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You've selected:
Down at the Cross
Orchestra
Sheetmusic to print
46 sheet music found
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1
26
The Cross Kirk and the lang walk
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
46.14 €
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Orchestra
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
Rosary Sonatas: The Crucifixion
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ig…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$24.99
23.06 €
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Orchestra
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Heinrich Ignaz Franz von Biber
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Rosary Sonatas: The Crucifixion
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JMJ Arrangements
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SheetMusicPlus
The Light Shines [John 1:5] (Anthem) - Orchestration
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.747254 Composed by Christopher …
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Full Orchestra - Level 3 - Digital Download SKU: A0.747254 Composed by Christopher R. Brown. Arranged by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 119 pages. Christopher Brown #4794241. Published by Christopher Brown (A0.747254). About the song: This anthem aims to focus on the great truth of John 1:5 - The Light shines in the darkness, and the darkness can never extinguish it. At the cross, where darkness seemed to have the upper hand, the Light shone as Christ declared His finished work. In the human heart, where darkness enslaves lost souls, the Light shines as Christ saves us from the power of sin and death. And in the midst of suffering and persecution, the Light will continue to shine as God's presence and everlasting love carries us and strengthens us to continue to live faithfully for Him.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the vocal score separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.Included in your Purchase:Full ScoreVocal Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1
$49.99
46.14 €
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Orchestra
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Christopher R
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The Light Shines [John 1:5]
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Christopher Brown
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SheetMusicPlus
Where Eagles Dare (Theme) - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.83 €
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Orchestra
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Ron Goodwin
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Berkshire Storms (Downloadable Study Score)
Orchestra
Full orchestra - Medium - Digital Download SKU: MQ.8421-E Composed by Douglas Gerbe…
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Full orchestra - Medium - Digital Download SKU: MQ.8421-E Composed by Douglas Gerber. 23 pages. E. C. Schirmer Music Company - Digital #8421-E. Published by E. C. Schirmer Music Company - Digital (MQ.8421-E). Most people have heard the saying, 'If you don’t like the weather in New England, wait a minute.' Driving through the Berkshires one day in Western Massachusetts, I came across such an event when three short but very intense storms hit one after the other. Lightning flashed on either side of the highway, thunder crashed deafeningly all around me, and a torrent of blinding rain flooded the landscape. In between each storm was a very short yet magnificent and unsettling calm that allowed the sun to peek through the clouds to reveal a beautiful blue sky. Berkshire Storms aims to emulate these brief tempests with an uneasy calm between each of them. The blue sky opens up at the end, but the storm has the last say. -Douglas GerberDuration: 4:00.
$24.00
22.15 €
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Orchestra
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Douglas Gerber
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Berkshire Storms
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
At the Cross - Orchestration
Orchestra
Orchestra - Digital Download SKU: HX.332894 By Brad Henderson and Isaac Watts. This…
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Orchestra - Digital Download SKU: HX.332894 By Brad Henderson and Isaac Watts. This edition: scorch. Christian,Jazz,Sacred. Score and parts. 26 pages. Published by PraiseCharts (HX.332894).
$36.95
34.1 €
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Orchestra
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Brad Henderson and Isaac Watts
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At the Cross - Orchestration
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PraiseCharts
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SheetMusicPlus
Soldiers of the Cross - Orchestral Score and Parts
Orchestra
Orchestra - Digital Download SKU: LX.30-2458L Composed by Pepper Choplin. Sacred An…
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Orchestra - Digital Download SKU: LX.30-2458L Composed by Pepper Choplin. Sacred Anthem, Good Friday, Holy Week. Orchestral Score and Parts. 51 pages. Lorenz Publishing - Digital Sheet Music #e30/2458L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2458L). This haunting portrayal of Calvary focuses on the soldiers as they wager for Jesusâ?? robe, hear Him take His final breath, and stand in silent wonder at the cross. The traditional spiritual Jacobâ??s Ladder brilliantly establishes the somber mood while moving the agonizing story forward, scene by scene. The vocals are simple, lending clarity and drama to the text, and the sparse yet artful accompaniment perfectly complements the whole. (From the cantata Come, Touch the Robe. SATB â?? 55/1123L; SAB â?? 55/1124L.) Instrumentation: Flute, Oboe, Clarinet, 2 F Horns, 2 Trumpets, 2 Trombones, 2 Percussion, Piano, Violin 1 and 2, Viola, Cello, Bass.
