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French Suite
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Sheetmusic to print
30 sheet music found
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1
26
F. Poulenc - Napoli Suite, Orchestrated by A. Leytush - Score Only
Orchestra
Full Orchestra - Digital Download SKU: A0.1364910 Composed by Francis Poulenc. Arra…
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Full Orchestra - Digital Download SKU: A0.1364910 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 108 pages. Arkady Leytush #949205. Published by Arkady Leytush (A0.1364910). Napoli Suite for piano was written in 1922-25. The aesthetic attribute most praised by the French is that utterly indefinable quality known as â??charmâ??. Among its leading proponents among 20th-century composers is Francis Poulenc, whose picture-postcard piano suite Napoli whimsically evokes the seaside pleasures, the serene beauty and urban bustle of Italian life as seen through the lens of an urbane French tourist in Naples. All of the above-mentioned colorful virtues of this music moved me to orchestrate this suite for a symphony orchestra, combining it with chamber and solo episodes, where, along with a full symphony orchestra, complete freedom is given to the soloists of the orchestra and its groups. For example, the 1st part â?? Barcarolle - starts with Violin, Flute, Oboe, and Clarinet solo. The 2 part - Nocturne - is almost chamber ensemble consisting of Flute, Oboe, Clarinet, Bassoon, Harp, Tambourine, Cello and D. Bass. The Tutti orchestra wedges in contrast only in in the last 6 bars. The 3rd part - Caprice Italien â?? string septet is soloing in 2 episodes without a conductor amidst powerful and colorful full orchestra sound. I hope to arouse interest of conductors and soloists of the orchestra to perform this brilliant music.
$60.00
55.31 €
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Orchestra
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Francis Poulenc
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F. Poulenc - Napoli Suite, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Bourree from the Dance Suite for Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.809811 Composed by Robert E. Pr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.809811 Composed by Robert E. Proctor. Baroque,Contemporary,Renaissance. Score and parts. 34 pages. R. E. Proctor #3417137. Published by R. E. Proctor (A0.809811). Bourree - Technically a 17th century dance with French origins. Assume that there was overlap from the 1500's to the 1600's as this dance type was mention at least as early as 1615. A quick, duple meter conducted in two. However, in this case, it's notated in four. (Ex. Bach Bourree in E minor for the lute suite in E minor.) Very short. Approximately 1 minute and 37 seconds. This is the 3rd movement in the Dance Suite and is in E minor.
$6.95
6.41 €
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Orchestra
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Robert E
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Bourree from the Dance Suite for Orchestra
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R. E. Proctor
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SheetMusicPlus
The Caliph - An Orchestral Suite
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.981671 Composed by James C. Ivy…
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Full Orchestra - Level 3 - Digital Download SKU: A0.981671 Composed by James C. Ivy. Contemporary. Score and parts. 88 pages. Jim Ivy #6445917. Published by Jim Ivy (A0.981671). The Caliph is a fantasy suite for orchestra loosely inspired by a painting, Ali-Ben-Hamet, Caliph of Constantinople and Chief of the Haractas, Followed by his Escort by the French painter, Théodore Chassériau.
