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19
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11
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11
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String Quartet: 2 violins, viola, cello
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Violin
34
Harp
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9
Viola
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2 Cellos (duet)
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2 Violas (duet)
7
Viola, Cello (duet)
6
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String quartet: 4 violins
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Double Bass
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Cello, Guitar (duet)
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4 Cellos
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String Trio: 2 violins, viola
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String Quartet : 4 violas
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String Trio: 3 violas
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String Trio: 3 violins
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Piano Trio: Violin, Viola, Piano
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String Quintet: 2 violins, viola, cello, bass
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PERCUSSION & ORCHESTRA
Concert band
1304
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151
E. Chabrier - Impromptu, orchestrated by A. Leytush
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1135875 Composed by Alexis Emma…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1135875 Composed by Alexis Emmanuel Chabrier. Arranged by Orchestrated by Arkady Leytush. 19th Century. Score and Parts. 42 pages. Arkady Leytush #735904. Published by Arkady Leytush (A0.1135875). Orchestra: Piccolo 1.2 Flute 1.2 Oboe English horn 1.2 Clarinets in B Bass Clarinet 1.2 Bassoon Contrabassoon 4 Horns in F 2 Trumpet in C 2 Trombone Bass Trombone Timpani Glockenspiel Percussion: Triangle Snare dram Tambourine Cymbals Gong (S, M) Bass drum Harp Violins I Violins 2 Violas Cellos D. Basses.
$60.00
55.35 €
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Orchestra
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Alexis Emmanuel Chabrier
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E. Chabrier - Impromptu, orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
Canterbury Tales, An Opera in Four Acts, Instrument Parts 1 of 2
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.730530 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730530 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 350 pages. James Nathaniel Holland #6502039. Published by James Nathaniel Holland (A0.730530). INDIVIDUAL INSTRUMENTS 1 of 2 (Woodwinds, Brass, Percussion). An original opera of four stories in the spirit of street theater, taken and based on Geoffrey Chaucer's The Canterbury Tales updated with original libretto by American composer James Nathaniel Holland. Act 1: For All The Rocks Off the Coast of Brittany (drama), Act 2: Une Danse Macabre (drama/comedy), Act 3: What All Women Want (drama/comedy), and Act 4: That Pesky Itch (comedy). Can be stand-alone one acts or performed together with overture. Scores: Piano Vocal Score, Full Orchestral Score, and Instrument Parts 1 and 2. 8 Principals who double or triple roles and sing choruses parts in the other acts. No chorus required or may include full chorus cast. Instrumentation: f1/picc, fl2, ob, eh, cl12, bsn 12, hrn 12, tpt12, trmb, tba, timp, perc., hrp, and strings. Minimum required eight singers: Coloratura, Soprano, Dramatic Soprano, Mezzo, 2 Tenors, Baritone, Bass.
$45.50
41.97 €
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Orchestra
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James Nathaniel Holland
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Canterbury Tales, An Opera in Four Acts, Instrument Parts 1 of 2
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James Nathaniel Holland
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SheetMusicPlus
Canterbury Tales, An Opera in Four Acts, Full Orchestral Score
Orchestra
Full Orchestra - Digital Download SKU: A0.730532 Composed by James Nathaniel Hollan…
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Full Orchestra - Digital Download SKU: A0.730532 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 324 pages. James Nathaniel Holland #6504055. Published by James Nathaniel Holland (A0.730532). FULL ORCHESTRAL SCORE (in Concert Pitch). An original opera of four stories in the spirit of street theater, taken and based on Geoffrey Chaucer's The Canterbury Tales updated with original libretto by American composer James Nathaniel Holland. Act 1: For All The Rocks Off the Coast of Brittany (drama), Act 2: Une Danse Macabre (drama/comedy), Act 3: What All Women Want (drama/comedy), and Act 4: That Pesky Itch (comedy). Can be stand-alone one acts or performed together with overture. Scores: Piano Vocal Score, Full Orchestral Score, and Instrument Parts 1 and 2. 8 Principals who double or triple roles and sing choruses parts in the other acts. No chorus required or may include full chorus cast. Instrumentation: f1/picc, fl2, ob, eh, cl12, bsn 12, hrn 12, tpt12, trmb, tba, timp, perc., hrp, and strings. Minimum required eight singers: Coloratura, Soprano, Dramatic Soprano, Mezzo, 2 Tenors, Baritone, Bass.
