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Blues by Five - Vibes
Orchestra
Sheetmusic to print
14 sheet music found
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1
I've Got The D String Blues
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.941524 Composed by Harry Salott…
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Full Orchestra - Level 2 - Digital Download SKU: A0.941524 Composed by Harry Salotti. Blues,Jazz,R & B,Standards. Score and parts. 10 pages. Harry Salotti #6203753. Published by Harry Salotti (A0.941524). I've Got The D String Blues is a relaxed 12 bar blues in 6/8. It is written for Vn.1, Vn.2, Viola, Cello, Bass and (optional) Piano accompaniment. This piece is written for players 5th-8th grade. All string parts are in 1st position. Vn.1 and Viola use all four strings. Vn. 2, Cello and Bass use the A, D, and G strings. The Piano part is optional and may be used only to assist rehearsals. The themes are written in a Call and Response style between the upper and lower strings. All five parts get to contribute to the melody so the players feel their part is meaningful. I've Got The D String Blues is composed by Harry Salotti. Mr. Salotti has taught elementary strings in the New Jersey public schools for over twenty years.
$12.99
11.64 €
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Orchestra
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Harry Salotti
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I've Got The D String Blues
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Harry Salotti
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SheetMusicPlus
All Blues
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1120603 By John Coltrane. By Mi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1120603 By John Coltrane. By Miles Davis. Arranged by Ross Wright. 20th Century,Blues,Classical,Contemporary,Jazz. Score and parts. 80 pages. Ross Wright Music #721849. Published by Ross Wright Music (A0.1120603). This is an arrangement or full orchestra. Instrumentation: Flute 1 (Double Piccolo) Flute 2 Oboe 1 Oboe 2 Double English Horn Clarinet in Bb 1 Clarinet in Bb 2 Double Bass Clarinet Bassoon 1 Bassoon 2 Double Contra Bassoon French Horn 1, 2, 3, 4 Trumpet 1, 2, 3 Trombone 1, 2, 3 Tuba Piano Percussion 1: Timpani Percussion 2: Glockenspiel, Xylophone, Vibraphone Percussion 3: Suspended Cymbal, Crash Cymbal Percussion 4: Snare Drum, Bass Drum, Castanets Harp Violin 1, Violin 2, Viola, Cello, Bass This arrangement is one of the five songs from the Kind of Blue Orchestral suite. The piece utilizes some of the improvised material from the iconic Kind of Blue Album and treats it orchestrally. The piece uses a classical size orchestra, there are no improvisation sections, or rhythm section. Thereby creating a fully formed classical composition. Miles Davis's music, once improvised, is now a formal composition that can be performed in orchestral concert halls by any orchestra, anywhere in the world.
$97.00
86.95 €
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Orchestra
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John Coltrane
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All Blues
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Ross Wright Music
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
8.95 €
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Orchestra
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
A Touch of Jazz: 1st & 3rd F Horns
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_H13 1st & 3rd F Horns
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Full Orchestra - Digital Download SKU: AX.00-PC-0017094_H13 1st & 3rd F Horns. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_H13. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_H13). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
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Orchestra
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A Touch of Jazz: 1st & 3rd F Horns
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Touch of Jazz: Mallets
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_M1 Mallets. Arranged…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017094_M1 Mallets. Arranged by Jerry Brubaker. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_M1). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
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Orchestra
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A Touch of Jazz: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Touch of Jazz: Flute
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_F1 Flute. Arranged b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017094_F1 Flute. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_F1). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
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Orchestra
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A Touch of Jazz: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Touch of Jazz: Drums
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_D Drums. Arranged by…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017094_D Drums. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_D). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
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Orchestra
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A Touch of Jazz: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Touch of Jazz: Cello
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_VC1 Cello. Arranged …
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Full Orchestra - Digital Download SKU: AX.00-PC-0017094_VC1 Cello. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_VC1). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
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Orchestra
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A Touch of Jazz: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Touch of Jazz: Bassoon
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_B1 Bassoon. Arranged…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017094_B1 Bassoon. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_B1). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
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Orchestra
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A Touch of Jazz: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Touch of Jazz: 2nd & 4th Horns in F
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_H24 2nd & 4th Horns in F…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017094_H24 2nd & 4th Horns in F. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_H24. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_H24). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
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Orchestra
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A Touch of Jazz: 2nd & 4th Horns in F
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Touch of Jazz: Score
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PR-0005290 Score. Arranged by J…
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Full Orchestra - Digital Download SKU: AX.00-PR-0005290 Score. Arranged by Jerry Brubaker. Jazz. Score. 32 pages. Alfred Music - Digital Sheet Music #00-PR-0005290. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005290). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$9.00
8.07 €
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Orchestra
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A Touch of Jazz: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The American Seasons (violin solo part – violin and string orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
20.17 €
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Orchestra
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (2nd violins part – violin and string orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
13.45 €
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Orchestra
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Bernhard Heinrich Romberg, Concerto for Flute & Orchestra opus 17
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1502417 By Bernhard Heinrich Ro…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1502417 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Transcriptions by John Wion / Elaine Baker D'Angelo. 19th Century. 16 pages. Elaine Baker D'Angelo #1078222. Published by Elaine Baker D'Angelo (A0.1502417). ROMBERG FLUTE CONCERTOElaine Baker D’Angelo, Representative5 West Ridge Trail, Plymouth, MA 02360To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].
$19.98
17.91 €
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Orchestra
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Bernhard Heinrich Romberg
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Bernhard Heinrich Romberg, Concerto for Flute & Orchestra opus 17
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Elaine Baker D'Angelo
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