$69.99
64.52 €
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Orchestra
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James C
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The Caliph - An Orchestral Suite
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Jim Ivy
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SheetMusicPlus
Christmas Carol Suite
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.830962 Arranged by John Maclane…
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Full Orchestra - Level 4 - Digital Download SKU: A0.830962 Arranged by John Maclane Schirard. Christian,Christmas,Sacred,Spiritual. Score and parts. 78 pages. John Maclane Schirard #3005461. Published by John Maclane Schirard (A0.830962). (Smaller ensemble version)Suite contains:Good King WenceslasGod Rest Ye Merry, GentlemenInfant Holy, Infant LowlyMarch of the KingsJoy to the World2 Flutes2 Oboes2 Clarinet1 Bassoon2 French Horn2 B flat Trumpet1 Trombone2 PercussionStrings
$49.99
46.09 €
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Orchestra
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Christmas Carol Suite
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John Maclane Schirard
#
SheetMusicPlus
RICHARD STRAUSS - SUITE DER ROSENKAVALIER, OP. 59 - HORNS I, II, III & IV
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.819530 Composed by Richard Stra…
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Full Orchestra - Level 5 - Digital Download SKU: A0.819530 Composed by Richard Strauss. Arranged by Edition Testore. 20th Century,Classical,Romantic Period. Score and parts. 35 pages. Edition Testore #5828327. Published by Edition Testore (A0.819530). SUITE from Opera DER ROSENKAVALIER, OP. 59FULL ORCHESTRASET OF PARTS:Brass: 4 French horns
$35.50
32.73 €
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Orchestra
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Richard Strauss
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RICHARD STRAUSS - SUITE DER ROSENKAVALIER, OP. 59 - HORNS I, II, III & IV
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Edition Testore
#
SheetMusicPlus
Holberg Suite
Orchestra
Full Orchestra - Digital Download SKU: A0.727975 Composed by Edvard Grieg. Arranged…
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Full Orchestra - Digital Download SKU: A0.727975 Composed by Edvard Grieg. Arranged by Joshua Choe. Classical. Score and parts. 209 pages. JMJ Arrangements #336241. Published by JMJ Arrangements (A0.727975). Instrumentation: 2 Flutes, 2 Oboes, 2 Clarinets (A and B-flat), 2 Bassoons, 2 French Horns (F), 2 Trumpets (D and B-flat), Timpani, Strings YouTube playlist: https://www.youtube.com/playlist?list=PLO4xN_gsnPdqCSpyQwCwQP9KiyeVS0Ygk.
$59.99
55.31 €
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Orchestra
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Edvard Grieg
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Holberg Suite
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JMJ Arrangements
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.05 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Georges Bizet: The Toreador Song (from Carmen, Suite #1) (arr. Robert S. Frost) (COMPLETE) - orchestra
Orchestra
Instantly printable sheet music by Georges Bizet for orchestra of MEDIUM skill level. / cl…
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Instantly printable sheet music by Georges Bizet for orchestra of MEDIUM skill level. / classical,opera,french
$59.99
55.31 €
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Orchestra
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Georges Bizet
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Virtualsheetmusic
Maurice Ravel: Empress Of The Pagodas (Mother Goose Suite, Mvt. 3) (COMPLETE) - orchestra
Orchestra
Instantly printable sheet music by Maurice Ravel for orchestra of MEDIUM skill level. / co…
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Instantly printable sheet music by Maurice Ravel for orchestra of MEDIUM skill level. / concert,french
$59.99
55.31 €
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Orchestra
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Maurice Ravel
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Virtualsheetmusic
Georges Bizet: Carmen Suite No. 2 (Chanson Du Toreador, La Garde Montante) (COMPLETE) - orchestra
Orchestra
Instantly printable sheet music by Georges Bizet for orchestra of MEDIUM skill level. / cl…
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Instantly printable sheet music by Georges Bizet for orchestra of MEDIUM skill level. / classical,opera,french
$59.99
55.31 €
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Orchestra
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Georges Bizet
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Virtualsheetmusic
Georges Bizet: Habanera (from Carmen Suite #2) (arr. Robert S. Frost) (COMPLETE) - orchestra
Orchestra
Instantly printable sheet music by Georges Bizet for orchestra of MEDIUM skill level. / cl…
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Instantly printable sheet music by Georges Bizet for orchestra of MEDIUM skill level. / classical,opera,french
$52.99
48.85 €
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Orchestra
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Georges Bizet
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Virtualsheetmusic
Maurice Ravel: Ravel Suite for Strings (COMPLETE) - orchestra
Orchestra
Instantly printable sheet music by Maurice Ravel for orchestra of MEDIUM skill level. / cl…
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Instantly printable sheet music by Maurice Ravel for orchestra of MEDIUM skill level. / classical,french
$54.99
50.7 €
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Orchestra
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Maurice Ravel
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Virtualsheetmusic
E. Satie – Heures Séculaires et Instantanées, 1914
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1074008 By Arkady Leytush. By E…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1074008 By Arkady Leytush. By Erik Satie. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #678276. Published by Arkady Leytush (A0.1074008). E. Satie – Heures Séculaires et Instantanées, 1914, Orchestra suite 1. Obstacles venimeux 2. Crepuscule matinal 3. Affolments granitiques Duration about 4 minutes. Heures Séculaires et Instantanées (Hallowed by Time and Instant Hours), one of his humorous keyboard suites from the 1910s, contains Satie's famous warning to pianists against reading aloud the fanciful texts that adorned his score. Sati warns against reading aloud the texts written on his scores. This is the secret between the performer and the composer. “There are as many words as there are notes!†says the French composer-critic Guy Sacré. Biographer Rollo H. Myers saw Heures as an omen of surrealism (ten years before the fact) and a new phase in the relationship between text and music. “... For the first time, individual verbal witticisms and witticisms are replaced by something like a recitation or monologue, which is an integral part of the work: this is no longer a cursory comment, arbitrarily superimposed and often not related to the music that it accompanies, but a certain narrative, grotesque inspiration, which the music serves as an illustration. In addition to what has been said, I would like to add that being one of the first minimalists in modern music, Sati opens a new page in the combination of musical images and examples of abstract vision and imagination inspired by music with his illustrative texts in this humorous suite. This approach to composition soon led to the emergence of striking examples of the combination of music and animation. This short suite, full of humor and ingenuity, moved me when arranging to also emphasize this feature by choosing the full composition of the orchestra, where in each number of this suite the musicians of the orchestra play only a few notes in turn. On the one hand, this should bring great variety and contrast, on the other hand, a huge orchestra and a 4-minute suite in themselves cause a smile of inconsistency...
