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101
Concerto No. 4 for Piano and Orchestra "The Bells" Full Score and Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730521 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel Holland #6198859. Published by James Nathaniel Holland (A0.730521). Full Score (in concert pitch) and individual parts including the solo piano part. American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire. YouTube video demo: https://youtu.be/WbK8Mc7N-sc.
$25.95
23.95 €
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Orchestra
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James Nathaniel Holland
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Concerto No. 4 for Piano and Orchestra "The Bells" Full Score and Parts
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James Nathaniel Holland
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SheetMusicPlus
Let All the Angels of God Worship Him, from The Messiah Oratorio. Advanced symphony orchestra.
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.805527 Composed by G. F. Handel…
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Full Orchestra - Level 4 - Digital Download SKU: A0.805527 Composed by G. F. Handel. Arranged by Laura C. Quijada OrtÃz. Baroque,Christmas,Easter,Sacred. Score and parts. 42 pages. Laura Quijada #6862181. Published by Laura Quijada (A0.805527). For advanced children symphony orchestra. Chorus from the second part, scene 4, of The Messiah Oratorio. Key, length and string parts are original and can be performed with choir. Included in this set: full score, parts, strings (+ timpani) score, woodwinds (+ timpani) score, brass (+ timpani) score. Other adaptations available: strings and woodwinds (+ timpani), strings (+ timpani), strings and brass (+timpani).
$35.00
32.3 €
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Orchestra
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G
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Let All the Angels of God Worship Him, from The Messiah Oratorio. Advanced symphony orchestra.
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Laura Quijada
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SheetMusicPlus
Let All the Angels of God Worship Him, from The Messiah Oratorio. Advanced symphony orchestra.
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.805525 Composed by G. F. Handel…
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Full Orchestra - Level 4 - Digital Download SKU: A0.805525 Composed by G. F. Handel. Arranged by Laura C. Quijada OrtÃz. Baroque,Christmas,Easter,Standards. Score and parts. 26 pages. Laura Quijada #6861627. Published by Laura Quijada (A0.805525). Chorus from the second part, scene 4, of The Messiah Oratorio. Key, length and string parts are original and can be performed with choir. SCORE & PARTS. For full advanced children symphony orchestra.
$30.00
27.69 €
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Orchestra
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G
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Let All the Angels of God Worship Him, from The Messiah Oratorio. Advanced symphony orchestra.
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Laura Quijada
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SheetMusicPlus
Rodrigue et Chimène : Acte 1 - Prélude - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.862372 Composed by Claude Debus…
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Full Orchestra - Level 4 - Digital Download SKU: A0.862372 Composed by Claude Debussy/Robert Orledge. Classical,Opera. Score and parts. 17 pages. Musik Fabrik Music Publishing #468852. Published by Musik Fabrik Music Publishing (A0.862372). The first act prélude to Debussy's first opera, completed and orchestrated by Robert Orledge. Scored for 32CA2Bscl3/4331/timp/2perc/2hp/strings, this item is the score only. The parts are on rental from the publisher.
$20.00
18.46 €
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Orchestra
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Claude Debussy/Robert Orledge
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Rodrigue et Chimène : Acte 1 - Prélude - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
46.1 €
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Orchestra
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Germain, An Opera in 4 Acts, FULL ORCHESTRAL SCORE (CONCERT PITCH)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730496 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730496 Composed by James Nathaniel Holland. Contemporary,Opera. Score and parts. 444 pages. James Nathaniel Holland #5021023. Published by James Nathaniel Holland (A0.730496). FULL ORCHESTRAL SCORE (CONCERT PITCH) Most current revision of libretto and edits with measure numbers and section (scene/aria) headings for easier rehearsal. Contains vocal lines. Piano Vocal Score, Instrument Parts 1 (Woodwinds and Brass), Instrument Parts 2 (Strings, Harp, and Percussion) all sold separately. Rehearsal letters line up with vocal piano score.Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn12, hrn12, tpt12, trom12, tba, perc, harp, stringsOPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, a clandestine, militant hate group and the country's elites are in engaged in an age old cycle of violent conflicts to gain rule the country. Germain, a young man with mysterious origins, and of neither side, by fate meets the newly elected Prime Minister (of the elites) and is deceived by his flowery talk of love that surpasses any difference or this world. But this is not to be a happy ending. The leader of the hate group takes this perfect opportunity to try to assassinate the PM. When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death. GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERS.
