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Concert band
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Concert band
Sheetmusic to print
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A Promise to Stand By:
Concert band
Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemp…
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Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99
18.43 €
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Concert band
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
I'm Still Standing
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1313492 By Elton John. By Bernie …
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Concert Band - Level 3 - Digital Download SKU: A0.1313492 By Elton John. By Bernie Taupin and Elton John. Arranged by Lorenzo Bocci. Film/TV,Rock. 105 pages. Lorenzo Bocci #902249. Published by Lorenzo Bocci (A0.1313492). For Concert Band - Grade 3 - Digital Download Composed by Elton John, Bernie Taupin. Arranged by Lorenzo Bocci. Rock/Film/Soundtrak. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 2'58''. Published by Lorenzo Bocci.Create the Suite from Sing with:- Faith: YouTube - Sheet Music Direct - Sheet Music Plus- Shake It Off: YouTube - Sheet Music Direct - Sheet Music Plus- Set It All Free: YouTube - Sheet Music Direct - Sheet Music Plus- I'm Still Standing: YouTube - Sheet Music Direct - Sheet Music PlusInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Clarinet in Eb, 1st Clarinet in Bb, 2nd & 3rd Clarinet in Bb, Bass Clarinet in Bb, 1st & 2nd Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb, 1st Trumpet in Bb, 2nd & 3rd Trumpet in Bb, 1st & 3rd Horn in F, 2nd & 4th Horn in F, 1st & 2nd Trombone in C, Bass Trombone in C, Euphonium in C, Bass in C, Electric Bass, Drum Set, Percussion (Shekere, Low Floor Tom, Tambourine, Bongos), Electric Guitar, Piano.Additional Parts:Soprano Saxophone in Bb, 1st & 3rd Horn in Eb, 2nd & 4th Horn in Eb, 1st & 2nd Trombone in Bb T.C., B.C., Bass Trombone in Bb T.C., B.C., Euphonium in Bb T.C., B.C., Bass in Bb T.C., B.C., Bass in Eb T.C., B.C.I'm Still Standing is a song written by English musician Elton John and songwriter Bernie Taupin, from John's 1983 studio album Too Low for Zero. Helped by a video promoting the song on MTV, I'm Still Standing became a big hit for John on both sides of the Atlantic. Welsh actor Taron Egerton has recorded this song two times in separate occasions. The first time was for the 2016 animated feature Sing as teenage gorilla Johnny; the second was for the 2019 biopic Rocketman where he played the titular role of Elton John himself.
$89.00
82.05 €
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Concert band
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Elton John
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Elton John, Bernie Taupin
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I'm Still Standing
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Lorenzo Bocci
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SheetMusicPlus
Two Foster Songs (for small band)
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.710905 Composed by Stephen Collin…
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Concert Band - Level 2 - Digital Download SKU: A0.710905 Composed by Stephen Collins Foster. Arranged by Tsuyoshi Yoroiguma. Children,Folk,Instructional,Standards. Score and parts. 32 pages. Tsuyoshi Yoroiguma #1909653. Published by Tsuyoshi Yoroiguma (A0.710905). Let's introduce band instruments ! This music is good for studying about musical instruments. It's easy to play for students,and enjoy two popular Foster's song. During performance, teacher(or conductor) can take a pause to add some comments about instruments. ----the 1st part, You can hear woodwinds and string bass. ----the 2nd part, You can hear brass instruments,glocken and snere drum. [ Instrumentation ] 2 Flutes / 4 Clarinets / Alt. Sax. / Ten. Sax. / Bar.Sax./ String Bass / 3 Trumpets / 2 Horns / 2 Trombones / Euphonium / 2 Tubas / Glocken / Snere Drum Score and parts (total 32pages) Playing time : 3min.55sec Please visit youtube to watch a sample score. https://www.youtube.com/watch?v=HBiNTEHSglc.
$24.00
22.13 €
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Concert band
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Stephen Collins Foster
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Two Foster Songs
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Two Pieces for Beginner Band
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.787447 Composed by Fran Griffin. …
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Concert Band - Level 1 - Digital Download SKU: A0.787447 Composed by Fran Griffin. Contemporary,Instructional,Standards. Score and parts. 21 pages. Gryphon Music Australia #2040187. Published by Gryphon Music Australia (A0.787447). Two Pieces for Beginner Band is a very easy work suitable for a quite junior band, and could be their first real concert pieces outside their band method books. The range for each instrument is very small, and the rhythms are simple enough that young students can read them properly rather than simply learning by copying. The scoring allows for incomplete bands, and whatever percussion is available. Parts for less common instruments such as oboe, bassoon and french horn are included.