$40.00
36.88 €
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Orchestra
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Arkady Leytush
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E. Satie – Heures Séculaires et Instantanées, 1914
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Arkady Leytush
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SheetMusicPlus
The Theory Of Everything
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1436007 Composed by Johann Joha…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1436007 Composed by Johann Johannsson. Arranged by Luca Boscolo, Marco De Lazzari. 21st Century,Film/TV. 91 pages. Luca Boscolo e Marco De Lazzari #1016176. Published by Luca Boscolo e Marco De Lazzari (A0.1436007). Info: music.elleemme@gmail.comAn orchestral suite of the soundtrack of the movie The Theory Of Everything (2014).The suite is formed by Cambridge, 1963 and Arrival of the Birds - J. Johannsson.You can buy the separate songs on this link:- Cambridge, 1963: https://www.sheetmusicplus.com/en/product/product-22762026.html- Arrival of the Birds: https://www.sheetmusicplus.com/en/product/the-theory-of-everything-22739141.htmlhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1515754/Product.aspxOrchestral ensemble:- Violin 1-2- Alto- Cello 1-2- Double Bass- Piccolo- Flute 1-2- Oboe 1-2- Clarinet in Bb 1-2- Bassoon 1-2- French Horn 1-2- Trombone 1-2- Bass Trombone- Bass Tuba in F- Vibraphone- Marimba- Timpani- Susp. Cymbal- Bassdrum- Celesta- Piano- Harp.
$110.00
101.41 €
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Orchestra
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Johann Johannsson
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The Theory Of Everything
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Luca Boscolo e Marco De Lazzari
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.91 €
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Orchestra
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.61 €
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Orchestra
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Scheherazade
Orchestra
Orchestra - Digital Download SKU: S9.Q12508 Symphonic Suite. Composed by Nik…
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Orchestra - Digital Download SKU: S9.Q12508 Symphonic Suite. Composed by Nikolay Andreyevich Rimsky-Korsakov. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 35. Duration 45 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q12508. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12508). German • English • French.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$17.99
16.59 €
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Orchestra
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Nikolay Andreyevich Rimsky-Korsakov
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Scheherazade
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Oppenheimer - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356730 Composed by Ludwig Gora…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356730 Composed by Ludwig Goransson. Arranged by Luca Boscolo, Marco De Lazzari. 21st Century,Film/TV,Historic. 56 pages. Luca Boscolo e Marco De Lazzari #941371. Published by Luca Boscolo e Marco De Lazzari (A0.1356730). An orchestral suite of the soundtrack of the movie Oppenheimer.Orchestral ensemble:- Violin 1-2-3- Cello 1-2- Flute 1-2- Clarinet in Bb 1-2- French Horn 1-2- Trombone 1-2- Electric bass- Piano- Keyboard Synth 1-2-3-4- Harp- Timpani- Glockenspiel- Xylophone- Vibraphone- Tam Tam- Bass drum- Various percussions (susp. cymbal, cymbals pair, triangle, shaker, tubular bells).