$40.25
37.13 €
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Orchestra
#
James Nathaniel Holland
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Canterbury Tales, An Opera in Four Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
Oedipus
Orchestra
Orchestra - Digital Download SKU: S9.Q49198 Music-Dance-Drama. Composed by H…
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Orchestra - Digital Download SKU: S9.Q49198 Music-Dance-Drama. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 80' 0. Schott Music - Digital #Q49198. Published by Schott Music - Digital (S9.Q49198). Schon 1933 zeigte Partch Interesse, eine dramatische Vertonung des Oedipus zu komponieren. Eine erste Fassung beendete er am 31. Juli 1951 und das Werk wurde im März des folgenden Jahres uraufgeführt. Für diese zweite Fassung nahm Partch weitere Instrumente hinzu und veränderte die Rolle des „Spokesman. In der dritten und letzten Fassung von 1967 änderte Partch die Instrumentierung nochmals geringfügig – insbesondere kamen seine Gourd Tree und Cone Gongs hinzu.Klar. · Adapted Viola · Guitars II und III · Double Bass (with Ratio Fingerboard Covering) · Kithara · Harmonic Canons · Chromelodeon I · Chromelodeon Sub-bass · Cloud-Chamber Bowls · Cone Gongs · Gourd Tree · Diamond Marimba · Marimba Eroica · Bass Marimba · Hypo-bass Marimba · Castor & Pollux · Cymbal.
$72.99
67.33 €
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Orchestra
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Harry Partch
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Oedipus
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Schott Music - Digital
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SheetMusicPlus
Lukas - Passion
Orchestra
8 VlI, 7VlII, 6Vla, 5Vc, 4Kb, 2 Fl, 1 Ob, 1 Engl Hr, 2 Klar, 2 Fag choir, 3 solo parts and…
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8 VlI, 7VlII, 6Vla, 5Vc, 4Kb, 2 Fl, 1 Ob, 1 Engl Hr, 2 Klar, 2 Fag choir, 3 solo parts and orchestra - Digital Download SKU: S9.Q584591 Passion Music based on the Gospel of St. Luke. Composed by Kurt Hessenberg. Downloadable, Full score. Op. 103. Duration 45 minutes. Schott Music - Digital #Q584591. Published by Schott Music - Digital (S9.Q584591). The Frankfurt composer and professor of composition Kurt Hessenberg (1908-1994), together with Ernst Pepping and Hugo Distler, ranks among the most important representatives of Protestant church music in the twentieth century. 'Lukas-Passion' was composed in 1977 at the suggestion of Helmuth Rilling and performed for the first time in 1978 at the Frankfurt Dreikönigskirche by the Frankfurt Kantorei and Bach Collegium Frankfurt under the direction of Rilling. In this great Passion, Hessenberg's tonal language is extremely gripping â?? his sense both of drama and of expressive passages expresses a deep emotion. The music of Passion according to St. Luke is one of Hessenberg's most important sacred works.Hessenbergs Tonsprache ist in dieser groÃ?en Passion besonders packend â?? sowohl sein Sinn für Dramatik als auch für ausdrucksintensive Passagen bewirken eine Ergriffenheit, der man sich nicht entziehen kann. Die Passionsmusik nach dem Evangelisten Lukas zählt zu Hessenbergs bedeutendsten geistlichen Werken.
