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You've selected:
Get It Right
Orchestra
Sheetmusic to print
23 sheet music found
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1
Everybody Gets A Heart Broken (orchestra)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1336583 By Various. By Joseph P…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1336583 By Various. By Joseph Pugh. Contemporary,Pop. 29 pages. Joseph Pugh #922353. Published by Joseph Pugh (A0.1336583). This light, contemporary classic is just right for your orchestra or youth symphony.Download it today along with the mp3 and beef up your repertoire for the New Year.
$20.00
18.28 €
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Orchestra
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Various
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Everybody Gets A Heart Broken
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Joseph Pugh
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SheetMusicPlus
We Gather Together
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.683783 Composed by Netherlands …
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Full Orchestra - Level 3 - Digital Download SKU: A0.683783 Composed by Netherlands Folk Hymn. Arranged by Gert Th. Walter. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 20 pages. Gert Th. Walter #6100563. Published by Gert Th. Walter (A0.683783). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$23.95
21.9 €
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Orchestra
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Netherlands Folk Hymn
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We Gather Together
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Gert Th. Walter
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SheetMusicPlus
I Still Call Australia Home
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1200262 Composed by Peter Allen…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1200262 Composed by Peter Allen. Arranged by Brendan James Elliget MAGA 537. Pop. Score and parts. 40 pages. BJE Music #799065. Published by BJE Music (A0.1200262). I Still Call Australia Home is a song written and performed by Peter Allen in 1980. In it, Allen sings of Australian expatriates' longing for home... It has been arranged here for the Orchestra with an optional SATB Choir part. Percussion parts include Timpani, Glockenspiel, and Drum Set. There are optional parts for Clarinet 3, Bb Bass Clarinet, and Violin III (sub-Viola). The arrangement works well without the SATB Choir parts. The Audio has been recorded using NotePerformer 3. Grade = 3 Duration = 3:35 mins Words and Music by PETER ALLEN Arranged by Brendan Elliget MAGA 537 Copyright © 1980 RONDOR MUSIC AUSTRALIA PTY. LTD. and WOOLNOUGH MUSIC, INC. All Rights Controlled and Administered by IRVING MUSIC, INC. All Rights Reserved Used by Permission.
$50.00
45.71 €
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Orchestra
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Peter Allen
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I Still Call Australia Home
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BJE Music
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SheetMusicPlus
BALCANOMANIA full orchestral score and parts
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.992972 Composed by Michael Beie…
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Full Orchestra - Level 3 - Digital Download SKU: A0.992972 Composed by Michael Beier. Contemporary,Multicultural,Standards,World. Score and parts. 47 pages. Michael Beier #3863281. Published by Michael Beier (A0.992972). Some would call it a Hippie Song - you get a great piece of wild music in Balcan Style: 4/4 and 3/4 beat go just fine together. Xylophone, Piano and Accordeon add a special sound, if you wish there might be room for more percussion. Players can stand up to perform even more lively :)We put BALCANOMANIA on the stage with students of a music school, and it was a hit instantly. Nothing for beginners, though. Now we decided to no longer keep the music in the shelf :) Enjoy it. You not just buy the music but also the right to perform it as often as you wish (but please don't copy for other orchestras...) We'd love to get a feedback. Thank you for purchasing BALCANOMANIA.
