Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Final Song
Not classified
570
Piano & keyboards
Piano solo
254
Piano, Voice
101
Piano, Vocal and Guitar
101
Easy Piano
87
C Instruments
38
Organ
16
Piano Trio: piano, violin, cello
15
Piano Quartet: piano, violin, viola, cello
8
Piano Accompaniment
7
2 Pianos, 4 hands
4
Accordion
3
1 Piano, 4 hands
3
Big Note Piano
2
Organ, Piano (duet)
2
Accordion ensemble
1
Piano Quartet: piano, 2 violins, cello
1
+ 11 instrumentations
-
Retract
Guitars
Guitar
17
Guitar notes and tablatures
8
Melody line, (Lyrics) and Chords
7
Lyrics and Chords
2
Bass guitar
2
Banjo
2
Ukulele
2
Mandolin
2
2 Guitars (duet)
1
Guitar Ensemble
1
Dulcimer
1
+ 6 instrumentations
-
Retract
Voice
Choral SATB
284
Choral 3-part
92
Choral TTBB
76
Choral 2-part
75
Choral Unison
49
Choral SSAA
33
Vocal duet
18
Vocal duet, Piano
10
High voice
8
Soprano voice, Piano
6
Baritone voice, Piano
5
Tenor voice, Piano
3
Low voice, Piano
2
Medium voice, Piano
2
Voice solo
1
Mezzo-Soprano voice, Piano
1
Tenor voice
1
Choral
1
Soprano voice
1
Alto voice, Piano
1
+ 15 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
43
2 Saxophones (duet)
38
Flute and Piano
32
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
30
Flute, Oboe, Clarinet, Bassoon
29
Alto Saxophone and Piano
28
Clarinet Quartet: 4 clarinets
27
Alto Saxophone
27
Tenor Saxophone
23
Flute
19
Clarinet and Piano
18
Oboe, Piano (duet)
17
Saxophone Quintet: 5 Saxophones
16
Soprano Saxophone and Piano
16
Saxophone, Clarinet (duet)
15
Tenor Saxophone and Piano
15
2 Flutes (duet)
15
Baritone Saxophone, Piano
14
2 Clarinets (duet)
10
Clarinet Ensemble
10
Bass Clarinet, Piano
10
Saxophone (band part)
9
Clarinet
9
Flute Quartet: 4 flutes
7
Flute, Clarinet (duet)
7
English horn, Piano
7
Soprano Saxophone
6
Clarinet, Violin (duet)
6
Clarinet, Trumpet (duet)
6
Oboe, Clarinet (duet)
6
Clarinet and Viola
5
Oboe (band part)
5
Flute and Guitar
5
3 Saxophones (trio)
5
Oboe, Bassoon (duet)
5
Clarinet Quintet: 5 clarinets
5
Flute, Violin, Piano
5
Flute, Saxophone (duet)
5
Clarinet, Guitar (duet)
4
Oboe, Flute
4
English Horn
4
Recorder Quartet
4
Descant (Soprano) Recorder
4
3 Clarinets (trio)
4
Flute Quintet : 5 flutes
4
Saxophone ensemble
4
Flute, Viola (duet)
3
Flute, Violin
3
Flute ensemble
3
Flute Trio: 3 flutes
3
Ocarina
2
2 Oboes (duet)
2
English Horn, Guitar (duet)
2
Piccolo, Piano
1
Piccolo
1
Descent (Soprano) Recorder, Piano
1
Oboe, Guitar (duet)
1
Flute, Trumpet (duet)
1
Flute (band part)
1
2 English horns and Pianoforte
1
Flute, Oboe, Clarinet (trio)
1
Clarinet, Cello (duet)
1
5 Recorders
1
Oboe ensemble
1
Flute, Bassoon, and Piano
1
+ 60 instrumentations
-
Retract
Woodbrass
Brass quartet : 2 trumpets, trombone, tuba
36
Brass Quintet: 2 trumpets, horn, trombone, tuba
35
Trumpet
25
Trombone and Piano
17
French Horn and Piano
13
Euphonium, Piano (duet)
10
Brass Quartet
10
Trumpet, Piano
9
Trumpet, Saxophone (duet)
8
Trombone
8
Tuba and Piano
7
English horn, Piano
7
Trumpet (band part)
5
