Download Digital Sheet Music of And I'm Here for Orchestra

And I'm Here
Orchestra

Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s Orchestra

Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Bren…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Brenet. Contemporary,Sacred. Score and parts. 33 pages. Musik Fabrik Music Publishing #1911519. Published by Musik Fabrik Music Publishing (A0.533179). This work is in three movements: the first and third, very animated and intense, form a sort of framing for the second movemnt which is in another orchestral color and another intensity. This second movement is inspired by a fragment from Masnavi by the poet Jallaleddin el Roumi. The text is recited to express the poetry and the beauty of the cosmos. This text has inspired ThÃ©rÃ¨se Brenet in several works.This is the orchestral score. The parts are available on rental from the publisher. Nos musiques sont l'Ã©cho des hymnes que les sphÃ¨res chantent dans leurs rÃ©volutions Le chant des mondes qui Ã©voluent, les hommes essaient de le reproduire en s'aidant du luth et de la voix. Nous avons tous entendu ces hautes mÃ©lodies dans le Paradis que nous avons perdu; Et bien que la terre et l'eau nous aient accablÃ©s nous conservons le souvenir des chants du ciel. Celui qui aime nourrit son amour en prÃªtant l'oreille Ã la musique, Car la musique lui rappelle les joies de sa premiÃ¨re union avec Dieu. D'aprÃ¨s JALLALEDDINE EL ROUMI, Masnawi, passim Scoring : piano solo, narrator, and orchestra (2(pic)222/4331/timp/2perc/vibraphone/harp/Ondes Martenot/strings I. L'INFINIE DENSITÃ‰, UNE PLÃ‰NITUDE 3'40 II. LITURGIE CELESTE 5'20 III. NOCTURNE 5' total duration: 14'00.
$29.95 26.9 € #Orchestra #Therese Brenet #Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s #Musik Fabrik Music Publishing #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part â€“ violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark Oâ€™Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1999 Composed by Mark Oâ€™ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark Oâ€™Connor Sony ClassicalMark Oâ€™Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright Â© 1999 by Mark Oâ€™Connor Music International For more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor M.

Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvÃ© Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998

Full Orchestra - Level 2 - Digital Download SKU: A0.896908 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Jazz. Score and parts. 90 pages. Marcelo Torca #708195. Published by Marcelo Torca (A0.896908). Este livro Ã© uma suÃte, composto de cindo a sete de janeiro de dois mil e dezesseis, uma mÃºsica para orquestra sinfÃ´nica, para bateria, solo instrumental, onde pode-se tocar apenas um instrumento, ou tocar todos. No Solo Instrumental hÃ¡ os instrumentos musicais: piano; teclado; acordeÃ£o; escaleta. No Solo Instrumental II hÃ¡ os instrumentos musicais: flauta-doce sopranino; flauta-doce soprano; flauta-doce contralto. Essa data, Ã© a de inÃcio do meu aprendizado musical, foi quando em Barueri, Estado de SÃ£o Paulo, Brasil, comecei a estudar piano. No ano de dois mil e dezesseis, sei tocar vÃ¡rios instrumentos musicais, componho, alÃ©m de ter projetos desenvolvidos como: Grupo Instrumental; Curso de MÃºsica Gratuito; Orquestra Grupo Instrumental; Orquestra SinfÃ´nica; Orquestra de Sopro SinfÃ´nica; Quinteto Marcelo Torca; RÃ¡dio MACRISAN. TambÃ©m participo da Escola de MÃºsica MACRISAN. AtravÃ©s do Clube de Autores, possuo em torno de duzentos livros lanÃ§ados, atravÃ©s da CD Baby, sÃ£o duas dÃºzias de Ã¡lbuns musicais aproximadamente. Deste livro, hÃ¡ um Ã¡lbum musical, onde hÃ¡ mais mÃºsicas gravadas, incluindo mÃºsica eletrÃ´nica e improvisaÃ§Ãµes ao piano. This book is a suite composed of five to 7 January two thousand and sixteen, music for symphony orchestra, for battery, instrumental solo, where you can play only one instrument, or touch everyone. Ground Instrumental there are musical instruments: piano; keyboard; accordion; melodica. Ground II Instrumental there are musical instruments: flute sweet sopranino; flute, soprano; flute sweet contralto. This date is the start of my musical learning, it was when in Barueri, SÃ£o Paulo, Brazil, began to study piano. In the year two thousand and sixteen, I can play various musical instruments, compose, and has developed projects as: Instrumental Group; Free Music course; Orchestra Instrumental Group; Symphonic Orchestra; Orchestra Symphony blow; Marcelo Torca quintet; Radio MACRISAN. Also participate in the School of Music MACRISAN. Through the Authors Club, we have around two hundred books released through CD Baby, are two dozen musical albums about. This book, there's a musical album, where there are more recorded music including electronic music and improvisation at the piano.

