Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free Sheet Music
1
Digital Sheet Music
128
Sheet Music Books
170
Music Equipment
1,510
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
1806
PIANO & KEYBOARDS
Piano solo
4976
Piano, Voice
2763
Easy Piano
423
C Instruments
341
Piano, Vocal and Guitar
187
Piano Accompaniment
77
1 Piano, 4 hands
61
Organ
59
Piano Trio: piano, violin, cello
31
Accordion
13
2 Pianos, 4 hands
10
Piano Quintet: piano, 2 violins, viola, cello
5
Piano (band part)
4
Piano Quartet: piano, violin, viola, cello
4
Harpsichord
3
Piano Quartet: piano, 2 violins, cello
2
Organ, Piano (duet)
1
1 Piano, 6 hands
1
Organ, Trumpet (duet)
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
157
Guitar notes and tablatures
75
2 Guitars (duet)
28
Ukulele
22
Lyrics and Chords
10
Melody line, (Lyrics) and Chords
9
Guitar (band part)
8
Mandolin
8
Dulcimer
6
4 Guitars (Quartet)
5
Banjo
4
Piano, Guitar (duet)
4
3 Guitars (trio)
3
Guitar, Violin, Cello (trio)
1
Mandolin, Piano (duet)
1
Guitar Ensemble
1
Mandolin, Guitar (duet)
1
2 Ukuleles
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
1204
Choral 3-part
133
Alto voice, Piano
61
Voice solo
61
Tenor voice, Piano
57
Choral TTBB
53
Choral 2-part
52
Soprano voice, Piano
51
Choral SSAA
44
Baritone voice, Piano
39
Choral Unison
33
Vocal duet, Piano
26
High voice
10
Vocal duet
7
Tenor voice
5
Choral SSAATTBB
3
Soprano voice
1
Medium voice, Piano
1
Choral SSATB
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quartet: 4 saxophones
453
Saxophone Quintet: 5 Saxophones
341
2 Saxophones (duet)
263
Flute
252
Clarinet
241
Clarinet and Piano
223
Flute and Piano
201
Oboe, Piano (duet)
198
Clarinet Quartet: 4 clarinets
193
2 Flutes (duet)
172
Alto Saxophone and Piano
169
Saxophone
167
Alto Saxophone
155
2 Clarinets (duet)
111
Tenor Saxophone and Piano
95
Tenor Saxophone
92
3 Saxophones (trio)
92
Oboe
89
Soprano Saxophone and Piano
87
2 Oboes (duet)
74
Flute, Clarinet (duet)
72
Saxophone, Clarinet (duet)
71
Baritone Saxophone, Piano
70
Oboe (band part)
68
Saxophone (band part)
63
Flute Quartet: 4 flutes
62
2 Recorders (duet)
51
Oboe, Clarinet (duet)
51
Clarinet, Violin (duet)
50
Clarinet, Trumpet (duet)
46
Soprano Saxophone
44
Baritone Saxophone
37
Saxophone ensemble
36
English horn, Piano
34
3 Clarinets (trio)
31
Oboe, Flute
30
Flute Trio: 3 flutes
30
Flute, Violin
28
Clarinet and Viola
26
Flute and Guitar
26
Descant (Soprano) Recorder
26
Flute Quintet : 5 flutes
25
Clarinet Ensemble
24
Flute, Oboe, Clarinet (trio)
23
Flute, Saxophone (duet)
22
English Horn
21
Flute, Viola (duet)
21
Flute, Trumpet (duet)
18
Treble (Alto) Recorder
18
Oboe, Cello
16
Flute, Oboe (duet)
16
Flute, Oboe, Piano (trio)
15
Flute, Violin, Piano
14
Clarinet, Guitar (duet)
13
Recorder
11
Clarinet Quintet: 5 clarinets
8
Flute ensemble
7
Clarinet, Cello (duet)
7
Flute, Violoncello
6
Tenor Recorder
5
Recorder Quartet
5
3 Recorders (trio)
5
Clarinet, Cello, Piano (trio)
5
Flute, Cello, Piano (trio)
5
Piccolo
4
Clarinet (band part)
4
2 Flutes, Piano
4
Oboe, Guitar (duet)
4
Oboe, Clarinet and Piano (Trio)
3
English Horn, Guitar (duet)
3
5 Recorders
3
Flute (band part)
3
Treble (Alto) Recorder, Piano
3
Ocarina
2
Flute, Clarinet, Piano (trio)
2
Descent (Soprano) Recorder, Piano
2
