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176
N. Leontovych - Carol of the Bells, "Щедрик", For Children Chorus (S/A) and Symphony Orches
Orchestra
Full Orchestra - Digital Download SKU: A0.1008427 Composed by N. Leontovych. Arrang…
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Full Orchestra - Digital Download SKU: A0.1008427 Composed by N. Leontovych. Arranged by A. Leytush. Christian. Score and parts. 12 pages. Arkady Leytush #6629255. Published by Arkady Leytush (A0.1008427). Chedrik, chedrik, Carol of the Bells, written by the Ukrainian composer N. Leontovych is very well known in America as Christmas Carol. It takes one of the central piece in the bouquet of the best songs dedicated to Christmas. Orchestrating this work for a two-part children's choir and a symphony orchestra, I set myself the task of painting the score with all kinds of colors of a winter landscape and trying to create an atmosphere of the approaching Christmas.
$20.00
18.48 €
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Orchestra
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N
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N. Leontovych - Carol of the Bells, "Щедрик", For Children Chorus
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Arkady Leytush
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SheetMusicPlus
N. Medtner - Two Pieces, Op. 58, Orchestrated by A. Leytush - Score Only
Orchestra
Full Orchestra - Digital Download SKU: A0.1368041 Composed by N. Medtner. Arranged …
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Full Orchestra - Digital Download SKU: A0.1368041 Composed by N. Medtner. Arranged by A. Leytush. 20th Century. 153 pages. Arkady Leytush #952396. Published by Arkady Leytush (A0.1368041). Nikolai Medtner - Two Pieces, Op. 58, 1. Russian Round Dance 2. Knight Errant, Orchestrated by Arkady LeytushMedtner, one of the last romantic composers, remained in the history of music as the author of a number of piano compositions, three piano concertos, as well as vocal and chamber compositions. In addition to piano concertos, he unfortunately did not write a single work for a symphony orchestra. This can only be understood considering that he himself was a brilliant pianist and has been focused on this instrument throughout his creative life. Meanwhile, analyzing his piano compositions reveals not only mastery, a variety of development techniques, polyphony and multi-layered presentation, but also a symphonic scope and an assumed variety of timbres. In particular, his opus 58 Two Pisces for 2 pianos fully corresponds to what is written above. These circumstances prompted me to orchestrate this work for a large symphony orchestra and thereby try to expand its creativity and popularity.
$50.00
46.19 €
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Orchestra
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N
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N. Medtner - Two Pieces, Op. 58, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
SONATE Nº5 - FIRST MOVEMENT
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1370327 Composed by Wolfgang Am…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1370327 Composed by Wolfgang Amadeus Mozart. Arranged by Germán Fernández Gómez. Classical. 53 pages. Germán Fernández #954703. Published by Germán Fernández (A0.1370327).
$5.00
4.62 €
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Orchestra
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Wolfgang Amadeus Mozart
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SONATE Nº5 - FIRST MOVEMENT
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Germán Fernández
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SheetMusicPlus
A. N. Scriabin - Valse in A flat major, Op. 38, Orchestrated by A. Leytush
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1144178 Composed by A. N. Scria…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1144178 Composed by A. N. Scriabin. Arranged by Arkady Leytush. Classical. Score and parts. 45 pages. Arkady Leytush #744498. Published by Arkady Leytush (A0.1144178). This wonderful salon waltz by A.N. Scriabin, I hope, will now receive the status of a concert waltz. Deciding to orchestrate was not so easy, as the many piano interpretations of this music point directly to the extremely refined approach to this composition, including flexible rubato and subtle nuances. Nevertheless, the internal possibilities of this music give, it seems to me, the right to a greater scope, various timbre colors of the orchestra and, ultimately, moving to a different scale of sound. The orchestral transcription of this waltz allows the symphony orchestra to fully express itself, including a huge palette of sounds from the most tender and transparent episodes to full and brilliant tutti. I would also like to note that this work, first of all, is my modest contribution to the celebration of the 150th anniversary of the birth of this genius of Russian music.
