Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
For Him In God
Not classified
254
Piano & keyboards
Piano solo
124
Piano, Voice
56
Piano, Vocal and Guitar
35
Organ
17
Easy Piano
16
C Instruments
5
Piano Accompaniment
5
Piano Trio: piano, violin, cello
5
1 Piano, 4 hands
2
2 Pianos, 4 hands
2
+ 5 instrumentations
-
Retract
Guitars
Guitar
4
Guitar notes and tablatures
2
Melody line, (Lyrics) and Chords
2
Bass guitar
2
Voice
Choral SATB
159
Choral 3-part
31
Choral Unison
26
Choral 2-part
13
Vocal duet, Piano
4
Alto voice, Piano
4
Choral TTBB
4
High voice
2
Baritone voice, Piano
2
Medium voice, Piano
1
Choral SSAB, Piano
1
Low voice, Piano
1
Soprano voice, Piano
1
Vocal duet
1
Tenor voice
1
+ 10 instrumentations
-
Retract
Woodwind
2 Flutes (duet)
18
Saxophone Quartet: 4 saxophones
18
Clarinet and Piano
13
2 Saxophones (duet)
11
Oboe (band part)
11
Flute and Piano
11
Clarinet
10
Saxophone ensemble
9
Saxophone Quintet: 5 Saxophones
9
Clarinet Quartet: 4 clarinets
8
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
8
Oboe, Piano (duet)
8
Saxophone, Clarinet (duet)
7
Flute
6
Clarinet, Violin (duet)
5
Baritone Saxophone, Piano
5
Flute, Oboe, Clarinet, Bassoon
5
Alto Saxophone and Piano
4
2 Clarinets (duet)
4
Soprano Saxophone and Piano
4
Tenor Saxophone and Piano
3
2 Oboes (duet)
3
Clarinet (band part)
3
Clarinet and Viola
3
Flute, Clarinet (duet)
3
Oboe, Bassoon (duet)
3
Saxophone (band part)
3
Clarinet Ensemble
3
Flute, Saxophone (duet)
3
English horn, Piano
3
Recorder Quartet
3
Bass Clarinet, Piano
3
Tenor Saxophone
3
2 Saxophones, Piano
2
Flute ensemble
2
Alto Saxophone
2
Oboe, Clarinet (duet)
2
Flute Quartet: 4 flutes
2
Flute, Trumpet (duet)
1
Flute, Violin
1
Flute Quintet : 5 flutes
1
Clarinet, Guitar (duet)
1
Oboe, Flute
1
Flute, Clarinet, Piano (trio)
1
Flute (band part)
1
Recorder
1
+ 41 instrumentations
-
Retract
Woodbrass
Brass Quartet: 4 trombones
15
Brass quartet : 2 trumpets, trombone, tuba
13
Brass Quintet: 2 trumpets, horn, trombone, tuba
10
Trombone and Piano
8
Brass Quartet: 2 trumpets, horn, trombone
7
Trumpet
5
Trumpet, Piano
5
Trumpet, Saxophone (duet)
4
French Horn and Piano
4
2 Trumpets (duet)
3
Euphonium, Piano (duet)
3
English horn, Piano
3
French horn
3
Tuba
2
Trumpet (band part)
2
Trombone ensemble
2
Trombone
2
French horn (band part)
1
Tuba (band part)
1
Brass Quartet: 4 horns
1
Trumpet ensemble
1
2 Trombones (duet)
1
Trombone (band part)
1
+ 18 instrumentations
-
Retract
Strings
Violin and Piano
27
String Quartet: 2 violins, viola, cello
13
Viola, Piano
10
2 Violins (duet)
10
Cello, Piano
8
Violin, Viola (duet)
4
Violin
4
2 Violas (duet)
4
2 Cellos (duet)
3
Harp, Voice
3
Violin, Cello (duet)
3
Cello
3
String Trio: violin, viola, cello
2
Violin (band part)
2
String quartet: 4 violins
2
Harp
2
Viola (band part)
2
Violin ensemble
1
Cello, Guitar (duet)
1
Doublebass (band part)
1
String Quintet: 2 violins, viola, cello, bass
1
Viola, Cello (duet)
1
2 Violins, Piano
1
4 Cellos
1
Viola ensemble
1
Viola and Harp
1
Viola
1
+ 22 instrumentations
-
Retract
Orchestra & Percussion
Concert band
47
Handbells
32
Orchestra
30
Brass ensemble
8
Chamber Orchestra
4
String Orchestra
3
Drums
3
Percussion Ensemble
1
Percussion (band part)
1
+ 4 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
2
Digital Sheet Music
30
Sheet Music Books
15
Music Equipment
5
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
For Him In God
Orchestra
Sheetmusic to print
30 sheet music found
<
1
26
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
#
Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Rosary Sonatas: The Finding of the Child Jesus in the Temple
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Heinrich Ignaz Franz von Biber
#
Joshua Choe
#
Rosary Sonatas: The Finding of
#
JMJ Arrangements
