Download Digital Sheet Music of A Sense Of Wonder for Orchestra

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PIANO & KEYBOARDS

Piano solo 59 Easy Piano 15 Piano, Vocal and Guitar 7 Piano, Voice 7 Organ 2

Piano Trio: piano, violin, cello 2 2 Pianos, 4 hands 1 Piano Quintet: piano, 2 violins, viola, cello 1 1 Piano, 4 hands 1

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GUITARS

Bass guitar 1 Guitar 1 Guitar notes and tablatures 1

VOICE

Choral SATB 27 Choral 2-part 10 Choral Unison 9 Choral 3-part 7 Vocal duet, Piano 3

Choral SSAA 2 Choral TTBB 2 Voice solo 1

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WOODWIND

Oboe, Piano (duet) 10 Flute and Piano 9 2 Clarinets (duet) 5 Alto Saxophone and Piano 5 2 Saxophones (duet) 4

Clarinet and Piano 4 Flute, Violoncello 3 2 Flutes (duet) 3 Alto Saxophone 3 Recorder 3 Clarinet Quartet: 4 clarinets 3 Oboe, Clarinet (duet) 3 Flute 3 Clarinet 3 Oboe, Cello 2 Saxophone Quartet: 4 saxophones 2 Oboe, Violin, Piano 2 2 Oboes (duet) 2 Flute, Harp and Cello 2 Flute, Bassoon, and Piano 2 Flute, Viola (duet) 2 Flute, Oboe (duet) 2 Flute, Clarinet (duet) 2 Clarinet, Violin (duet) 2 Clarinet, Cello (duet) 2 Flute, harp and violin 2 Oboe, Bassoon (duet) 2 Oboe and viola (duet) 2 Clarinet, Bassoon (duet) 2 Oboe, Violin (duet) 2 Clarinet and Viola 2 Clarinet, Double bass (duet) 1 Flute, Tuba (duet) 1 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1 Flute, Trumpet (duet) 1 Flute, Trombone (duet) 1 English horn, Piano 1 Saxophone Quintet: 5 Saxophones 1 Flute, Viola and Piano 1 Flute, Violin 1 Flute Trio: 3 flutes 1 Flute, Violin, Piano 1 Tenor Saxophone and Piano 1

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WOODBRASS

Trumpet, Piano 4 Trombone and Piano 4 Trumpet 3 2 Trumpets (duet) 3 Trombone 3

Euphonium, Piano (duet) 2 2 French horns (duet) 2 2 Trombones (duet) 2 Brass quartet : 2 trumpets, trombone, tuba 1 Tuba 1 Brass Quintet: 2 trumpets, horn, trombone, tuba 1 French Horn and Piano 1 Euphonium 1 Brass Quartet: 2 trumpets, horn, trombone 1 Brass Quartet: 4 trombones 1 English horn, Piano 1 Trombone, Violin (duet) 1

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STRINGS

Cello, Piano 8 Harp 7 String Quartet: 2 violins, viola, cello 7 Viola, Piano 6 Violin and Piano 5

Violin 5 2 Violins (duet) 4 2 Violas (duet) 4 2 Cellos (duet) 4 Violin, Guitar (duet) 3 Cello 3 Violin, Cello (duet) 3 Violin, Bassoon (duet) 2 Cello, String Bass (duet) 2 Harp, Violin, Violoncello 2 Piano Trio: Violin, Viola, Piano 2 4 Harps 2 Violin, Viola (duet) 2 Viola, Cello (duet) 2 String Trio: 2 violins, cello 1 String Trio: violin, viola, cello 1 Violin, Tuba (duet) 1 Viola 1 Viola and Bassoon 1 Flute, Doublebass (duet) 1 Double bass, Piano (duet) 1

