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Elegy Sentimentale for Orchestra
Orchestra
Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemp…
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Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
27.67 €
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Orchestra
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Keith Terrett
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Elegy Sentimentale for Orchestra
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Keith Terrett
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
184.45 €
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Orchestra
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
Too Late For Goodbyes
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1390032 Composed by Julian Lenn…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1390032 Composed by Julian Lennon. Arranged by Brad Ritchie. Classical,Folk,Singer/Songwriter,Traditional. 109 pages. Main Office Productions and Publishing #973575. Published by Main Office Productions and Publishing (A0.1390032). A bluegrass take on Julian Lennon's Too Late for Goodbyes as performed by Michael Cleveland and Flamekeeper.
$100.00
92.23 €
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Orchestra
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Julian Lennon
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Too Late For Goodbyes
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Main Office Productions and Publishing
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
23.06 €
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Orchestra
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Mexican law and custom
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Miguel Rios Toledano
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
59.95 €
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Orchestra
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Mexican law and custom
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Miguel Rios Toledano
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Con Te Partiro (time To Say Goodbye)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By F…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance. Â Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics. Â Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world. Â This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity. Â This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.
$89.99
82.99 €
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Orchestra
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Andrea Bocelli
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Con Te Partiro
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Flavio Regis Cunha
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SheetMusicPlus
One Sows for the Benefit of Another Age - Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vander…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
46.1 €
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Orchestra
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Kyle Vanderburg
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One Sows for the Benefit of Another Age - Orchestra
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NoteForge
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SheetMusicPlus
What The Lord Has Done For Me (Anthem) - Orchestration
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.747214 Composed by Christopher …
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Full Orchestra - Level 3 - Digital Download SKU: A0.747214 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 83 pages. Christopher Brown #4756795. Published by Christopher Brown (A0.747214). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$49.99
46.1 €
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Orchestra
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Christopher R
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What The Lord Has Done For Me
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Christopher Brown
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SheetMusicPlus
Good Wassail - Orchestra & Choir
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.750100 By Bradley Sowash. By He…
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Full Orchestra - Level 5 - Digital Download SKU: A0.750100 By Bradley Sowash. By Heinrich Suso. Arranged by Bradley Sowash. Christmas,Classical,Jazz. Score and parts. 84 pages. Bradley Sowash #4631. Published by Bradley Sowash (A0.750100). A blending of Good Christian Men Rejoice and Here We Come a Wassailing begins with a quiet choir feature that moves into an Afro Pop groove with an optional steel drum part (can also be performed on keyboard). A medium swing section follows before the big double time ending. Could also be performed as an instrumental with minor adjustments. (6:33 minutes) PDF format includes a license to make photocopies. Video: http://youtu.be/w2XJRlUEtBE Symphony Orchestra and optional Choir: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 French Horns, 3 Trumpets, Violins I, II, Violas, Cellos, Contrabasses, Percussion, Piano, Amplified Bass, Drum Set, SATB Choir Learn more about the arranger: http://bradleysowash.com.
$50.00
46.11 €
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Orchestra
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Bradley Sowash
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Good Wassail - Orchestra & Choir
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Bradley Sowash
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SheetMusicPlus
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full score + Set of Parts)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.868902 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868902 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4822415. Published by Really Good Music, LLC. (A0.868902). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$130.00
119.89 €
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Orchestra
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Lev PULVER
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PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full Score + Viola Solo part)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.868903 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868903 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 28 pages. Really Good Music, LLC. #4822417. Published by Really Good Music, LLC. (A0.868903). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$90.00
83 €
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Orchestra
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Lev PULVER
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PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Set of Parts)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.868899 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868899 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4811241. Published by Really Good Music, LLC. (A0.868899). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$130.00
119.89 €
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Orchestra
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Lev PULVER
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PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Cello Solo part)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.868900 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868900 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 25 pages. Really Good Music, LLC. #4811235. Published by Really Good Music, LLC. (A0.868900). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$90.00
83 €
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Orchestra
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Lev PULVER
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PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.21 €
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Orchestra
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
46.07 €
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Orchestra
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Life Is Good
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1406091 By Zane Kuchera. By Mus…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1406091 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Broadway,Classical,Contemporary,Jazz,Musical/Show. 5 pages. Zane Kuchera Music #989182. Published by Zane Kuchera Music (A0.1406091). Https://album.link/cgddc8zcfgxhx3/21/24 Zane Kuchera Music released “Life Is Good†(Pop/AC/Jazz). When all is said and done, enduring hardships, reflecting back, looking forward, choosing to look at the bright side, together, we are stronger and better. “We still have neighbors in our neighborhood, when you need a hand, it's understood, times are hard but life is goodâ€. Words: Paul Tapp , music & performance: Zane Kuchera.