$14.00
12.8 €
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Orchestra
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Michael Beier
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BALCANOMANIA full orchestral score and parts
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Michael Beier
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SheetMusicPlus
Rudolph The Red-nosed Reindeer
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1125751 By John Denver. By John…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1125751 By John Denver. By Johnny Marks. Arranged by Brendan James Elliget MAGA 537. Children,Christmas,Contemporary. Score and parts. 35 pages. BJE Music #726490. Published by BJE Music (A0.1125751). Rudolph the Red-Nosed Reindeer is a fictional reindeer created by Robert L. May. Rudolph is usually depicted as the ninth and youngest of Santa Claus's reindeer, using his luminous red nose to lead the reindeer team and guide Santa's sleigh on Christmas Eve. Though he initially receives ridicule for his nose as a fawn, the brightness of his nose is so powerful that it illuminates the team's path through harsh winter weather. Ronald D. Lankford, Jr., described Rudolph's story as the fantasy story made to order for American children: each child has the need to express and receive approval for his or her individuality and/or special qualities. Rudolph's story embodies the American Dream for the child, written largely because of the cultural significance of Christmas.†[Wikipedia] This arrangement is for a full Orchestra with an Optional Vocal – A Vocal Lead Sheet and Piano Part are included in the Score with an optional Violin 3 (sub-Viola). Grade = 3 Duration = 2:20 mins The MP3 was recorded with NotePerformer 3.
$50.00
45.71 €
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Orchestra
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John Denver
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Rudolph The Red-nosed Reindeer
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BJE Music
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SheetMusicPlus
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
14.58 €
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Orchestra
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James Nathaniel Holland
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From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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James Nathaniel Holland
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SheetMusicPlus
Australia Our Land - Orchestra with SATB Choir and Piano
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Ellige…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00
25.6 €
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Orchestra
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Brendan James Elliget NotePerformer 3
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Australia Our Land - Orchestra with SATB Choir and Piano
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BJE Music
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SheetMusicPlus
Cyclone Galveston (orchestra)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1147112 By Wesley Besancon. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1147112 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and parts. 104 pages. Wesley Besancon #747317. Published by Wesley Besancon (A0.1147112). Let’s get one thing straight, Cyclone Galveston was not actually a cyclone. The hurricane, however, did form near Africa which makes me consider it to be a cyclone. On August 27, 1900, Galveston, Texas would feel a punch that would knock down every single building. This piece represents that with swirling woodwinds, tornadic brass, and frightening percussion. In the center of the piece, there is a calm chorale to represent the eye of the storm. After that, it goes back to the evil cyclone themes.
$59.99
54.85 €
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Orchestra
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Wesley Besancon
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Cyclone Galveston
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Wesley Besancon
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SheetMusicPlus
Cyclone Galveston (orchestra) - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1150350 By Wesley Besancon. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1150350 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and parts. 12 pages. Wesley Besancon #750529. Published by Wesley Besancon (A0.1150350). Let’s get one thing straight, Cyclone Galveston was not actually a cyclone. The hurricane, however, did form near Africa which makes me consider it to be a cyclone. On August 27, 1900, Galveston, Texas would feel a punch that would knock down every single building. This piece represents that with swirling woodwinds, tornadic brass, and frightening percussion. In the center of the piece, there is a calm chorale to represent the eye of the storm. After that, it goes back to the evil cyclone themes.
