Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
0
Digital
Sheet Music
26
Sheet Music
Books
17
Music
Equipment
41
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
149
PIANO & KEYBOARDS
Piano, Vocal and Guitar
130
Piano solo
108
Piano, Voice
71
Easy Piano
27
C Instruments
13
Organ
6
Piano Accompaniment
5
1 Piano, 4 hands
2
Piano Quartet: piano, violin, viola, cello
2
Big Note Piano
2
Piano Trio: piano, violin, cello
1
Accordion
1
Instrumentations suivantes
Retracter
GUITARS
Melody line, (Lyrics) and Chords
33
Guitar notes and tablatures
32
Guitar
17
Lyrics and Chords
12
Bass guitar
9
Ukulele
6
Electric Bass (band part)
1
Piano, Guitar (duet)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
36
Choral TTBB
15
Choral 3-part
7
Choral Unison
4
Choral SSAA
4
Choral 2-part
3
Voice solo
2
Choral
1
Vocal duet, Piano
1
Vocal duet
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone (band part)
28
Alto Saxophone
15
Flute
14
Clarinet
13
Clarinet Quartet: 4 clarinets
13
Clarinet (band part)
11
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
10
Flute and Piano
9
Clarinet and Piano
8
Oboe (band part)
8
Flute, Oboe, Clarinet, Bassoon
8
Alto Saxophone and Piano
8
Saxophone Quartet: 4 saxophones
7
Tenor Saxophone and Piano
6
Oboe, Piano (duet)
6
Flute (band part)
5
Tenor Saxophone
3
Baritone Saxophone, Piano
3
Soprano Saxophone and Piano
3
Flute, Clarinet (duet)
3
Clarinet, Bassoon (duet)
2
3 Clarinets (trio)
2
Flute Quartet: 4 flutes
2
Flute, Violoncello
1
Clarinet, Violin (duet)
1
Oboe, Cello
1
Flute Quintet : 5 flutes
1
2 Clarinets, Bassoon
1
English horn, Piano
1
Oboe and viola (duet)
1
Flute, Viola (duet)
1
2 Clarinets (duet)
1
Harmonica
1
Oboe, Clarinet, Bassoon (trio)
1
Clarinet Quintet: 5 clarinets
1
3 Saxophones (trio)
1
Flute, Oboe, Bassoon
1
Flute, Oboe, Clarinet (trio)
1
Oboe, Bassoon (duet)
1
Saxophone Quintet: 5 Saxophones
1
Clarinet and Viola
1
Flute, Violin, Piano
1
Descent (Soprano) Recorder, Piano
1
English Horn
1
Saxophone ensemble
1
Flute and Guitar
1
Bass Clarinet, Piano
1
Oboe, Clarinet (duet)
1
2 Saxophones (duet)
1
Instrumentations suivantes
Retracter
WOODBRASS
Trombone
11
Trumpet
11
Brass Quintet: 2 trumpets, horn, trombone, tuba
7
Trumpet (band part)
7
Trombone and Piano
7
Trombone (band part)
7
French horn
6
Tuba and Piano
5
Trumpet, Piano
5
French Horn and Piano
5
French horn (band part)
5
Tuba
4
Tuba (band part)
4
Brass quartet : 2 trumpets, trombone, tuba
4
2 Trombones (duet)
1
English horn, Piano
1
Brass Quartet: 4 trombones
1
Tuba ensemble
1
Trumpet, Tuba (duet)
1
Brass Quartet
1
Trombone, Tuba (duet)
1
Bass Clef Instruments
1
English Horn
1
Trumpet, Trombone (duet)
1
Instrumentations suivantes
Retracter
STRINGS
Violin
18
String Quartet: 2 violins, viola, cello
11
Violin and Piano
9
Cello, Piano
9
String Trio: violin, viola, cello
8
Cello (band part)
7
Viola, Piano
7
Harp
7
Cello
6
Viola
5
Double bass, Piano (duet)
4
Double Bass
3
Violin (band part)
3
Violin, Cello (duet)
3
Viola (band part)
2
Cello, Guitar (duet)
1
Viola, Cello (duet)
1
Violin, Viola (duet)
1
String Trio: 3 cellos
1
2 Violas (duet)
1
2 Violins (duet)
1
2 Cellos (duet)
1
Flute, Doublebass (duet)
1
String Trio: 2 violins, viola
1
String Trio: 3 violas
1
Doublebass (band part)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
73
Orchestra
26
Chamber Orchestra
19
Marching band
13
Brass ensemble
8
Percussion (band part)
7
String Orchestra
6
Drum (band part)
5
Jazz Ensemble
3
Timpani (band part)
2
Handbells
2
Drums
1
Percussion Ensemble
1
Marimba
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Last Night
Orchestra
Sheetmusic to print
26 sheet music found
<
1
26
Silent Night For Full Orchestra And Chorus