Brass Quartet: 4 trombones
5
2 Trombones (duet)
5
2 Trumpets (duet)
5
Trumpet, Trombone (duet)
5
Brass Quartet: 2 trumpets, horn, trombone
4
English Horn
4
Tuba
3
Euphonium
3
Brass Quartet: 4 horns
3
Trumpet ensemble
3
Trombone (band part)
2
French horn
2
2 French horns (duet)
2
English Horn, Guitar (duet)
2
4 Tubas
2
French horn (band part)
1
Horn Ensemble
1
2 Euphoniums (duet)
1
2 English horns and Pianoforte
1
2 Euphoniums and 2 Tubas
1
Tuba ensemble
1
Trumpet, Horn (duert)
1
Brass Quartet: 4 trumpets
1
Brass Trio
1
+ 32 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
101
Violin
58
Violin and Piano
50
Cello, Piano
30
Viola, Piano
28
Cello
21
Violin, Cello (duet)
20
2 Violins (duet)
16
Harp
15
2 Violas (duet)
13
String Trio: 2 violins, cello
12
Violin, Viola (duet)
8
2 Cellos (duet)
8
Viola
8
String Quintet: 2 violins, viola, cello, bass
5
Double bass, Piano (duet)
5
Violin (band part)
4
String trio
3
String Trio: violin, viola, cello
3
Piano Trio: Violin, Viola, Piano
3
4 Cellos
3
Violin, Guitar (duet)
3
Cello, Guitar (duet)
3
Double Bass
2
Doublebass (band part)
1
Cello (band part)
1
String Trio: 3 violins
1
Viola, Guitar (duet)
1
Viola (band part)
1
Violin, Clarinet, Piano (trio)
1
4 Double Basses
1
Cello Ensemble
1
+ 27 instrumentations
-
Retract
Orchestra & Percussion
Concert band
239
Orchestra
49
Brass ensemble
42
String Orchestra
38
Jazz Ensemble
15
Handbells
12
Chamber Orchestra
11
Marching band
5
Drums
4
Percussion Ensemble
2
Jazz combo
2
Percussion (band part)
2
Xylophone (band part)
1
Vibraphone and Marimba
1
Vibraphone
1
Marimba
1
+ 11 instrumentations
-
Retract
Others
Musical course - Solfege
1
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
3
Digital Sheet Music
49
Sheet Music Books
117
Music Equipment
45
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Final Song
Orchestra
Sheetmusic to print
49 sheet music found
<
1
26
THIS IS MY LIFE - Film Music Song
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Rainer Fabich
#
THIS IS MY LIFE - Film Music S
#
Fajora Music
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.889781 Composed by Rainer Fabich. African,Film/TV,Pop,World. Score and parts. 96 pages. Fajora Music ...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.889781 Composed by Rainer Fabich. African,Film/TV,Pop,World. Score and parts. 96 pages. Fajora Music #2162881. Published by Fajora Music (A0.889781). Very expressive finale song from the TV-documentary Der Glanz der Schattenwirtschaft / United Street Sellers Republic a film by Jan Kerckhoff about informal economy in NIgeria and Burkina Faso. Awards: German Economy Film Award 2015, Grand Prix Victoria in gold /International Economy Film Festival, Vienna 2016.Orchestral premiere by Münchner Runfunkorchester (Bayerischer Rundfunk) in Munich 2016. Conductor: Ulf SchirmerScore and parts, 96 pages, duration: ca. 4 minSoundtrack CD: Rainer - Der Glanz der Schattenwirtschaft / United Street Sellers Republic, listen audiotracks on itunes, spotify, deezer, tidal ...