$91.99
84.86 €
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Orchestra
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Kurt Hessenberg
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Lukas - Passion
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Schott Music - Digital
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SheetMusicPlus
Suite from the opera "Hamlet", op. 64a
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
92.25 €
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Orchestra
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Adrian Gagiu
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Suite from the opera "Hamlet", op. 64a
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Adrian Gagiu
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SheetMusicPlus
Name of All Majesty
Orchestra
(Orchestra) - Digital Download SKU: H1.C5239ODP Composed by Thomas Fettke. Piano Ac…
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(Orchestra) - Digital Download SKU: H1.C5239ODP Composed by Thomas Fettke. Piano Accompaniment with Optional Orchestra. General Worship, God's Attributes/Character, Adoration & Praise. Set of Instrumental Parts. 71 pages. Hope Publishing - Digital #C5239ODP. Published by Hope Publishing - Digital (H1.C5239ODP). Timothy Dudley-Smith. Exodus:15:6 - Exodus:15:11 - Psalms 8:1 - Psalms 8:9 - Psalms 93:1 - Psalms 96:6 - Psalms 104:1 - Psalms 110:3 - Psalms 111:3 - Psalms 145:5 - Isaiah 2:10 - Isaiah 2:19 - Isaiah 2:21 - Isaiah 35:10 - Hebrews 1:3 - Hebrews 8:1 - 2 Pet.Original anthem Tom Fettke has compoased dramatic new music for Timothy Dudley-Smith's popular hymn text of adoration. The grandiose orchestral track, from Camp Kirkland, provides sweep and drama, whereas performance with just piano, transforms this traditional hymn text into a flowing praise and worship-like chorus.
$89.95
82.98 €
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Orchestra
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Thomas Fettke
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Name of All Majesty
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Hope Publishing - Digital
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SheetMusicPlus
Overture to "Der Bäbu" (The Baby)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1217034 Composed by Heinrich Ma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1217034 Composed by Heinrich Marschner. Arranged by Typeset by Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 183 pages. Trevor Denyer #813564. Published by Trevor Denyer (A0.1217034). Marschner is probably best known for his opera Der Vampyr, but deserves to be played more as his music is powerful and dramatic - in the best Romantic tradition and very similar to Weber's.This overture is no exception - full of energy, drama and reflection too! I believe this to be the only modern score and set of parts to be published - but stand to be corrected!
$49.99
46.12 €
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Orchestra
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Heinrich Marschner
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Overture to "Der Bäbu"
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Trevor Denyer
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SheetMusicPlus
Main Title - Apollo 13
Orchestra
Full Orchestra - Digital Download SKU: A0.480315 Composed by James Horner. Arranged…
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Full Orchestra - Digital Download SKU: A0.480315 Composed by James Horner. Arranged by Kevin Riley. 20th Century,Film/TV,Patriotic. Score and parts. 32 pages. Published by Kevin Riley (A0.480315). Apollo 13 is a 1995 American space docudrama film directed by Ron Howard and starring Tom Hanks, Kevin Bacon, Bill Paxton, Ed Harris and Gary Sinise. The screenplay by William Broyles Jr. and Al Reinert dramatizes the aborted 1970 Apollo 13 lunar mission and is an adaptation of the 1994 book Lost Moon: The Perilous Voyage of Apollo 13, by astronaut Jim Lovell and Jeffrey Kluger. The film depicts astronauts Lovell, Jack Swigert and Fred Haise aboard Apollo 13 for America's fifth crewed mission to the Moon, which was intended to be the third to land. En route, an on-board explosion deprives their spacecraft of much of its oxygen supply and electrical power, which forces NASA's flight controllers to abort the Moon landing and turns the mission into one of seeking scientific and mechanical solutions to get the three men home safely. Howard went to great lengths to create a technically accurate movie, employing NASA's assistance in astronaut and flight-controller training for his cast and obtaining permission to film scenes aboard a reduced gravity aircraft for realistic depiction of the weightlessness experienced by the astronauts in space. Released to cinemas in the United States on June 30, 1995, Apollo 13 received critical acclaim and was nominated for nine Academy Awards, including Best Picture (winning for Best Film Editing and Best Sound). The film also won the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture, as well as two British Academy Film Awards. In total, the film grossed over $355 million worldwide during its theatrical releases.
$60.00
55.35 €
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Orchestra
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James Horner
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Main Title - Apollo 13
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Kevin Riley
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SheetMusicPlus
Rosamunde
Orchestra
Orchestra - Digital Download SKU: S9.Q4466 Overture to the Melodrama The Magic H…
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Orchestra - Digital Download SKU: S9.Q4466 Overture to the Melodrama The Magic Harp. Composed by Franz Schubert. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 26. Duration 11 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4466. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4466). Kaum 16-jährig, schrieb Schubert die erste Oper und begann damit eine Tätigkeit, für die ihm Zeit seines Lebens der Erfolg versagt geblieben ist. Einzig die Rosamunde Ouvertüre gehört bis heute zum Konzertrepertoire.