$43.95
40.56 €
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Orchestra
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James Nathaniel Holland
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Germain, An Opera in 4 Acts, FULL ORCHESTRAL SCORE
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James Nathaniel Holland
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SheetMusicPlus
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
Orchestra
Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINT…
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Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$14.90
13.75 €
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Orchestra
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LORENZO ONDARRA QUINTANA
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TE DEUM Reducción para piano y 4 voces mixtas - Score Only
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OE OFICINA
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SheetMusicPlus
Prologue/chim Chim Cher-Ee
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1394754 Composed by Anthony Dre…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1394754 Composed by Anthony Drewe, George Stiles, Richard M. Sherman, and Robert B. Sherman. Arranged by Julius Marx. Broadway,Classical,Film/TV,Musical/Show,Opera,Romantic Period. 20 pages. Julius Marx #978244. Published by Julius Marx (A0.1394754). The full score with all orchestra parts of the prologue of the Broadway Musical Mary Poppins.
$49.99
46.14 €
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Orchestra
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Anthony Drewe, George Stiles, Richard M
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Prologue/chim Chim Cher-Ee
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Julius Marx
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SheetMusicPlus
11th Realm of the Chimera
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.992400 Composed by W. Luke Kell…
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Full Orchestra - Level 4 - Digital Download SKU: A0.992400 Composed by W. Luke Kelly. 20th Century,Contemporary. Score and parts. 37 pages. W. Luke Kelly #3543957. Published by W. Luke Kelly (A0.992400). 11th Realm of the Chimera is a rare look at the possibilities of 11/4 time, with avant-garde time signatures, and instrumental blends to take your audience into the mythological. Like the fire-breathing hybrid creature from Greek lore, this piece is an amalgam of story-telling, artistry, and experimental sounds that will give your ensemble an unique, magical atmosphere.
$39.99
36.91 €
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Orchestra
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W
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11th Realm of the Chimera
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W. Luke Kelly
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SheetMusicPlus
Liebe , du Himmel auf Erden
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1355433 Composed by Franz Lehar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1355433 Composed by Franz Lehar. Arranged by Nejc BeÄan. 20th Century,Classical,Opera,Romantic Period. 42 pages. UpBeat Editions #940157. Published by UpBeat Editions (A0.1355433). A beautiful aria from Léhar's operetta Paganini.An Arrangement for Symphony orchestra and Soprano.Full set of Score and parts.further information:www.upbeateditions.comupbeat.editions@gmail.comhttps://www.facebook.com/UpBeatEditions.
$89.00
82.14 €
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Orchestra
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Franz Lehar
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Liebe , du Himmel auf Erden
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UpBeat Editions
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SheetMusicPlus
A Himalaya Concerto (all orchestral and solo parts, excluding full score)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.835443 Composed by Stuart Brown…
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Full Orchestra - Level 5 - Digital Download SKU: A0.835443 Composed by Stuart Brown. Concert,Contemporary,Film/TV. Score and parts. 856 pages. Stuart Brown Music #1892609. Published by Stuart Brown Music (A0.835443). ** ADVISORY NOTE: This composition was written for a professional clarinettist, who has performed it twice (once in UK, once in Australia). As regards level of difficulty, it is on a par with Richard Strauss's oboe concerto, i.e. one of the most challenging solo works available for the instrument. Purchase only if you feel up to the challenge! ** Copyright © Stuart Brown, July 13th 2015, All rights reserved Performing rights apply (administered by PRS for Music in the UK and the USA) For a description of this work, please refer to A Himalaya Concerto (full score) (item number S0.103467, THIS MUST BE PURCHASED SEPARATELY. For a complete bundled product that gives you the maximum flexibility please refer to the composer's own website, search for Stuart Brown Music shop bundles.) This pack contains: 1 solo clarinet; 1 solo cimbalom; 1 piccolo; 3 flutes; 2 oboes; 1 cor anglais; 2 bassoons; 2 double bassoons; 4 horns; 2 trumpets; 2 tenor trombones; 2 bass trombones; 1 tuba; 1 timpani; 1 tubular bells; 16 first violins; 14 second violins; 12 violas; 10 cellos; 8 double basses.