$30.00
27.66 €
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Concert band
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Fran Griffin
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Two Pieces for Beginner Band
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Gryphon Music Australia
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SheetMusicPlus
CONCERTO FOR HORN - S. R. Mercadante - solo horn part only (full band accomp. available separately)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.859735 Composed by Saverio Raffae…
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Concert Band - Level 3 - Digital Download SKU: A0.859735 Composed by Saverio Raffaele Mercadante (1795? - 1870). Arranged by Brian Harris. 19th Century,Classical,Romantic Period,Standards. 4 pages. Bandroom.com Publications #553447. Published by Bandroom.com Publications (A0.859735). Written around 1820 by Italian composer Saverio Raffaele Mercadante, this engraving of his CONCERTO FOR HORN is in the original key and has been meticulously edited. Consisting of two sections, the beautiful, plaintive opening slow section (Larghetto alla Siciliano) is about 2.5 minutes in length and works well as a stand-alone feature to showcase the sonority of the horn. It would be perfect for a talented high school player. The concluding fast section (Allegretto brillante) is bubbly, delightful, and quite technically challenging in a few spots. The concert band / wind ensemble accompaniment (available separately) is scored to prevent overpowering the soloist and will work with smaller groups for senior recitals, etc. NOTE: This download is for the 4-page SOLO PART ONLY. If you wish to purchase the band parts and full score, please visit www.bandroom.com. This SOLO PART will also work with the Kuyper setting for piano accompaniment. The score and parts are error-free, as I spent considerable time in editing and making corrections to the parts while it was prepared for performance. This SOLO PART has tightly-cropped margins so it will print as large as possible on letter-sized paper. You can view the conductor score and sample parts as well as listen to a live recording of the work on my website (URL above) or on YouTube at https://youtu.be/NuMFb5p5Kfk____________________________ ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years. Many of his arrangements and compositions are available here as digital downloads and from www.bandroom.com ____________________________
$10.00
9.22 €
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Concert band
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Saverio Raffaele Mercadante
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CONCERTO FOR HORN - S. R. Mercadante - solo horn part only
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Bandroom.com Publications
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SheetMusicPlus
Brew Time March
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1279514 Composed by Kara Williams…
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Concert Band - Level 2 - Digital Download SKU: A0.1279514 Composed by Kara Williams. Classical,Contemporary,Contest,Festival,March. Score and Parts. 69 pages. Kara Williams #870997. Published by Kara Williams (A0.1279514). The third movement from the four movement 'Suite in Sea' written for clarinet and piano by Kara Williams, 'Brew Time March' has been orchestrated for wind ensemble by the composer and has since proven to be a favourite with performers and audiences. We follow a young sailor as they excitedly hear the bugle call to have a break from work (brew time), grab a coffee (brew) and sit on the bow to watch the waves… lost in thoughts, the young sailor unexpectedly hears the sound of work recommencing, and scurries back, making it just in the nick of time… waiting eagerly for next the next call for Brew Time!  Opening with the 'Stand Easy' (break time) bugle call, Brew Time March is full of familiarly-sea-worthy sounds, and is a fun concert march that would be a great addition to any ensemble's library. In the style of a traditional military march, unless otherwise specified, notes should be played slightly detached throughout. Ensure the bass solo has plenty of attitude, and the rhythmic accompanying parts let the melodies breathe. Use a small set of crash cymbals (if parade-style cymbals are not available) - your percussionist will thank you! Also, hit the cymbals together slightly off-centre for zing and dynamic control, and hold the edges of the cymbals against the body to choke the ring where indicated. Keep this march a very steady two-feel throughout; however, feel free to completely stress the upper woodwinds out by going as fast as musically possible where marked at the end :-) Brew Time March runs for around 2:45 and is scored for full wind ensemble; however, it will work without one, some, or all the following parts: piccolo, 4th clarinet, baritone sax, bass clarinet, bassoon, horns in F, and bass trombone.
