Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
70
Digital
Sheet Music
79
Sheet Music
Books
0
Music
Equipment
36
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Sheetmusicplus
Not classified
772
PIANO & KEYBOARDS
Piano solo
583
Piano, Voice
242
Easy Piano
202
Piano, Vocal and Guitar
160
Organ
54
Big Note Piano
46
C Instruments
21
Piano (band part)
18
1 Piano, 4 hands
15
Piano Accompaniment
14
2 Pianos, 4 hands
8
Accordion
6
Piano Trio: piano, violin, cello
6
Piano Quintet: piano, 2 violins, viola, cello
1
Piano Quintet: piano, violin, viola, cello, double bass
1
Organ, Trumpet (duet)
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
68
Ukulele
47
Guitar
39
Guitar (band part)
30
Melody line, (Lyrics) and Chords
17
Bass guitar
16
Lyrics and Chords
10
Electric Bass (band part)
7
2 Guitars (duet)
6
Guitar Ensemble
6
Ukulele Ensemble
4
2 Mandolins (duet)
2
Mandolin
2
Baritone Ukulele
2
Banjo
2
Dulcimer
2
2 Dulcimers (duet)
1
4 Guitars (Quartet)
1
Plectrum Orchestra
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
278
Choral 3-part
93
Choral TTBB
72
Choral 2-part
63
Choral SSAA
48
Choral Unison
42
Alto voice, Piano
13
Vocal duet
13
Soprano voice, Piano
7
Voice solo
4
Vocal duet, Piano
4
High voice
4
Medium voice, Piano
3
Tenor voice, Piano
3
Choral SSAB a cappella
2
Choral
2
Baritone voice, Piano
2
Low voice
1
Soprano voice
1
Tenor voice
1
Choral SSATB
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone (band part)
247
Clarinet (band part)
84
Oboe (band part)
73
Clarinet
65
Saxophone Quartet: 4 saxophones
64
2 Saxophones (duet)
64
Flute
60
Clarinet and Piano
57
Flute (band part)
48
Flute and Piano
48
Alto Saxophone and Piano
42
Oboe, Piano (duet)
41
Flute, Oboe, Clarinet, Bassoon
38
2 Clarinets (duet)
36
Clarinet Quartet: 4 clarinets
35
2 Flutes (duet)
32
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
31
Tenor Saxophone
27
Saxophone, Clarinet (duet)
25
Alto Saxophone
24
Tenor Saxophone and Piano
22
Clarinet, Violin (duet)
21
Oboe
18
Flute, Clarinet (duet)
16
Clarinet, Trumpet (duet)
16
English horn, Piano
16
2 Oboes (duet)
15
Saxophone ensemble
13
3 Clarinets (trio)
13
Soprano Saxophone and Piano
11
Clarinet and Viola
11
Baritone Saxophone, Piano
11
Oboe, Clarinet (duet)
10
Flute, Trumpet (duet)
9
Flute, Viola (duet)
9
Bass Clarinet, Piano
9
Flute, Violin
9
Flute ensemble
9
Flute Quartet: 4 flutes
9
Descant (Soprano) Recorder
8
Oboe, Bassoon (duet)
8
Flute, Saxophone (duet)
7
Saxophone Quintet: 5 Saxophones
7
Flute and Guitar
6
Treble (Alto) Recorder
6
Flute Trio: 3 flutes
6
Oboe, Flute
5
Ocarina
4
Harmonica
4
3 Saxophones (trio)
4
Flute Quintet : 5 flutes
4
Oboe, Clarinet, Bassoon (trio)
3
Saxophone and Organ
3
Descent (Soprano) Recorder, Piano
3
Clarinet Ensemble
3
Saxophone
3
Treble (Alto) Recorder, Piano
2
Flute, Oboe (duet)
2
Clarinet, Guitar (duet)
2
2 Flutes, Piano
2
Flute, Oboe, Bassoon
2
Clarinet Quintet: 5 clarinets
2
Recorder Quartet
2
Clarinet, Bassoon (duet)
1
2 Clarinets, Piano
1
Oboe, Violin (duet)
1
Clarinet, Organ
1
Saxophone and Piano
1
Recorder Ensemble
1
Clarinet, Cello (duet)
1
Flute, Violoncello
1
Recorder
1
Flute and Strings Trio
1
Saxophone and Guitar
1
Oboe, Cello
1
Flute, Clarinet and Bassoon.