$11.99
11.06 €
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Orchestra
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Franz Schubert
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Rosamunde
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Sinfonie Operistiche (Vol. 2) - Opera Overtures (Vol. 2) [Full Score]
Orchestra
Full Orchestra - Digital Download SKU: A0.985978 Composed by Domenico Cimarosa. Arr…
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Full Orchestra - Digital Download SKU: A0.985978 Composed by Domenico Cimarosa. Arranged by Simone Perugini. Classical,Opera. Score and parts. 106 pages. Accademia Lirica Toscana #3214055. Published by Accademia Lirica Toscana (A0.985978). Domenico CimarosaSinfonie Operistiche (Vol. 2) - Opera Overtures (Vol. 2)Critical edition by Simone PeruginiContents:I. Absalon II. Amor Rende Sagace III. Il Capriccio Drammatico IV. Il Convito (Florence Version) V. Il Martirio VI. Il Matrimonio Per Sussurro VII. Il Padre alla Moda VIII. Il Trionfo Della Fede IX. San Filippo Che Risuscita Paolo Massimi[Partitura - Full Score]
$65.00
59.96 €
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Orchestra
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Domenico Cimarosa
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Sinfonie Operistiche
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Accademia Lirica Toscana
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.06 €
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Orchestra
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Eerie Castle
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.999092 Composed by Caryn Pretor…
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Full Orchestra - Level 4 - Digital Download SKU: A0.999092 Composed by Caryn Pretorius. 20th Century,Contemporary,Film/TV,Video Game. Score and parts. 31 pages. Caryn Pretorius #6429891. Published by Caryn Pretorius (A0.999092). A piece which is suitable for a young orchestra playing the epic music sub-genre. Simple rhythms but and easy range yet effective in terms of dramatics.
$20.50
18.91 €
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Orchestra
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Caryn Pretorius
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Eerie Castle
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Caryn Pretorius
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.45 €
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Orchestra
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Orchestral Call
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.989430 Composed by Thomas Nasza…
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Full Orchestra - Level 5 - Digital Download SKU: A0.989430 Composed by Thomas Naszalyi. 20th Century,Contemporary,Film/TV. Score and parts. 6 pages. Thomas Naszalyi #5204753. Published by Thomas Naszalyi (A0.989430). This music inspired by post-romanticism and epic film music is designed for the expression of tension and suspense in thrillers, action, fantasy and dramatic movies. The beginning is a bit surprising and quite threatening. Instrumental, Dramatic, Sad Music.
$1.99
1.84 €
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Orchestra
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Thomas Naszalyi
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Orchestral Call
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Thomas Naszalyi
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SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
147.6 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
#
SheetMusicPlus
El Tango De Roxanne
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1250907 Composed by Baz Luhrman…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1250907 Composed by Baz Luhrmann, Craig Pearce, Gordon Sumner, and Mariano Mores. Arranged by John Langley. 21st Century,Broadway,Film/TV,Latin,Musical/Show,Pop. Score and Parts. 169 pages. Www.studio-orchestrations.com #845188. Published by www.studio-orchestrations.com (A0.1250907). This arrangement is a full symphonic 'filmic' transcription of this iconic modern classic song sung by Ewan MacGregor and the cast of the movie soundtrack uncut. There are some optional instruments (2nd guitar, 2nd keyboard, even SATB choir) but there is a feature guitar and violin solo part. In it’s fullest form this orchestration is very colourful and dramatic, but conductors and concert organisers would be able to omit some additional instruments to taste to fit their specific orchestral line-up needs without degrading the high impact of the song and this orchestrated version.With clear, concise typeset parts [with page turns all properly formatted for practical use by the individual players] this chart would make a stunning dramatic feature item in any concert with orchestra and soloist(s).  Suitable for professional or advanced inetrmediate orchestrasThe instrumentation comprises:2 FlutesPiccoloOboe Cor Anglais2 ClarinetsBass Clarinet2 Bassoons4 French Horns3 Trumpets3 TrombonesTubaTimpani2 Percussion [Cymbals/Bass Drum]HarpPiano (keyboard 1)Keyboard 2 [Optional]2 Acoustic guitars [2nd Optional]Bass GuitarDrum Kit2 SoloistsSATB Chorus  [Optional]StringsYou might also be interested in my orchestration of Come What May:https://www.sheetmusicplus.com/title/come-what-may-digital-sheet-music/22530128.