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 48 pages. JMJ Arrangements #685713. Published by JMJ Arrangements (A0.1081597). Now his parents went to Jerusalem every year at the feast of the Passover. And when he was twelve years old, they went up according to custom; and when the feast was ended, as they were returning, the boy Jesus stayed behind in Jerusalem. His parents did not know it, but supposing him to be in the company they went a day’s journey, and they sought him among their kinsfolk and acquaintances; and when they did not find him, they returned to Jerusalem, seeking him. After three days they found him in the temple, sitting among the teachers, listening to them and asking them questions; and all who heard him were amazed at his understanding and his answers. And when they saw him they were astonished; and his mother said to him, 'Son, why have you treated us so? Behold, your father and I have been looking for you anxiously.' And he said to them, 'How is it that you sought me? Did you not know that I must be in my Father’s house?' And they did not understand the saying which he spoke to them. And he went down with them and came to Nazareth, and was obedient to them; and his mother kept all these things in her heart. And Jesus increased in wisdom and in stature, and in favor with God and man. (Luke 2:41-52, RSV-CE).
$19.99
"When will you open the doors before God"
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Dennis Patsiuk
#
Dennis Patsiuk
#
"When will you open the doors
#
Dennis Patsiuk
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1210573 By Dennis Patsiuk. By Dennis Patsiuk. Arranged by Dennis Patsiuk. Christian,Contemporary,Jazz...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1210573 By Dennis Patsiuk. By Dennis Patsiuk. Arranged by Dennis Patsiuk. Christian,Contemporary,Jazz,Multicultural,Praise & Worship,World. Score and Parts. 10 pages. Dennis Patsiuk #808358. Published by Dennis Patsiuk (A0.1210573). The song, based on the lyrics of the Christian poet Galina Krasnenkova, was written by the author in Minsk, Belarus in 2007. The lyrics are in Russian. The first performer was the author himself. Today, this song is performed in various countries, mainly in evangelical churches. The main message of the song's lyrics is that the love of God is an unearthly power that transforms the stony hearts of people, and all that is required for this is for a person to believe in Jesus Christ and open the door of their heart.
$80.00
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) - Score Only
#
Orchestra
#
ADVANCED
#
An-lun Huang
#
Dream of Dunhuang - Ballet in
#
DoReMi Edition
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score an...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pages. DoReMi Edition #644919. Published by DoReMi Edition (A0.1040096). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$29.99
We Shall See Him As He Is: Full Orchestral Score and Piano Vocal Score
#
Orchestra
#
INTERMEDIATE
#
Sacred music
#
Joy F
#
Joy F
#
We Shall See Him As He Is: Ful
#
Joy Music Ltd.
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1082701 By Joy F. Fairclough. By Joy F. Fairclough. Arranged by Joy F. Fairclough. Praise & Worship. ...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1082701 By Joy F. Fairclough. By Joy F. Fairclough. Arranged by Joy F. Fairclough. Praise & Worship. Score and parts. 19 pages. Joy Music Ltd. (Jamaica) #686903. Published by Joy Music Ltd. (Jamaica) (A0.1082701). A Hymn with orchestral piano-vocal score (chamber or full) orchestra. It is a hymn of longing to See God and Live with Him Eternally. This Hymn was written in memory of a missionary who dedicated her life with her husband to build new churches and new schools for the general education of the population of the country in which they lived. It speaks of God's love for all and His unashamed helping of human kind to turn away from doing wrong.
