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Love You For A Long Time
Orchestra
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1
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestra
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.81 €
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Orchestra
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Manuel de Espinosa de los Monteros (1730-1810)
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Have You Heard? - Set of Parts (Digital Download)
Orchestra
Instrumental Parts, Full Orchestra - Digital Download SKU: LX.30-3732L A Celtic …
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Instrumental Parts, Full Orchestra - Digital Download SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Set of Parts (Digital Download). 481 pages. Lorenz Publishing - Digital Sheet Music #e30/3732L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3732L). Orchestrated by Ed Hogan.Digital Set of Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
$249.95
229.52 €
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Orchestra
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Joel Raney
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Away in a Manger
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Have You Heard? - Set of Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
87.24 €
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Orchestra
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
The Imaginary Invalid Opera, Full Orchestral Score
Orchestra
Full Orchestra - Digital Download SKU: A0.730520 Composed by James Nathaniel Hollan…
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Full Orchestra - Digital Download SKU: A0.730520 Composed by James Nathaniel Holland. Broadway,Contemporary,Jazz,Musical/Show,Opera. Score and parts. 376 pages. James Nathaniel Holland #6131393. Published by James Nathaniel Holland (A0.730520). Full Orchestral Score . Piano vocal score and individual parts 1 and 2, sold separately. Moliere’s 300 year old play Le malade imaginaire is adapted into a three act comedic opera by American composer James Nathaniel Holland (adaption, music and libretto). It’s the story of a hypochondriac, studio mogul who is willing to marry off his daughter to his celebrity doctor’s son to save on expenses. From the other side, his ambitious, hypocritical wife is trying to swindle his fortune. Only his long-time secretary and partner can save him and unite his daughter with the young man who she actually loves. Set in 1930’s Los Angeles, Hollywood with early jazz elements, quasi musical numbers that will delight and tickle your audiences today. A small cast opera of about 8 singers (2 tenors, soprano, mezzo, coloratura, 2 baritones, and bass baritone) with no chorus and relatively small sized orchestra, this piece is perfect for any university or small opera house, and it’s libretto is originally in English. Suitable for all audiences. Full orchestration: picc, fl12, asax12, cl12, bsn, hrn12, tpt, trom, timp (misc), drum set, pno, strings. Duration: 1 hour and 45 minutes. Playlist link: https://www.youtube.com/playlist?list=PLEcbVsA36MCvU97UVaZdWAPdzkN8woFtw (Revised 2022 Version with 2 additional arias).
$45.95
42.19 €
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Orchestra
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James Nathaniel Holland
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The Imaginary Invalid Opera, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
The Imaginary Invalid Opera, Instrument Parts 1 of 2 (Woodwinds, Brass, Perc.)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.730518 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730518 Composed by James Nathaniel Holland. Broadway,Contemporary,Jazz,Musical/Show,Opera. Score and parts. 326 pages. James Nathaniel Holland #6129949. Published by James Nathaniel Holland (A0.730518). Instrument Parts 1 of 2 (Woowinds, Brass, Perc) . Full score, piano vocal score and individual parts (strings) sold separately. Moliere's 300 year old play Le malade imaginaire is adapted into a three act comedic opera by American composer James Nathaniel Holland (adaption, music and libretto). It's the story of a hypochondriac, studio mogul who is willing to marry off his daughter to his celebrity doctor's son to save on expenses. From the other side, his ambitious, hypocritical wife is trying to swindle his fortune. Only his long-time secretary and partner can save him and unite his daughter with the young man who she actually loves. Set in 1930's Los Angeles, Hollywood with early jazz elements, quasi musical numbers that will delight and tickle your audiences today. A small cast opera of about 8 singers (2 tenors, soprano, mezzo, coloratura, 2 baritones, and bass baritone) with no chorus and relatively small sized orchestra, this piece is perfect for any university or small opera house, and it's libretto is originally in English. Suitable for all audiences. Duration: 1 hour and 45 minutes. Playlist link: https://www.youtube.com/playlist?list=PLEcbVsA36MCvU97UVaZdWAPdzkN8woFtw (Ver. 2022 with 2 new arias).
$34.95
32.09 €
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Orchestra
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James Nathaniel Holland
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The Imaginary Invalid Opera, Instrument Parts 1 of 2
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James Nathaniel Holland
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SheetMusicPlus
The Imaginary Invalid Opera, Instrument Parts 2 of 2 (Strings)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.730519 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730519 Composed by James Nathaniel Holland. Broadway,Contemporary,Jazz,Musical/Show,Opera. Score and parts. 165 pages. James Nathaniel Holland #6131385. Published by James Nathaniel Holland (A0.730519). Instrument Parts 1 of 2 (Woowinds, Brass, Perc) . Full score, piano vocal score and individual parts (strings) sold separately. Moliere’s 300 year old play Le malade imaginaire is adapted into a three act comedic opera by American composer James Nathaniel Holland (adaption, music and libretto). It’s the story of a hypochondriac, studio mogul who is willing to marry off his daughter to his celebrity doctor’s son to save on expenses. From the other side, his ambitious, hypocritical wife is trying to swindle his fortune. Only his long-time secretary and partner can save him and unite his daughter with the young man who she actually loves. Set in 1930’s Los Angeles, Hollywood with early jazz elements, quasi musical numbers that will delight and tickle your audiences today. A small cast opera of about 8 singers (2 tenors, soprano, mezzo, coloratura, 2 baritones, and bass baritone) with no chorus and relatively small sized orchestra, this piece is perfect for any university or small opera house, and it’s libretto is originally in English. Suitable for all audiences. Duration: 1 hour and 45 minutes. Playlist link: https://www.youtube.com/playlist?list=PLEcbVsA36MCvU97UVaZdWAPdzkN8woFtw (Ver. Revised 2022 with 2 new arias).
