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You've selected:
Cabe's Music
Orchestra
Sheetmusic to print
2 sheet music found
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1
Pour Una Cabeza
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1193450 Composed by Mahamed Ami…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1193450 Composed by Mahamed Amine Bouguenna. Arranged by Marek Czekala. Film/TV,Latin. Score and Parts. 33 pages. Marek Czekala #792913. Published by Marek Czekala (A0.1193450). Por una Cabeza is a tango song written in 1935 with music by Carlos Gardel and lyrics by Alfredo Le Pera. The name is a Spanish horse-racing phrase meaning by a head, which refers to a horse winning a race narrowly – by just the length of its head. The lyrics speak of a compulsive horse-track gambler who compares his addiction for horses with his attraction to women. Alfredo Le Pera was born in Brazil, son of Italian immigrants. Le Pera and Gardel died in an aeroplane crash in MedellÃn, on Monday, June 24, 1935. Por Una Cabeza is featured in a famous tango scene in Martin Brest's film Scent of a Woman (1992), in the opening scene of Steven Spielberg's Schindler's List (1993) and in James Cameron's True Lies (1994). Wikipedia.
$50.00
45.86 €
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Orchestra
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Mahamed Amine Bouguenna
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Pour Una Cabeza
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Marek Czekala
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SheetMusicPlus
The Black Mass
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1143117 Composed by Piano Sonat…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th Century,New Age. Score and parts. 43 pages. Blake P. McCabe #743479. Published by Blake P. McCabe (A0.1143117). This composition is an arrangement of Scriabin’s Piano Sonata No. 9 Op 68. This piece has traditionally been nicknamed The Black Mass and was written for piano. Scriabin himself accepted this nickname for the piece and earlier on wrote a piece that would be nicknamed The White Mass. The Black mass was completed in 1913, a mere 2 years before his untimely death. The piece is built upon his ‘mystic chord, a hexachord built on fourths. Scriabin described this chord of embodying the divine and having a smoky tonal color, stemming from his own perception of sound as color. This piece moves from haunting sounds in its first motif to a chilling climax, returning to a mysterious murmur, and moves through multiple tempos to drag the listener along its march through its gothic vision, until finally returning to its first motif and leaving the listener haunted by the dark, colorful visions it invokes. To date of publication of this arrangement, I have yet to find an arrangement of The Black Mass for orchestra, band, nor symphony. The piece has many layers within it and includes complex polyrhythms typical of his music. The dark uncurrent, along with the form and choice of lack of direct key signature pose a unique challenge in the arrangement of this piece. I have deigned to maintain the feel of the original piano version, including his choice of time signatures and rhythmic choices while bringing it to life through the sounds of a modified symphony orchestra. This arrangement relies on the timbres of the instrument families to portray the emotional colors of the piece and particularly highlights the woodwind section of the symphony orchestra, along with the angelic sounds of the harp. Percussion is added through timpani, xylophone, glockenspiel, and multi-percussion to heighten the emotional experience of the arrangement.
$35.00
32.1 €
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Orchestra
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Piano Sonata No
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The Black Mass
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Blake P. McCabe
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SheetMusicPlus
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