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1153104 By Christian Paulson. B…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1153104 By Christian Paulson. By Franz Xaver Gruber. Arranged by Christian Paulson. 19th Century,Christmas,Holiday. Score and Parts. 28 pages. Christian Paulson #753348. Published by Christian Paulson (A0.1153104). This arrangement began as a piece I arranged as a finale for our first combined band, orchestra, and choir concert. It was a big hit! Silent Night has always been a piece that everyone seems to hold dearly. The chorus has a traditional harmony right out of the green hymnal. This piece can also be done with a small group of singers or as a solo. The instruments parts are very accessible and the scoring makes every group sound full. One of the theatrical moments happens right after the climax of the second verse. Choke the cymbal and chimes on beat one of measure 55 and let the natural reverberance of the hall ring on. Slow the tempo, lower the volume and invite the audience to hum along to the last verse. Nothing brings musicians and audiences together like Silent Night.
$45.00
42.11 €
#
Orchestra
#
Christian Paulson
#
Silent Night For Full Orchestra And Chorus
#
Christian Paulson
#
SheetMusicPlus
Last Friday Night (T.G.I.F.) / Edge of Glory: Flute
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015968_F1 Flute. Arranged b…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0015968_F1 Flute. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015968_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015968_F1). UPC: 038081451237.A cool medley of two very hot tunes from two of the most popular ladies of pop, this piece is playable as full orchestra, strings alone, or strings with rhythm section. Violin solos are also cued in the clarinet part for maximum flexibility. The catchy melodies will be a hit! (4:50).
$3.00
2.81 €
#
Orchestra
#
Last Friday Night
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Last Friday Night (T.G.I.F.) / Edge of Glory: Cello
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015968_VC1 Cello. Arranged …
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0015968_VC1 Cello. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015968_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015968_VC1). UPC: 038081451237.A cool medley of two very hot tunes from two of the most popular ladies of pop, this piece is playable as full orchestra, strings alone, or strings with rhythm section. Violin solos are also cued in the clarinet part for maximum flexibility. The catchy melodies will be a hit! (4:50).
$3.00
2.81 €
#
Orchestra
#
Last Friday Night
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Last Friday Night (T.G.I.F.) / Edge of Glory: Mallets
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015968_M1 Mallets. Arranged…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0015968_M1 Mallets. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015968_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015968_M1). UPC: 038081451237.A cool medley of two very hot tunes from two of the most popular ladies of pop, this piece is playable as full orchestra, strings alone, or strings with rhythm section. Violin solos are also cued in the clarinet part for maximum flexibility. The catchy melodies will be a hit! (4:50).
$3.00
2.81 €
#
Orchestra
#
Last Friday Night
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Last Friday Night (T.G.I.F.) / Edge of Glory: Bassoon
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015968_B1 Bassoon. Arranged…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0015968_B1 Bassoon. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015968_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015968_B1). UPC: 038081451237.A cool medley of two very hot tunes from two of the most popular ladies of pop, this piece is playable as full orchestra, strings alone, or strings with rhythm section. Violin solos are also cued in the clarinet part for maximum flexibility. The catchy melodies will be a hit! (4:50).
