital Download SKU: A0.1186378 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by L.C. Harnsberger. 20th Century,Jazz,Pop,Rock,Singer/Songwriter. Score and Parts. 35 pages. LCH Music #786035. Published by LCH Music (A0.1186378). Burt Bacharach composed the hit song “What the World Needs Now is Love†in 1965 with lyricist Hal David. The song was first made popular by vocalist Jackie DeShannon, later performed by Dionne Warwick in 1966, and covered by numerous artists in the decades that followed. The song has been beautifully arranged for concert band by L. C. Harnsberger with inspiration from the original Bacharach orchestration. This arrangement is a perfect addition to any pops concert, and works especially well as a closer or encore.
$59.99
55.24 €
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Concert band
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Jackie DeShannon
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What The World Needs Now Is Love
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LCH Music
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SheetMusicPlus
Elegie (Op. 34)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1472832 Composed by Dora Pejačev…
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Concert Band - Level 3 - Digital Download SKU: A0.1472832 Composed by Dora Pejačević. Arranged by John Ivor Holland. 20th Century,Classical,Romantic Period. 39 pages. John Ivor Holland #1050464. Published by John Ivor Holland (A0.1472832). Countess Maria Theodora Paulina Dora Pejačević (10 September 1885 – 5 March 1923) was a Croatian composer, pianist and violinist and one of the first composers to introduce the orchestral song to Croatian music. Her Symphony in F-sharp minor is considered by scholars to be the first modern symphony in Croatian music. Pejačević is noted for her vocal compositions, piano miniatures, and string quartets, which were heavily influenced by the expressionist and modernist trends of the time. In her early career, Pejačević’s primary themes were highly representative of the Romantic period, but this would change after her experience working as a paramedic in the First World War after which her works reflected the philosophic movement of nihilism and discussed motifs of death, isolation, and futility of war. This wonderful 'Elegie', originally composed for violin and piano, dates from 1913, just before the outbreak of war and is dedicated to Johannes Nádherny-Borutin, an important Czech politician. This arrangement has been made as part of an ongoing project to bring more music by women composers into the worldwide concert band repertoire.
$59.99
55.24 €
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Concert band
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Dora Pejačević
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Elegie
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John Ivor Holland
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SheetMusicPlus
Clair de Lune
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1444294 Composed by Augusta Holme…
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Concert Band - Level 3 - Digital Download SKU: A0.1444294 Composed by Augusta Holmes. Arranged by John Ivor Holland. 19th Century,Chamber,Classical. 40 pages. John Ivor Holland #1024207. Published by John Ivor Holland (A0.1444294). Augusta Mary Anne Holmès (16 December 1847 – 28 January 1903) was a French composer of Irish descent. In 1871, Holmès became a French national and added the accent to her last name. She wrote the texts to almost all of her vocal music herself, including songs, oratorios, the libretto of her opera ('La Montagne noire') and the programmatic poems for her symphonic poems including 'Irlande' and 'Andromède'. Despite showing talent at the piano, she was not allowed to study at the Paris Conservatoire, but took lessons privately. Like other female composers from the nineteenth century including Fanny Mendelssohn and Clara Schumann, Holmès published some of her earlier works under a male pseudonym (Hermann Zenta) because women in European society at that time were not taken seriously as artists and were discouraged from publishing. 'Clair de Lune' is the second of the 'Trois Petites Pièces' for flute and piano, composed in 1896, bring together the homelands dear to Holmès’ heart: Ireland, her country of origin, and France, her country of adoption. Arranged for concert band as part of an ongoing project to bring more music by women composers into the worldwide repertoire.
$49.99
46.03 €
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Concert band
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Augusta Holmes
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Clair de Lune
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John Ivor Holland
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SheetMusicPlus
The Oak
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1407735 Composed by Florence Beat…
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Concert Band - Level 4 - Digital Download SKU: A0.1407735 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 21st Century,Romantic Period. 183 pages. Nagamon Publications #990351. Published by Nagamon Publications (A0.1407735). Florence Price(b Little Rock, AR, 9 April 1887; d Chicago, IL, 3 June 1953) was the first African American woman to win widespread recognition as a symphonic composer, rising to prominence (with William Grant Still and William Dawson) in the 1930s. After early training with her mother she studied composition at the New England Conservatory in Boston with Wallace Goodrich and Frederick Shepherd Converse (1903–6) and privately with George Whitefield Chadwick. She gained an Artist’s Diploma (organ) and a piano teacher’s diploma.  In her large-scale works Price’s musical language is often conservative, in keeping with the Romantic nationalist style of the 1920s–40s, but it also reflects the influence of her cultural heritage and the ideals of the “Harlem renaissance†of the 1920s–30s. To her art songs and piano music she brought a thorough knowledge of instrumental and vocal writing, colorful harmonies and exotic modulations.The Oak from 1943 was originally written for orchestra and has been transcribed for concert band. The PDF contains the full score and full set of parts.
$70.00
64.46 €
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Concert band
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Florence Beatrice Price
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The Oak
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Nagamon Publications
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SheetMusicPlus
Messiah - Hallelujah - HWV 56 - Concert Band with Choir - C
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1112072 By George Frideric Handel…
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Concert Band - Level 3 - Digital Download SKU: A0.1112072 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 83 pages. Thomas Graf - the-hit-factory.com #714259. Published by Thomas Graf - the-hit-factory.com (A0.1112072). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter[n 2] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. About this arrangement: Will work fine both with and without Choir. Vocal parts included. Instrumentation: Full Score Flute 1 Flute 2/Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F 1/3 Baritone 1 in Bb Baritone 2 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Soprano Alto Tenor Bass Piano Guitar cont Bass in Eb Bass in Bb Bass Guitar Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$30.00
27.62 €
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Concert band
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George Frideric Handel
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Messiah - Hallelujah - HWV 56 - Concert Band with Choir - C
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Aria: Der Holle Rache kocht in meinem Herzen (from The Magic Flute)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.942834 Composed by Wolfgang Amade…
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Concert Band - Level 3 - Digital Download SKU: A0.942834 Composed by Wolfgang Amadeus Mozart. Arranged by Carl Stephen Hammer. Classical,Opera,World. Score and parts. 79 pages. Carl Hammer #4767471. Published by Carl Hammer (A0.942834). This arrangement of the aria Der Holle Rache kocht in meinem Herzen (Hell's vengeance boils in my heart) from Die Zauberflote (The Magic Flute) by Wolfgang Amadeus Mozart, adapts the famous opera solo for trumpet and concert band. Although it works best on piccolo trumpet in B-flat, parts for cornet in E-flat and B-flat and piccolo trumpet in A are provided as alternatives. This arrangement, also known as the Queen of the Night's aria, imitates the orchestral and vocal style of the original.
$80.00
73.66 €
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Concert band
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Wolfgang Amadeus Mozart
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Aria: Der Holle Rache kocht in meinem Herzen
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Carl Hammer
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SheetMusicPlus
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