$24.95
Variations on an American Folksong
#
Orchestra
#
EASY
#
Contemporary
#
Robert Edward Smith
#
ROBERT EDWARD SMITH MUSIC
#
Variations on an American Folk
#
ROBERT EDWARD SMITH MUSIC
#
SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.998660 Composed by Robert Edward Smith. Arranged by ROBERT EDWARD SMITH MUSIC. Contemporary. Score an...
(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.998660 Composed by Robert Edward Smith. Arranged by ROBERT EDWARD SMITH MUSIC. Contemporary. Score and parts. 122 pages. ROBERT EDWARD SMITH MUSIC #4793719. Published by ROBERT EDWARD SMITH MUSIC (A0.998660). Variations on an American Folksong is a set of variations on the Appalachian folk song Brightest and Best, a shape note hymn for the season of Epiphany. The music is tonal and melodic. It is scored for 2 fl, 2 ob, 2 cl, 2 bsn, 2 horns, 2 trpts, timp and percuss (one player), and strings. The purchaser has permission to print the number of string parts necessary for the size of the orchestra. The music is not difficult. Duration is about 20 minutes. The audio sample is a digital rendition of the final fugue.
$60.00
A Song for Nicola
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
David D
#
A Song for Nicola
#
David D Mason
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.769617 Composed by David D. Mason. Concert,Graduation,Holiday. Score and parts. 28 pages. David D Mas...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.769617 Composed by David D. Mason. Concert,Graduation,Holiday. Score and parts. 28 pages. David D Mason #3396215. Published by David D Mason (A0.769617). A Song for Nicola reached the finals of The United Kingdom Song Contest in 2014, I have arranged it for High School Orchestra at intermediate-advanced standard and it would be very suitable for end of term or prize-giving ceremonies.
$20.00
DEAD OVERTURE & FINALE
#
Orchestra
#
ADVANCED
#
Lee Johnson
#
DEAD OVERTURE & FINALE
#
Lee Johnson Music
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1181690 By Lee Johnson. By Lee Johnson. 20th Century,Contemporary,Contest,Festival. Score and parts. ...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1181690 By Lee Johnson. By Lee Johnson. 20th Century,Contemporary,Contest,Festival. Score and parts. 66 pages. Lee Johnson Music #781470. Published by Lee Johnson Music (A0.1181690). DEAD OVERTURE & FINALE - for symphony orchestra - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. This spirited work can be used as a fun overture/finale for movements from Dead Symphony no. 6 or for other orchestral works. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$39.99
A New Song by Ken Young (Psalm 96) for Orchestra and Choir
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Ken Young
#
A New Song by Ken Young
#
Ken Young
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1023491 Composed by Ken Young. Christian,Christmas,Contemporary,Sacred. Score and parts. 79 pages. Ke...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1023491 Composed by Ken Young. Christian,Christmas,Contemporary,Sacred. Score and parts. 79 pages. Ken Young #5801141. Published by Ken Young (A0.1023491). A fresh new song that awaits its first premier performance (as of 6/14/2020). The PDF file contains the orchestral score and all of the parts, scored for a standard full-size orchestra. Permission to copy the parts as needed is granted. A great song for an orchestra and chorus looking for a piece that hasn't already been played to death! The YouTube link contains the audio generated by Finale.
$59.99
Bird Song
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
The Grateful Dead
#
Lee Johnson
#
Bird Song
#
Lee Johnson Music
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1181603 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Centur...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1181603 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Contemporary,Contest,Festival,Folk. Score and parts. 67 pages. Lee Johnson Music #781391. Published by Lee Johnson Music (A0.1181603). BIRD SONG - for symphony orchestra - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
Sally's Song
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Halloween
#
Film/TV
#
Danny Elfman
#
Bryson Merkley
#
Sally's Song
#
Voices of the Valley
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1295483 Composed by Danny Elfman. Arranged by Bryson Merkley. Film/TV,Halloween. Score and Parts. 80 ...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1295483 Composed by Danny Elfman. Arranged by Bryson Merkley. Film/TV,Halloween. Score and Parts. 80 pages. Voices of the Valley #885772. Published by Voices of the Valley (A0.1295483). Nostalgic and beautiful, this modern arrangement of Sally's Song from The Nightmare Before Christmas for Choir and Orchestra will leave your audiences and musicians breathless! The stunning finale of the piece is a perfect way to round out your fall programs.