Recorder Ensemble
2
Flute, Viola and Piano
2
2 Clarinets, Piano
2
Oboe and viola (duet)
2
Oboe, Violin (duet)
2
Piccolo, Piano
2
2 Oboes, Piano
1
Oboe, Violin, Piano
1
Harmonica
1
Clarinet, trumpet and piano
1
Clarinette, Viola and Piano (trio)
1
2 Saxophones, Piano
1
2 English horns and Pianoforte
1
Bagpipe
1
Oboe, Cello and Piano
1
Clarinet, Harp (duet)
1
Pennywhistle
1
Flute, Violin, Violoncello and Piano
1
Flute, Oboe, Violin
1
Recorder, Piano
1
Flute, Organ (duet)
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
381
Trumpet
255
Trumpet, Piano
217
Brass quartet : 2 trumpets, trombone, tuba
209
Trombone
187
Trombone and Piano
170
French Horn and Piano
165
French horn
132
Brass Quartet
116
Tuba and Piano
111
Tuba
109
2 Trumpets (duet)
74
2 Trombones (duet)
71
Brass Quartet: 2 trumpets, horn, trombone
68
Trumpet, Trombone (duet)
48
Trumpet, Saxophone (duet)
48
2 French horns (duet)
48
English horn, Piano
34
Euphonium, Piano (duet)
28
English Horn
21
Trombone (band part)
21
2 Tubas (duet)
20
Trumpet (band part)
18
Trumpet, Horn (duert)
17
Brass Quartet: 4 trombones
16
Trumpet ensemble
13
Trombone ensemble
13
Brass Quartet: 4 horns
12
Brass Quartet: 4 trumpets
11
Horn Ensemble
10
3 Trombones (trio)
9
Brass Trio
8
Trombone, Horn (duet)
6
Euphonium
6
4 Tubas
6
Horn, Cello (duet)
5
3 Tubas (trio)
4
Trumpet, Tuba (duet)
3
Tuba and Organ
3
English Horn, Guitar (duet)
3
Tuba (band part)
2
3 Trumpets (trio)
2
Horn, Tuba (duet)
2
Bb Instruments
2
Trombone, Tuba (duet)
2
2 French horns, Piano
1
Tuba ensemble
1
3 French horns (trio)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trumpet and Guitar
1
Trumpet, Cello (duet)
1
2 English horns and Pianoforte
1
Trumpet, Trombone, Piano
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
2 Euphoniums and 2 Tubas
1
2 Euphoniums (duet)
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
587
Violin and Piano
294
Violin
293
Cello
250
Viola, Piano
222
Cello, Piano
203
Viola
166
Violin, Cello (duet)
117
2 Violins (duet)
109
2 Cellos (duet)
88
2 Violas (duet)
78
String Trio: violin, viola, cello
76
Violin, Viola (duet)
75
Harp
59
String Trio: 2 violins, cello
42
Viola, Cello (duet)
29
Viola (band part)
25
String Trio: 3 cellos
19
String Trio: 3 violins
19
4 Cellos
16
String quartet: 4 violins
14
String Quartet : 4 violas
13
Violin (band part)
11
Piano Trio: Violin, Viola, Piano
8
Violin, Guitar (duet)
8
String Trio: 3 violas
8
String Trio: 2 violins, viola
7
Viola ensemble
5
Violin ensemble
5
Cello, Guitar (duet)
4
Violin, Clarinet, Piano (trio)
3
Cello, Orchestra
2
4 Harps
2
Cello Ensemble
2
2 Violas, Piano
2
2 Harps (duet)
2
Cello (band part)
2
Harp, Trombone (duet)
1
Harp, Violin (duet)
1
Harp, Violin, Violoncello
1
Cello, Organ
1
Viola, Guitar (duet)
1
2 Cellos, Piano
1
Harp, Flute (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
462
Orchestra
128
Drums
105
String Orchestra
101
Marching band
73
Brass ensemble
68
Jazz Ensemble
47
Handbells
39
Chamber Orchestra
32
Jazz combo
16
Marimba
10
Xylophone, Piano
6
Xylophone
5
Drum (band part)
5
Percussion Ensemble
5
Vibraphone
3
Percussion
3
2 Xylophones
2
Percussion (band part)
2
Orchestra, Violin
2
Piano and Orchestra
1
Brass Quintet: other combinaisons
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Its Time - Bass