$4.99
4.6 €
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Orchestra
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Zane Kuchera
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performance: Zane Kuchera
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Life Is Good
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Zane Kuchera Music
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SheetMusicPlus
Paul Langford: Good Grief (complete set of parts) - orchestra/band
Orchestra
Instantly printable sheet music by Paul Langford for orchestra/band of MEDIUM skill level.…
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Instantly printable sheet music by Paul Langford for orchestra/band of MEDIUM skill level. / pop
$32.99
30.43 €
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Orchestra
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Paul Langford
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Virtualsheetmusic
20 Carols for Orchestra Volume 2
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1404520 Composed by Various. Ar…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1404520 Composed by Various. Arranged by Trevor Davies. Christmas,Classical,Praise & Worship. 117 pages. Musicworks.co.uk #906443. Published by Musicworks.co.uk (A0.1404520). 20 Carols for Orchestra Volume 2. God Rest You Merry, Gentlemen; Good King Wenceslas; Hark! The Herald Angels Sing. This set of arrangements is ideal for the ever popular “Audience Participation†type of Carol Concert as well as traditional carol services. Set at an intermediate standard, the arrangements are accessible to a broad ability range and are mostly based on the standard choral arrangements. The orchestration is standard with a range of optional cover parts, eg clarinet/oboe etc.Originally produced in 1997 for an Oxford Middle School, this resource has found its way to schools as far afield as Portugal and New Zealand as well as many establishments in the UK.
$14.95
13.79 €
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Orchestra
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Various
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Good King Wenceslas
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20 Carols for Orchestra Volume 2
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Musicworks.co.uk
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SheetMusicPlus
PULVER Lev: "An Eye for an Eye", musical scenes from Act 3, for Symphony Orchestra (Full score + set
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.868918 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868918 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 118 pages. Really Good Music, LLC. #4835567. Published by Really Good Music, LLC. (A0.868918). Music to the performance of the Moscow State Yiddish Theater (GOSET) An oyg far an oyg (An Eye for an Eye) had been composed by theater’s musical director Lev PULVER (1883 – 1970) in 1942. The production was one of the earliest, if not the first, artistic incarnations of the theme of the Holocaust and the Jewish resistance to the Nazis. This publication is based on the autograph manuscripts of the orchestral scores of two episodes from Act 3 of the play, realized and edited by Sergei PICHUGIN. The editor hopes that the revival of the music to one of the most mysterious and tragic performances of the GOSET will be viewed as a modest tribute to the memory of the victims of the Holocaust and World War II. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of An Eye for an Eye.
$120.00
110.67 €
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Orchestra
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Lev PULVER
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PULVER Lev: "An Eye for an Eye", musical scenes from Act 3, for Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
Concerto for Electric Guitar and Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Pr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow. The second and third movements are most like a blues work. The first movement is a rondo format, is not particularly bluesy. A Les Paul™ guitar would play particularly well in this movement. The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound. The final movement is happy, upbeat, and lively good time blues. In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum. A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound. The guitar should be the equivalent of a Fender™ Stratocaster or Telecaster guitar; a Gibson™ Les Paul would do nicely also. The music is partially fingered leaving the player the opportunity to interpret the part. The work is after the fashion of Chicago style blues of the 1960’s. The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands. It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3™ with Leslie sound, as that instrument was widely used in blues of that period. Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality. The orchestral part is not particularly challenging. The concerto is approx. 17 minutes in length.