$60.00
55.43 €
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Orchestra
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A
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A. N. Scriabin - Valse in A flat major, Op. 38, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simo…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
41.57 €
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Orchestra
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Johann Simon Mayr
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Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
O Trenzinho do Caipira - da Bachianas Brasileiras nº 2
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.586427 Composed by Heitor Villa…
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Full Orchestra - Level 2 - Digital Download SKU: A0.586427 Composed by Heitor Villa-Lobos. Arranged by Eliseu Ferreira. 20th Century,Holiday,Instructional,Latin,Multicultural,World. Score and parts. 34 pages. Eliseu Ferreira #195716. Published by Eliseu Ferreira (A0.586427). Arrangement of the famous Trenzinho do Caipira (The Little Train of Caipira) from Bachianas Brasileiras nº 02, composed by famous brazilian composer Heitor Villa-Lobos.
$30.00
27.72 €
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Orchestra
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Heitor Villa-Lobos
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O Trenzinho do Caipira - da Bachianas Brasileiras nº 2
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Eliseu Ferreira
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SheetMusicPlus
A. N. Scriabin - Poem "Vers la flamme", Op. 72, Orchestrated by A. Leytush
Orchestra
Full Orchestra - Digital Download SKU: A0.1008383 Composed by A. N. Scriabin. Arran…
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Full Orchestra - Digital Download SKU: A0.1008383 Composed by A. N. Scriabin. Arranged by A. Leytush. 20th Century. Score and parts. 28 pages. Arkady Leytush #5971049. Published by Arkady Leytush (A0.1008383).
$60.00
55.43 €
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Orchestra
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A
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A. N. Scriabin - Poem "Vers la flamme", Op. 72, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
English Idylls N°1
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1085242 Composed by Georges BUT…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1085242 Composed by Georges BUTTERWORTH. Arranged by Yorick DE BRUYCKER. Celtic,Classical,Irish. Score and Parts. 85 pages. Quartet/Orchestral arrangements #689385. Published by Quartet/Orchestral arrangements (A0.1085242). A very talented English composer, born in Paddington (London), George Butterworth (1885 - 1916) is known for some of his orchestral pieces, notably his trilogy English idylls N°1; 2 and The Banks of green Willow. In his compositions he uses folk tunes which he is able to enhance with extremely colourful orchestrations. This arrangement for Concert Band is made from the symphonic score of English Idylls No. 1.
$71.00
65.59 €
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Orchestra
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Georges BUTTERWORTH
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English Idylls N°1
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Quartet/Orchestral arrangements
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SheetMusicPlus
Preludium in memoriam n. 2
Orchestra
Full Orchestra - Digital Download SKU: A0.981528 Composed by Helios D'Andrea. Conte…
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Full Orchestra - Digital Download SKU: A0.981528 Composed by Helios D'Andrea. Contemporary. Score and parts. 10 pages. D'Andrea Helios #4986801. Published by D'Andrea Helios (A0.981528). Preludium in memoriam n. 2 for symphonic orchestra dedicated to the victims of all wars
$3.00
2.77 €
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Orchestra
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Helios D'Andrea
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Preludium in memoriam n. 2
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D'Andrea Helios
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SheetMusicPlus
Preludium in memoriam n. 4
Orchestra
Full Orchestra - Digital Download SKU: A0.981530 Composed by Helios D'Andrea. Conte…
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Full Orchestra - Digital Download SKU: A0.981530 Composed by Helios D'Andrea. Contemporary. Score and parts. 7 pages. D'Andrea Helios #4986805. Published by D'Andrea Helios (A0.981530). Preludium in memoriam n. 4 for symphonic orchestra dedicated to the victims of all wars
$3.00
2.77 €
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Orchestra
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Helios D'Andrea
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Preludium in memoriam n. 4
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D'Andrea Helios
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SheetMusicPlus
Preludium in memoriam n. 1
Orchestra
Full Orchestra - Digital Download SKU: A0.981526 Composed by Helios D'Andrea. Conte…
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Full Orchestra - Digital Download SKU: A0.981526 Composed by Helios D'Andrea. Contemporary. Score and parts. 5 pages. D'Andrea Helios #4986799. Published by D'Andrea Helios (A0.981526). Preludium in memoriam n. 1 for symphonic orchestra dedicated to the victims of all wars