$30.00
27.66 €
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Concert band
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Kara Williams
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Brew Time March
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Kara Williams
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SheetMusicPlus
Pitt Street Bridge - for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.778226 Composed by John McAlliste…
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Concert Band - Level 2 - Digital Download SKU: A0.778226 Composed by John McAllister. Contemporary,Folk,Instructional,Standards. Score and parts. 52 pages. John McAllister #6665567. Published by John McAllister (A0.778226). Pitt Street Bridge was commissioned by the Moultrie Middle School Band to be premiered at the 2020 SCMEA Conference. The remains of the Pitt Street Bridge lie in the Intercoastal Waterway and in what is now called Pickett Bridge Recreation Area. It is within walking distance from the middle school, and it is an integral part of Mt. Pleasant’s history. Originally designed as a trolley bridge that connected Sullivan’s Island and Mount Pleasant, Pitt Street Bridge is now a haven for recreation and relaxation. The lively melodies throughout the piece depict the festive activities that take place on Pitt Street Bridge. The piece opens as though one is standing on the Pitt Street Bridge, gazing out at the immensely beautiful surroundings. Slow and serene as the sun blankets the harbor and the marsh. The bridge has a tremendous history, dating back to the revolutionary war, which is where the melody begins. Deconstructed from part of Sir Peter Parker, a song about the Battle of Sullivan’s Island. A distant memory, this melody will find itself in many ways throughout (three notes rising diatonically followed by a falling 3rd). The woodwinds pattern in the opening (which also appears throughout), represents the ripples in the water, flowing gently back and forth. The military past of the bridge is hinted at in two ways. The snare in the opening, reminiscent of the rudimental style and several harmonies throughout that hint at an Americana style. As the piece picks up tempo, the hustle and bustle of 1920s Charleston comes to life. Harmonically, everything is still built off of the foundation of the original tune, but now we’re in bright and joyous times and people are transported to and from the island in the Roarin’ 20s. The optimism abounds until the climax of the piece as the bridge (musically speaking), fades into the past. At the finale, one is standing on the bridge with the distant melody still played on the flute.
$40.00
36.88 €
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Concert band
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John McAllister
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Pitt Street Bridge - for Concert Band
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John McAllister
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SheetMusicPlus
Set Free to go Home - grade 3 concert band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 52 pages. Musica Nova USA #6075605. Published by Musica Nova USA (A0.917409). Set Free to go Home was composed in the fall of 2019. It was commissioned by Dr. Kristen Tjornehoj, Conductor of the University of Wisconsin at River Falls Symphony Band in remembrance of Kaye Bird, who passed away in 2016 as a resident of River Falls and a member of the community for several years. Kaye Bird was also a resident of Indiana, PA for 37 years and was a well respected teacher in the public schools there. Set Free to go Home was premiered by the Indiana University of Pennsylvania Symphony Band at Fisher Auditorium on February 6, 2020, conducted by Dr. Jason Worzbyt. It is agrade 3 band piece with a duration of five minutes. It is published by Musica Nova USA and availableon sheetmusicplus.com and jwpepper.com.Performance Notes: Set Free to go Home was composed with flexible instrumentation in mind.There are several instruments listed in the score that would enhance the piece (such as harp, oboes,double bass, ect.) but are not necessary to convey a successful performance. For example, if there are not five percussionists available, the piece may be played by less performers with the use of a drumkit, with one person playing two or more parts. This composition can sound very good whether thereare fifteen players or a band with one hundred players.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, includingFirst Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winnerin Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International MusicCompetition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers andmany others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria,and others. His compositions include works published by several publishers in the United States, SouthAmerica and Europe and have been performed extensively throughout the world.He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer atmany colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$40.00
36.88 €
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Concert band
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Gregory Fritze
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Set Free to go Home - grade 3 concert band
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Musica Nova USA
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SheetMusicPlus
The Privateers
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.983162 Composed by Craig Wadley. …
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Concert Band - Level 3 - Digital Download SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #3043809. Published by Wadley Publications (A0.983162). The Privateers is a swashbuckling depiction of an oceangoing pirate adventure, presented in the form of a march. The piece starts with a brief fanfare, followed immediately by a rousing melody in the style of an old sea-shanty. Images of sailing upon an endless sea of stars come to mind as a tranquil nocturne is presented, but the peace is shattered as cutlasses and sabers clash in a dogfight sure to end in Davy Jones’ locker! The music swells to a dramatic conclusion as our mighty galleon surges across a stormy sea. Instrumentation The Privateers comes with full sets of both concert/stage and marching/field parts, allowing for great flexibility in your performance venues. Contemporary marching bands and drum & bugle corps utilize specialized field percussion which is typically not used in a concert setting. With this piece, the use of outdoor percussion (quad toms and a tonal bass drum line) onstage is encouraged, although not required. A single bass drum line is included which may be used instead of (or in addition to) the tonal bass drum line, and the Quad Toms part may be omitted. A piano part is included, primarily for optional use indoors as a color instrument for the ensemble. However, smaller bands in particular may find it useful for filling out the accompaniment line if instrumentation is limited. Optionally, a very small ensemble of melodic instruments could be used, with the piano acting as a full-fledged accompaniment. Several optional parts are included, such as Eb and Bb Horn, for ensembles with limited instrumentation. Also, the two Low Winds parts should be distributed equally across trombone, baritone/euphonium, and tenor sax players. Double reed parts are not included. Double these instruments on appropriate parts to suit the needs of your ensemble. Teaching Points Meter – The alternation of 6/8 and 4/4 with a constant pulse (rather than a constant 8th note) provides an excellent opportunity to teach your students to shift the subdivision of the beat from triple to duple and back again. Chromaticism & Accidentals – There is a recurring passage which features the prominent use of secondary dominants, or circle of fifths chord motion. Students can learn a few less-than-common accidentals and enharmonics, while also getting a larger lesson in music theory.