$17.50
Let All the Angels of God Worship Him, from The Messiah Oratorio. Advanced symphony orchestra.
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
G
#
Laura C
#
Let All the Angels of God Wors
#
Laura Quijada
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.805527 Composed by G. F. Handel. Arranged by Laura C. Quijada OrtÃz. Baroque,Christmas,Easter,Sacr...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.805527 Composed by G. F. Handel. Arranged by Laura C. Quijada OrtÃz. Baroque,Christmas,Easter,Sacred. Score and parts. 42 pages. Laura Quijada #6862181. Published by Laura Quijada (A0.805527). For advanced children symphony orchestra. Chorus from the second part, scene 4, of The Messiah Oratorio. Key, length and string parts are original and can be performed with choir. Included in this set: full score, parts, strings (+ timpani) score, woodwinds (+ timpani) score, brass (+ timpani) score. Other adaptations available: strings and woodwinds (+ timpani), strings (+ timpani), strings and brass (+timpani).
$35.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Rosary Sonatas: The Presentation
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Heinrich Ignaz Franz von Biber
#
Joshua Choe
#
Rosary Sonatas: The Presentati
#
JMJ Arrangements
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 79 pages. JMJ Arrangements #685710. Published by JMJ Arrangements (A0.1081594). [W]hen the time came for their purification according to the law of Moses, they brought him up to Jerusalem to present him to the Lord (as it is written in the law of the Lord, 'Every male that opens the womb shall be called holy to the Lord') and to offer a sacrifice according to what is said in the law of the Lord, 'a pair of turtledoves, or two young pigeons.' Now there was a man in Jerusalem, whose name was Simeon, and this man was righteous and devout, looking for the consolation of Israel, and the Holy Spirit was upon him. And it had been revealed to him by the Holy Spirit that he should not see death before he had seen the Lord’s Christ. And inspired by the Spirit he came into the temple; and when the parents brought in the child Jesus, to do for him according to the custom of the law, he took him up in his arms and blessed God and said, 'Lord, now lettest thou thy servant depart in peace, according to thy word; for mine eyes have seen thy salvation which thou hast prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to thy people Israel.' And his father and his mother marveled at what was said about him; and Simeon blessed them and said to Mary his mother, 'Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against (and a sword will pierce through your own soul also), that thoughts out of many hearts may be revealed.' ... And when they had performed everything according to the law of the Lord, they returned into Galilee, to their own city, Nazareth. And the child grew and became strong, filled with wisdom; and the favor of God was upon him. (Luke 2:22-35, 39-40 RSV-CE).
$19.99
Chester - Full Orchestra
#
Orchestra
#
INTERMEDIATE
#
William Billings
#
Joel Jacklich (ASCAP)
#
Chester - Full Orchestra
#
Joel Jacklich
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.723123 Composed by William Billings. Arranged by Joel Jacklich (ASCAP). Classical,Folk,Holiday,Patrio...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.723123 Composed by William Billings. Arranged by Joel Jacklich (ASCAP). Classical,Folk,Holiday,Patriotic. Score and parts. 22 pages. Joel Jacklich #3111503. Published by Joel Jacklich (A0.723123). William Billings, the first native-born American composer, wrote Chester as a patriotic tune embracing the American disdain for their British overlords and espousing the need for freedom and self-determination. The title, merely reflects a common practice of the time of having hymn tunes named for the location of their composition, rather than for their content. The piece served as a sort of de facto national anthem in the early years of our nationhood. The original words are supposedly by Billings himself.Let tyrants shake their iron rod,And Slav'ry clank her galling chains,We fear them not, we trust in God,New England's God forever reigns.Howe and Burgoyne and Clinton too,With Prescot and Cornwallis join'd,Together plot our Overthrow,In one Infernal league combin'd.When God inspir'd us for the fight,Their ranks were broke, their lines were forc'd,Their ships were Shatter'd in our sight,Or swiftly driven from our Coast.The Foe comes on with haughty Stride;Our troops advance with martial noise,Their Vet'rans flee before our Youth,And Gen'rals yield to beardless Boys.What grateful Off'ring shall we bring?What shall we render to the Lord?Loud Halleluiahs let us Sing,And praise his name on ev'ry Chord.