$90.00
Symphony #45 Finale (Presto-Adagio) Set
#
Orchestra
#
INTERMEDIATE
#
Classical
#
Franz Joseph Haydn
#
Larry VanMersbergen
#
Symphony #45 Finale
#
VanMersbergen Publications
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.980035 Composed by Franz Joseph Haydn. Arranged by Larry VanMersbergen. Classical. Score and parts. 1...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.980035 Composed by Franz Joseph Haydn. Arranged by Larry VanMersbergen. Classical. Score and parts. 180 pages. VanMersbergen Publications #2956679. Published by VanMersbergen Publications (A0.980035). This is the famous last movement that became the first protest song. The Farewell Symphony is completed when each instrument is finished in the adagio and the player quietly leaves the stage and walks down the center aisle. It is up to the conductor how this is done. It is possible to have groups of strings leave as each wind instrument leaves, or to have the group slowly become smaller down to the last two violins. Moved to the key of Em to make it playable by High School Orchestras. Has been performed at Adlai E. Stevenson High School, Lincolnshire, IL. .
$45.00
Requiem, A Secular Song of Transcendence for SATB Chorus and Orchestra FULL SCORE AND PARTS
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
James Nathaniel Holland
#
James Nathaniel Holland
#
Requiem, A Secular Song of Tra
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1283154 Composed by James Nathaniel Holland. Arranged by James Nathaniel Holland. 21st Century,Contem...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1283154 Composed by James Nathaniel Holland. Arranged by James Nathaniel Holland. 21st Century,Contemporary. Score and Parts. 251 pages. James Nathaniel Holland #874449. Published by James Nathaniel Holland (A0.1283154). Full Orchestral Score with Individual Instrument Parts, and Separate SATB Choral Part (without accompaniment).  This musical work is a non-religious, secular Requiem, appropriate for concert, memorial service, or funeral with original text and music by American composer James Nathaniel Holland. A meditation that begins with a blessing on those who are departed, on the permeance of the existence of life, then contemplating the unknown, the faith that all is ordered as should be, the joyous dedication to live one’s life well, and the emotional finale that expresses the hope of existence after death.  Scored for medium/small orchestra.  Instrumentation: fl, ob, cl12, bsn, hrn12, tpt, tromb, btrmb or tba, timp, perc (bd, snr, tam, hand cym., tri.), SATB Choir, hrp or pno., stringsDuration:  35 minutesPiano Vocal Score/Reduced Orchestral Score available, but sold separately.Video Demo:  https://youtu.be/rFskKBUmvSM.
$30.25
World O World
#
Orchestra
#
EASY
#
Jacob Collier
#
Jeff Tincher
#
World O World
#
Jeff Tincher
#
SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1498492 By Jacob Collier. By Jacob Collier. Arranged by Jeff Tincher. Classical,Contemporary,Pop,Sing...
(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.1498492 By Jacob Collier. By Jacob Collier. Arranged by Jeff Tincher. Classical,Contemporary,Pop,Singer/Songwriter. 35 pages. Jeff Tincher #1074792. Published by Jeff Tincher (A0.1498492). Here is the finale song from Jacob Collier's Djesse Vol. 4. In the original key, it is another multi-voiced song that is an emotional powerhouse. This is a full orchestra arrangement. Duration = 6:48. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$100.00
The Smoke The Thunders
#
Orchestra
#
ADVANCED
#
Contemporary
#
Andrew Wainwright
#
The Smoke The Thunders
#
Andrew Wainwright
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.890730 Composed by Andrew Wainwright. Contemporary. Score and parts. 144 pages. Andrew Wainwright #29...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.890730 Composed by Andrew Wainwright. Contemporary. Score and parts. 144 pages. Andrew Wainwright #2964733. Published by Andrew Wainwright (A0.890730). A finalist in the Salford University International Composers' Competition 2014, 'The Smoke that Thunders' tells the story of David Livingstone's journey to discover Victoria Falls. The piece starts out in optimistic fashion, with a Scottish folk song by Rabbie Burns, which Livingstone reportedly used to hum on his travels. The next section describes his battles with local African tribes, who were suspicious of his motives. After surviving these assaults, a more reflective section ensues, which describes the doubts Livingstone had about continuing his mission. This is epitomized by the hymn 'Lord, Send Me Anywhere', which Livingstone himself wrote. The final section describes his journey along the Zambezi River, the triumphant sounds eliciting his elation at discovering the magnificent Victoria Falls, or as it is known by locals, 'Mosi-oa-Tunya' (The smoke that thunders). *Please note audio file is of the brass band version.