$165.00
152.28 €
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Orchestra
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Stuart Brown
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1 solo cimbalom
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A Himalaya Concerto
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Stuart Brown Music
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SheetMusicPlus
Suite Chimango ( Nr 1 )
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.988296 Composed by Arthur Barbo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.988296 Composed by Arthur Barbosa. Musical/Show,World. Score and parts. 167 pages. ARTHUR BARBOSA NETO #6059097. Published by ARTHUR BARBOSA NETO (A0.988296). An orchestral suite from Chimango The Musical (same composer) . South American stile from the Pampas region, the entire musical is an political comedy.
$50.00
46.15 €
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Orchestra
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Arthur Barbosa
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Suite Chimango
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ARTHUR BARBOSA NETO
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SheetMusicPlus
HANUKKAH CELEBRATION - Full Orchestra (Grade 4+)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1269845 Composed by Traditional…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1269845 Composed by Traditional. Arranged by Glen Poehlmann. Hanukkah,Holiday,Jewish. Score and Parts. 154 pages. Arrangements by GPoehlmann #862320. Published by arrangements by GPoehlmann (A0.1269845). HANUKKAH CELEBRATION for Symphonic OrchestraThe Festival of Lights will come to life in this medley of Hanukkah songs for a Full Orchestra. This exciting and challenging arrangement is just over 8 minutes in length. You can sense the dreidel spinning as your hear favorites suce as I Have a Little Dreidel. Picture the Menorah as you listen to Hanukkah Candle Light Blessings. Also included are Rock of Ages, Hankkah O Hanukkah, and more! This piece surely is a celebration of Hanukkah! See below for the complete instrumentation.208 measures. Â Performance time approx. 8:10Grade 4+ (Medium Difficult)Key: Em - D - EMeter: 4/4Instrumentation:PiccoloFlute 1/2Oboe 1/2English HornClarinet in EbBb Clarinet 1Bb Clarinet 2/3Bass ClarinetBassoon 1Bassoon 2ContrabassoonHorn in F 1/3Horn in F 2/4Trumpet in C 1Trumpet in C 2/3Trumpet in Bb 1 (transposition)Trumpet in Bb 2/3 (transposition)Trombone 1Trombone 2/3TubaTimpaniPercussion 1 (Snare Drum, Bass Drum, Cymbals)Percussion 2 (Triangle, Tambourine)Percussion 3 (Xylophone, Glockenspiel, Chimes, Mark Tree)HarpPianoPiano (version to use if no Harp)Violin 1Violin 2ViolaCelloContrabass.
$60.00
55.38 €
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Orchestra
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Traditional
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HANUKKAH CELEBRATION - Full Orchestra
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arrangements by GPoehlmann
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SheetMusicPlus
F. Liszt - “Mephisto-Waltz #4 & Mephisto-Polka”, Orchestrated by A. Leytush - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1464017 Composed by Franz Liszt…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1464017 Composed by Franz Liszt. Arranged by A. Leytush. 19th Century. 61 pages. Arkady Leytush #1042728. Published by Arkady Leytush (A0.1464017). This doublet seems to have been conceived by the author himself. Their opus numbers are S 216b & S217. But the main thing, of course, is the theme that unites them. “Devil’s Intrigues” is the second name I could give to these works. During the instrumentation, I came up with the idea of performing these two pieces without interruption, and another reason for their connection was the technical element - the Tam-Tam beat, which stretches from one piece to another and is, as it were, a connecting bridge.