$85.00
78.36 €
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Orchestra
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Ludwig Goransson
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Oppenheimer - Score Only
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Luca Boscolo e Marco De Lazzari
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SheetMusicPlus
So What
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1120068 By Miles Davis. By Mile…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1120068 By Miles Davis. By Miles Davis. Arranged by Ross Wright. 20th Century,Classical,Jazz. Score and parts. 40 pages. Ross Wright Music #721371. Published by Ross Wright Music (A0.1120068). This is an arrangement or full orchestra. Instrumentation: Flute 1 (Double Piccolo) Flute 2 Oboe 1 Oboe 2 Double English Horn Clarinet in Bb 1 Clarinet in Bb 2 Double Bass Clarinet Bassoon 1 Bassoon 2 Double Contra Bassoon French Horn 1, 2, 3, 4 Trumpet 1, 2, 3 Trombone 1, 2, 3 Tuba Piano Percussion 1: Timpani Percussion 2: Glockenspiel, Xylophone, Vibraphone Percussion 3: Suspended Cymbal, Crash Cymbal Percussion 4: Snare Drum, Bass Drum, Castanets Harp Violin 1, Violin 2, Viola, Cello, Bass This arrangement is one of the five songs from the Kind of Blue Orchestral suite. The piece utilizes some of the improvised material from the iconic Kind of Blue Album and treats it orchestrally. The piece uses a classical size orchestra, there are no improvisation sections, or rhythm section. Thereby creating a fully formed classical composition. Miles Davis's music, once improvised, is now a formal composition that can be performed in orchestral concert halls by any orchestra, anywhere in the world.
$97.00
89.43 €
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Orchestra
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Miles Davis
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So What
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Ross Wright Music
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SheetMusicPlus
All Blues
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1120603 By John Coltrane. By Mi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1120603 By John Coltrane. By Miles Davis. Arranged by Ross Wright. 20th Century,Blues,Classical,Contemporary,Jazz. Score and parts. 80 pages. Ross Wright Music #721849. Published by Ross Wright Music (A0.1120603). This is an arrangement or full orchestra. Instrumentation: Flute 1 (Double Piccolo) Flute 2 Oboe 1 Oboe 2 Double English Horn Clarinet in Bb 1 Clarinet in Bb 2 Double Bass Clarinet Bassoon 1 Bassoon 2 Double Contra Bassoon French Horn 1, 2, 3, 4 Trumpet 1, 2, 3 Trombone 1, 2, 3 Tuba Piano Percussion 1: Timpani Percussion 2: Glockenspiel, Xylophone, Vibraphone Percussion 3: Suspended Cymbal, Crash Cymbal Percussion 4: Snare Drum, Bass Drum, Castanets Harp Violin 1, Violin 2, Viola, Cello, Bass This arrangement is one of the five songs from the Kind of Blue Orchestral suite. The piece utilizes some of the improvised material from the iconic Kind of Blue Album and treats it orchestrally. The piece uses a classical size orchestra, there are no improvisation sections, or rhythm section. Thereby creating a fully formed classical composition. Miles Davis's music, once improvised, is now a formal composition that can be performed in orchestral concert halls by any orchestra, anywhere in the world.
$97.00
89.43 €
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Orchestra
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John Coltrane
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All Blues
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Ross Wright Music
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SheetMusicPlus
Test Drive
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1309784 By John Powell. By John…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1309784 By John Powell. By John Powell. Arranged by Luca Boscolo, Marco De Lazzari. 21st Century,Children,Classical,Film/TV. 49 pages. Luca Boscolo e Marco De Lazzari #898950. Published by Luca Boscolo e Marco De Lazzari (A0.1309784). An orchestral suite of the soundtrack of the movie Dragon Trainer.Orchestral ensemble:- Violin 1-2- Cello 1-2- Piccolo- Flute 1-2- Clarinet in Bb 1-2- Soprano Sax- Alto Sax 1-2- Tenor Sax- French Horn 1-2- Trumpet in Bb 1-2- Trombone 1-2- Bass Trombone- Electric guitar- Electric bass- Piano- Keyboard Synth Strings- Timpani- Glockenspiel- Xylophone- Vibraphone- Tom Tom 1-2-3- Tam Tam- Bass drum- Various percussions (susp. cymbal, cymbals pair, triangle, shaker).
$75.00
69.14 €
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Orchestra
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John Powell
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Test Drive
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Luca Boscolo e Marco De Lazzari
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SheetMusicPlus
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