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6 sheet music found
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1
Suite from the opera "Hamlet", op. 64a
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Orchestra
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INTERMEDIATE/ADVANCED
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Adrian Gagiu
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Suite from the opera "Hamlet",
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Publ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
Bach Harpsichord Concerto no. 2 in E major, BWV 1053
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Orchestra
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ADVANCED
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Classical
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Johann Sebastian Bach
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Johann Sebastian Bach
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Bach Harpsichord Concerto no.
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Gabriel Vinicius
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1101547 By Johann Sebastian Bach. By Johann Sebastian Bach (1685-1750)j. Arranged by Johann Sebastian...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1101547 By Johann Sebastian Bach. By Johann Sebastian Bach (1685-1750)j. Arranged by Johann Sebastian Bach. Baroque,Classical,Instructional,Multicultural,World. Score and parts. 15 pages. Gabriel Vinicius #704925. Published by Gabriel Vinicius (A0.1101547). Johann Sebastian Bach wrote his Harpsichord Concerto no. 2 in E, BWV 1053 in 1738, and it was published in 1854 in Leipzig by C.F. Peters. This concerto is thought to be based on a concerto for a wind instrument, probably oboe or oboe d'amore, and from stylistic considerations, it may have dated from Bach's time in Leipzig. It exists, like BWV 1052, in a later transcription in his cantatas Gott soll allein mein Herze haben, BWV 169, and Ich geh und Suche mit Verlangen, BWV 49, from which further inferences can be made about the original concerto. Bach changed his method of arrangement with this work, significantly altering the ripieno parts from the original concerto for the first time, limiting much more to the tutti sections. The lower string parts were much reduced in scope, allowing the harpsichord bass to be more prominent, and the upper strings were likewise modified to allow the harpsichord to be at the forefront of the texture. A standard rendition of the piece lasts 19 minutes. The work calls for two violins, a viola, and a continuo section, besides the solo harpsichord.
$5.00
M. Mussorgsky: Pictures at the Exhibition "Promenade" For Orchestra
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Orchestra
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INTERMEDIATE
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M
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Clara Obsidian, Decamonto
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M. Mussorgsky: Pictures at the
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Clara Obsidian
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.871413 Composed by M. Mussorgsky, M. Ravel. Arranged by Clara Obsidian, Decamonto. 20th Century,Conce...
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Full Orchestra - Level 3 - Digital Download SKU: A0.871413 Composed by M. Mussorgsky, M. Ravel. Arranged by Clara Obsidian, Decamonto. 20th Century,Concert,Patriotic,Romantic Period. Score and parts. 23 pages. Clara Obsidian #6328647. Published by Clara Obsidian (A0.871413). Pictures at an Exhibition (A Remembrance of Viktor Hartmann, Tableaux d'une exposition) is a suite of ten pieces originally composed for piano by Modest Mussorgsky in 1874.Promenade With simple, strong rhythms in asymmetrical meter, Mussorgsky depicts himself roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend.This arrangement of Promenade is adapted from Maurice Ravel's 1922 version for full symphony orchestra. ------------------------------------------------------OrchestrationOrgan Piano Strings (Vln1 Vln2 Vla Vlc Db)Winds (2Bb Cls, 2Fls, 2Obs, 2Bsns, 4 Hns)Brass (2Bb Tpts, Tbn 1, Tbn3, Tba)Glockenspiel---------------------------------------------
$24.00
Missa Solemnis, op. 27 - Score Only
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Calgary Little Suite (For Orchestra)
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Orchestra
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INTERMEDIATE/ADVANCED
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Han-Ki Kim
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Calgary Little Suite
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Han-Ki Kim
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1303163 Composed by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. 129 pa...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1303163 Composed by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. 129 pages. Han-Ki Kim #892756. Published by Han-Ki Kim (A0.1303163). Living in Calgary from summer to fall of 2023, I thought I should compose a music describing the scenery of this place. From the lively city of Calgary, the historic Bow River flowing leisurely, the light rail (LRT) running through the city, the birch forest in Wentworth, where I am staying, and finally, Calgary's most famous event, the Stampede Festival. These are all five scenes that I am familiar with that I have encountered around me.In particular, the year 2023, when this music was composed, is even more meaningful as it marks the 60th anniversary of diplomatic relations between Korea and Canada.  The contents of each movement are as follows.   * Calgary Little Suite* For Orchestra  Op.317A       1st movement: Cheerful City Calgary.       2nd movement: Bow River.       3rd movement: Light Rail Train.       4th movement: Birch forest of Wentworth.       5th movement: Stampede Festival     Playing time is approximately 7 minutes and 40 seconds.
$39.90
Twas the Night Before Christmas - Sing-along for Orchestra, Narrator and Audience
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Douglas Meyer
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Douglas Meyer
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Twas the Night Before Christma
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Douglas Meyer
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.873779 Composed by Douglas Meyer. Arranged by Douglas Meyer. Christmas,Contemporary,Romantic Period. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.873779 Composed by Douglas Meyer. Arranged by Douglas Meyer. Christmas,Contemporary,Romantic Period. Score and parts. 135 pages. Douglas Meyer #3384781. Published by Douglas Meyer (A0.873779). This Holiday Music is a narration of the famous Visit from St. Nicholas for full orchestra 2222/4231 strings, timp, orchestra bells, and sleigh bells. The narrator reads 'Twas the Night before Christmas and the audience/choir participates with the following carols: The First Nowell, All through the Night, Jingle Bells, Up on the Housetop, Toyland, Jolly old St. Nicholas and We Wish you a Merry Christmas. This file contains the score, orchestra parts, piano reduction, narration and audience words. Time 12 minutes.
$59.95
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