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Beat It - Guitar 2
Orchestra
Sheetmusic to print
21 sheet music found
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1
Beat The Clock--For Orchestra (Score and Parts)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.835076 Composed by Cody Weinman…
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Full Orchestra - Level 2 - Digital Download SKU: A0.835076 Composed by Cody Weinmann. Contemporary,Film/TV. Score and parts. 1 pages. Cody Weinmann #2331783. Published by Cody Weinmann (A0.835076). Beat The Clock is a score for a video game sequence. It helps with different symbols like ritardando, accelerando, a tempo, and other terms. It has wide-ranging dynamics from pianissimo to mezzoforte. This would be a good opener or overture for an orchestra concert. The full score and parts are all included. It's 2 minutes and 40 seconds in length.Want more music transcriptions: go to http://www.cjw-music-transcriptions.com.
$25.00
23.22 €
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Orchestra
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Cody Weinmann
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Beat The Clock--For Orchestra
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Cody Weinmann
#
SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃÂa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
60.38 €
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Orchestra
#
Mexican law and custom
#
Miguel Rios Toledano
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Aires Nacionales Mexicanos, Op. 558
#
Joel Jacklich
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.26 €
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Orchestra
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.58 €
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Orchestra
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
THREE ANIMAL SAYINGS 2--THE TORTOISE AND THE HARE--orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.903754 Composed by Alan Edgar. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.903754 Composed by Alan Edgar. 20th Century,Children. Score and parts. 10 pages. Alan Edgar Ted Moon #3054071. Published by Alan Edgar Ted Moon (A0.903754). Second in a set of 3 animal tales for orchestra. Play in the children's concert or any time. The plodding tortoise beats the silly hare in the race. I use one of my well-known octatonic scales and some 12-tone serial, but it's all for fun--don't be put off by that! First performance was by the York Guildhall Orchestra under Simon Wright at York St John University.
$10.00
9.29 €
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Orchestra
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Alan Edgar
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THREE ANIMAL SAYINGS 2--THE TORTOISE AND THE HARE--orchestra
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Alan Edgar Ted Moon
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SheetMusicPlus
The Beatles Suite: Cello
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015971_VC1 Cello. By The Be…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015971_VC1 Cello. By The Beatles. By John Lennon and Paul McCartney. Arranged by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015971_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015971_VC1). UPC: 038081453514.Still fresh today, this suite of three Lennon and McCartney gems, Do You Want to Know a Secret?, From Me to You, and She Loves You, is fabulously flexible. It can be played by strings alone, strings with piano, or with the addition of any combination of winds. (6:05) This title is available in SmartMusic.
$3.00
2.79 €
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Orchestra
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The Beatles
#
The Beatles Suite: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Beatles Suite: Timpani
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015971_TMP Timpani. By The …
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Full Orchestra - Digital Download SKU: AX.00-PC-0015971_TMP Timpani. By The Beatles. By John Lennon and Paul McCartney. Arranged by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015971_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015971_TMP). UPC: 038081453514.Still fresh today, this suite of three Lennon and McCartney gems, Do You Want to Know a Secret?, From Me to You, and She Loves You, is fabulously flexible. It can be played by strings alone, strings with piano, or with the addition of any combination of winds. (6:05) This title is available in SmartMusic.
$3.00
2.79 €
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Orchestra
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The Beatles
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The Beatles Suite: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Beatles Suite: Bassoon
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015971_B1 Bassoon. By The B…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0015971_B1 Bassoon. By The Beatles. By John Lennon and Paul McCartney. Arranged by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015971_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015971_B1). UPC: 038081453514.Still fresh today, this suite of three Lennon and McCartney gems, Do You Want to Know a Secret?, From Me to You, and She Loves You, is fabulously flexible. It can be played by strings alone, strings with piano, or with the addition of any combination of winds. (6:05) This title is available in SmartMusic.
$3.00
2.79 €
#
Orchestra
#
The Beatles
#
The Beatles Suite: Bassoon
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
The Beatles Suite: Flute
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015971_F1 Flute. By The Bea…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0015971_F1 Flute. By The Beatles. By John Lennon and Paul McCartney. Arranged by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015971_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015971_F1). UPC: 038081453514.Still fresh today, this suite of three Lennon and McCartney gems, Do You Want to Know a Secret?, From Me to You, and She Loves You, is fabulously flexible. It can be played by strings alone, strings with piano, or with the addition of any combination of winds. (6:05) This title is available in SmartMusic.