Orchestra
Sheetmusic to print
128 sheet music found
<
1
26
51
....
126
One Moment In Time
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1468647 By Whitney Houston. By …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1468647 By Whitney Houston. By Albert Hammond and John Bettis. Arranged by Kevin Riley. 20th Century,Patriotic,Pop. 44 pages. Kevin Riley #1046730. Published by Kevin Riley (A0.1468647). One Moment in Time is a sentimental ballad by American singer Whitney Houstonand written by Albert Hammond and John Bettis, produced by Narada Michael Waldenfor the 1988 Summer Olympics held in Seoul, South Korea. It was released by Arista Records on August 27, 1988, as the first single from the compilation album, 1988 Summer Olympics Album: One Moment in Time, the soundtrack for the games. The song was Houston's third number one in the UK Singles Chart, and reached number five on the US Billboard Hot 100. The song was later included on the second disc of her first greatest hits Whitney: The Greatest Hits and also on The Ultimate Collection and on the second disc of I Will Always Love You: The Best of Whitney Houston.
$70.00
64.42 €
#
Orchestra
#
Whitney Houston
#
One Moment In Time
#
Kevin Riley
#
SheetMusicPlus
Somewhere In Time
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robert…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
73.62 €
#
Orchestra
#
B
#
Somewhere In Time
#
Kevin Riley
#
SheetMusicPlus
Somewhere In Time
Orchestra
Full Orchestra - Digital Download SKU: A0.506903 Composed by B.A. Robertson and Joh…
(+)
Full Orchestra - Digital Download SKU: A0.506903 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 53 pages. Published by Kevin Riley (A0.506903). Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour and Christopher Plummer. Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he wishes himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour), but comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and resolves to stop him. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$80.00
73.62 €
#
Orchestra
#
B
#
Somewhere In Time
#
Kevin Riley
#
SheetMusicPlus
Somewhere In Time
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.835244 Composed by B.A. Roberts…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.835244 Composed by B.A. Robertson and John Barry. Arranged by Claudio Porstmann. Contemporary,Film/TV. 20 pages. Claudio Porstmann #4991661. Published by Claudio Porstmann (A0.835244). This beautiful melody by John Barry was used for the 80s movie Somewhere in Time with Jane Seymour and Chritopher Reeve, considered by some to be the most romantic movie ever. This arrangement for string orchestra is complemented by piano which also has some solo parts like a mini piano concerto. Actually, the piece draws from two melodic sources, the main theme by John Barry, as well as a second theme composed by Sergei Rachmaninoff, who in turn wrote it as a series of variations based on a theme by Paganini. The piece itsself is not too complicated, but does need an intermediate level to be able to play; the piano part should be performed by someone with advanced intermediate skills, as it has some flashy passages.You can listen to the complete piece here:https://soundcloud.com/claudio-porstmann/somewhere-in-time-movie-theme-john-barry