$24.99
22.85 €
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Orchestra
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Wesley Besancon
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Cyclone Galveston
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Wesley Besancon
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SheetMusicPlus
Pride (In The Name Of Love)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1488545 By Clivelles & Cole. By…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1488545 By Clivelles & Cole. By U2. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Rock. 70 pages. Paul Lorenz #1065412. Published by Paul Lorenz (A0.1488545). Pride (In the Name of Love) Sheet Music - for Orchestra, Choir and Band Unlock the beauty of U2's iconic song Pride (In the Name of Love) with our exclusive sheet music, expertly arranged by renowned composer Paul Lorenz. Perfect for orchestra, choir, and band, this arrangement brings a fresh, classical twist to the beloved rock anthem, making it a must-have for any music ensemble. Discover the Power of Pride (In the Name of Love) Sheet Music Our Pride (In the Name of Love) sheet music captures the essence of U2's powerful message and melody, allowing musicians to connect with their audience on a deeper level. Whether you're a seasoned performer or a passionate amateur, this arrangement is designed to elevate your musical performance. Versatile Arrangements for Orchestra, Choir, and Band Paul Lorenz's arrangement of Pride (In the Name of Love) is crafted to suit various ensembles, including orchestras, choirs, and bands. This versatility makes it ideal for concerts, recitals, and special performances, ensuring that each musician can shine. Download Pride (In the Name of Love) Sheet Music PDF For your convenience, our Pride (In the Name of Love) sheet music is available for immediate download in PDF format. This allows you to start practicing right away and ensures that you always have a high-quality copy at your fingertips. Why Choose Paul Lorenz's Pride (In the Name of Love) Sheet Music? Paul Lorenz Music is renowned for its commitment to quality and innovation in classical music. Our Pride (In the Name of Love) sheet music stands out with the following features: High-Quality Arrangement: Each note is meticulously arranged to ensure a seamless blend of classical and rock elements. Professional Collaboration: Arranged in collaboration with top-tier musicians and recorded in world-class studios like Abbey Road. Audience Engagement: This crossover sheet music appeals to both classical music lovers and U2 fans, ensuring a memorable performance. Elevate Your Performance with U2 Sheet Music Adding Pride (In the Name of Love) to your repertoire not only enriches your musical collection but also offers a unique opportunity to connect with a wide range of audiences. This arrangement by Paul Lorenz is crafted to inspire both performers and listeners alike. Get Your Pride (In the Name of Love) Piano Sheet Music Today Don't miss out on the chance to bring this iconic song to life with your ensemble. Visit sheetmusicdirect.com and download your Pride (In the Name of Love) sheet music today. Embrace the power of music with Paul Lorenz's exquisite arrangement and make your next performance unforgettable. Conclusion Pride (In the Name of Love) sheet music, arranged by Paul Lorenz, is a testament to the fusion of classical and contemporary music. Perfect for orchestras, choirs, and bands, this arrangement brings new life to a timeless song. Download your copy now and experience the magic of U2's music through the lens of classical excellence.
$149.90
137.05 €
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Orchestra
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Clivelles & Cole
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Pride
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Paul Lorenz
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SheetMusicPlus
So This Is Love
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1474066 By James Ingram. By Al …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1474066 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Ken Litton. Broadway,Film/TV,Instructional,Musical/Show,Standards,Traditional. 65 pages. Artist of Note, Inc. #1051695. Published by Artist of Note, Inc. (A0.1474066). So This Is Love(The Cinderella Waltz)from Walt Disney’s CINDERELLABy Jerry Livingston, Mack David, Al HoffmanFULL ORCHESTRA© 1948 Walt Disney Music Company Copyright Renewed. All Rights Reserved. Used by Permission.East of the Altar/Artist of Note, Inc.How about a blast from the past in the form of a highly playable dance for your student (high school/college), community, professional or even church orchestra?The romantic ballad from Disney's classic animated film Cinderella (1950) originally ”sung” by Cinderella and Prince Charming as they finally dance together at the ball.The accelerating introduction leads to the elegant melody with light accompaniment. Then, material from the intro brings an easily playable lift into a new key and the melody up an octave, leading to a dramatic chord resolution at the words “dreaming of.” Add a choice of effective endings and, well…it’s love at first play!All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1574510/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/product/so-this-is-love-22801217.htmlAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. including an INTERMEDIATE PIANO arrangement taken directly from this score.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$49.99
45.7 €
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Orchestra
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James Ingram
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So This Is Love
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Artist of Note, Inc.
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SheetMusicPlus
Camille Saint-Saëns - POLONESA, Op. 77, Orchestrated by Arkady Leytush
Orchestra
Full Orchestra - Digital Download SKU: A0.1008426 Composed by Camille Saint-Saens. …
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Full Orchestra - Digital Download SKU: A0.1008426 Composed by Camille Saint-Saens. Arranged by Arkady Leytush. Romantic Period. Score and parts. 85 pages. Arkady Leytush #6621571. Published by Arkady Leytush (A0.1008426). When I discovered this composition of Saint-Saens written for 2 pianos, I was struck by his amazing penetration into the Polish spirit and ability to express it in bright and rich colors. On the other hand however, I could not get rid of the feeling of some heaviness and excessive density of the sound of the piano duet. In addition, the character of this music and its development are permeated with symphonic techniques inherent in orchestral compositions. These circumstances pushed me to undertake the orchestration of this work, which on the symphonic stage would have received great fame and legitimate public recognition.