Too Early For Christmas Orchestra

Full Orchestra - Level 3 - Digital Download SKU: A0.1251902 By Jimmy Fallon With Do…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged by Marek Czekala. Christmas,Comedy. Score and Parts. 44 pages. Marek Czekala #846120. Published by Marek Czekala (A0.1251902). Jimmy Fallon revealed his latest holiday collaboration with Dolly Parton, a comical song called â€œAlmost Too Early for Christmas,â€ out Nov. 4. â€œIâ€™m releasing another holiday song this year, and I thought what better day to announce it than Halloween,â€ said Fallon on the Tonight Show Starring Jimmy Fallon on Oct. 31.He added, â€œPeople have that debate after Thanksgiving of, â€˜Can we listen to holiday music? Can we listen to Christmas music? Is it too early? Can we put on Mariah Carey now?â€™ I say, â€˜Yeah.â€™ â€¦ So I thought it would be fun if I put out a song and released it around Halloween, for the holidays.â€Parton starts off the holiday song singing, Itâ€™s almost too early for Christmas before Fallon takes on the next verse, Too soon to be singing this song. The pair then continue line by line throughout the humorous duet: Thereâ€™s still Halloween decorations / And haters will say that itâ€™s wrong / Letâ€™s turn on the lights for Mariah / Tell Rudolph to shine up his nose with both singing Â Itâ€™s almost too early for Christmas / Why donâ€™t we see how it goes.Â Â© 2023 American Songwriter.
$50.00 44.9 € #Orchestra #Jimmy Fallon With Dolly Parton #Too Early For Christmas #Marek Czekala #SheetMusicPlus

Eskimo Lumber Orchestra

Full Orchestra - Level 5 - Digital Download SKU: A0.748262 Composed by William M Su…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.748262 Composed by William M Sullivan and William Sullivan. Arranged by Patrick Sheehan. Contemporary. Score and parts. 37 pages. Patrick Sheehan #6115315. Published by Patrick Sheehan (A0.748262). from the album Spaghetti Western, as used on HBOâ€™s curb your enthusiasm. INSTRUMENTATION: Flute, Bassoon, Trumpet (Bb), Trombone I, Trombone II, Keyboard I (Org.), Keyboard II (Piano, Harpsichord), Glockenspiel, Drumset, Theremin, Banjo, Acoustic Guitar, Electric Guitar, Electric Bass, Violin I, Violin II, ViolaABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$15.00 13.47 € #Orchestra #William M Sullivan and William Sullivan #Eskimo Lumber #Patrick Sheehan #SheetMusicPlus

Mendelssohn Unfinished Symphony No. 6 C-Major (1845) - Completed Orchestra

Full Orchestra - Level 5 - Digital Download SKU: A0.1311951 Composed by Gerd Prenge…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.1311951 Composed by Gerd Prengel. Arranged by Adrian Gaigu. 19th Century. 221 pages. Gerd Prengel #900836. Published by Gerd Prengel (A0.1311951). In 1845 Felix Mendelssohn was working on 2 movements for a 6th symphony in C-Major (shortly before he begann working on his Elijah oratorion). This is an attempt to complete them in his style and for the first time. I. Allegro ma non troppoFor the first movement a full score of the first 2 minutes (79 measures) exist and additionally sketches for further passages were included and elaborated here: m. 81 - 93: transition to the 2nd theme m. 107 - 116: 2nd theme m. 146 - 150 ending of the exposition m. 152 - 165: beginning of the development m. 196 - 204: canonic passage 11:57 II. Andante cantabile The very melodious sketches for the first 2:15 minutes were worked out to a second movement with variations on the main theme and a more passionate middle part.Â This publication includes the score and parts and is addressed to any conductors and orchestras willing to play unknown, excellent music by Mendelssohn put in a context true to his idiom. Total duration: 23 min.Â MP3:www.gerdprengel.de/Mendelssohn_unfinished_symphony_1.mp3www.gerdprengel.de/Mendelssohn_unfinished_symphony_2.mp3
$100.00 89.81 € #Orchestra #Gerd Prengel #Mendelssohn Unfinished Symphony No. 6 C-Major #Gerd Prengel #SheetMusicPlus