$3.00
2.79 €
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Orchestra
#
The Beatles
#
The Beatles Suite: Flute
#
Alfred Music - Digital Sheet Music
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃÂa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
23.22 €
#
Orchestra
#
Mexican law and custom
#
Miguel Rios Toledano
#
Aires Nacionales Mexicanos, Op. 558
#
Joel Jacklich
#
SheetMusicPlus
Orchestraining No. 01 [Orchestra]
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÅ
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Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃÂa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃÂficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumàla dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃÂficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$11.00
10.22 €
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Orchestra
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Juan MarÃÂa Solare
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Orchestraining No. 01 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Jazz Brazilian Piano Concerto No 1 in Three Movements (Full Score and Individual Parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730384 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730384 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin,Multicultural,World. 379 pages. James Nathaniel Holland #3073409. Published by James Nathaniel Holland (A0.730384). American composer James Nathaniel Holland brings the piano and orchestra together with a Brazilian beat in this exciting new piano concerto. Virtuosic, rhythmic and beautiful it would any nice addition to any concert, summer outdoor concert or any classical pianist looking for a jazz piece vehicle.  Offered here full score and all individual parts, including piano solo part. 2 Pianos/4 hands, full score with parts, or parts only sold separately. CD To Warmer Climes (Symphony No 2 and Piano Concerto No. 1) also available on-line.Instrumentation: Fl1, Alto fl/fl2, ob12, cl1, bcl/cl2, bsn1, cbsn/bsn2, h1234, tpt 12, trmb12,btrm1, tim, prc (sus. cym (st./mall), tri./cow bell, agogos, pandeiro, bdrm(or surdo)) piano soloist, vln solo, stringsMovement 1 - Slow Samba Six Days in Rio Movement 2 - Slow South American Nights Movement 3 - Fast Samba Brazilian Carnival (Duration: 35 minutes).
$55.95
51.97 €
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Orchestra
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James Nathaniel Holland
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Jazz Brazilian Piano Concerto No 1 in Three Movements
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James Nathaniel Holland
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SheetMusicPlus
Jazz Brazilian Piano Concerto No 1 in Three Movements (Individual Parts Only)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730385 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730385 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin,Multicultural,World. 241 pages. James Nathaniel Holland #3073415. Published by James Nathaniel Holland (A0.730385). American composer James Nathaniel Holland brings the piano and orchestra together with a Brazilian beat in this exciting new piano concerto. Virtuosic, rhythmic and beautiful it would any nice addition to any concert, summer outdoor concert or any classical pianist looking for a jazz piece vehicle.  Offered here individual parts only.  Full score only, 2 Pianos/4 hands, full score with parts, or CD To Warmer Climes sold separately.Instrumentation: Fl1, Alto fl/fl2, ob12, cl1, bcl/cl2, bsn1, cbsn/bsn2, h1234, tpt 12, trmb12,btrm1, tim, prc (sus. cym (st./mall), tri./cow bell, agogos, pandeiro, bdrm(or surdo)) piano soloist, vln solo, stringsMovement 1 - Slow Samba Six Days in Rio Movement 2 - Slow South American Nights Movement 3 - Fast Samba Brazilian Carnival (Duration: 35 minutes).
$35.95
33.4 €
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Orchestra
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James Nathaniel Holland
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Jazz Brazilian Piano Concerto No 1 in Three Movements
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James Nathaniel Holland
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SheetMusicPlus
The Long And Winding Road
Orchestra
Full Orchestra - Digital Download SKU: A0.798367 By The Beatles. By John Lennon and…
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Full Orchestra - Digital Download SKU: A0.798367 By The Beatles. By John Lennon and Paul McCartney. Arranged by Paul Hemmer. Rock. Score and parts. 37 pages. PJMS MUSIC #6502517. Published by PJMS MUSIC (A0.798367). This is the Beatle classic transcribed from the original score with solo voice, chorus, and full orchestra.2 flute, 2 oboes,2 Bb Clarinets, 1 Bb Bass Clarinet, 2 Bassoon, 4 Horns in F, 3 trumpets, 3 trombones, violin I, II, Viola, Cello, Electric Bass, drum set & piano. It is easy to perform and a surefire audience winner. .
$70.00
65.03 €
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Orchestra
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The Beatles
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piano. 
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The Long And Winding Road
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PJMS MUSIC
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.28 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
Dix Huit - Orchestral
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.824505 Composed by Phil Rawle. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.824505 Composed by Phil Rawle. 20th Century,Blues,Concert,Contemporary,Jazz. Score and parts. 65 pages. Phillip Rawle #3681111. Published by Phillip Rawle (A0.824505). Dix Huit is so named because of its time signature - 10/8. The beats are arranged 3,3,2,2 so it is not in 5/4 time having four uneven beats in each bar.
$6.00
5.57 €
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Orchestra
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Phil Rawle
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Dix Huit - Orchestral
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Phillip Rawle
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SheetMusicPlus
Live And Let Die
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCa…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.