$80.00
73.14 €
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Orchestra
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Camille Saint-Saens
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Camille Saint-Saëns - POLONESA, Op. 77, Orchestrated by Arkady Leytush
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Arkady Leytush
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SheetMusicPlus
Harp Distress
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1024322 Composed by Joshua Argy…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1024322 Composed by Joshua Argyle. Contemporary. Score and parts. 41 pages. Joshua Argyle #3570811. Published by Joshua Argyle (A0.1024322). With this piece, action is the vital focus. If one isn't energetic during the various exciting parts the piece will not be the same. This piece starts with a quite, creeping melody, which is made suspenseful with the harp. It then leads into the distress part of the piece, which also could be consider the frightful action. Musicians should strive to be lively during this exciting piece!
$3.99
3.65 €
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Orchestra
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Joshua Argyle
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Harp Distress
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Joshua Argyle
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SheetMusicPlus
Silent Night For Full Orchestra And Chorus
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1153104 By Christian Paulson. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1153104 By Christian Paulson. By Franz Xaver Gruber. Arranged by Christian Paulson. 19th Century,Christmas,Holiday. Score and Parts. 28 pages. Christian Paulson #753348. Published by Christian Paulson (A0.1153104). This arrangement began as a piece I arranged as a finale for our first combined band, orchestra, and choir concert. It was a big hit! Silent Night has always been a piece that everyone seems to hold dearly. The chorus has a traditional harmony right out of the green hymnal. This piece can also be done with a small group of singers or as a solo. The instruments parts are very accessible and the scoring makes every group sound full. One of the theatrical moments happens right after the climax of the second verse. Choke the cymbal and chimes on beat one of measure 55 and let the natural reverberance of the hall ring on. Slow the tempo, lower the volume and invite the audience to hum along to the last verse. Nothing brings musicians and audiences together like Silent Night.
$45.00
41.14 €
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Orchestra
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Christian Paulson
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Silent Night For Full Orchestra And Chorus
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Christian Paulson
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
191.99 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
191.99 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Boogie
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.809840 Composed by Robert E. Pr…
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Full Orchestra - Level 2 - Digital Download SKU: A0.809840 Composed by Robert E. Proctor. Contemporary,Rock. Score and parts. 61 pages. R. E. Proctor #3554849. Published by R. E. Proctor (A0.809840). Boogie is a bright, up tempo piece for band with added strings. It will fit into almost any program or occasion. Reminisce of the 1950’s Bill Haley and the Comets or Jerry Lee Lewis, it’s a great addition to any ’50 or ’60 concert! Although suitable for any ensemble, it’s particularly appropriate for bringing the entire school music department together. Parts are repetitive which will aid in learning. An opportunity to introduce / show case your budding pianist in a fourteen-measure solo section. A complete string orchestra could be reduced to a string quartet with an electric bass being substituted for the double bass section. Duration is: 2.49.