$12.99
11.95 €
#
Orchestra
#
B
#
Somewhere In Time
#
Claudio Porstmann
#
SheetMusicPlus
'Three symphonic rachenitsas'
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1015015 Composed by Vasil Belez…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1015015 Composed by Vasil Belezhkov. Contemporary,Folk,World. Score and parts. 52 pages. Vasil Belezhkov #4836357. Published by Vasil Belezhkov (A0.1015015). Rachenitsa is the name of arguaby the most famous Bulgarian folklore dance. It's written in 7/8 time signature (2+2+3). My composition consists three parts representing different folklore regions (Thrace, Dobrudzha, Shopluk) and are to be played without rest between them. I wrot this composition for the 19th 'International competition for symphonic composition in 7/8' (Sofia, BULGARIA, 2019), and after qualifying for the final stage I won the Award of the Public eventualy. I'll upload later in YouTube the live performance of the Sofia Philharmonic.NB. Since I don't know how to upload the set of parts - if you purchase the score just send me here vasil_belezhkov@mail.bg a screenshot of your payment and I'll send you the entire '.rar' for free.
$49.99
46.01 €
#
Orchestra
#
Vasil Belezhkov
#
'Three symphonic rachenitsas'
#
Vasil Belezhkov
#
SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
87.43 €
#
Orchestra
#
Robert Myers
#
He will show His favor again
#
CONJUNCTION: The Christmas Star of 2020
#
WheatMyer Music
#
SheetMusicPlus
The Dream Of Olwen
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1499181 Composed by Charles Wil…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1499181 Composed by Charles Williams and Winifred May. Arranged by Marcus Martin. 20th Century,Film/TV. 38 pages. Cornelius Edition (uk) #1075230. Published by Cornelius Edition (uk) (A0.1499181). Charles Williams (1893 - 1978) was a British composer and conductor who contributed music to over 50 films and wrote a considerable amount of light music, including 'Devil's Galop'. 'While I Live' is a 1947 British drama film, best remembered for its musical theme The Dream of Olwen composed by Charles Williams, which became hugely popular in its time and is still regularly performed. For piano and orchestra (2121.2230. Hp(opt) Perc and Strings) and lasting about 4 minutes this is an effective mini-concerto suitable for concerts and/ or encores. Full score, all orchestral parts and the solo piano part are included. In a lighter music scenario Richard Addinsel's 'Warsaw Concerto' (also arranged by Marcus Martin for similar forces) makes an attractive pairing.
$57.50
52.92 €
#
Orchestra
#
Charles Williams and Winifred May
#
The Dream Of Olwen
#
Cornelius Edition
#
SheetMusicPlus
Dix Huit - Orchestral
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.824505 Composed by Phil Rawle. …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.824505 Composed by Phil Rawle. 20th Century,Blues,Concert,Contemporary,Jazz. Score and parts. 65 pages. Phillip Rawle #3681111. Published by Phillip Rawle (A0.824505). Dix Huit is so named because of its time signature - 10/8. The beats are arranged 3,3,2,2 so it is not in 5/4 time having four uneven beats in each bar.