$120.00
110.7 €
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Orchestra
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Baz Luhrmann, Craig Pearce, Gordon Sumner, and Mariano Mores
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El Tango De Roxanne
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www.studio-orchestrations.com
#
SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
79.33 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Beethoven's Sonata Pathetique, Op. 13, as a Piano Concerto - 1st movement
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.935346 Composed by Ludwig van B…
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Full Orchestra - Level 5 - Digital Download SKU: A0.935346 Composed by Ludwig van Beethoven. Arranged by Aere Greenway. Classical,Romantic Period. Score and parts. 92 pages. Aere R Greenway #6864573. Published by Aere R Greenway (A0.935346). One of the most dramatic of Beethoven's piano sonatas, is now a piano concerto, and as such, is even more dramatic with the power of the orchestra. The piano part can be performed using the Beethoven's piano music, but the piano part included is useful, because it has the same rehearsal marks as the orchestra parts & score. .
$32.97
30.42 €
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Orchestra
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Ludwig van Beethoven
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Beethoven's Sonata Pathetique, Op. 13, as a Piano Concerto - 1st movement
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Aere R Greenway
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SheetMusicPlus
Adoramus Te (Full Orchestra)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.725135 By Paul Barker Music. By…
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Full Orchestra - Level 3 - Digital Download SKU: A0.725135 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 78 pages. Paul Barker Music #3480975. Published by Paul Barker Music (A0.725135). Adoramus Te is our new spectacular Finale fused with an intriguing mixture of Latin and English text. This bold new concert piece is scored for Full Orchestra, Piano and Percussion and will have your audience on their feet by the end of your performance! Memorable and dramatic melodic lines, driving rhythms and roof-raising orchestration make this piece ideal for large public performances. Also available for SAB Choir and Piano, as an instrumental for String Orchestra and as a dramatic full-blown SAB Choir with Full Orchestra version! ​Duration: 2:40 Level: Intermediate/Advanced (UK Grade 6+ & USA 3+) Occasion: Concert - Festivals - Competitions - Concert Finale - Celebration Orchestration: Full Orchestra - Piano - Percussion
$29.95
27.63 €
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Orchestra
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Paul Barker Music
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Adoramus Te
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Paul Barker Music
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SheetMusicPlus
Xenom
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.725193 By Paul Barker Music. By…
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Full Orchestra - Level 3 - Digital Download SKU: A0.725193 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Film/TV. Score and Parts. 45 pages. Paul Barker Music #5207905. Published by Paul Barker Music (A0.725193). Xenom begins with a terrifying audience – tingling introduction and is quickly followed by a galactic March powering the way to a dramatic and memorable climax. Using a vast array of articulations and special playing techniques, Xenom is ideal for intermediate orchestras to further develop their performance skills whilst enjoy creating this musical explosion. Xenom – truly an orchestral frightmare!Duration: 2:45Level: Intermediate (USA Grade 2+ & UK 5+)Orchestration: Full OrchestraOccasion: Large Concert (Formal/Informal) - Festivals - CompetitionsGenre: Large - Cinematic - Dramatic - Programatic Music
$29.95
27.63 €
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Orchestra
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Paul Barker Music
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Xenom
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Paul Barker Music
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SheetMusicPlus
The Crown Main Theme
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1430569 Composed by Hans Zimmer…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1430569 Composed by Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams. Arranged by John Langley / Studio Orchestrations. Classical,Film/TV,Historic,Patriotic. 41 pages. Www.studio-orchestrations.com #1011096. Published by www.studio-orchestrations.com (A0.1430569). The ground breaking Netflix epic TV biopic series was indeed a huge sea change in home streaming content output, bringing together some of Britain's biggest names in theatre, film and TV to portray the history of Queen Elizabeth II's 70 years as the UK monarch. Controversial at times, it had many critics but it was hugely popular with no less than 4 actresses taking on her portrayal.The respect, sensitivity and gravitas we would expect for a histirical drama production like this was self evident from the opening credits and the accompanying music. The theme that Balfe, Gregson Williams and Zimmer created perfectly framed and set up each episode beautifully. A little known fact is that it is based on a song written 400 years before it by Henry Purcell in his 'semi-opera' KING ARTHUR. The harmonies Purcell wrote in his 'Cold song' were very progressive for the time it was written but provides a wonderful bed for the modern writing team to use as their inspiration.This orchestration follows the original TV soundtrack as closely as possible for standard concert orchestra instrumentation:2 FlutesPiccolo2 Oboes2 Clarinets1 Bass Clarinet2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani2 Percussion[Taiko Drum/Large Bass Drum]StringsCheckout some of the growing list of other titles now available on this website scored by Studio Orchestrations.