$12.95
11.84 €
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Orchestra
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Robert E
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Boogie
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R. E. Proctor
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SheetMusicPlus
Dove
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.742596 Composed by Sebastian Yr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 59 pages. Arte Nova Music Lab #6432131. Published by Arte Nova Music Lab (A0.742596). La Paloma, The Dove in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) in the 1850s. In 1879, it was registered at the copyright office in Madrid as a Canción Americana con acompañamiento de Piano. Iradier was to die in obscurity within few years, never to learn how popular his song would become.Very quickly, La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds. There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish song.Taken from https://en.wikipedia.org/wiki/La_Paloma
$60.00
54.85 €
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Orchestra
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Sebastian Yradier and Shan Zhang
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Dove
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Arte Nova Music Lab
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SheetMusicPlus
Hunter - Terminator 6 (for Orchestra)
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Mart&iac…
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Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 51 pages. Published by Arte Nova Music Lab
The Terminator is a 1984 science fiction film directed by James Cameron. It stars Arnold Schwarzenegger as the Terminator, a cyborg assassin sent back in time from 2029 to 1984 to kill Sarah Connor (Linda Hamilton), whose son will one day save mankind from extinction by a hostile artificial intelligence in a post-apocalyptic future. Michael Biehn plays Kyle Reese, a soldier sent back in time to protect Sarah. The screenplay is credited to Cameron and producer Gale Anne Hurd, while co-writer William Wisher Jr. received a credit for additional dialogue.<br> <br> Cameron devised the premise of the film from a fever dream he experienced during the release of his first film, Piranha II: The Spawning (1982), in Rome, and developed the concept in collaboration with Wisher. He sold the rights to the project to fellow New World Pictures alumni Hurd on the condition that she would produce the film only if he were to direct it; Hurd eventually secured a distribution deal with Orion Pictures, while executive producers John Daly and Derek Gibson of Hemdale Film Corporation were instrumental in setting up the film's financing and production. Originally approached by Orion for the role of Reese, Schwarzenegger agreed to play the title character after befriending Cameron. Filming, which took place mostly at night on location in Los Angeles, was delayed because of Schwarzenegger's commitments to Conan the Destroyer (1984), during which Cameron found time to work on the scripts for Rambo: First Blood Part II (1985) and Aliens (1986). The film's special effects, which included miniatures and stop-motion animation, were created by a team of artists led by Stan Winstonand Gene Warren Jr.<br> <br> Defying low pre-release expectations, The Terminator topped the United States box office for two weeks, eventually grossing $78.3 million against a modest $6.4 million budget. It is credited with launching Cameron's film career and solidifying Schwarzenegger's status as a leading man. The film's success led to a franchiseconsisting of several sequels, a television series, comic books, novels and video games. In 2008, The Terminator was selected by the Library of Congress for preservation in the National Film Registry as "culturally, historically, or aesthetically significant".
$60.00
54.85 €
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Orchestra
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Hunter - Terminator 6
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Arte Nova Music Lab
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SheetMusicPlus
Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 - (1 of 7) - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1425941 Composed by Grahame Gor…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes #1006730. Published by Grahame Gordon Innes (A0.1425941). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENT 1 – The Kytonian Expanse TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.1. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00
41.14 €
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Orchestra
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 -
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Grahame Gordon Innes
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SheetMusicPlus
Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement (4 of 7) - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1425953 Composed by Grahame Gor…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes #1006742. Published by Grahame Gordon Innes (A0.1425953). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENTS 4 – The Sirantiga Disaster TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.4. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00
41.14 €
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Orchestra
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement
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Grahame Gordon Innes
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SheetMusicPlus
Life Is Good
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1406091 By Zane Kuchera. By Mus…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1406091 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Broadway,Classical,Contemporary,Jazz,Musical/Show. 5 pages. Zane Kuchera Music #989182. Published by Zane Kuchera Music (A0.1406091). Https://album.link/cgddc8zcfgxhx3/21/24 Zane Kuchera Music released “Life Is Good†(Pop/AC/Jazz). When all is said and done, enduring hardships, reflecting back, looking forward, choosing to look at the bright side, together, we are stronger and better. “We still have neighbors in our neighborhood, when you need a hand, it's understood, times are hard but life is goodâ€. Words: Paul Tapp , music & performance: Zane Kuchera.
$4.99
4.56 €
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Orchestra
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Zane Kuchera
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performance: Zane Kuchera
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Life Is Good
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Zane Kuchera Music
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.24 €
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Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
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