1
Soprano Saxophone
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet (band part)
178
Trombone (band part)
137
Trombone
47
Trombone and Piano
42
Brass Quintet: 2 trumpets, horn, trombone, tuba
42
Tuba
40
French Horn and Piano
39
Tuba (band part)
36
Trumpet
36
French horn (band part)
35
French horn
31
Trumpet, Piano
30
Brass quartet : 2 trumpets, trombone, tuba
16
Trumpet, Saxophone (duet)
16
2 Trumpets (duet)
16
English horn, Piano
16
Trumpet, Trombone (duet)
14
2 Trombones (duet)
10
Euphonium, Piano (duet)
9
Brass Quartet: 2 trumpets, horn, trombone
8
Tuba and Piano
8
Brass Quartet
8
Euphonium
5
Trombone ensemble
4
Brass Quartet: 4 horns
4
2 French horns (duet)
3
Brass Quartet: 4 trombones
3
Trumpet, Horn (duert)
2
Trumpet, Cello, Piano
2
Brass Trio
2
4 Tubas
2
2 Trumpets, Keyboard (piano or organ)
1
Horn Ensemble
1
Brass Quartet: 4 trumpets
1
Trombone, Tuba (duet)
1
2 French horns, Piano
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
147
Violin
64
Violin (band part)
63
Violin, Cello (duet)
63
Cello
56
Violin and Piano
49
Cello, Piano
47
Doublebass (band part)
43
Viola (band part)
34
2 Violins (duet)
29
Viola, Piano
29
String Trio: 2 violins, cello
28
2 Cellos (duet)
24
Double Bass
22
Double bass, Piano (duet)
22
Harp
20
Violin, Viola (duet)
19
2 Violas (duet)
18
Viola
17
String Trio: 3 violins
15
Cello (band part)
15
String Quintet: 2 violins, viola, cello, bass
14
String Trio: violin, viola, cello
12
Harp, Voice
3
String Trio: 3 cellos
3
2 Double basses (duet)
2
String quartet: 4 violins
2
String Trio: 3 violas
2
String Trio: 2 violins, viola
1
4 Double Basses
1
Piano Trio: Violin, Viola, Piano
1
Viola, Cello (duet)
1
Viola and Harp
1
Cello Ensemble
1
Cello, Organ
1
Harp and Piano
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
167
Orchestra
79
Percussion (band part)
74
String Orchestra
57
Handbells
56
Jazz Ensemble
47
Marching band
39
Drum (band part)
36
Brass ensemble
30
Chamber Orchestra
18
Jazz combo
15
Drums
14
Timpani (band part)
8
Vibraphone (band part)
3
Xylophone
2
Percussion
2
Percussion Ensemble
2
Woodwind Quartet: any 4 woodwinds
1
Vibraphone
1
Vibraphone and Marimba
1
Xylophone or Marimba or Vibraphone
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Go-Go'S
SheetMusicPlus
Orchestra
Sheetmusic to print
79 sheet music found
<
1
26
51
76
Merry-go-round Of Life
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisai…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisaishi. Arranged by Tom Maher. 21st Century,Classical,Film/TV. Score and Parts. 92 pages. Tom Maher #832309. Published by Tom Maher (A0.1236780). Merry Go Round of Life is a beautiful instrumental piece composed by Joe Hisaishi, a Japanese composer known for his work on various Studio Ghibli films. The song is featured in the soundtrack of the 2004 animated film Howl's Moving Castle, directed by legendary Japanese filmmaker Hayao Miyazaki.The piece opens with a delicate piano melody, heard in our arrangement on the vibraphone, gradually building in intensity as the rest of the orchestra joins in. The music captures a sense of whimsy and nostalgia, evoking images of a carousel or a child's music box.In Howl's Moving Castle, the song is used as a recurring theme throughout the film. It is played during several key moments, including the opening credits and the final scene. The music perfectly captures the film's themes of love, magic, and the passing of time.The title Merry Go Round of Life is fitting, as it suggests the cyclical nature of life and the idea that we are all constantly moving in circles. The music also conveys a sense of hope and joy, encouraging listeners to embrace the ups and downs of life and enjoy the ride.This arrangement is meant for intermediate to advanced high school symphonic orchestra. Most instruments play some version of the melody, and many of the figures from the original film version are present, yet written with younger players in mind. The strings should take extra care to play under the vibraphone solos, or the director may choose to double this part on another mallet percussion or piano.Instrumentation: 2 Flutes, 2 Clarinets, Bass Clarinet, Alto Sax, 2 Horns, 3 Trumpets, 2 Trombones, Mallet Percussion, Snare Drum/Crash Cymbal, Bass Drum, Timpani, Violin 1, Violin 2, Viola, Cello, Double Bass.