$24.99
23.04 €
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Concert band
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Craig Wadley
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The Privateers
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Wadley Publications
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SheetMusicPlus
Bring Me Sunshine
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1245191 By Willie Nelson. By Arth…
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Concert Band - Level 2 - Digital Download SKU: A0.1245191 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by John Ivor Holland. 20th Century,Film/TV,Jazz,Standards. Score and Parts. 33 pages. John Ivor Holland #840099. Published by John Ivor Holland (A0.1245191). Forever associated in the UK with the comedy duo Morecambe and Wise on the BBC, this toe-tapping standard is often played at the Morecambe Football Club ground both prior to and after their games, whilst the club's fans have adopted the song as the official anthem. It was first recorded by (and written for) The Mills Brothers in 1968, but another famous recording is by outlaw country singer Willie Nelson. This version for concert band (flexibly scored in the event of an incomplete ensemble) and choir in two parts is sure to bring a smile to all that hear it.
$49.99
46.09 €
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Concert band
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Willie Nelson
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Bring Me Sunshine
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John Ivor Holland
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SheetMusicPlus
Happy Xmas (war Is Over)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1150367 By John & Yoko Ono W/harl…
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Concert Band - Level 3 - Digital Download SKU: A0.1150367 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by Thomas Graf. 20th Century,Christian,Christmas,Pop. Score and parts. 41 pages. Thomas Graf - the-hit-factory.com #750539. Published by Thomas Graf - the-hit-factory.com (A0.1150367). Happy Xmas (War Is Over) is a Christmas song released in 1971 as a single by John & Yoko/Plastic Ono Band with the Harlem Community Choir. It was the seventh single release by John Lennon outside his work with the Beatles. The song reached number four in the UK, where its release was delayed until November 1972, and has periodically re-emerged on the UK Singles Chart, most notably after Lennon's murder in December 1980, when it peaked at number two. Also a protest song against the Vietnam War, it has since become a Christmas standard, frequently recorded by other artists. About this arrangement: Composed by: By Yoko Ono, John Lennon Arranged by:Thomas H. Graf Instrumentation: Full Score Flute 1/2 Oboe 1/2 Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F Baritone Horn Trombone 1 Trombone 2 Trombone 3 Tuba Drum Set Piano Bass in Eb Bass in Bb Bass Guitar Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$50.00
46.1 €
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Concert band
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John & Yoko Ono W/harlem Comm
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Happy Xmas
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Here's To You
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1310533 By Joan Baez. By Ennio Mo…
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Concert Band - Level 2 - Digital Download SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. Lorenzo Bocci #899595. Published by Lorenzo Bocci (A0.1310533). For Concert Band - Grade 2,5 - Digital Download Composed by Joan Baez, Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With optional Choir (SATB) (not present in the score). Score and parts. Duration 3'42''. Published by Lorenzo Bocci.Here's to You is a song by Ennio Morricone and Joan Baez, released in 1971 as part of the soundtrack of the film Sacco & Vanzetti, directed by Giuliano Montaldo. The song is a tribute to two anarchists of Italian origin, Nicola Sacco and Bartolomeo Vanzetti who were sentenced to death by a United States court in the 1920s. The lyrics for Here's to You make use of a statement attributed to Vanzetti by Philip D. Strong, a reporter for the North American Newspaper Alliance, who visited Vanzetti in prison in May 1927, three months before his execution.  «If it had not been for these things, I might have lived out my life talking at street corners to scorning men. I might have died, unmarked, unknown, a failure. Now we are not a failure. This is our career and our triumph. Never in our full life we could have hoped to do such work for tolerance, for justice, for man's understanding of man as we now do by accident. Our words—our lives—our pains—nothing! The taking of our lives—lives of a good shoemaker and a poor fish peddler—all! That last moment belongs to us—that agony is our triumph!.»Here's to you, Nicola and BartRest forever here in our heartsThe last and final moment is yoursThat agony is your triumph..
