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A Place Called Love
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1
Main Titles of America - Orchestral Composition (Finalist in National Young Composers Challenge)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.955621 Composed by Caleb Liu. 2…
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Full Orchestra - Level 3 - Digital Download SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu #6683167. Published by Caleb Liu (A0.955621). Main Titles of America was composed during shelter-in-place in July 2020. The piece was premiered in Winter of 2020 and was selected as a finalist in the 2021 National Young Composers Challenge. The composition was largely inspired by film music. In a film score, there is often a piece called Main Titles that plays during the opening scenes of the film. Typically, this piece encaptures all the major musical motifs present in the score of the movie. As the name suggests, Main Titles of America portrays the major themes of America in musical form. The three themes the piece highlights are opportunity, freedom, and love.The main musical motif appears early in the piece and is supported with eight notes and triplets from the harp and violas. The overall feel is adventurous and hopeful with energy building. The main motif is prominent throughout the piece, and almost every instrument plays the motif at some point. Each instrument represents a unique person who has the opportunity to flourish in America. The second motif represents freedom, and it is primarily played by the woodwinds. In particular, the flutes with their light, feathery sound help to express this idea. This motif is more playful and adds a touch of cheerfulness and lightness to the piece. It reflects the happiness of being free. The main motif and the second motif are intertwined just like opportunity and freedom. The third motif represents love and is prominent in the second half of the piece. The same eighth notes and triplets provide seamless energy and flow. While still maintaining a dream-like feel, this motif is meant to sound more grandiose and emotional. The sweeping themes and romantic harmonies are intended to portray the feeling of an ideal relationship. The piece ends with a triumphant brass chorale (the same motif from the beginning) followed by a tutti chord. It’s the musical representation of look how far we’ve come! The piece highlights the infamous American Dream - that anyone in America has the opportunity to pursue their dreams, find love, and create their own destiny.
$34.99
32.23 €
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Orchestra
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Caleb Liu
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Main Titles of America - Orchestral Composition
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Caleb Liu
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SheetMusicPlus
Fritz Kreisler - Petite Suite, "Marche Miniature Viennoise", "Syncopation", "Tambourin chinois", Orc
Orchestra
Full Orchestra - Digital Download SKU: A0.1008424 Composed by Fritz Kreisler. Arran…
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Full Orchestra - Digital Download SKU: A0.1008424 Composed by Fritz Kreisler. Arranged by Arkady Leytush. 20th Century. Score and parts. 84 pages. Arkady Leytush #6569361. Published by Arkady Leytush (A0.1008424). ..... if I do not work on order, then the choice of material takes quite a long time. And now I thought a lot if I could use these world-famous hits by Kreisler written for violin and piano, which will be transferred to the orchestra. However, my desire to emphasize my deepest respect and love for their author pushed me to do so. The result is a 3-part suite, which I tentatively called Petite Suite (10 min.) I hope that even in such an electronic sound it should leave an impression. In each part of my transcription for orchestra, I found a place for a solo violin, initially indicating the original sound of each piece.
$60.00
55.27 €
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Orchestra
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Fritz Kreisler
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Fritz Kreisler - Petite Suite, "Marche Miniature Viennoise", "Syncopation", "Tambourin chinois", Orc
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Arkady Leytush
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SheetMusicPlus
EP!C!!!
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
36.85 €
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Orchestra
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
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