$3.00
2.77 €
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Orchestra
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Helios D'Andrea
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Preludium in memoriam n. 1
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D'Andrea Helios
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SheetMusicPlus
Preludium in memoriam n. 3
Orchestra
Full Orchestra - Digital Download SKU: A0.981529 Composed by Helios D'Andrea. Conte…
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Full Orchestra - Digital Download SKU: A0.981529 Composed by Helios D'Andrea. Contemporary. Score and parts. 10 pages. D'Andrea Helios #4986803. Published by D'Andrea Helios (A0.981529). Preludium in memoriam n. 3 for symphonic orchestra dedicated to the victims of all wars
$3.00
2.77 €
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Orchestra
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Helios D'Andrea
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Preludium in memoriam n. 3
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D'Andrea Helios
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SheetMusicPlus
Preludium in memoriam n. 5
Orchestra
Full Orchestra - Digital Download SKU: A0.981532 Composed by Helios D'Andrea. Conte…
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Full Orchestra - Digital Download SKU: A0.981532 Composed by Helios D'Andrea. Contemporary. Score and parts. 9 pages. D'Andrea Helios #4986807. Published by D'Andrea Helios (A0.981532). Preludium in memoriam n. 5 for symphonic orchestra dedicated to the victims of all wars
$3.00
2.77 €
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Orchestra
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Helios D'Andrea
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Preludium in memoriam n. 5
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D'Andrea Helios
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SheetMusicPlus
Orchestral Set n.°1: Counterpoints - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1228146 Composed by Aurelio Sco…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1228146 Composed by Aurelio Scotto. Baroque,Classical,Contemporary. 153 pages. Aurelio Scotto #824265. Published by Aurelio Scotto (A0.1228146). Orchestral Set n.°1: CounterpointsScore.
$29.99
27.71 €
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Orchestra
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Aurelio Scotto
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Orchestral Set n.°1: Counterpoints - Score Only
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Aurelio Scotto
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.1 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.1 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.1 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Georg E. Goltermann - Cello Concerto n° 4, op. 65 - unmarked cello part (critical edition)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.841343 Composed by Georg Eduard…
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Full Orchestra - Level 2 - Digital Download SKU: A0.841343 Composed by Georg Eduard Goltermann. Arranged by Artistic Score Engraving by Michele Galvagno. 20th Century,Children,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Artistic Score Engraving di Galvagno Michele #5310095. Published by Artistic Score Engraving di Galvagno Michele (A0.841343). The 4th Cello Concerto by G. E. Goltermann is a fundamental milestone in the repertoire for growing cellists! This edition faithfully reproduces the source by Goltermann, ensuring a correct and philological performance. .
$5.95
5.5 €
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Orchestra
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Georg Eduard Goltermann
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Georg E. Goltermann - Cello Concerto n° 4, op. 65 - unmarked cello part
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Prelude Nº 1 - Danseuses de Delphes (For Wind Orchestra)
Orchestra
Full Orchestra - Digital Download SKU: A0.487660 Composed by Claude Debussy (1892-1…
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Full Orchestra - Digital Download SKU: A0.487660 Composed by Claude Debussy (1892-1918). Arranged by Levy Nunes. 20th Century,Baroque,Classical,Contemporary,Instructional. Score and parts. 39 pages. Published by Cambiata (A0.487660). Danseuses de Delphes is a musical composition for piano by the French composer Claude Debussy. It is the piece that opens the first book of the Preludes, written between the end of 1909 and the beginning of 1910. The work is inspired by the “Dancers of Delphiâ€, a sculpture fragment from the temple of Apollo in Delphi, whose photo the musician had seen at the Louvre in Paris. The transcription was requested by the conductor of the UFRJ Wind Orchestra for the concert commemorating the 100th anniversary of the death of composer Claude Debussy. Wind Orchestra: Piccolo, Flute 1-2, Oboe 1-2, English Horn, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Sax 1-2, Tenor Sax, Baritone Sax, Bassoon 1-2, Contrabassoon, Horn 1-4, Trumpet in Bb 1-3, Trombone 1-2, Bass Trombone, Euphonium, Tuba, Timpani, Bass Drum, Tamtam. Score - A3 Parts - A4.