$3.00
2.81 €
#
Orchestra
#
Last Friday Night
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Last Friday Night (T.G.I.F.) / Edge of Glory: Timpani
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0015968_TMP Timpani. Arrange…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0015968_TMP Timpani. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015968_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015968_TMP). UPC: 038081451237.A cool medley of two very hot tunes from two of the most popular ladies of pop, this piece is playable as full orchestra, strings alone, or strings with rhythm section. Violin solos are also cued in the clarinet part for maximum flexibility. The catchy melodies will be a hit! (4:50).
$3.00
2.81 €
#
Orchestra
#
Last Friday Night
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Last Friday Night (T.G.I.F.) / Edge of Glory: Score
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PR-0004278 Score. Arranged by V…
(+)
Full Orchestra - Digital Download SKU: AX.00-PR-0004278 Score. Arranged by Victor López. Instructional. Score. 28 pages. Alfred Music - Digital Sheet Music #00-PR-0004278. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004278). UPC: 038081451237.A cool medley of two very hot tunes from two of the most popular ladies of pop, this piece is playable as full orchestra, strings alone, or strings with rhythm section. Violin solos are also cued in the clarinet part for maximum flexibility. The catchy melodies will be a hit! (4:50).
$9.00
8.42 €
#
Orchestra
#
Last Friday Night
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Pomp and Circumstance March No 1 in D op.39
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1377034 Composed by Edward Elga…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1377034 Composed by Edward Elgar. Arranged by Marcus Martin. 20th Century,March,Patriotic,Praise and Worship. 99 pages. Cornelius Edition (uk) #961638. Published by Cornelius Edition (uk) (A0.1377034). This famous march, regularly performed at u.k. 'The Last Night of the Proms' was composed in 1901. The words 'Land of Hope and Glory' were added to the trio section in 1902 by A C Benson. This section is traditionally associated with USA high school and college graduation ceremonies. This version is for full symphony orchestra.  2 Piccolos, 2 Oboes, 2 Clarinets, 2 Bassoons,  4 horns, 2 Trumpets (or Cornets) 3 Trombones, Tuba, Organ, Harp, Percussion and Strings.  However 2nd Piccolo, 3rd and 4th Horns, Harp and Organ are all 'ad lib' and in general the arrangement is effective with the omission of some of the other wind and brass at the conductor's discretion. A full score and all parts are included with alternative Bb parts for Clarinet and Trumpet.
$39.99
37.42 €
#
Orchestra
#
Edward Elgar
#
Pomp and Circumstance March No 1 in D op.39
#
Cornelius Edition
#
SheetMusicPlus
Lily Park - II. Goblin Lights
Orchestra
Full Orchestra - Digital Download SKU: A0.1022809 Composed by Yoonjee Kim. Contempo…
(+)
Full Orchestra - Digital Download SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published by Yoonjee Kim (A0.1022809). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.II. Goblin Lights
$17.00
15.91 €
#
Orchestra
#
Yoonjee Kim
#
Lily Park - II. Goblin Lights
#
Yoonjee Kim
#
SheetMusicPlus
Lily Park - I. Wind Bell
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.