$80.00
73.14 €
#
Orchestra
#
Kumiko
#
Merry-go-round Of Life
#
Tom Maher
#
SheetMusicPlus
Let It Go
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1436893 By Idina Menzel. By Kri…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1436893 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Georg Wiesinger. Film/TV,Pop. 62 pages. Georg Wiesinger #1016959. Published by Georg Wiesinger (A0.1436893). Experience the magic of Disney’s Frozen with this exquisite orchestral arrangement of Let it Go, composed by Robert Lopez and Kristen Anderson-Lopez. Crafted with meticulous attention to detail, this arrangement captures the essence and grandeur of the original film score, ensuring an authentic and immersive performance experience.Commissioned by the renowned Bruckner Orchestra Linz, this arrangement is designed for a full symphony orchestra and soloist. It includes parts for strings, woodwinds (3/3/3/2), brass (4/3/3/1), percussion (4 players), the solo part, and more (piano, harp, e-guitar, bass guitar), allowing every section to shine in this iconic piece. The arrangement stays true to the original vocal lines and harmonies, bringing the powerful and emotional lyrics to life through the rich textures of the orchestra.
$200.00
182.85 €
#
Orchestra
#
Idina Menzel
#
Let It Go
#
Georg Wiesinger
#
SheetMusicPlus
Let's Go Crazy
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1369446 By Prince. By Prince. A…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1369446 By Prince. By Prince. Arranged by Ryan Shirar. 20th Century,Contemporary,Pop. 143 pages. S-OAA #953807. Published by S-OAA (A0.1369446).
$499.99
457.11 €
#
Orchestra
#
Prince
#
Let's Go Crazy
#
S-OAA
#
SheetMusicPlus
GO FORTH TO GREET Choral Benediction based on Act 3 Chorus from Wagner's DIE MEISTERSINGER
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.982371 Composed by Richard Wagn…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.982371 Composed by Richard Wagner. Arranged by Paul Ferington. Romantic Period,Sacred. Score and parts. 19 pages. Paul K Ferington #6605401. Published by Paul K Ferington (A0.982371). An elegant and powerful Choral Benediction based on an Act 3 Chorus from Wagner's DIE MEISTERSINGER; set includes Choral Score, Organ Score, and Orchestra parts for an inspiring and uplifting congregational send off. (1:30) Some divisi recommended within voice parts. .
$10.95
10.01 €
#
Orchestra
#
Richard Wagner
#
GO FORTH TO GREET Choral Benediction based on Act 3 Chorus from Wagner's DIE MEISTERSINGER
#
Paul K Ferington
#
SheetMusicPlus
My Heart Will Go On (Love Theme From 'titanic')
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1434577 By Celine Dion. By Jame…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1434577 By Celine Dion. By James Horner and Will Jennings. Arranged by Georg Wiesinger. Film/TV,Pop. 67 pages. Georg Wiesinger #1014702. Published by Georg Wiesinger (A0.1434577). A full orchestra arrangement of James Horner's classic love song from the film Titanic performed by Celine Dion. Instrumentation:Picc., Fl. 1, Fl. 2, Ob., BbCl. 1, BbCl. 2, B.Cl., A.Sx. (ad lib.), T.Sx. (ad lib.), Bsn. 1, Bsn. 2Hn. 1, Hn. 2, BbTpt. 1, BbTpt. 2, Tbn. 1, Tbn. 2, Euph. (ad lib.), TubaPerc., D.S., Sh., Harp, E-PianoE.Gtr., BassSolo VoiceStrings.
$100.00
91.42 €
#
Orchestra
#
Celine Dion
#
My Heart Will Go On
#
Georg Wiesinger
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Ha…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.28 €
#
Orchestra
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.28 €
#
Orchestra
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.8 €
#
Orchestra
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Pokémon Go!
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1490005 Composed by Junichi Mas…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1490005 Composed by Junichi Masuda. Arranged by Andrés LLona. 20th Century,Pop. 38 pages. Andres LLona #1066871. Published by Andres LLona (A0.1490005). Arrangement of Pokemon Red and Blue Tittle Theme with orchestral instruments:2 flutes Snare2 oboes Crash2 Clarinets Bass Drum o Gran Cassa2 Bassons Glockenspiel4 Horn in F Harp3 Trumpets in Bb Piano2 Tenor Trombone Strings1 TubaTimbales.
$50.00
45.71 €
#
Orchestra
#
Junichi Masuda
#
Pokémon Go!