$89.00
82.05 €
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Concert band
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Joan Baez
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Joan Baez, Ennio Morricone
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Here's To You
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Lorenzo Bocci
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SheetMusicPlus
Grasshopper
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1239145 Composed by Helmut Kogler…
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Concert Band - Level 1 - Digital Download SKU: A0.1239145 Composed by Helmut Kogler. 20th Century,21st Century,Children,March,Standards. 78 pages. Pentharmonics #834547. Published by Pentharmonics (A0.1239145). Little Concert March - Grade 1 - Duration 2:40 min.Making music is such joyful that sometimes one may feel encouraged to jump like a grasshopper. Certainly, the high spirits shall jump over to the audience as well. And how could this work better than with a little concert march.The intention of the piece is to guide beginners in grade 1 to the traditional Austrian marching literature. Thus, the structure, tempo and key change are based on a classical march.The PDF contains a condensed score, percussion parts and two copies of every part (I-VI) in C, Bb, Eb, F. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$24.99
23.04 €
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Concert band
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Helmut Kogler
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Grasshopper
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Pentharmonics
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SheetMusicPlus
King Solomon Suite
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.796749 Composed by Gary D. Belsha…
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Concert Band - Level 1 - Digital Download SKU: A0.796749 Composed by Gary D. Belshaw (ASCAP). Christian,Christmas,Instructional,Jewish,Standards. Score and parts. 333 pages. DR GARY D BELSHAW #4797425. Published by DR GARY D BELSHAW (A0.796749). For Beginning Concert Band. Duration, about four minutes. Includes two full scores and sufficient parts for most bands.A three-movement suite, this composition provides a suitable educational initiative on the history of one of the most famous of all kings. Would also serve well in a collaborative endeavor with your school or church's dramatic arts department. A perfect addition to your first-year band's spring concert, or to open their second year with confident assertions of musicianship. Don't be surprised if, when contests are over, and your students are standing in line at the theme park, if you hear them humming these tunes.
$40.00
36.88 €
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Concert band
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Gary D
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King Solomon Suite
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DR GARY D BELSHAW
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SheetMusicPlus
You Only Live Twice
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1149127 Composed by John Barry an…
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Concert Band - Level 3 - Digital Download SKU: A0.1149127 Composed by John Barry and Leslie Bricusse. Arranged by Keith Terrett. Film/TV,Historic,Standards. 37 pages. Keith Terrett #749257. Published by Keith Terrett (A0.1149127). An arrangement for Concert/Wind Band of the classic Bond tune ''You Only Live Twice''. I made this chart back in the 1980's when I was studying orchestration & Arranging under the late and great Lt. Col. Trevor Sharpe. The soundtrack was the fourth of the series to be composed by John Barry. He tried to incorporate the elegance of the Oriental sound with Japanese music-inspired tracks. The theme song, You Only Live Twice, was composed by Barry and lyricist Leslie Bricusse, and sung by Nancy Sinatra after her father Frank Sinatra passed on the opportunity. Nancy Sinatra was reported to be very nervous while recording – first she wanted to leave the studio; then she claimed to sometimes sound like Minnie Mouse.[36] Barry declared that the final song uses 25 different takes. There are two versions of the song You Only Live Twice, sung by Nancy Sinatra, one directly from the movie soundtrack, and a second one for record release arranged by Billy Strange.[citation needed] The movie soundtrack song is widely recognised for its striking opening bars and oriental flavour, and was far more popular on radio. The record release reached No. 44 on the Billboard charts in the US, and No. 11 in the UK. Both versions of the title song are available on CD. A different title song was originally recorded by Julie Rogers, but eventually discarded. Only two lines from that version were kept in the final lyrics, and the orchestral part was changed to fit Sinatra's vocal range. Rogers' version only appeared in a James Bond 30th Anniversary CD, with no singer credit. In the 1990s, an alternative example of a possible theme song (also called You Only Live Twice and sung by Lorraine Chandler) was discovered in the vaults of RCA Records. It became a very popular track with followers of the Northern soul scene (Chandler was well known for her high-quality soul output on RCA) and can be found on several RCA soul compilations.
