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You've selected:
Latin Hymn
Orchestra
Sheetmusic to print
12 sheet music found
<
1
Divinum Mysterium
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
69.8 €
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Orchestra
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12th Century Plainchant
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
O Come, O Come, Emmanuel
Orchestra
Full Orchestra - Level 4 - Digital Download By Maria Sung Music. By Latin Hymn. Arran…
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Full Orchestra - Level 4 - Digital Download By Maria Sung Music. By Latin Hymn. Arranged by Maria Sung Music. Christmas, Holiday, Latin, Praise & Worship, Spiritual. Score and parts. 19 pages. Maria Sung Music #344848. Published by Maria Sung Music
$34.99
32.56 €
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Orchestra
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Maria Sung Music
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Worship, Spiritual
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O Come, O Come, Emmanuel
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Maria Sung Music
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SheetMusicPlus
Noble Death
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1047176 Composed by Katherine A…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1047176 Composed by Katherine Adelia. Contemporary,Spiritual. Score and parts. 83 pages. Katherine Adelia #651711. Published by Katherine Adelia (A0.1047176). An orchestral work made by Katherine Adelia in 2022. This piece depicts the harrowing yet noble death of Jesus Christ. Utilizing 5/4, 3/4 meter, and a rather fast tempo to create an agitated feeling and confined atmosphere. There is a snippet of a latin hymn called Oh Come, oh Come, Emmanuel as an easter egg within the piece.
$9.50
8.84 €
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Orchestra
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Katherine Adelia
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Noble Death
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Katherine Adelia
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SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
148.91 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
#
SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
80.03 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
#
SheetMusicPlus
Rejoice, the Lord Is King
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1396274 Composed by Charles Wes…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1396274 Composed by Charles Wesley. Arranged by Laird Halling. Christian,Easter,Funk,Latin,Praise and Worship. 69 pages. Laird Halling #979663. Published by Laird Halling (A0.1396274). This is a cheerful syncopated rendition of the popular hymn Rejoice, the Lord Is King arranged for full orchestra. This makes a great prelude, offertory or special feature. It is nonseasonal but could be a great choice for Palm Sunday or Easter.Funky Latin brass and rhythm parts are contrasted by sweeping string and woodwind lines. The middle breakdown section showcases the rhythm and percussion, with an expanding pyramid of instruments. Your players will love playing this fun chart!
$74.99
69.79 €
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Orchestra
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Charles Wesley
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Rejoice, the Lord Is King
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Laird Halling
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SheetMusicPlus
Himno al Colegio Principe de Asturias
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1422124 Composed by Adrian Mein…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1422124 Composed by Adrian Meinhardt. Classical. 41 pages. AdrianMR8 #1003469. Published by AdrianMR8 (A0.1422124). This is a hymn that I composed for a school in Latin America, it can be used in solemn events of all kinds.
$9.99
9.3 €
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Orchestra
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Adrian Meinhardt
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Himno al Colegio Principe de Asturias
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AdrianMR8
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SheetMusicPlus
The Lord Is My Shepherd - Orchestral Score and Parts
Orchestra
Orchestra - Digital Download SKU: C7.CGOR551 Composed by Allen Pote. G. Score and p…
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Orchestra - Digital Download SKU: C7.CGOR551 Composed by Allen Pote. G. Score and parts. 16 pages. Chorister's Guild - Digital #CGOR551. Published by Chorister's Guild - Digital (C7.CGOR551). UPC: 749193018606.The second in a series of jazz hymn arrangements, this relaxing, Latin style ballad will be useful in worship as well as concert settings. The improv-style solo is written out for handchimes, but may be omitted by the chimes and played only by the saxophone if an easier arrangement is desired.
$49.95
46.49 €
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Orchestra
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Allen Pote
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The Lord Is My Shepherd - Orchestral Score and Parts
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Chorister's Guild - Digital
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SheetMusicPlus
Adeste Fideles (O Come, All Ye Faithful) - for choir and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1115832 Composed by John Franci…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1115832 Composed by John Francis Wade. Arranged by Dana Graybeal. Christian,Christmas,Holiday,Religious,Traditional. Score and Parts. 40 pages. Dana Graybeal #717545. Published by Dana Graybeal (A0.1115832). A soaring arrangement of the familiar Christmas hymn. It begins with a plain chant melody sung by the men in Latin. Then, an angelic SSA fanfare of the second verse. Followed by a glorious tutti. Guaranteed chills! Can be performed without choir.
$59.99
55.83 €
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Orchestra
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John Francis Wade
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Adeste Fideles
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Dana Graybeal
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SheetMusicPlus
Autumn tableau
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
14.88 €
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Orchestra
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Praise and Glory
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.759428 Composed by Tim Olt. Chr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.759428 Composed by Tim Olt. Christian,Contemporary,Sacred. Score and parts. 116 pages. Olt Music #6438357. Published by Olt Music (A0.759428). This work was written for Dr. Selmer Spitzer and the Southern Nevada Symphony Orchestra. The piece is written for piano, organ, narrator, 3 tenors and orchestra, and features text from Psalm 150. The first half of the work is an exploration by the listener of various religions through hymns of various denominations offset with the seeker melody. There is a brief narration that is juxtaposed with antiphonal trumpet, and then the setting of Psalm 150 for the remainder of the piece. This features the 3 tenors and utilizes both English and Latin text. The work is 10 minutes in duration.
$150.00
139.6 €
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Tim Olt
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