$90.00
83.03 €
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Orchestra
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Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams
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The Crown Main Theme
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www.studio-orchestrations.com
#
SheetMusicPlus
A New Heart for Christmas - Orchestration
Orchestra
Full Orchestra - Digital Download SKU: LX.30-1530RA Composed by Kenn Mann. Arranged…
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Full Orchestra - Digital Download SKU: LX.30-1530RA Composed by Kenn Mann. Arranged by Steve W Mauldin. Choral Cantatas. Christmas. Score and parts. 832 pages. Radiant Music #e30/1530RA. Published by Radiant Music (LX.30-1530RA). A young boy in a hospital room waits... worried, troubled. Is he high enough on the list?ö Will he qualify for a new heart before his old one gives out? He wonders if he will live or die. It's Christmas time, and he asks not for toys or gifts, but for a new heart. By the end of this moving and emotional drama for choir, soloists, and orchestra, the boy has discovered th Flute, Oboe, Clarinet, Horn in F 1 and 2, Violin 1 and 2, Viola, Violoncello, Double Bass. Rhythm (Piano, Electric Bass, Guitar, Drums), Bass Trombone/Tuba, Percussion, Timpani, Harp, Includes a Conductor's Score and Parts for; Trumpet 1, 2 and 3, Trombone 1 and 2, Optional Instrumental Parts Included; Eb Alto Saxophone 1 and 2 (doubles Horn in F 1&2) BbTenor Saxophone (doubles Trombone 1) Bb Treble Clef Baritone (doubles Trombone 2) Bb Clarinet (doubles Viola) Bb Bass Clarinet (doubles Violoncello) Bassoon (doubles Violoncello) Keyboard String Reduction (doubles Violins, Viola, Violoncello and Double Bass).
$349.95
322.83 €
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Orchestra
#
the end of this moving and emotional drama for choir, soloists, and orchestra, the boy has discovered th Flute, Oboe, Clarinet, Horn in F 1 and 2, Violin 1 and 2, Viola, Violoncello, Double Bass
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Kenn Mann
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A New Heart for Christmas - Orchestration
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Radiant Music
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SheetMusicPlus
Soldiers of the Cross - Orchestral Score and Parts
Orchestra
Orchestra - Digital Download SKU: LX.30-2458L Composed by Pepper Choplin. Sacred An…
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Orchestra - Digital Download SKU: LX.30-2458L Composed by Pepper Choplin. Sacred Anthem, Good Friday, Holy Week. Orchestral Score and Parts. 51 pages. Lorenz Publishing - Digital Sheet Music #e30/2458L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2458L). This haunting portrayal of Calvary focuses on the soldiers as they wager for Jesusâ?? robe, hear Him take His final breath, and stand in silent wonder at the cross. The traditional spiritual Jacobâ??s Ladder brilliantly establishes the somber mood while moving the agonizing story forward, scene by scene. The vocals are simple, lending clarity and drama to the text, and the sparse yet artful accompaniment perfectly complements the whole. (From the cantata Come, Touch the Robe. SATB â?? 55/1123L; SAB â?? 55/1124L.) Instrumentation: Flute, Oboe, Clarinet, 2 F Horns, 2 Trumpets, 2 Trombones, 2 Percussion, Piano, Violin 1 and 2, Viola, Cello, Bass.
$49.95
46.08 €
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Orchestra
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Pepper Choplin
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SAB â?? 55/1124L
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Soldiers of the Cross - Orchestral Score and Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
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