$17.00
15.91 €
#
Orchestra
#
Yoonjee Kim
#
Lily Park - I. Wind Bell
#
Yoonjee Kim
#
SheetMusicPlus
Flauta Carioca (2000) for flute and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869354 Composed by Thomas Oboe …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pages. Thomas Oboe Lee #15873. Published by Thomas Oboe Lee (A0.869354). Instrumentation: solo flute & 2222-2221-timp-2perc-strings. Program note: I lived in São Paulo, Brazil, during my teenage years, from 1959 to 1966. Consequently, the samba and the bossa nova are forever engraved into my heart. So, when Larry Tamburri, Executive Director of the New Jersey Symphony Orchestra, proposed that I write a flute concerto for Bart Feller, principal flutist of the NJSO, he (Larry) thought it would be most appropriate if I wrote something inspired by my musical experiences in Brazil. The result is Flauta Carioca, literally meaning, flute in the manner of the people of Rio de Janeiro. The work is in three movements. The first is a chôro, an instrumental ensemble music that features a soloist that is often virtuosic when it is fast, and lyrical when it is slow. The second movement is a bossa nova. It features Bart on the alto flute and the music is very luscious and sexy. The listener can fantasize about Rio and the beach at Ipanema. The last movement begins with a slow introduction, a pastorale. Without a break, a forró enters in the strings, followed immediately by the percussion. Forró is party music, and this last movement is all about dancing. As a matter of fact, Bart wants to party all night ... The evening finally ends when someone turns the light out!!!Audio link: https://thomasoboelee.bandcamp.com/album/flauta-carioca-2000.
$9.99
9.35 €
#
Orchestra
#
Thomas Oboe Lee
#
2222-2221-timp-2perc-strings
#
Flauta Carioca
#
Thomas Oboe Lee
#
SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.35 €
#
Orchestra
#
Thomas Oboe Lee
#
Symphony No. 6 ... The Penobscot River
#
Thomas Oboe Lee
#
SheetMusicPlus
"Premonitions" for large orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.886728 Composed by Panagiotis T…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.886728 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 157 pages. Panagiotis Theodossiou #5753415. Published by Panagiotis Theodossiou (A0.886728). Work written in 2018 a thesis for composer's postgraduate studies in Musical Department of Ionian University (Composition for Vocal and Instrumental Ensembles). It is based on the, under the same title ('Premonition'), poem by the 19th century British-Canadian poet Robert William Service (1874 - 1958). Point of departure is the eternal conflict between light and darkness, hope and despair, vision and nightmare, spiritual formation and inner confusion, being together and being apart, past and future, life and death. Leading by love (eros), a series of sudden thoughts and premonitions and the composer's inner visions on Service's text is a vehicle, a canvas for this composition. It follows a multilanguage style between serial-atonal and tonal idiom. It consists of an introduction which is repeated variated at the end as an epilogue and nine variations, each of a different character - independent but following one another without a pause: 1. Introduction, Sudden Thoughts (Severo) 2. Var.I. Towards the Light (Lento ambiamente) 3. Var.II.Nightmare - Shadows' Chase (Allegro deciso) 4. Var.III. Hope (Lento mystico) 5. Var.IV. Moonlight Wandering (Valse noire) (Poco piu mosso) 6. Var.V.Vision i, An Imaginary Procession (L' istesso tempo) 7.Var.VI.Vision ii, Butterflies - An Unexpected Love Affair (Valse d'amour) (Allegro) 8.Var.VΙI. Depression and Relief (Illusion) (Grave) 9.Var.VIII. Contemplation Waltz (Passacaglia) (Con moto) 10.Var.IΧ. Confusion - A Broken Heart (Moderato) 11. Finale. Last Thought (Tempo primo)
$60.00
56.15 €
#
Orchestra
#
Panagiotis Theodossiou
#
"Premonitions" for large orchestra
#
Panagiotis Theodossiou
#
SheetMusicPlus
All Time High
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By Jo…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
112.3 €
#
Orchestra
#
Rita Coolidge
#
All Time High
#
www.studio-orchestrations.com
#
SheetMusicPlus
All Time High
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By Jo…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
112.3 €
#
Orchestra
#
Rita Coolidge
#
All Time High
#
www.studio-orchestrations.com
#
SheetMusicPlus
Concerto for Oboe and Orchestra - score and parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.872610 Composed by Philip Orem.…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.872610 Composed by Philip Orem. Contemporary. Score and parts. 186 pages. Philip Orem #3523819. Published by Philip Orem (A0.872610). My popular oboe concerto featured on the CD, Concerto, from Roven Records available on iTunes.This pastoral concerto is in three movements, the first as lazy as a summer day by a stream, the second quiet as a summer night watching the stars shimmer in the sky, the last a rollicking scamper through the summer holidays.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$250.00
233.95 €
#
Orchestra
#
Philip Orem
#
Concerto for Oboe and Orchestra - score and parts
#
Philip Orem
#
SheetMusicPlus
As The World Caves In
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1301809 By Matt Maltese. By Mat…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1301809 By Matt Maltese. By Matt Maltese. Arranged by Scores by Ken. Pop. Score and Parts. 34 pages. Scores by Ken #891403. Published by Scores by Ken (A0.1301809). As The World Caves In | Matt Maltese About the PieceAs The World Caves In, written by Matt Maltese, is a love song. It centers on a couple spending their last moments on earth in each other’s company while they watch the world come to an end. Speaking with The FADER, Maltese revealed that the song is centered on a couple (former British Prime Minister Theresa May and American President Donald Trump) spending their final “night of romance†with each other while triggering nuclear warheads that destroy the entire world. Arranged as per Sarah Cothran's cover.