$6.00
5.52 €
#
Orchestra
#
Phil Rawle
#
Dix Huit - Orchestral
#
Phillip Rawle
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
10.11 €
#
Orchestra
#
Johann Strauss Jr
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Trumbull Sketches
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00
55.22 €
#
Orchestra
#
Kyle Wernke
#
Trumbull Sketches
#
Kyle Wernke Publishing
#
SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooma…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
27.56 €
#
Orchestra
#
Carson Cooman
#
Carson Cooman: Remembering Tomorrow: Trombone Concerto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooma…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
23.88 €
#
Orchestra
#
Carson Cooman
#
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
White Horses
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.872299 Composed by Ben Nisbet a…
(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.872299 Composed by Ben Nisbet and Michael Carr. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin Riley #478743. Published by Kevin Riley (A0.872299). The theme song to the German version was played by Ivo Robić. The UK theme song - written by Michael Carr and Ben Nisbet and later back dubbed onto all versions, was simply titled White Horses, and credited to Jacky - was sung by Irish-born Jackie Lee. It became a top 10 hit in the UK charts in April 1968. The book The Penguin Television Companion claimed it to be the best television theme in history.[3] It has been copied and used many times since, including: The theme was covered in 1968 by Claudine Longet, as a B-side to the single Nothing to Lose. Trixie's Big Red Motorbike covered the song on their second John Peel session in 1983.[4] Scottish female group Sophisticated Boom Boom covered the song in 1982 on their Peel Session. Jamie Wednesday recorded the track for their EP Vote for Love in 1987. The Trashcan Sinatras featured a version of the song on their EP Circling the Circumference (1990) The English band Kitchens of Distinction recorded a cover of the theme song during the sessions for what would be their final album, Cowboys and Aliens (1994). The song was first released in the UK as a b-side on the album's first single, Now It's Time to Say Goodbye; it was later released in the US as a b-side on the album's title track Morwenna Banks released a cover version in 1995 as her Absolutely character, The Little Girl. The film Me Without You (2001) used the Jacky stereo version on its opening credits, and a version by Lucy Street during the end credits Cerys Matthews performed the song on the compilation Songs for the Young at Heart (2007) The theme was covered by Dean and Britta on their album Back Numbers (2007) The theme was covered by Andrea Ross on her album Moon River (2007) The theme was covered by Mari Wilson on her album Pop Deluxe (2016).
$60.00
55.22 €
#
Orchestra
#
Ben Nisbet and Michael Carr
#
White Horses
#
Kevin Riley
#
SheetMusicPlus
Snapshots
Orchestra
For large ensemble. Composed by Mark-Anthony Turnage (1960-). This edition: study sc…
(+)
For large ensemble. Composed by Mark-Anthony Turnage (1960-). This edition: study score. Music Of Our Time. Downloadable. Duration 3 minutes. Schott Music - Digital #Q19667. Published by Schott Music - Digital
One of the movements in Scorched (arrangements of seventeen tunes by John Scofield for jazz trio and orchestra) has a coda, which repeats a dense, two-bar tag which sounded like it could be developed. Snapshots starts off by revealing bits of each of the two bars (with episodes placed in-between). The full two bars of music are then revealed at the end of the piece. Snapshots is a tribute to Olly [Oliver Knussen] on his 50th birthday.<br> Mark-Anthony Turnage.
$11.99
11.03 €
#
Orchestra
#
Snapshots
#
Schott Music - Digital
#
SheetMusicPlus
Alice In Wonderland
Orchestra
Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia…
(+)
Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.
$70.00
64.42 €
#
Orchestra
#
Jud Conlon Chorus
#
Alice In Wonderland
#
Amphibia Cultural Legacy
#
SheetMusicPlus
Like a River Glorious
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.976716 Composed by WYE VALLEY. …
(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.976716 Composed by WYE VALLEY. Arranged by Robert Myers. Christian,Sacred. Score and parts. 35 pages. WheatMyer Music #4794181. Published by WheatMyer Music (A0.976716). Opening from and closing into gentle whispers over a snare ostinato and steady quarter note pulse in the low voices, the dynamic swell and ebb of this setting of WYE VALLEY depicts all the majestic, stately, abiding grandeur of a mighty river and, despite its brevity, portrays a sense of perpetuity. And this in itself is a metaphor of the order, peace, and timelessness of God’s eternal kingdom. With a short introduction and conclusion the music takes one turn through the WYE VALLEY melody to create an orchestral prelude from the graceful tune. Like a River Glorious is meant to be ready to play in one setting and so can be added to your program with little fuss. It functions well as a liturgical prelude or postlude or it would be well-fitted to a transitional role, even in a secular setting.Find more music and news at wheatmyermusic.com/ and www.facebook.com/WheatMyerMusic.