$25.95
23.83 €
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Orchestra
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James Nathaniel Holland
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The Imaginary Invalid Opera, Instrument Parts 2 of 2
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James Nathaniel Holland
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SheetMusicPlus
EP!C!!!
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
36.73 €
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Orchestra
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Moon River
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1219766 By Henry Mancini. By He…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1219766 By Henry Mancini. By Henry Mancini and Johnny Mercer. Arranged by Laurent Lemmens. Film/TV. Score and Parts. 32 pages. Laurent Lemmens #814129. Published by Laurent Lemmens (A0.1219766). Are you searching for a symphonic work for your next concert? What better way to captivate your audience than with a beautiful rendition of a beloved film classic? This symphonic arrangement of the timeless Moon River from the blockbuster 'Breakfast At Tiffany's', composed by Henry Mancini and Johnny Mercer, is the perfect addition to your orchestra's repertoire. It embodies the tranquil character of the song through intimate woodwind solos, and the feelings of longing and nostalgia culminate in intense tutti passages. Its calmer sections with harp and soft melodic percussion resemble a music box-like atmosphere, taking the listener on a gentle journey along the moonlit river.The instrumentation for this piece is as follows: 1 Piccolo, 2 Flutes, 2 Oboes, 1 Cor Anglais, 2 Clarinets in Bb, 1 Bass Clarinet in Bb, 2 Bassoons, 4 Horns in F, 3 Trumpets in Bb, 2 Trombones, 1 Bass Trombone, 1 Tuba, 1 Timpani, 1 Cymbals, 1 Vibraphone, 1 Celesta, 1 Harp, 8 Violin I, 8 Violin II, 6 Violas, 6 Celli, 4 Double Basses.If you'd like to contact the arranger, you can do so via laurent.lemmens@plagal.eu.
$49.99
45.9 €
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Orchestra
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Henry Mancini
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Moon River
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Laurent Lemmens
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SheetMusicPlus
White Horses
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.872299 Composed by Ben Nisbet a…
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Full Orchestra - Level 2 - Digital Download SKU: A0.872299 Composed by Ben Nisbet and Michael Carr. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin Riley #478743. Published by Kevin Riley (A0.872299). The theme song to the German version was played by Ivo Robić. The UK theme song - written by Michael Carr and Ben Nisbet and later back dubbed onto all versions, was simply titled White Horses, and credited to Jacky - was sung by Irish-born Jackie Lee. It became a top 10 hit in the UK charts in April 1968. The book The Penguin Television Companion claimed it to be the best television theme in history.[3] It has been copied and used many times since, including: The theme was covered in 1968 by Claudine Longet, as a B-side to the single Nothing to Lose. Trixie's Big Red Motorbike covered the song on their second John Peel session in 1983.[4] Scottish female group Sophisticated Boom Boom covered the song in 1982 on their Peel Session. Jamie Wednesday recorded the track for their EP Vote for Love in 1987. The Trashcan Sinatras featured a version of the song on their EP Circling the Circumference (1990) The English band Kitchens of Distinction recorded a cover of the theme song during the sessions for what would be their final album, Cowboys and Aliens (1994). The song was first released in the UK as a b-side on the album's first single, Now It's Time to Say Goodbye; it was later released in the US as a b-side on the album's title track Morwenna Banks released a cover version in 1995 as her Absolutely character, The Little Girl. The film Me Without You (2001) used the Jacky stereo version on its opening credits, and a version by Lucy Street during the end credits Cerys Matthews performed the song on the compilation Songs for the Young at Heart (2007) The theme was covered by Dean and Britta on their album Back Numbers (2007) The theme was covered by Andrea Ross on her album Moon River (2007) The theme was covered by Mari Wilson on her album Pop Deluxe (2016).
$60.00
55.1 €
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Orchestra
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Ben Nisbet and Michael Carr
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White Horses
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Kevin Riley
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SheetMusicPlus
Gulf Coast Symphony
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.965587 Composed by Kevin Price.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.965587 Composed by Kevin Price. Contemporary. Score and parts. 139 pages. Kevin Price #5766297. Published by Kevin Price (A0.965587). I am really excited to present my first symphony; Gulf Coast Symphony. As far as symphonies go this is slightly shorter than most with a runtime of approx. 20 mins. This composition consists of four movements: The Sonata, which is written at an Allegro includes a french horn and oboe solo. Andante, which is obviously written at an Andante displays a very beautiful harp part, a section with the violins playing a lovely pizzicato part, and includes a trumpet duet. The percussion is also showcased in the first 8 bars of the movement. Next is the Minuet, which highlights the flutes briefly in the intro, and also includes a violin as well as a trombone solo. The last movement is a Rondo, which consists of a bassoon solo and is the longest of the 4 movements. I am looking for feedback on my composition, so please leave comments in the review section on what you liked, and what you might like to see in future compositions. Enjoy!
$19.99
18.36 €
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Orchestra
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Kevin Price
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Gulf Coast Symphony
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Kevin Price
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SheetMusicPlus
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