$20.00
18.48 €
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Orchestra
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Claude Debussy
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Prelude Nº 1 - Danseuses de Delphes
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Cambiata
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SheetMusicPlus
Georg E. Goltermann - Cello Concerto n° 4, op. 65 - annotated cello part (Carneiro)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.841346 Composed by Georg Eduard…
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Full Orchestra - Level 2 - Digital Download SKU: A0.841346 Composed by Georg Eduard Goltermann. Arranged by Marcio Carneiro & Michele Galvagno. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Artistic Score Engraving di Galvagno Michele #5726201. Published by Artistic Score Engraving di Galvagno Michele (A0.841346). The 4th Cello Concerto by G. E. Goltermann is a fundamental milestone in the repertoire for growing cellists! This edition faithfully reproduces the source by Goltermann, ensuring a correct and philological performance.In addition, players will find bowing and fingering suggestions by Tchaikovksy Competition prizewinner and worldwide acclaimed teacher Marcio Carneiro. .
$5.95
5.5 €
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Orchestra
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Georg Eduard Goltermann
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Georg E. Goltermann - Cello Concerto n° 4, op. 65 - annotated cello part
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Cello Concerto n° 4, op. 65 in G major - Critical Edition - Performing material
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.841345 Composed by Georg Eduard…
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Full Orchestra - Level 3 - Digital Download SKU: A0.841345 Composed by Georg Eduard Goltermann. Arranged by Artistic Score Engraving by Michele Galvagno. Concert,Instructional,Romantic Period,Standards. Score and parts. 196 pages. Artistic Score Engraving di Galvagno Michele #5712965. Published by Artistic Score Engraving di Galvagno Michele (A0.841345). Full performing material for the 4th Cello Concerto (op. 65) by Georg Eduard Goltermann.The PDF contains all parts carefully divided so that if you print everything two-sides it will already come perfectly arranged, no extra care needed! Included parts:2 flutes, 2 oboes, 2 clarinets in C (with alternate part in A), 2 bassoons2 horns in G/D (with alternate part in F), 2 trumpets in D (with alternate part in Eb)timpanistrings.
$79.95
73.86 €
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Orchestra
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Georg Eduard Goltermann
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Cello Concerto n° 4, op. 65 in G major - Critical Edition - Performing material
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Cello Concerto n° 4, op. 65 in G major - arr. for cello & string orchestra (score)
Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.841365 Composed by Georg Edu…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.841365 Composed by Georg Eduard Goltermann. Arranged by Michele Galvagno. Instructional,Romantic Period,Standards. Score and parts. 52 pages. Artistic Score Engraving di Galvagno Michele #6136077. Published by Artistic Score Engraving di Galvagno Michele (A0.841365). Finally, after almost two years of work, we can present to the world the reconstructed score of Goltermann's Fourth Cello Concerto, a pillar, a fundamental milestone in the repertoire of every growing cellist. This arrangement allows students to get the feeling of playing this concerto with a full orchestra while using only strings. No orchestral part has been forgotten or misplaced. It requires at least 2 double basses but for the rest, an ordinary music school should be able to handle this with ease.This Critical Edition corrects every clear mistake and adds editorial markings where needed. A comprehensive 12-page comments section details all the notes found by our musicologists in the creation process. A solo cello part, both marked and unmarked, is available separately, along with performing material for this version and the original version as well.
$19.95
18.43 €
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Orchestra
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Georg Eduard Goltermann
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Cello Concerto n° 4, op. 65 in G major - arr. for cello & string orchestra
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Passacaille - from Keyboard Suite nº 7 (HWV 432) - G. F. Handel
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.924802 Composed by G. F. Handel…
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Full Orchestra - Level 3 - Digital Download SKU: A0.924802 Composed by G. F. Handel. Arranged by Stênio Caixeta. Baroque,Christmas,Graduation,Wedding. Score and parts. 11 pages. Stênio Caixeta #6511847. Published by Stênio Caixeta (A0.924802). Arranged for guitar quartet, where it mixes parts that can be played by professional guitarists with beginner guitarists. Any questions you can talk to me through my Instagram: @steniocaixetamusic
$7.00
6.47 €
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Orchestra
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G
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Passacaille - from Keyboard Suite nº 7
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Stênio Caixeta
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SheetMusicPlus
REDHEAD Nº 76 (Rock Of Ages)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1045379 Composed by Richard Red…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1045379 Composed by Richard Redhead. Arranged by Albertino Fernandes. Contemporary,Praise & Worship. Score and parts. 16 pages. Albertino Fernandes #649952. Published by Albertino Fernandes (A0.1045379).
$2.00
1.85 €
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Orchestra
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Richard Redhead
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REDHEAD Nº 76
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Albertino Fernandes
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SheetMusicPlus
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