$60.00
Unchained Melody
#
Orchestra
#
INTERMEDIATE
#
Al Hibbler
#
Kevin Riley
#
Unchained Melody
#
Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1272619 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Kevin Riley. 20th Century,Film/TV,Pop....
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1272619 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 43 pages. Kevin Riley #864843. Published by Kevin Riley (A0.1272619). Unchained Melody is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. According to the song's publishing administrator, over 1,500 recordings of Unchained Melody have been made by more than 670 artists, in multiple languages.In 1955, three versions of the song (by Les Baxter, Al Hibbler, and Roy Hamilton) charted in the Billboard top 10 in the United States, and four versions (by Al Hibbler, Les Baxter, Jimmy Young, and Liberace) appeared in the top 20 in the United Kingdom simultaneously, a record for any song.The song continued to chart in the 21st century, and it was the only song to reach number one with four different recordings in the United Kingdom until it was joined by Band Aid 30's Do They Know It's Christmas? in 2014.Of the hundreds of recordings made, the Righteous Brothers' version, with a solo by Bobby Hatfield, became the jukebox standard after its release. Hatfield changed the melody in the final verse and many subsequent covers of the song are based on his version. The Righteous Brothers recording achieved a second round of great popularity when featured in the film Ghost in 1990. In 2004, it was number 27 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
$70.00
White Horses
#
Orchestra
#
EASY
#
Ben Nisbet and Michael Carr
#
Kevin Riley
#
White Horses
#
Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.872299 Composed by Ben Nisbet and Michael Carr. Arranged by Kevin Riley. 20th Century,Film/TV. Score ...
(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.872299 Composed by Ben Nisbet and Michael Carr. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin Riley #478743. Published by Kevin Riley (A0.872299). The theme song to the German version was played by Ivo Robić. The UK theme song - written by Michael Carr and Ben Nisbet and later back dubbed onto all versions, was simply titled White Horses, and credited to Jacky - was sung by Irish-born Jackie Lee. It became a top 10 hit in the UK charts in April 1968. The book The Penguin Television Companion claimed it to be the best television theme in history.[3] It has been copied and used many times since, including: The theme was covered in 1968 by Claudine Longet, as a B-side to the single Nothing to Lose. Trixie's Big Red Motorbike covered the song on their second John Peel session in 1983.[4] Scottish female group Sophisticated Boom Boom covered the song in 1982 on their Peel Session. Jamie Wednesday recorded the track for their EP Vote for Love in 1987. The Trashcan Sinatras featured a version of the song on their EP Circling the Circumference (1990) The English band Kitchens of Distinction recorded a cover of the theme song during the sessions for what would be their final album, Cowboys and Aliens (1994). The song was first released in the UK as a b-side on the album's first single, Now It's Time to Say Goodbye; it was later released in the US as a b-side on the album's title track Morwenna Banks released a cover version in 1995 as her Absolutely character, The Little Girl. The film Me Without You (2001) used the Jacky stereo version on its opening credits, and a version by Lucy Street during the end credits Cerys Matthews performed the song on the compilation Songs for the Young at Heart (2007) The theme was covered by Dean and Britta on their album Back Numbers (2007) The theme was covered by Andrea Ross on her album Moon River (2007) The theme was covered by Mari Wilson on her album Pop Deluxe (2016).