$19.99
I Write The Songs
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Barry Manilow
#
Kevin Riley
#
I Write The Songs
#
Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and par...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
Rosary Sonatas: The Nativity
#
Orchestra
#
INTERMEDIATE
#
Heinrich Ignaz Franz von Biber
#
Joshua Choe
#
Rosary Sonatas: The Nativity
#
JMJ Arrangements
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1081583 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Christmas,Classi...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1081583 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Christmas,Classical,Sacred. Score and parts. 46 pages. JMJ Arrangements #685705. Published by JMJ Arrangements (A0.1081583). [W]hile [Joseph and Mary] were there, the time came for her to be delivered. And she gave birth to her first-born son and wrapped him in swaddling cloths, and laid him in a manger, because there was no place for them in the inn. And in that region there were shepherds out in the field, keeping watch over their flock by night. And an angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were filled with fear. And the angel said to them, 'Be not afraid; for behold, I bring you good news of a great joy which will come to all the people; for to you is born this day in the city of David a Savior, who is Christ the Lord. And this will be a sign for you: you will find a babe wrapped in swaddling cloths and lying in a manger.' And suddenly there was with the angel a multitude of the heavenly host praising God and saying, 'Glory to God in the highest, and on earth peace among men with whom he is pleased!' When the angels went away from them into heaven, the shepherds said to one another, 'Let us go over to Bethlehem and see this thing that has happened, which the Lord has made known to us.' And they went with haste, and found Mary and Joseph, and the babe lying in a manger. And when they saw it they made known the saying which had been told them concerning this child; and all who heard it wondered at what the shepherds told them. But Mary kept all these things, pondering them in her heart. And the shepherds returned, glorifying and praising God for all they had heard and seen, as it had been told them. (Luke 2:6-20 RSV-CE).
$34.99
Rosary Sonatas: The Visitation
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Heinrich Ignaz Franz von Biber
#
Joshua Choe
#
Rosary Sonatas: The Visitation
#
JMJ Arrangements
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 47 pages. JMJ Arrangements #685702. Published by JMJ Arrangements (A0.1081580). In those days, Mary arose and went with haste into the hill country, to a city of Judah, and she entered the house of Zechariah and greeted Elizabeth. And when Elizabeth heard the greeting of Mary, the babe leaped in her womb; and Elizabeth was filled with the Holy Spirit and she exclaimed with a loud cry, 'Blessed are you among women, and blessed is the fruit of your womb! And why is this granted me, that the mother of my Lord should come to me? For behold, when the voice of your greeting came to my ears, the babe in my womb leaped for joy. And blessed is she who believed that there would be a fulfillment of what was spoken to her from the Lord.' And Mary said, “'My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has regarded the low estate of his handmaiden. For behold, henceforth all generations will call me blessed; for he who is mighty has done great things for me, and holy is his name. And his mercy is on those who fear him from generation to generation. He has shown strength with his arm, he has scattered the proud in the imagination of their hearts, he has put down the mighty from their thrones, and exalted those of low degree; he has filled the hungry with good things, and the rich he has sent empty away. He has helped his servant Israel, in remembrance of his mercy, as he spoke to our fathers, to Abraham and to his posterity for ever.' And Mary remained with her about three months, and returned to her home. (Luke 1:39-56 RSV-CE).