#
Andres LLona
#
SheetMusicPlus
Go West! (Medley): Timpani
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016109_TMP Timpani. Arrange…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0016109_TMP Timpani. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016109_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016109_TMP). UPC: 654979081388.Ride 'em Cowboy! In 2007 Ennio Morricone was awarded the Lifetime Achievement Award at the Academy Awards. Here's a high-energy medley of western favorites for the intermediate full or string orchestra. Favorite themes included The Magnificent Seven, Hang 'Em High, and The Good, the Bad, and the Ugly. This spirited arrangement will bring the crowd to their feet! (2:50).
$3.00
2.74 €
#
Orchestra
#
Go West!
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Go West! (Medley): Mallets
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016109_M1 Mallets. Arranged…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0016109_M1 Mallets. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016109_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016109_M1). UPC: 654979081388.Ride 'em Cowboy! In 2007 Ennio Morricone was awarded the Lifetime Achievement Award at the Academy Awards. Here's a high-energy medley of western favorites for the intermediate full or string orchestra. Favorite themes included The Magnificent Seven, Hang 'Em High, and The Good, the Bad, and the Ugly. This spirited arrangement will bring the crowd to their feet! (2:50).
$3.00
2.74 €
#
Orchestra
#
Go West!
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Go West! (Medley): Bassoon
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016109_B1 Bassoon. Arranged…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0016109_B1 Bassoon. Arranged by Ralph Ford. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016109_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016109_B1). UPC: 654979081388.Ride 'em Cowboy! In 2007 Ennio Morricone was awarded the Lifetime Achievement Award at the Academy Awards. Here's a high-energy medley of western favorites for the intermediate full or string orchestra. Favorite themes included The Magnificent Seven, Hang 'Em High, and The Good, the Bad, and the Ugly. This spirited arrangement will bring the crowd to their feet! (2:50).
$3.00
2.74 €
#
Orchestra
#
Go West!
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Go West! (Medley): Flute
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016109_F1 Flute. Arranged b…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0016109_F1 Flute. Arranged by Ralph Ford. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016109_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016109_F1). UPC: 654979081388.Ride 'em Cowboy! In 2007 Ennio Morricone was awarded the Lifetime Achievement Award at the Academy Awards. Here's a high-energy medley of western favorites for the intermediate full or string orchestra. Favorite themes included The Magnificent Seven, Hang 'Em High, and The Good, the Bad, and the Ugly. This spirited arrangement will bring the crowd to their feet! (2:50).
$3.00
2.74 €
#
Orchestra
#
Go West!
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
How Far I'll Go
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1271914 By Alessia Cara. By Lin…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1271914 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Henrik Torolphi. Broadway,Children,Film/TV,Musical/Show. Score and Parts. 102 pages. Henrik Torolphi #864265. Published by Henrik Torolphi (A0.1271914). The arrangement of this beloved Disney song expands from a gentle breeze on a peaceful and inviting tropical beach to a full Hollywood tsunami. We get the wind in the sails and the splash from the waves in the woodwind’s tone cascades. The sun is high in the sky and illuminates our minds with the bright heights of the strings. The brass gives fanfares worthy of a female chief. We sail out with harp, marimba and percussion to a world where Moana sees no boundaries.Henrik Torolphi 2023Instrumentation: 3222 4331 timp 2 perc 1 mal hrp strings & vocal soloist, alto.
$150.00
137.14 €
#
Orchestra
#
Alessia Cara
#
vocal soloist, alto.
#
How Far I'll Go
#
Henrik Torolphi
#
SheetMusicPlus
Go West
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.911452 By The Village People. B…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.911452 By The Village People. By Henri Belolo, Jacques Morali, and Victor Willis. Arranged by Andrew Joslyn. Contemporary,Pop. Score and parts. 84 pages. Andrew Joslyn #517487. Published by Andrew Joslyn (A0.911452). Exciting, lush and fun full orchestral and men's choir arrangement of a beloved anthemic tune.
$80.00
73.14 €
#
Orchestra
#
The Village People
#
Go West
#
Andrew Joslyn
#
SheetMusicPlus
Don't Let The Sun Go Down On Me
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1244356 By Elton John & George …
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1244356 By Elton John & George Michael. By Bernie Taupin and Elton John. Arranged by Mike Campbell. Pop,Rock. Score and Parts. 71 pages. CapeMusic #839339. Published by CapeMusic (A0.1244356). Classic pop ballad as performed by Elton John and George Michael, for full orchestra and vocal soloist(s).