$60.00
Melting Pot Overture
#
Orchestra
#
EASY
#
Sy Brandon
#
Melting Pot Overture
#
Sy Brandon
#
SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.755144 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 117 pages. Sy Brandon...
(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.755144 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 117 pages. Sy Brandon #3406725. Published by Sy Brandon (A0.755144). This overture was written for the York Junior Symphony and premiered at the Eastern Regional MENC Conference. It is divided into three sections, each based upon different poetry with a common theme, the unity of people on earth. The work uses folk songs from different ethnic origins in combination with each other to create a composition reflective of the title. A slow introduction leads into a spirited allegro after the narrator speaks the ending of Emma Lazarus’ poem The New Colossus, which appears on the pedestal of the statue of Liberty. This is followed by a slow section where the composer’s poem, I’m From America, is spoken over the music. The final section is also a spirited allegro where the composer’s poem, We Are One, is spoken among a set of variations on a Quapaw Indian Song. The score prints on legal size paper and the parts on letter.
$39.99
Carmen Fantasy
#
Orchestra
#
INTERMEDIATE
#
Opera
#
Classical
#
Georges Bizet
#
Armin Terzer
#
Carmen Fantasy
#
Armin Terzer
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.942170 Composed by Georges Bizet. Arranged by Armin Terzer. Opera,Romantic Period. Score and parts. 2...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.942170 Composed by Georges Bizet. Arranged by Armin Terzer. Opera,Romantic Period. Score and parts. 259 pages. Armin Terzer #5048273. Published by Armin Terzer (A0.942170). This arrangement for full orchestra of the famous Bizet opera Carmen strings together all the major (and some of the secondary) themes into a 20-minute medley: - Prelude (Introduction to Act 1 Les Toreadors & Prelude to Act 1) - Chorus of the Street Boys (Act 1 Le garde montante) - Habanera - Song and Recitative - Seguidilla and Duet (Act 1 Seguedille) - Finale (Act 1 Finale) - Act II: Entr'acte (Prelude to Act 2 Les dragons d’Alcala) - Gypsy Song (Act 2 Danse Boheme) - Toreador Song (Act 2 Chanson du Toreador) - Act III: Entr'acte (Prelude to Act 3 Intermezzo) - Sextet and Chorus (Introduction to Act 3 Marche des contrebandiers) - Air (Act 3 Nocturne) - Act IV: Entr'acte (Prelude to Act 4 Aragonaise) - March and Chorus – Finale (Act 4 Procession of the Toreadors) All the themes featured in the two orchestral suites by Ernest Guiraud are included. There are, however, major differences: - the themes appear in chronological order (like in the opera) - there are no distinct movements, this is a 20-minute romp featuring tune after tune - most parts, especially repetitive songs, are abridged to varying degrees - where appropriate, sections seamlessly segue into the next- the major tunes (Les Toreadors, Gypsy Song, Toreador Song) allow for applause afterwards - the orchestration follows the original (double woodwinds, 4 horns, 2 trumpets, 3 trombones, harp, timpani and 3 percussion, strings) with minimal changes to compensate for missing vocal lines Further cuts are possible and easy to make due to the clearly marked sections. This arrangement is meant to rival the orchestral suites in excitement and colours - but in a more organic/continuous format. It is ideal for any level orchestra (intermediate+) in any kind of setting.
$60.00
Mr. Blue Sky
#
Orchestra
#
INTERMEDIATE
#
Pop music
#
Electric Light Orchestra
#
Brett A Foster (BF Music)
#
Mr. Blue Sky
#
Brett A Foster
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1025683 By Electric Light Orchestra. By Jeff Lynne. Arranged by Brett A Foster (BF Music). Pop. Score...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1025683 By Electric Light Orchestra. By Jeff Lynne. Arranged by Brett A Foster (BF Music). Pop. Score and parts. 96 pages. Brett A Foster #6682945. Published by Brett A Foster (A0.1025683). Mr. Blue Sky is a song by the Electric Light Orchestra (ELO), featured on the band's seventh studio album Out of the Blue (1977). Written and produced by front man Jeff Lynne, the song forms the fourth and final track of the Concerto for a Rainy Day suite, on side three of the original double album. Mr. Blue Sky was the second single to be taken from Out of the Blue, peaking at number 6 in the UK Singles Chart and number 35 in the US Billboard Charts.Like the album from which the single was issued, promotional copies were released on blue vinyl. Due to its popularity and frequent use in multiple television shows and movies, it has sometimes been described as the band's signature song. The song has been used in the films , Megamind, Role Models, The Magic Roundabout, Wild Mussels, Eternal Sunshine of the Spotless Mind, Paul Blart: Mall Cop, The Game Plan, Doogal, Martian Child, The Invention of Lying, Guardians of the Galaxy Vol. 2.and Shaun of the Dead.