$19.99
The Light Shines [John 1:5] (Anthem) - Orchestration
#
Orchestra
#
INTERMEDIATE
#
Sacred music
#
Gospel/Spiritual
#
Christopher R
#
Christopher R
#
The Light Shines [John 1:5]
#
Christopher Brown
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.747254 Composed by Christopher R. Brown. Arranged by Christopher R. Brown. Christian,Gospel,Praise & ...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.747254 Composed by Christopher R. Brown. Arranged by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 119 pages. Christopher Brown #4794241. Published by Christopher Brown (A0.747254). About the song: This anthem aims to focus on the great truth of John 1:5 - The Light shines in the darkness, and the darkness can never extinguish it. At the cross, where darkness seemed to have the upper hand, the Light shone as Christ declared His finished work. In the human heart, where darkness enslaves lost souls, the Light shines as Christ saves us from the power of sin and death. And in the midst of suffering and persecution, the Light will continue to shine as God's presence and everlasting love carries us and strengthens us to continue to live faithfully for Him.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the vocal score separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.Included in your Purchase:Full ScoreVocal Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1
$49.99
Greater Is He (Anthem) - Orchestration
#
Orchestra
#
INTERMEDIATE
#
Sacred music
#
Gospel/Spiritual
#
Christopher R
#
greater
#
Greater Is He
#
Christopher Brown
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.747202 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 1...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.747202 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 101 pages. Christopher Brown #4725429. Published by Christopher Brown (A0.747202). About the song: Satan has been decisively defeated. In every battle with the devil, 1 John 4:4 assures us that God is greater. When we feel trapped in sin, God is greater. When we are tempted to doubt, God is greater. When we face trials, God is greater. When we experience great loss or disappointment, God is greater still. He is able to strengthen, help, comfort, and uphold our souls by His power and might regardless of the circumstances in which we find ourselves. This is reason for hope, joy, and praise even in the darkest valley.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1When it seems there’s no way out,He can make a way.In the darkness of my doubt,He’s the light of day.Ev’ry trial that I face,Comes with His mercy and His grace.Pre-Chorus 1Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 1This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Verse 2When my world begins to shake,He’s unshakable.When my circumstances change,He’s unchangeable.In ev’ry storm and crashing wave,My God is powerful to save.Pre-Chorus 2Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 2This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Bridge 1There isn’t any other,Who has the power, power.The King of Kings, and Lord of Lords,We lift Him higher, higher.Bridge 2We raise our voices louder,Our God is stronger, stronger.The King of Kings, and Lord of Lords,We lift Him higher, higher.Chorus 3This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He,Greater is He,Greater is He that is in me.
$49.99
Minnie the Moocher: Bassoon
#
Orchestra
#
Instructional
#
The Blues Brothers
#
Ralph Ford
#
Minnie the Moocher: Bassoon
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015972_B1 Bassoon. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph For...
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0015972_B1 Bassoon. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015972_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015972_B1). UPC: 038081453538.A jazz classic that has stood the test of time, this arrangement captures all the magic of this great Cab Calloway tune from the 1930s. Also known as the Hi-dee-ho song, it was re-popularized by Cab himself in a 1970's comedy film that featured two brothers singing the blues that were on a mission from God. Included in this arrangement for your orchestra is the famous vocal scat that made this a huge hit that spans generations. Audiences of all ages are sure to enjoy joining in the fun and singing along on your next concert! (2:30).
$3.00
Minnie the Moocher: Mallets
#
Orchestra
#
Instructional
#
The Blues Brothers
#
Ralph Ford
#
Minnie the Moocher: Mallets
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015972_M1 Mallets. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph For...
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0015972_M1 Mallets. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015972_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015972_M1). UPC: 038081453538.A jazz classic that has stood the test of time, this arrangement captures all the magic of this great Cab Calloway tune from the 1930s. Also known as the Hi-dee-ho song, it was re-popularized by Cab himself in a 1970's comedy film that featured two brothers singing the blues that were on a mission from God. Included in this arrangement for your orchestra is the famous vocal scat that made this a huge hit that spans generations. Audiences of all ages are sure to enjoy joining in the fun and singing along on your next concert! (2:30).