$60.00
55.38 €
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Orchestra
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Franz Liszt
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S217
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F. Liszt - “Mephisto-Waltz #4 & Mephisto-Polka”, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
59.99 €
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Orchestra
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Mexican law and custom
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Miguel Rios Toledano
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
23.07 €
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Orchestra
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Mexican law and custom
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Miguel Rios Toledano
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
23.06 €
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Orchestra
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Somewhere In Time
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robert…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
73.83 €
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Orchestra
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B
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
I Write The Songs
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Br…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
64.61 €
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Orchestra
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Barry Manilow
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I Write The Songs
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Kevin Riley
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.22 €
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Orchestra
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Rosary Sonatas: The Presentation
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1081594 Composed by Heinrich Ig…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 79 pages. JMJ Arrangements #685710. Published by JMJ Arrangements (A0.1081594). [W]hen the time came for their purification according to the law of Moses, they brought him up to Jerusalem to present him to the Lord (as it is written in the law of the Lord, 'Every male that opens the womb shall be called holy to the Lord') and to offer a sacrifice according to what is said in the law of the Lord, 'a pair of turtledoves, or two young pigeons.' Now there was a man in Jerusalem, whose name was Simeon, and this man was righteous and devout, looking for the consolation of Israel, and the Holy Spirit was upon him. And it had been revealed to him by the Holy Spirit that he should not see death before he had seen the Lord’s Christ. And inspired by the Spirit he came into the temple; and when the parents brought in the child Jesus, to do for him according to the custom of the law, he took him up in his arms and blessed God and said, 'Lord, now lettest thou thy servant depart in peace, according to thy word; for mine eyes have seen thy salvation which thou hast prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to thy people Israel.' And his father and his mother marveled at what was said about him; and Simeon blessed them and said to Mary his mother, 'Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against (and a sword will pierce through your own soul also), that thoughts out of many hearts may be revealed.' ... And when they had performed everything according to the law of the Lord, they returned into Galilee, to their own city, Nazareth. And the child grew and became strong, filled with wisdom; and the favor of God was upon him. (Luke 2:22-35, 39-40 RSV-CE).
$19.99
18.45 €
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Orchestra
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Heinrich Ignaz Franz von Biber
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Rosary Sonatas: The Presentation
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JMJ Arrangements
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SheetMusicPlus
Rosary Sonatas: The Finding of the Child Jesus in the Temple
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1081597 Composed by Heinrich Ig…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 48 pages. JMJ Arrangements #685713. Published by JMJ Arrangements (A0.1081597). Now his parents went to Jerusalem every year at the feast of the Passover. And when he was twelve years old, they went up according to custom; and when the feast was ended, as they were returning, the boy Jesus stayed behind in Jerusalem. His parents did not know it, but supposing him to be in the company they went a day’s journey, and they sought him among their kinsfolk and acquaintances; and when they did not find him, they returned to Jerusalem, seeking him. After three days they found him in the temple, sitting among the teachers, listening to them and asking them questions; and all who heard him were amazed at his understanding and his answers. And when they saw him they were astonished; and his mother said to him, 'Son, why have you treated us so? Behold, your father and I have been looking for you anxiously.' And he said to them, 'How is it that you sought me? Did you not know that I must be in my Father’s house?' And they did not understand the saying which he spoke to them. And he went down with them and came to Nazareth, and was obedient to them; and his mother kept all these things in her heart. And Jesus increased in wisdom and in stature, and in favor with God and man. (Luke 2:41-52, RSV-CE).
$19.99
18.45 €
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Orchestra
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Heinrich Ignaz Franz von Biber
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Rosary Sonatas: The Finding of the Child Jesus in the Temple
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JMJ Arrangements
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SheetMusicPlus
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
14.72 €
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Orchestra
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James Nathaniel Holland
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From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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James Nathaniel Holland
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