$45.00
41.41 €
#
Orchestra
#
WYE VALLEY
#
Like a River Glorious
#
WheatMyer Music
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.26 €
#
Orchestra
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.26 €
#
Orchestra
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
59.82 €
#
Orchestra
#
Mexican law and custom
#
Miguel Rios Toledano
#
Aires Nacionales Mexicanos, Op. 558
#
Joel Jacklich
#
SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
23.01 €
#
Orchestra
#
Mexican law and custom
#
Miguel Rios Toledano
#
Aires Nacionales Mexicanos, Op. 558
#
Joel Jacklich
#
SheetMusicPlus
Thunderbirds - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1515188 Composed by Barry Gray.…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1515188 Composed by Barry Gray. Arranged by Chris Siddall. Film/TV. 114 pages. Chris Siddall Music Publishing #1089680. Published by Chris Siddall Music Publishing (A0.1515188). 30th September 1965 saw the first airing of creator Gerry Anderson’s iconic Supermarionation” series Thunderbirds. Set in the 2060s, the series follows the exploits of International Rescue, an organisation that uses technologically-advanced rescue vehicles to save human life. The series was notable for using marionette puppets but being filmed in the style of a feature film, incorporating dynamic shooting and lighting, and three-dimensional sets and extensive use of model miniatures. Special effects were directed by Derek Meddings, who later became known for his work on the James Bond (from Live and Let Die to GoldenEye), Superman and Batman (1989) movies. During his time working on Thunderbirds and Gerry Anderson’s other Supermarionation series, Meddings and his team developed a number of innovations in the filming of miniature models and landscapes which have since become standard in the industry.Having collaborated with Anderson on six previous TV series, composer Barry Gray was the obvious choice to provide music for Thunderbirds. Employing a large orchestra which dwarfed other TV productions of the time, he made extensive use of leitmotif, which each of the Thunderbird machines having its own theme, as well as notable characters such as Lady Penelope and the Tracy family’s arch nemesis The Hood.Now musicians, music students, conductors – any music lover – can study the complete score from Thunderbirds: Trapped in the Sky in this high-quality edition, carefully reproduced and edited from the original handwritten manuscript.
$50.00
46.02 €
#
Orchestra
#
Barry Gray
#
Thunderbirds - Score Only
#
Chris Siddall Music Publishing
#
SheetMusicPlus
Mozartina
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1302257 Composed by Otoniel Roj…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Otoniel Rojas #891863. Published by Otoniel Rojas (A0.1302257). Based on a traditional Merengue tune from Dominican Republic in a Rondó style a'la Mozart, combining Mozart's Jupiter symphony 35th 4-note theme.Originally commissioned by the 'Fundación Filarmónica del Cibao' in  1997. Mozartina is an effervescent overture that paints us a contemporary Mozart, exposed to the melodic and rhythmic resources of the Caribbean identity, fusing the style and spirit of the famous Austrian with a mixed of the rhythmic and harmonic developments of the last 200 years of musical development. The work is structured as Rondo ,taking as its theme the traditional merengue (a traditional Dominican dance) El jarro 'ta pichao using it as melodic material that integrates into many styles and orchestral techniques. The topic is presented in juxtaposition with the monumental melodic motif of the last movement of the symphony ' Jupiter ' . Sometimes we appreciate it as it is , sometimes in inverted or hidden among contrapuntistic passages in striped and woven into different instrumental colors and harmonic richness coated within countless melodic modulations or put into small pieces. The climax part suddenly surrounds us with the classic merengue, where the 'tambora' (traditional dominican percussion instrument) makes appearance and gives it its soul. Meanwhile, in the background we still can hear the theme of 'Jupiter'. There briefly we can discover a 'perico ripiao' (another traditional Dominican dance)with its typical melisma embodied by the horn, we finally get to a climax that concludes with a short cadenza of 'tambora' and the reitaration of the main merengue theme in unison. The work was commissioned in 1997 for the opening concert of the Philharmonic of Cibao and this time receives his first audition by the National Symphony Orchestra.
