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A Cappella Choir
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1
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
191.22 €
#
Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
191.22 €
#
Orchestra
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Nationalhymne von Rheinbergen (National Anthem of Rheinbergen) baritone and orchestra (with PARTS)
Orchestra
Large Ensemble Cello,Double Bass,Horn,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3…
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Large Ensemble Cello,Double Bass,Horn,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - Digital Download SKU: A0.576336 Composed by David Warin Solomons. 20th Century,A Cappella,Contemporary,Multicultural,Patriotic,World. Score and parts. 20 pages. David Warin Solomons #17607. Published by David Warin Solomons (A0.576336). Video: https://youtu.be/ivz-fm1VpU8National anthem for the micronation of Rheinbergen (the length of the river Rhine). Words originally by the crown prince of Rheinbergen Gerard Conielje and tweaked by the composer. Very grand and rousing music. The pdf file contains score and parts and I have also added an optional baritone saxophone part which can stand in place of the vocal line.  The words are:  Die Quelle von Rheinbergen Liegt in den Alpen hoch Der Prinz von Fluß und Wellen Stammt aus dem Delta-Schoß Das Licht auf uns'ren Wässern leuchtet hell und klar So strahlen uns're Augen aus Herzens Stolz fürwahr. Lass den Gesang dem Fluss zulieb in allen Ländern wehen Zusammen sind wir wie der Strom dem keine widerstehen.  === ​Translation into English:  The source of Rheinbergen Lies high up in the alps The Prince of river and waves Stems from the lap of the Delta.  The lights on our waters shine bright and clear Like our eyes shine from Our proud hearts.  Let songs of love for our river wave over all nations Together we are like a stream ​That none can resist. The sound sample is the world premiere performed by Budapest Scoring and baritone Róbert RezsnyákThere are other versions available:Baritone and orchestra - Score onlyKaraoke (music minus one version (mp3) Unison choir and orchestraUnison Choir a cappellaHarmonized choir and orchestraHarmonized choir a cappella
$18.00
16.39 €
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Orchestra
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David Warin Solomons
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Nationalhymne von Rheinbergen
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David Warin Solomons
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SheetMusicPlus
AN HOMAGE TO UKRAINE, for Symphony Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1160033 Composed by Marilena Zl…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1160033 Composed by Marilena Zlatanou. Contemporary. 36 pages. Marilena Zlatanou #760301. Published by Marilena Zlatanou (A0.1160033). Composed on the backdrop of the Russian Invasion of Ukraine and inspired by the tragically still current writings of Lesya Ukrainka, (Laryssa Kossatch, 1871–1913). In this piece the composer is extending and futher developing the musical material of her existing composition for a cappella SATB choir: A LAMENT FOR UKRAINE (2022), on Ukrainka's poetry, this time for Symphony Orchestra. Towards the end of this piece fragments of the Ukrainian National Anthem are also incorporated as an homage to the spirit and the hopes of the brave resistance of the Ukrainians. My intention is to provide a musical reminder to this tragic event of our time... Duration: ca 6'40''. The pdf file provided contains both the full score and the parts. The mp3 file is made straight from the sibelius score. The composer is a member of TONO, the Norwegian Copyright org. For more information on her work please visit webiste www.zlatanou.netÂ
$50.00
45.53 €
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Orchestra
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Marilena Zlatanou
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AN HOMAGE TO UKRAINE, for Symphony Orchestra
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Marilena Zlatanou
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SheetMusicPlus
You Raise Me Up - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1411167 By Josh Groban. By Bren…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1411167 By Josh Groban. By Brendan Graham and Rolf Lovland. Arranged by Manuel Guinand. A Cappella,Classical,Pop,Singer/Songwriter,Soul. 56 pages. Aumaitre Guinand #993496. Published by Aumaitre Guinand (A0.1411167). Arrangement for 2 sopranos, 2 altos, choir SATB, violin, acoustic guitar, piano, 5 string bass, string section, percussion and drums of Josh Groban's song You Raise Me Up as performed by Celtic Woman. Original key. Ideal for intermediate players.
$50.00
45.53 €
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Orchestra
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Josh Groban
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You Raise Me Up - Score Only
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Aumaitre Guinand
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SheetMusicPlus
Perfect Symphony
Orchestra
Full Orchestra - Level 1 - Digital Download SKU: A0.483174 Composed by Anna Rusconi…
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Full Orchestra - Level 1 - Digital Download SKU: A0.483174 Composed by Anna Rusconi, Ed Sheeran, Marco Guazzone, and Matthew Sheeran. Arranged by Paul Lorenz. A Cappella,Broadway,Classical,Musical/Show,Pop,Wedding. Score and parts. 35 pages. Paul Lorenz #102791. Published by Paul Lorenz (A0.483174). Exclusive, best version of Perfect Symphony by Ed Sheeran and Andrea Bocelli for great orchestra, solo voices, choir (SATB) and piano.
$159.99
145.68 €
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Orchestra
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Anna Rusconi, Ed Sheeran, Marco Guazzone, and Matthew Sheeran
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Perfect Symphony
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Paul Lorenz
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SheetMusicPlus
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