$49.95
46.1 €
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Orchestra
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Pepper Choplin
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SAB â?? 55/1124L
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Soldiers of the Cross - Orchestral Score and Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Crown of Thorns, Crowns of Glory (When I Survey the Wondrous Cross) for Soprano Solo and Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1270957 Composed by Edward Mill…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1270957 Composed by Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley. Arranged by Michael Thomas Andrews. Christian,Classical,Easter,Religious,Sacred. Score and Parts. 112 pages. Michael Thomas Andrews #863342. Published by Michael Thomas Andrews (A0.1270957). This new work was premiered at the Royal Albert Hall at The Coronation Prom on the date of His Majesty The King's Coronation by soprano Joanne Lunn and the All Souls Orchestra. Â This imaginative arrangement of 'When I Survey the Wondrous Cross' with the final verse of 'Love Divine, All Loves Excelling' for soprano solo and orchestra begins with a pianissimo muted string texture as we fix our eyes upon the cross of Christ before crescendoing to a glorious finale in which we lay our crowns before the King of all Creation. Â This would be a perfect addition to a concert with full symphony orchestra and a soprano soloist with an extensive vocal range. Â If desired, the top vocal C in the final verse in bar 123 may be replaced by holding the top A across the full beat.
$75.00
69.22 €
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Orchestra
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Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley
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Crown of Thorns, Crowns of Glory
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Michael Thomas Andrews
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SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
147.67 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
79.36 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
To Lay Me Down
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1181710 By The Grateful Dead. B…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1181710 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Contemporary,Contest,Festival. Score and parts. 58 pages. Lee Johnson Music #781490. Published by Lee Johnson Music (A0.1181710). TO LAY ME DOWN - for symphony orchestra - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: https://www.leejohnsonmusic.comKings Bishop Productions
$49.99
46.14 €
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Orchestra
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The Grateful Dead
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To Lay Me Down
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Lee Johnson Music
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SheetMusicPlus
James Bond Theme
Orchestra
Full Orchestra - Level 1 - Digital Download SKU: A0.847156 Composed by Monty Norman…
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Full Orchestra - Level 1 - Digital Download SKU: A0.847156 Composed by Monty Norman. Arranged by Susie Winkworth winkmusic.co.uk. Contemporary. Score and parts. 46 pages. Winkmusic.co.uk #4898711. Published by winkmusic.co.uk (A0.847156). The iconic theme for the iconic spy movie - play the ultimate version of James Bond Theme for easy strings (with Guide Piano). It sounds just as exciting and mysterious as the original, with interest for every part. Plus this is the perfect piece to learn all about semitones!Violin 1: Early Intermediate (with 3rd position)Violin 2: Fairly Easy (1st position, high and low 2nd fingers)Violin 3/Viola: Easy (1st position, high 2nd finger only)Cello 1: Early Intermediate (with 4th position, extended 4th finger)Cello 2/Bass: Easy (Cello: 1st position, 2nd and 3rd fingers)Optional Violin 4: Open Strings OnlyOptional Cello 3: Open Strings OnlyTeacher Guide PianoWinkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$20.00
18.46 €
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Orchestra
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Monty Norman
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James Bond Theme
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winkmusic.co.uk
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SheetMusicPlus
One Sows for the Benefit of Another Age - Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vander…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
46.14 €
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Orchestra
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Kyle Vanderburg
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One Sows for the Benefit of Another Age - Orchestra
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NoteForge
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SheetMusicPlus
THE GREAT WALL CONCERTO For Piano & Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99
55.37 €
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Orchestra
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Piano & Orchestra
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White Piano International Publishing
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SheetMusicPlus
Beyond the Clouds
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1184442 Composed by Ryley Gille…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1184442 Composed by Ryley Gillen. Classical,March,Multicultural,Patriotic,Traditional,World. Score and Parts. 46 pages. Ryley Gillen #784169. Published by Ryley Gillen (A0.1184442). In celebration of the Royal Australian Navy's Fleet Air Arm (FAA) 75th Anniversary, 2022.Beyond the Clouds, commissioned by the Shoalhaven Youth Orchestra, is an adventurous dedication to aviation. Since 1948, in peace and in conflict, the Fleet Air Arm division has provided air combat power to the Australian navy at sea.The piece starts off ambiguously with the melody tiptoeing around the major third. With a steady rhythmic ostinato in the bass end and percussion, there is the depiction of an aircraft on the runway preparing to take off and the sense of something exciting about to happen. A melodious rolling chorale, which repeats throughout the piece, invites the listener to reflect on the sacrifice and dedication of those that have served their communities. Accompanied by the snare drum, bell tones in the brass and woodwind indicate the plane finally taking flight. With the introduction of the lydian mode into an augmented melody, there is the indication of a more adventurous atmosphere as the aircraft flies out across the ocean. This is only heightened with a modulation in the second half of the piece.This accessible orchestral composition is the perfect addition for youth and intermediate orchestras, running for approximately 3 minutes 30 seconds.