$49.99
46.78 €
#
Orchestra
#
Matt Maltese
#
As The World Caves In
#
Scores by Ken
#
SheetMusicPlus
Ballade For An Entablature
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1314855 By All Women's Orchestr…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration – 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore – a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.
$45.00
42.11 €
#
Orchestra
#
All Women's Orchestra, Norwich, UK
#
Ballade For An Entablature
#
Geraldine
#
SheetMusicPlus
N. Medtner - Two Pieces, Op. 58, Orchestrated by A. Leytush - Score Only
Orchestra
Full Orchestra - Digital Download SKU: A0.1368041 Composed by N. Medtner. Arranged …
(+)
Full Orchestra - Digital Download SKU: A0.1368041 Composed by N. Medtner. Arranged by A. Leytush. 20th Century. 153 pages. Arkady Leytush #952396. Published by Arkady Leytush (A0.1368041). Nikolai Medtner - Two Pieces, Op. 58, 1. Russian Round Dance 2. Knight Errant, Orchestrated by Arkady LeytushMedtner, one of the last romantic composers, remained in the history of music as the author of a number of piano compositions, three piano concertos, as well as vocal and chamber compositions. In addition to piano concertos, he unfortunately did not write a single work for a symphony orchestra. This can only be understood considering that he himself was a brilliant pianist and has been focused on this instrument throughout his creative life. Meanwhile, analyzing his piano compositions reveals not only mastery, a variety of development techniques, polyphony and multi-layered presentation, but also a symphonic scope and an assumed variety of timbres. In particular, his opus 58 Two Pisces for 2 pianos fully corresponds to what is written above. These circumstances prompted me to orchestrate this work for a large symphony orchestra and thereby try to expand its creativity and popularity.
$50.00
46.79 €
#
Orchestra
#
N
#
N. Medtner - Two Pieces, Op. 58, Orchestrated by A. Leytush - Score Only
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.4 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.4 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.4 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Arkady Leytush
#
SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
46.74 €
#
Orchestra
#
Rainer Fabich Orchestra
#
RAGING FURIES - Goettinnen der Rache
#
Fajora Music
#
SheetMusicPlus
Anonymous: Last Friday Night / Edge of Glory - full orchestra (full score)
Orchestra
Instantly printable sheet music by Anonymous for full orchestra (full score) of EASY/MEDIU…
(+)
Instantly printable sheet music by Anonymous for full orchestra (full score) of EASY/MEDIUM skill level. / instructional
$8.99
8.41 €
#
Orchestra
#
Anonymous
#
Virtualsheetmusic
Anonymous: Last Friday Night / Edge of Glory (COMPLETE) - full orchestra
Orchestra
Instantly printable sheet music by Anonymous for full orchestra of EASY/MEDIUM skill level…
(+)
Instantly printable sheet music by Anonymous for full orchestra of EASY/MEDIUM skill level. / instructional
$69.99
65.5 €
#
Orchestra
#
Anonymous
#
Virtualsheetmusic
<
1
26
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