$49.99
46.09 €
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Concert band
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John Barry and Leslie Bricusse
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You Only Live Twice
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Keith Terrett
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SheetMusicPlus
March of the Shadows
Concert band
Concert band - Grade 1 - Digital Download SKU: IZ.CBS163-S Composed by Martin J. Wi…
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Concert band - Grade 1 - Digital Download SKU: IZ.CBS163-S Composed by Martin J. Wimmer. Score. 10 pages. Imagine Music - Digital #CBS163-S. Published by Imagine Music - Digital (IZ.CBS163-S). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
$8.00
7.38 €
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Concert band
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Martin J
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March of the Shadows
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Imagine Music - Digital
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SheetMusicPlus
Woolly Mammoth March
Concert band
Concert Band - Digital Download SKU: IZ.CBW229-S Composed by Britt Andrew Burns. Sc…
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Concert Band - Digital Download SKU: IZ.CBW229-S Composed by Britt Andrew Burns. Score. 9 pages. Imagine Music - Digital #CBW229-S. Published by Imagine Music - Digital (IZ.CBW229-S). 9 x 12 inches.The Queens's English is a concert march inspired by Queen Elizabeth II of Great Britain. The piece starts out in ¾ time as the chimes pay tribute to London's Big Ben. As the chimes fade there are a couple of seconds of silence before the light hearted march ( in 4/4 ) begins. Slower than the standard march tempo of 120 bpm, this march reflects the majestic and stately manner of England's long reigning monarch. Utilizing a fully instrumented concert band, The Queens's English includes a full battery of six percussion and two mallet players. This song is for a high school level band or an advanced middle school group.
$8.00
7.38 €
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Concert band
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Britt Andrew Burns
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Woolly Mammoth March
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Imagine Music - Digital
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SheetMusicPlus
March of the Shadows
Concert band
Concert band - Grade 1 - Digital Download SKU: IZ.CBS163 Composed by Martin J. Wimm…
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Concert band - Grade 1 - Digital Download SKU: IZ.CBS163 Composed by Martin J. Wimmer. Score and Parts. 26 pages. Imagine Music - Digital #CBS163. Published by Imagine Music - Digital (IZ.CBS163). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
$40.00
36.88 €
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Concert band
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Martin J
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March of the Shadows
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Imagine Music - Digital
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SheetMusicPlus
A Man And A Woman (un Homme Et Une Femme)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1232115 By Herbie Mann And Tamiko…
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Concert Band - Level 3 - Digital Download SKU: A0.1232115 By Herbie Mann And Tamiko Jones. By Frances Lai, Jerry Keller, and Pierre Barouh. Arranged by John Ivor Holland. 20th Century,Film/TV,Multicultural,Pop,Standards,World. Score and Parts. 32 pages. John Ivor Holland #827795. Published by John Ivor Holland (A0.1232115). Winning two Academy Awards for Best Foreign Language Film and Best Original Screenplay, the 1966 French film 'A Man and a Woman' (Un Homme et Une Femme) by Claude Lelouch is scored with the evocative music of Francis Lai (in his first film collaboration), who would, in 1970, go on to win an Oscar himself for 'Love Story'. The song is notable for having lyrics by Pierre Barouh, who plays the male lead in the film, and has since been used in television shows and as part of advertising soundtracks around the world. Available for concert band for the first time, bring a touch of sophisticated French 'je ne sais quoi' to your next indoor or outdoor event.