$45.00
41.53 €
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Orchestra
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Ryley Gillen
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Beyond the Clouds
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Ryley Gillen
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SheetMusicPlus
Take The "A" Train
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1467756 By Duke Ellington. By B…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1467756 By Duke Ellington. By Billy Strayhorn. Arranged by Fred Barton. Broadway,Jazz,Musical/Show,Pop,Standards. 133 pages. Fred Barton Music #1046053. Published by Fred Barton Music (A0.1467756). Arranged for full symphony and solo vocal, as performed by the San Francisco Symphony, the Billy Strayhorn masterpiece made famous by the Duke Ellington band. Five saxes are included, with a middle section featuring jazz solos for Trombone I, Trumpet I, and Alto Sax. Fred Barton specializes in adapting and arranging pop songs for full symphony, and his arrangements are played regularly at Carnegie and concert halls across the US and Canada.
$99.99
92.28 €
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Orchestra
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Duke Ellington
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Take The "A" Train
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Fred Barton Music
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SheetMusicPlus
Trumbull Sketches
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00
55.38 €
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Orchestra
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Kyle Wernke
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Trumbull Sketches
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Kyle Wernke Publishing
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SheetMusicPlus
Down At The Cross
Orchestra
Composed by John Stockton. Arranged by James Gilbert. For Full Orchestra. Christian,Contem…
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Composed by John Stockton. Arranged by James Gilbert. For Full Orchestra. Christian,Contemporary Christian,Gospel,Sacred. Early Intermediate. Published by James Gilbert Music
$9.99
9.22 €
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Orchestra
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John Stockton
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Down At The Cross
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James Gilbert Music
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SheetMusicPlus
Game Of Thrones
Orchestra
Easy Piano, Piano Accompaniment, Flute, Oboe, Clarinet, Alto Sax, Woodwind Choir or …
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Easy Piano, Piano Accompaniment, Flute, Oboe, Clarinet, Alto Sax, Woodwind Choir or Ensemble, Trumpet, Horn in F, Violin, Viola, Cello, Double Bass, Drums, Xylophone, Percussion Ensemble, Guitar, Recorder, Flexemble, school ensemble, school orchestra, youth music - Easy/Beginner - Digital Download By Ramin Djawadi. Arranged by Susie Winkworth winkmusic.co.uk. Score, Set of Parts. 58 pages. Published by winkmusic.co.uk
The dynamic Game of Thrones theme, in an arrangement which brings the energy of the original to life. For Flexemble - perfect for school groups and education projects where the instrumentation needs to be flexible, you can mix and match so that everyone can join in.<br> <br> *NOW WITH HORN IN F*<br> <br> Descant Recorder/Flute 1: Intermediate<br> Descant Recorder/Flute 2: Easy (B, A, G only)<br> Oboe: Fairly easy<br> Clarinet 1 in Bb: Intermediate<br> Clarinet 2: Easy<br> Alto Sax 1: Intermediate<br> Alto Sax 2: Easy<br> Horn in F: Fairly easy<br> Trumpet: Fairly easy<br> Guitar: notated and chord parts, fairly easy<br> Keyboard: Fairly easy<br> Percussion: bass or low drum, glockenspiel, cymbals<br> Violin 1: Intermediate<br> Violin 2: Easy/Intermediate<br> Violin 3/Viola: Easy (no low 2nd fingers)<br> Cello: Easy/Intermediate<br> Bass: Fairly easy<br> Easy Violin: open strings only<br> Easy Cello: open strings and 1st fingers only<br> <br> Teacher Guide Piano<br> Teacher Guide Treble Clef in C<br> Teacher Guide Treble Clef in Bb<br> Teacher Guide Cello<br> Core Score<br> Full Score<br> <br> Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$35.00
32.3 €
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Orchestra
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Ramin Djawadi
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Game Of Thrones
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SheetMusicPlus
Horizons