$9.99
9.19 €
#
Orchestra
#
Otoniel Rojas
#
Mozartina
#
Otoniel Rojas
#
SheetMusicPlus
The Black Mass
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1143117 Composed by Piano Sonat…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th Century,New Age. Score and parts. 43 pages. Blake P. McCabe #743479. Published by Blake P. McCabe (A0.1143117). This composition is an arrangement of Scriabin’s Piano Sonata No. 9 Op 68. This piece has traditionally been nicknamed The Black Mass and was written for piano. Scriabin himself accepted this nickname for the piece and earlier on wrote a piece that would be nicknamed The White Mass. The Black mass was completed in 1913, a mere 2 years before his untimely death. The piece is built upon his ‘mystic chord, a hexachord built on fourths. Scriabin described this chord of embodying the divine and having a smoky tonal color, stemming from his own perception of sound as color. This piece moves from haunting sounds in its first motif to a chilling climax, returning to a mysterious murmur, and moves through multiple tempos to drag the listener along its march through its gothic vision, until finally returning to its first motif and leaving the listener haunted by the dark, colorful visions it invokes. To date of publication of this arrangement, I have yet to find an arrangement of The Black Mass for orchestra, band, nor symphony. The piece has many layers within it and includes complex polyrhythms typical of his music. The dark uncurrent, along with the form and choice of lack of direct key signature pose a unique challenge in the arrangement of this piece. I have deigned to maintain the feel of the original piano version, including his choice of time signatures and rhythmic choices while bringing it to life through the sounds of a modified symphony orchestra. This arrangement relies on the timbres of the instrument families to portray the emotional colors of the piece and particularly highlights the woodwind section of the symphony orchestra, along with the angelic sounds of the harp. Percussion is added through timpani, xylophone, glockenspiel, and multi-percussion to heighten the emotional experience of the arrangement.
$35.00
32.21 €
#
Orchestra
#
Piano Sonata No
#
The Black Mass
#
Blake P. McCabe
#
SheetMusicPlus
Pulcinella - Parte 1
Orchestra
Full Orchestra - Digital Download SKU: A0.1029543 Composed by Alessio Niccolai. 20t…
(+)
Full Orchestra - Digital Download SKU: A0.1029543 Composed by Alessio Niccolai. 20th Century,Contemporary. Score and parts. 136 pages. Alessio Niccolai #5896511. Published by Alessio Niccolai (A0.1029543). Pulcinella - Parte 1 is a composition for symphony orchestra and SATB choir built on an old french doggerel: it's a sometimes funny, lively and bubbly piece, sometimes melancholic and poignant: exactly like the Neapolitan mask that it intends to celebrate.For its performance a complete symphonic ensemble and a chorus of great dramatic intensity are required. Correctly with the creative style of its author, Pulcinella (Polichinelle in French) also needs glockenspiel, tubular bells and xylophone, as well as a couple of harps.There is talk of «Part 1» because a sequel is currently in reworking and is intended for the subtitle of «Part 2» originally - when, at the age of 16 - Alessio Niccolai conceived it as a musical jotting, He intended it as a unique work. Since there were two main thematic guidelines, at the time of his transcription for orchestra and choir, he decided to separate them.
$18.00
16.57 €
#
Orchestra
#
Alessio Niccolai
#
Pulcinella - Parte 1
#
Alessio Niccolai
#
SheetMusicPlus
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin …
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
33.13 €
#
Orchestra
#
Montenegrin folk song
#
Montenegrin National Anthem for Symphony Orchestra
#
Keith Terrett
#
SheetMusicPlus
<
1
26
51
....
126
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