$3.00
Minnie the Moocher: Flute
#
Orchestra
#
Instructional
#
The Blues Brothers
#
Ralph Ford
#
Minnie the Moocher: Flute
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015972_F1 Flute. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford....
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0015972_F1 Flute. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015972_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015972_F1). UPC: 038081453538.A jazz classic that has stood the test of time, this arrangement captures all the magic of this great Cab Calloway tune from the 1930s. Also known as the Hi-dee-ho song, it was re-popularized by Cab himself in a 1970's comedy film that featured two brothers singing the blues that were on a mission from God. Included in this arrangement for your orchestra is the famous vocal scat that made this a huge hit that spans generations. Audiences of all ages are sure to enjoy joining in the fun and singing along on your next concert! (2:30).
$3.00
Minnie the Moocher: Cello
#
Orchestra
#
Instructional
#
The Blues Brothers
#
Ralph Ford
#
Minnie the Moocher: Cello
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015972_VC1 Cello. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford...
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0015972_VC1 Cello. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015972_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015972_VC1). UPC: 038081453538.A jazz classic that has stood the test of time, this arrangement captures all the magic of this great Cab Calloway tune from the 1930s. Also known as the Hi-dee-ho song, it was re-popularized by Cab himself in a 1970's comedy film that featured two brothers singing the blues that were on a mission from God. Included in this arrangement for your orchestra is the famous vocal scat that made this a huge hit that spans generations. Audiences of all ages are sure to enjoy joining in the fun and singing along on your next concert! (2:30).
$3.00
Minnie the Moocher: Score
#
Orchestra
#
Instructional
#
The Blues Brothers
#
Ralph Ford
#
Minnie the Moocher: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PR-0004282 Score. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. In...
(+)
Full Orchestra - Digital Download SKU: AX.00-PR-0004282 Score. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0004282. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004282). UPC: 038081453538.A jazz classic that has stood the test of time, this arrangement captures all the magic of this great Cab Calloway tune from the 1930s. Also known as the Hi-dee-ho song, it was re-popularized by Cab himself in a 1970's comedy film that featured two brothers singing the blues that were on a mission from God. Included in this arrangement for your orchestra is the famous vocal scat that made this a huge hit that spans generations. Audiences of all ages are sure to enjoy joining in the fun and singing along on your next concert! (2:30).
$10.00
Jesus Is The Way (Anthem) - Orchestration
#
Orchestra
#
INTERMEDIATE
#
Sacred music
#
Gospel/Spiritual
#
Christopher R
#
Jesus Is The Way
#
Christopher Brown
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 7...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christopher Brown #4628085. Published by Christopher Brown (A0.747198). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$49.99
Rosary Sonatas: The Annunciation
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Heinrich Ignaz Franz von Biber
#
Joshua Choe
#
Rosary Sonatas: The Annunciati
#
JMJ Arrangements
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 57 pages. JMJ Arrangements #685700. Published by JMJ Arrangements (A0.1081578). In the sixth month the angel Gabriel was sent from God to a city of Galilee named Nazareth, to a virgin betrothed to a man whose name was Joseph, of the house of David; and the virgin’s name was Mary. And he came to her and said, 'Hail, full of grace, the Lord is with you!' But she was greatly troubled at the saying, and considered in her mind what sort of greeting this might be. And the angel said to her, 'Do not be afraid, Mary, for you have found favor with God. And behold, you will conceive in your womb and bear a son, and you shall call his name Jesus. He will be great, and will be called the Son of the Most High; and the Lord God will give to him the throne of his father David, and he will reign over the house of Jacob for ever; and of his kingdom there will be no end.' And Mary said to the angel, 'How can this be, since I have no husband?' And the angel said to her, 'The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be called holy, the Son of God. And behold, your kinswoman Elizabeth in her old age has also conceived a son; and this is the sixth month with her who was called barren. For with God nothing will be impossible.' And Mary said, 'Behold, I am the handmaid of the Lord; let it be to me according to your word.' And the angel departed from her. (Luke 1:26-38 RSV-CE).
$19.99
<
1
26
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