$65.00
59.43 €
#
Orchestra
#
Elton John & George Michael
#
Don't Let The Sun Go Down On Me
#
CapeMusic
#
SheetMusicPlus
Go West! (Medley): Score
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PR-0004417 Score. Arranged by R…
(+)
Full Orchestra - Digital Download SKU: AX.00-PR-0004417 Score. Arranged by Ralph Ford. Instructional. Score. 24 pages. Alfred Music - Digital Sheet Music #00-PR-0004417. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004417). UPC: 654979081388.Ride 'em Cowboy! In 2007 Ennio Morricone was awarded the Lifetime Achievement Award at the Academy Awards. Here's a high-energy medley of western favorites for the intermediate full or string orchestra. Favorite themes included The Magnificent Seven, Hang 'Em High, and The Good, the Bad, and the Ugly. This spirited arrangement will bring the crowd to their feet! (2:50).
$9.00
8.23 €
#
Orchestra
#
Go West!
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
The President's Turkey-Pardon
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1205821 Composed by Gert Th. Wa…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1205821 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts. 84 pages. Gert Th. Walter #804005. Published by Gert Th. Walter (A0.1205821). Are you looking for modern and spirited Christmas music for your Full Orchestra? Here you go! Piccolo - Fl1.2 - Ob1.2 - Engl. Hr. - Clar1.2 - Bass Clarinet - Alto Sax 1.2 - Tenor Sax - Bsn1.2 - Double Bsn. / Hr1.2.3.4 - Trp1.2.3 - Tb1.2 - Bass Tromb. / Timpani / Mallet Perc. (Marimba, Xylophone & Glockenspiel) - Orchestra Perc. - Latin Perc. - Drum Set / Harp / Pianoforte / Strings. Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music!
$69.90
63.91 €
#
Orchestra
#
Gert Th
#
The President's Turkey-Pardon
#
Gert Th. Walter
#
SheetMusicPlus
We Got The Beat
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1364192 By The Go Go's. By Char…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1364192 By The Go Go's. By Charlotte Caffey. Arranged by Jennifer Lindberg. Classical,Pop,Rock. 67 pages. Jennifer Lindberg #948489. Published by Jennifer Lindberg (A0.1364192). Arranged for rock orchestra - full symphony orchestra, plus vocals, bass, keyboard, and drums.In the key of A.Instrumentation:2 flute + piccolo2 oboe + english horn2 clarinet + bass clarinet1 tenor sax2 bassoon2 horn2 trumpet2 trombonetubaelectric bassdrum setaux percussion (drum pad)vibraphonekeyboardharp (electric lever harp, but can use pedal harp)voicesviolins 1 and 2violacellocontrabass.
$49.99
45.7 €
#
Orchestra
#
The Go Go's
#
We Got The Beat
#
Jennifer Lindberg
#
SheetMusicPlus
Let's Go To The Movies
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1327446 Composed by Charles Str…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1327446 Composed by Charles Strouse and Martin Charnin. Arranged by Simon Elphick. Film/TV. 107 pages. Simon Elphick #915486. Published by Simon Elphick (A0.1327446). An arrangement for full orchestra of this popular song from the film musical Annie. For performance by full orchestra, singers and optional choir.
$52.50
48 €
#
Orchestra
#
Charles Strouse and Martin Charnin
#
Let's Go To The Movies
#
Simon Elphick
#
SheetMusicPlus
Jésù ti dé o (Jesus has arrived)
Orchestra
Full Orchestra - Digital Download SKU: A0.1030263 Composed by Fr. Clement K Oyafemi…
(+)
Full Orchestra - Digital Download SKU: A0.1030263 Composed by Fr. Clement K Oyafemi. Arranged by Tolu Atoyebi. African,Christian,Christmas,Sacred,World. Score and parts. 7 pages. Clem Oyafemi #6168043. Published by Clem Oyafemi (A0.1030263). This is a very joyful and upbeat Christmas song on Yoruba Language. Written in September of 2020,this song is based on the Gospel of St. John 1:1-16. It is based on Christology from above, thus calling all humans to the essence of Christmas season. Let's go and adore him in Bethlehem (Ẹ wá ká lỠfiba fun). The beat is very joyful and the rhythm captivating. .
$4.99
4.56 €
#
Orchestra
#
Fr
#
Jésù ti dé o
#
Clem Oyafemi
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.86 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.86 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.86 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Arkady Leytush
#
SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.13 €
#
Orchestra
#
Thomas Oboe Lee
#
Symphony No. 7 ... Roman Holidays
#
Thomas Oboe Lee
#
SheetMusicPlus
<
1
26
51
76
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