$49.99
46.09 €
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Concert band
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Herbie Mann And Tamiko Jones
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A Man And A Woman
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John Ivor Holland
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Concert band
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Concert band
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Giovanni Gabrieli
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.21 €
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Concert band
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
Paul Wehage : Concert Fantasy on Jingle Bells: theme and five variations on the carol by Pierpont f
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.532889 Composed by Paul Wehage. C…
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Concert Band - Level 4 - Digital Download SKU: A0.532889 Composed by Paul Wehage. Christmas,Contemporary,Instructional,Standards. Score and parts. 37 pages. Musik Fabrik Music Publishing #416503. Published by Musik Fabrik Music Publishing (A0.532889). Starting from James Pierpont’s classic holiday song, this piece is a irreverental set of five variations which present the well-known in several unusual contexts: an exotic dance in a South American style, a Yiddish Waltz, a burlesque number which features a quartet of soloists. After a much more tame “Chorale-Préludeâ€, the fughetta on the verse (“Dashing Through the Snowâ€) leads to a finial exposition of the theme in a Toccata style. Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Trumpet I, II and III F Horn I, II, III, and IV Trombone I, II and III Baritone I and II Tuba Timpani Percussion 1: snare drum, hit hat cymbal, suspended cymbal, triangle Percussion II: two temple blocks, Bass drum, crash cymbals, three toms, triangle Percussion III: chimes, xylophone This contains the full score. The parts are available in two sets: woodwind parts and part and percussion parts. The individual parts are also available seperately..
$19.95
18.39 €
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Concert band
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Paul Wehage
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Paul Wehage : Concert Fantasy on Jingle Bells: theme and five variations on the carol by Pierpont f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Storm and Calm
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.749344 Composed by James-Michael …
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Concert Band - Level 3 - Digital Download SKU: A0.749344 Composed by James-Michael Sellers. Contemporary. Score and parts. 108 pages. JMS Composer #546029. Published by JMS Composer (A0.749344). Storm and Calm is a piece that I composed after hearing that two of my friends were fighting and I was being pulled both ways in the conversation. I felt very conflicted about the whole situation, and I tried my best to vent those confused feelings through the music that I was hearing during all of it. I was amazed at what transpired when they both heard the piece, as it seemed to bring them to a new understanding of sorts, getting them to see how their conflict had begun to damage those around them. While I try not to dwell on what the piece evolved from, it's a constant reminder that even the biggest problems can result in the most miraculous of solutions.
$19.99
18.43 €
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Concert band
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James-Michael Sellers
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Storm and Calm
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JMS Composer
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SheetMusicPlus
Patriotic Salute
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1487746 Composed by Brian Ackley.…
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Concert Band - Level 4 - Digital Download SKU: A0.1487746 Composed by Brian Ackley. Arranged by Patriotic Tunes. 21st Century,Patriotic,Standards,Traditional. 72 pages. Brian P. Ackley #1064684. Published by Brian P. Ackley (A0.1487746). Triumphant and noble, Patriotic Salute is the quintessential piece to honor America and everyone of us who make up this glorious country. This arrangement will bring audiences to their feet while leaving your ensemble feeling like they have reached out and touched stars and stripes. Filled with patriotism and American pride, Patriotic Salute showcases ear-turning harmonies and integral moving parts, while keeping to the traditional rhythms of your favorite American Folk songs. Arranged for your advanced high school band or community group, audiences will be delighted in this rendition that includes three main themed sections; Battle Hymn of the Republic—featuring a call-and-response with When Johnny Comes Marching Home and Yankee Doodle—God Bless America and America the Beautiful. Each instrument not only shares in performing the melodies throughout, but also is harmonized to fit these picturesque imageries of America in this arrangement. Patriotic Salute is driven by the attention given to rhythmic ingenuity. The percussion section—snare, bass, auxiliary, timpani and glockenspiel—are the motor of this piece. The percussionists’ unique parts are separate from the ornamentations and pulsating rhythms of the brass and woodwinds, but also align with many of the syncopated and off-beat rhythms in the harmonies, as well. While Patriotic Salute starts in the Key of F before settling in the key of Bb 2/3's of the way through, this arrangement by no means feels like a piece that sticks to just two keys, as modulations and borrowed chords are filled from top to bottom. Each section is also written in such a way that the chords are not only cross-sectional, but also fulfilled within the section, adding to the lush textures. As each instrument’s ranges are stretched high and low, so are the intricacies of each passage that exemplify each instrument’s unique technicalities. Patriotic Salute is not only satisfying to the audience members, but also enjoyable to the performers. If you are looking for a straight-forward, yet exciting piece for your Patriotic celebrations, this is the piece for your library!
$40.00
36.88 €
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Concert band
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Brian Ackley
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Patriotic Salute
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Brian P. Ackley
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SheetMusicPlus
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