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1418381 By Nick Elliott. By Nic…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1418381 By Nick Elliott. By Nick Elliott. 21st Century,Classical,Contemporary. 117 pages. Nick Elliott #999942. Published by Nick Elliott (A0.1418381). “Horizons†intends to demonstrate through music the beautiful imagery of nature in Atlantic Canada. The musical imagery expressed in this tone poem is largely inspired by the Acadian forest, Fundy National Park and other geographical features of Atlantic Canada. This tone poem is split into two movements: Sunrise and Sunset. “Horizons aims to reveal what a sunrise and a sunset on the horizon would sound like in Atlantic Canada. In essence “Horizons†aims to create that picture in the listener mind through music. Horizons is a tone poem that seeks to encapsulate the breathtaking nature found in Atlantic Canada. Drawing its inspiration from the lush Acadian forest,  majestic Fundy National Park, and the diverse geographical landscapes that define Atlantic Canada, this piece vividly translates the essence of these natural wonders into sound. The composition is divided into two movements, Sunrise and Sunset, each crafted to convey the unique ambiance and colors of the Atlantic horizon at these times of the day.In Horizons, orchestral textures are pivotal in painting the auditory landscape. The intricate layering of instrumental timbres and dynamics is akin to the interplay of light and shadow across the landscape. The delicate whispers of the woodwinds evoke the gentle rustle of leaves in the Acadian forest at dawn, while the bold, resonant brass mirrors the dramatic hues that streak the sky at dusk. Strings weave throughout, like the constant ebb and flow of the tides at Fundy Bay. Through Horizons, listeners are invited to embark on an auditory journey that mirrors the experience of witnessing a sunrise and sunset on the Atlantic horizon. The orchestral textures serve as dynamic and integral components of the narrative, bringing to life the serene beauty and the vibrant tapestry of Atlantic Canada's natural landscapes through music.
$50.00
46.15 €
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Orchestra
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Nick Elliott
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Horizons
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Nick Elliott
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SheetMusicPlus
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
9.22 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasmagorey Ballet
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Thomas Oboe Lee
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SheetMusicPlus
Shake It Off
Orchestra
Full Orchestra - Level 1 - Digital Download SKU: A0.847179 By Taylor Swift. By Joha…
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Full Orchestra - Level 1 - Digital Download SKU: A0.847179 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Susie Winkworth winkmusic.co.uk. Pop. Score and parts. 45 pages. Winkmusic.co.uk #5041651. Published by winkmusic.co.uk (A0.847179). Taylor Swift's biggest number one hit, Shake It Off. Channelling all the infectious energy of the original, this version for easy string ensemble (and Guide Piano) will make everyone smile! Students also get the chance to try out some more contemporary percussive techniques.Violin 1: 1st position, high and low 2nd fingers, some pushed rhythmsViolin 2: 1st position, high and low 2nd fingersViolin 3/Viola: 1st position, high 2nd fingers onlyCello 1: 1st position, 2nd and 3rd fingers, more rhythmic variety and string crossingCello 2/Bass: 1st positionOpt. Violin 4: Open strings onlyOpt. Cello 3: Open strings onlyTeacher Guide PianoWinkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$18.00
16.61 €
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Orchestra
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Taylor Swift
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Shake It Off
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winkmusic.co.uk
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SheetMusicPlus
DEAD OVERTURE & FINALE
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1181690 By Lee Johnson. By Lee …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1181690 By Lee Johnson. By Lee Johnson. 20th Century,Contemporary,Contest,Festival. Score and parts. 66 pages. Lee Johnson Music #781470. Published by Lee Johnson Music (A0.1181690). DEAD OVERTURE & FINALE - for symphony orchestra - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. This spirited work can be used as a fun overture/finale for movements from Dead Symphony no. 6 or for other orchestral works. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$39.99
36.91 €
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Orchestra
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Lee Johnson
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DEAD OVERTURE & FINALE
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Lee Johnson Music
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SheetMusicPlus
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