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PERCUSSION & ORCHESTRA

Concert band 21 String Orchestra 5 Orchestra 4 Handbells 2 Brass ensemble 2

Marching band 1 Vibraphone 1

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OTHERS

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A Sense Of Wonder

Orchestra

Sheetmusic to print

4 sheet music found

Innocente ma Curioso Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.1015154 Composed by Sarah Mauro…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1015154 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 43 pages. Sarah Mauro #4718065. Published by Sarah Mauro (A0.1015154). The melodies of Innocente ma Curioso (Italian for innocent but curious) slowly awaken and unfold, overlapping and weaving as they get to know each other, finally coming together in shared exuberance. Lydian inflections, playful pizzicato, and triangle give a sense of timidity that evolves into wonder. The narrative of the piece, which, while evoked in the title, is not prescribed by the composer, and can be played with by the conductor as they experiment with the fermatas, piu mossos, and ritards. With strong programmatic influence, this piece would work well on a concert on the themes of curiosity, beauty, and joy, or even accompanying an art show or theatrical performances.This full orchestra piece runs at just under five minutes, and is perfect for advanced high school, college, and community orchestras, especially those with strong upper wind sections. Creative musicians will enjoy the challenge of phrasing and shaping the melodies to bring out their personalities.To hear a recording of the piece, please visit https://soundcloud.com/sarahlmauro/13-innocente-ma-curioso-2011The composer is a member of BMI. Her SoundCould page is https://soundcloud.com/sarahlmauro

$65.00 59.92 € #Orchestra #Sarah Mauro #Innocente ma Curioso #Sarah Mauro #SheetMusicPlus

Innocente ma Curioso Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.1015156 Composed by Sarah Mauro…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1015156 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 29 pages. Sarah Mauro #4718077. Published by Sarah Mauro (A0.1015156). The melodies of Innocente ma Curioso (Italian for innocent but curious) slowly awaken and unfold, overlapping and weaving as they get to know each other, finally coming together in shared exuberance. Lydian inflections, playful pizzicato, and triangle give a sense of timidity that evolves into wonder. The narrative of the piece, which, while evoked in the title, is not prescribed by the composer, and can be played with by the conductor as they experiment with the fermatas, piu mossos, and ritards. With strong programmatic influence, this piece would work well on a concert on the themes of curiosity, beauty, and joy, or even accompanying an art show or theatrical performances.This full orchestra piece runs at just under five minutes, and is perfect for advanced high school, college, and community orchestras, especially those with strong upper wind sections. Creative musicians will enjoy the challenge of phrasing and shaping the melodies to bring out their personalities.To hear a recording of the piece, please visit https://soundcloud.com/sarahlmauro/13-innocente-ma-curioso-2011The composer is a member of BMI. Her SoundCould page is https://soundcloud.com/sarahlmauro

$50.00 46.1 € #Orchestra #Sarah Mauro #Innocente ma Curioso #Sarah Mauro #SheetMusicPlus

Innocente ma Curioso Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.1015155 Composed by Sarah Mauro…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1015155 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 14 pages. Sarah Mauro #4718075. Published by Sarah Mauro (A0.1015155). The melodies of Innocente ma Curioso (Italian for innocent but curious) slowly awaken and unfold, overlapping and weaving as they get to know each other, finally coming together in shared exuberance. Lydian inflections, playful pizzicato, and triangle give a sense of timidity that evolves into wonder. The narrative of the piece, which, while evoked in the title, is not prescribed by the composer, and can be played with by the conductor as they experiment with the fermatas, piu mossos, and ritards. With strong programmatic influence, this piece would work well on a concert on the themes of curiosity, beauty, and joy, or even accompanying an art show or theatrical performances.This full orchestra piece runs at just under five minutes, and is perfect for advanced high school, college, and community orchestras, especially those with strong upper wind sections. Creative musicians will enjoy the challenge of phrasing and shaping the melodies to bring out their personalities.To hear a recording of the piece, please visit https://soundcloud.com/sarahlmauro/13-innocente-ma-curioso-2011The composer is a member of BMI. Her SoundCould page is https://soundcloud.com/sarahlmauro

$15.00 13.83 € #Orchestra #Sarah Mauro #Innocente ma Curioso #Sarah Mauro #SheetMusicPlus

Divinum Mysterium Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) â€“ Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. Iâ€™ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves donâ€™t arrive in steady rhythms, these musical waves are variable â€“ sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully â€“ a child is born, and (3) contemplative â€“ God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Donâ€™t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiahâ€™s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn â€“ one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the shipâ€™s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB

$75.00 69.14 € #Orchestra #12th Century Plainchant #Oboe 1,2 #Divinum Mysterium #WheatMyer Music #SheetMusicPlus