$70.00
65.03 €
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Orchestra
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Wings
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Live And Let Die
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Kevin Riley
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SheetMusicPlus
Victory Music
Orchestra
Full Orchestra - Digital Download SKU: A0.617904 Composed by Amphibia Cultural Lega…
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Full Orchestra - Digital Download SKU: A0.617904 Composed by Amphibia Cultural Legacy. Arranged by Britney Taylor. 20th Century,Broadway,Classical,Contemporary,Musical/Show,Opera. Score and parts. 2 pages. Amphibia Cultural Legacy #227055. Published by Amphibia Cultural Legacy (A0.617904). Victory Music is a new sensation that has overtaken the music industry. It is an orchestral cover remixed with additional instruments by Amphibia Cultural Legacy based on the popular children's song, Head Shoulders Knees and Toes, by TabTale. This creative masterpiece combines classical instruments with modern elements like EDM beats and electronic synths.The result is a unique sound that will leave you feeling energized and triumphant. The arrangement of different instruments creates a harmonious melody that awakens your senses from the song's beginning. The composition also features powerful percussion sounds that give listeners a sense of adrenaline rush.Victory Music pays tribute to the original Head Shoulders Knees and Toes track while elevating it to new heights with its catchy tune.
$26.00
24.15 €
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Orchestra
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Amphibia Cultural Legacy
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Victory Music
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Amphibia Cultural Legacy
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SheetMusicPlus
NAUTILUS
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1377811 By Antonello Rizzella. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1377811 By Antonello Rizzella. By Antonello Rizzella. 21st Century,Contemporary,Instructional,New Age,Video Game. 68 pages. Antonello Rizzella #962412. Published by Antonello Rizzella (A0.1377811). The author's intent was to work on melodic-harmonic-rhythmic materials always attributable to the Fibonacci numerical series, hence, as a consequence, the choice of the title, Nautilus, finding the natural expression in the artistic perfection of said shell of the logarithmic spiral to which the golden section is applied.The form of symphonic movement that emerged has a rhapsodic flowThe choice of the sounds of the harmonic field of the first part (bar 0-50) is therefore based on the numerical series (based on a scale of 10 sounds), tracing each sound of the scale to a number from 0 to 9 and making them correspond to the numbers of the series of Fibonacci from 1 to 267,914,296.The second part (bars 51-64) is based on a harmonic field of 9 sounds which, when superimposed, generate 9 triads formed by superimposed 4ths which are used at a distance of 2, 3 or 5 beats (series of F. , from the 3rd to the 6th number). In this section, isorhythmy is used according to groupings of values ​​that can be numerically traced back to the series.A short third part (bars 65-80) is inserted as an expressive moment: it is based on a scale of 7 sounds (spaced proportionally from each other according to the logarithmic spiral: from the 1/4 tone to the major 3rd).In the next and final section the isorhythmic part is resumed with small changes in the closing coda.
$70.00
65.03 €
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Orchestra
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Antonello Rizzella
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NAUTILUS
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Antonello Rizzella
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SheetMusicPlus
Song of the Moorland
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1178931 By W. Luke Kelly. By W.…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1178931 By W. Luke Kelly. By W. Luke Kelly. 20th Century,Contest,Festival,Traditional. Score and parts. 28 pages. W. Luke Kelly #778901. Published by W. Luke Kelly (A0.1178931). On the Moors is a free form, free tempo piece, meant to evoke a walk through green hills and a cool breeze. Begin the piece with confidence, but calmly.The piano player should be the highlight of the piece, but give room for some spotlights to the woodwinds and strings at times. Observe the fermatta at m. 14 with a great amount of anticipation, perhaps even a few beats of silence. Allow the audience to lean in as they reach for the next note, then bring in the new key at m. 15 with purposeful steps into the next motif. Observe molto rit and poco rit sections to take as much time as the Director wishes, and consider the entire piece espressivo with overtones of warmth, as in sunlit rolling hills during an early Spring afternoon.Composer's Note:This piece is dedicated to the beauty of the State of Ohio, whose open fields, beautiful rolling hills, and warm sun have become my home, and to it's people, who are as warm and welcoming as any American community could ever be.
$30.00
27.87 €
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Orchestra
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W
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Song of the Moorland
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W. Luke Kelly
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SheetMusicPlus
Donde Esta Santa Claus
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1353144 Composed by Alvin Grein…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1353144 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holiday,Latin,Pop. 102 pages. PRS&B #937943. Published by PRS&B (A0.1353144). Dónde Está Santa Claus- for full orchestra is a playful and festive Christmas song that has delighted audiences for decades. Translating to Where is Santa Claus in English, this cheerful tune captures the excitement and curiosity surrounding Santa's whereabouts on Christmas Eve. The catchy melody and upbeat tempo of Donde está Santa Claus make it a fun and memorable for your audiences. Written for full orchestra with an extended percussion section (all of which are optional and could be played by members of the orchestra), this Latin tinged arrangement will be a welcomed addition to your holiday library. 1-2-2-2-bs. clar., 2-4-3-3-1-timp., vib or marmb., sl. bls., bong., clav., guiro., maras., drm set (or divided between two perc.), kybrd., hrp., str. Includes a condensed score. Intermediate level.
$80.00
74.31 €
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Orchestra
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Alvin Greiner, George Scheck, and Rod Gordon Parker
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Donde Esta Santa Claus
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PRS&B
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SheetMusicPlus
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