$79.00
Merry-go-round Of Life
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Kumiko
#
Tom Maher
#
Merry-go-round Of Life
#
Tom Maher
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisaishi. Arranged by Tom Maher. 21st Century,Classical,Film/TV. Score and ...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisaishi. Arranged by Tom Maher. 21st Century,Classical,Film/TV. Score and Parts. 92 pages. Tom Maher #832309. Published by Tom Maher (A0.1236780). Merry Go Round of Life is a beautiful instrumental piece composed by Joe Hisaishi, a Japanese composer known for his work on various Studio Ghibli films. The song is featured in the soundtrack of the 2004 animated film Howl's Moving Castle, directed by legendary Japanese filmmaker Hayao Miyazaki.The piece opens with a delicate piano melody, heard in our arrangement on the vibraphone, gradually building in intensity as the rest of the orchestra joins in. The music captures a sense of whimsy and nostalgia, evoking images of a carousel or a child's music box.In Howl's Moving Castle, the song is used as a recurring theme throughout the film. It is played during several key moments, including the opening credits and the final scene. The music perfectly captures the film's themes of love, magic, and the passing of time.The title Merry Go Round of Life is fitting, as it suggests the cyclical nature of life and the idea that we are all constantly moving in circles. The music also conveys a sense of hope and joy, encouraging listeners to embrace the ups and downs of life and enjoy the ride.This arrangement is meant for intermediate to advanced high school symphonic orchestra. Most instruments play some version of the melody, and many of the figures from the original film version are present, yet written with younger players in mind. The strings should take extra care to play under the vibraphone solos, or the director may choose to double this part on another mallet percussion or piano.Instrumentation: 2 Flutes, 2 Clarinets, Bass Clarinet, Alto Sax, 2 Horns, 3 Trumpets, 2 Trombones, Mallet Percussion, Snare Drum/Crash Cymbal, Bass Drum, Timpani, Violin 1, Violin 2, Viola, Cello, Double Bass.
$80.00
As The World Caves In
#
Orchestra
#
ADVANCED
#
Pop music
#
Matt Maltese
#
Scores by Ken
#
As The World Caves In
#
Scores by Ken
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1301809 By Matt Maltese. By Matt Maltese. Arranged by Scores by Ken. Pop. Score and Parts. 34 pages. ...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1301809 By Matt Maltese. By Matt Maltese. Arranged by Scores by Ken. Pop. Score and Parts. 34 pages. Scores by Ken #891403. Published by Scores by Ken (A0.1301809). As The World Caves In | Matt Maltese About the PieceAs The World Caves In, written by Matt Maltese, is a love song. It centers on a couple spending their last moments on earth in each other’s company while they watch the world come to an end. Speaking with The FADER, Maltese revealed that the song is centered on a couple (former British Prime Minister Theresa May and American President Donald Trump) spending their final “night of romance†with each other while triggering nuclear warheads that destroy the entire world. Arranged as per Sarah Cothran's cover.
$49.99
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
#
Orchestra
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Flute Concerto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Mus...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
#
Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Alice In Wonderland
#
Orchestra
#
Walt Disney
#
Jud Conlon Chorus
#
Amphibia Cultural Legacy
#
Alice In Wonderland
#
Amphibia Cultural Legacy
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,2...
(+)
Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.
$70.00
<
1
26
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