$19.95
18.4 €
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Orchestra
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Robert E
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Concerto for Electric Guitar and Orchestra
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R. E. Proctor
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SheetMusicPlus
Beat The Clock--For Orchestra (Score and Parts)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.835076 Composed by Cody Weinman…
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Full Orchestra - Level 2 - Digital Download SKU: A0.835076 Composed by Cody Weinmann. Contemporary,Film/TV. Score and parts. 1 pages. Cody Weinmann #2331783. Published by Cody Weinmann (A0.835076). Beat The Clock is a score for a video game sequence. It helps with different symbols like ritardando, accelerando, a tempo, and other terms. It has wide-ranging dynamics from pianissimo to mezzoforte. This would be a good opener or overture for an orchestra concert. The full score and parts are all included. It's 2 minutes and 40 seconds in length.Want more music transcriptions: go to http://www.cjw-music-transcriptions.com.
$25.00
23.06 €
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Orchestra
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Cody Weinmann
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Beat The Clock--For Orchestra
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Cody Weinmann
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SheetMusicPlus
God of Beauty, Truth, and Goodness - Orchestral Score and Parts
Orchestra
Orchestra - Digital Download SKU: LX.30-2882L Composed by Sandra T. Ford. Arranged …
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Orchestra - Digital Download SKU: LX.30-2882L Composed by Sandra T. Ford. Arranged by Mary McDonald. Sacred Anthem, Christ the King, General, Lent. Orchestral Score and Parts. 55 pages. Lorenz Publishing - Digital Sheet Music #e30/2882L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2882L). Mary McDonald's arrangement is a song of prayer asking God to strengthen His people so that they may stand for justice, help the helpless, and live by faith. It ends in a joyful alleluia and a reminder that as we sing, God is singing over us too. Orchestration by Douglas Smith for 2 Fl, Ob, 2 Cl, Hn, 3 Tpt, 2 Tbn, Tuba, Pno, Perc, Timp, 2 Vln, Vla, Cello Bass.
$69.95
64.51 €
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Orchestra
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Sandra T
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God of Beauty, Truth, and Goodness - Orchestral Score and Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Rondo Capriccioso op.14 for flute and Orchestra
Orchestra
Full Orchestra - Digital Download SKU: A0.1035210 Composed by Felix Bartholdy Mende…
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Full Orchestra - Digital Download SKU: A0.1035210 Composed by Felix Bartholdy Mendelssohn. Arranged by James Strauss. Romantic Period. Score and parts. 77 pages. James Strauss #3115803. Published by James Strauss (A0.1035210). The sparkling bravura piece was called an Etude in the first version of 1828. Two years later Mendelssohn wanted to present the work to the young piano virtuoso Delphine von Schauroth, whom he was courting at the time. He reworked it under the new title Rondo capriccioso, making it even more brilliant and adding a moving introductory adagio (thus described in a letter to Fanny). In this form, the work still presents all good pianists with a rewarding challenge. I did a bravoure piece for flute and orchestra respecting the Mendelssohn style.
$45.00
41.5 €
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Orchestra
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Felix Bartholdy Mendelssohn
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Rondo Capriccioso op.14 for flute and Orchestra
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James Strauss
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SheetMusicPlus
PULVER Lev: Two Scenes from "Prince Reubeni" for Symphony Orchestra (score and parts)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.868922 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868922 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 72 pages. Really Good Music, LLC. #4837469. Published by Really Good Music, LLC. (A0.868922). The last project of Solomon Mikhoels in the Moscow State Yiddish Theater (GOSET) was David Bergelson’s play Prince Reubeni (1947). Lev PULVER (1883 – 1970) composed music for the production, and it can be said that its quality perfectly corresponded to the grandeur of the performance as envisioned by Mikhoels. Since the work on the project has been stopped by the death of Mikhoels, the music for Prince Reubeni was preserved only as piano scores. Sergei PICHUGIN includes into this publication his own orchestral versions of two musical episodes of the play: Storm on the Sea and Dance of Dina.
$90.00
83 €
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Orchestra
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Lev PULVER
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PULVER Lev: Two Scenes from "Prince Reubeni" for Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
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