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You've selected:
Man Model Music
SheetMusicPlus
Orchestra
Sheetmusic to print
15 sheet music found
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1
Furry Triumphal
Orchestra
Full Orchestra - Level 3 - Digital Download Composed by Michael Jeffrey Indrawan. Arr…
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Full Orchestra - Level 3 - Digital Download Composed by Michael Jeffrey Indrawan. Arranged by The Composer. 161. Score and parts. 65 pages. Man Model Music #790181. Published by Man Model Music
$50.00
46.19 €
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Orchestra
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Michael Jeffrey Indrawan
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Furry Triumphal
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Man Model Music
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SheetMusicPlus
In The Model
Orchestra
By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV, Holiday. 82 …
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By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV, Holiday. 82 pages. Patrick Sheehan #859608. Published by Patrick Sheehan
$50.00
46.19 €
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Orchestra
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Danny Elfman
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In The Model
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Patrick Sheehan
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SheetMusicPlus
Pieces of Loathing: Thugnderdome
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1118972 Composed by Michael Jef…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1118972 Composed by Michael Jeffrey Indrawan. Contemporary,March. Score and Parts. 115 pages. Man Model Music #720379. Published by Man Model Music (A0.1118972). A piece (somewhat) based on things in Asymmetric’s Kingdom of Loathing! This movement is a march, with a rousing half and a calming other half.
$37.00
34.18 €
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Orchestra
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Michael Jeffrey Indrawan
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Pieces of Loathing: Thugnderdome
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Man Model Music
#
SheetMusicPlus
The Bride Elect March
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1119163 Composed by John Philip…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1119163 Composed by John Philip Sousa. Arranged by Michael Jeffrey Indrawan. March. Score and Parts. 66 pages. Man Model Music #720579. Published by Man Model Music (A0.1119163). Sousa’s Bride Elect march in a new arrangement for orchestra!
$23.00
21.25 €
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Orchestra
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John Philip Sousa
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The Bride Elect March
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Man Model Music
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SheetMusicPlus
Korobeiniki (from Tetris)
Orchestra
Choir, Full Orchestra - Advanced Intermediate - Digital Download Composed by Trad. Russi…
(+)
Choir, Full Orchestra - Advanced Intermediate - Digital Download Composed by Trad. Russian Folksong. Arranged by Chris Rinaman. Romantic Period, Classical Period, European, Klezmer. Score, Set of Parts. 89 pages. Published by CGR Music Service
An exciting arrangement for full orchestra, with optional chorus, of the the Russian folksong (Korobeiniki or Korobushka) featured in the video game Tetris. This arrangement is modeled after the popular Videogames Live! concerts. Instrumentation: Optional Chorus Flute 1,2 Oboe 1,2 Clarinet 1,2 Bassoon 1,2 Horn 1,2 Horn 3,4 Trumpet 1,2 Trombone 1,2 Bass Trombone Tuba Percussion Timpani Violin 1,2 Viola Cello Double Bass
$80.00
73.9 €
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Orchestra
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Trad
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Korobeiniki
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CGR Music Service
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SheetMusicPlus
Southwood - Modern Symphony for small orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1005640 Composed by Rudy Volkma…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1005640 Composed by Rudy Volkmann. Contemporary. Score and parts. 225 pages. Rudy Volkmann #6073661. Published by Rudy Volkmann (A0.1005640). Southwood is a 20-minute, three-movement symphony for small (Schubert-sized) orchestra with an expanded percussion section. It is melodic, structured on classical formal models, and often harmonically dissonant (employing mixed meters as well). It is scored for 2 Flutes ( II d. Piccolo), 2 Oboes ( II d. English Horn), 2 Bb Clarinets ( II d. Bass Clarinet), 2 Bassoons, 2 French Horns, 2 Trumpets in C, Timpani, Xylophone (both soft and hard mallets), Snare Drum, Bass Drum, Auxiliary Percussion (2 players - including Cymbals, Suspended Cymbal, Tambourine, Triangle, Large Gong, and Mark Tree), and Strings. The FINALE mp3 gives you the feel for the piece, but FINALE’S un-pitched percussion sound files are inadequate to convey the real feel of any of those instruments. In addition, several effects such as string glissandos, Suspended Cymbal coin edge slides, and the Mark Tree parts are simply missing.
$95.00
87.76 €
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Orchestra
#
Rudy Volkmann
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Southwood - Modern Symphony for small orchestra
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Rudy Volkmann
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.09 €
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Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.09 €
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Orchestra
#
Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.09 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
#
SheetMusicPlus
Main Title - Out Of Africa
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.484026 By Erich Kunzel Cond. Th…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.484026 By Erich Kunzel Cond. The Cincinnati Pops O, John Barry, Legend, Movie Greats, Nic Raine The City Of Prague Philharmo, Spectrum, Studio Artist, Studio Musicians, The Band Of The Royal Air, The City Of Prague, The Royal Philharmonic Orch. - John Barr, and etc. By John Barry. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 45 pages. Kevin Riley #103517. Published by Kevin Riley (A0.484026). Out of Africa is a 1985 American epic romantic drama film directed and produced by Sydney Pollack, and starring Meryl Streep and Robert Redford. The film is based loosely on the 1937 autobiographical book Out of Africa written by Isak Dinesen (the pseudonym of Danish author Karen Blixen), with additional material from Dinesen's 1960 book Shadows on the Grass and other sources. The book was adapted into a screenplay by the writer Kurt Luedtke, and filmed in 1984. Streep played Karen Blixen, Redford played Denys Finch Hatton, and Klaus Maria Brandauer played Baron Bror Blixen. Others in the film include Michael Kitchen as Berkeley Cole, Malick Bowens as Farah, Stephen Kinyanjui as the Chief, Michael Gough as Lord Delamere, Suzanna Hamilton as Felicity, and the model and actress Iman as Mariammo. Despite mixed reviews from critics, Out of Africa was a commercial success and won seven Academy Awards including Best Picture and Best Director for Pollack. Wiki.
$75.00
69.28 €
#
Orchestra
#
Erich Kunzel Cond
#
Main Title - Out Of Africa
#
Kevin Riley
#
SheetMusicPlus
Main Title - Out Of Africa
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.780143 By Studio Musicians. By …
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.780143 By Studio Musicians. By John Barry. Arranged by Graham Boag. Contemporary. Score and Parts. 142 pages. Graham Boag #6864765. Published by Graham Boag (A0.780143). Out of Africa is a 1985 American epic romantic drama filmdirected and produced by Sydney Pollack, and starring Meryl Streep and Robert Redford. The film is based loosely on the 1937 autobiographical book Out of Africa written by Isak Dinesen (the pseudonym of Danish author Karen Blixen), with additional material from Dinesen's 1960 book Shadows on the Grass and other sources. The book was adapted into a screenplay by the writer Kurt Luedtke, and filmed in 1984. Streep played Karen Blixen, Redford played Denys Finch Hatton, and Klaus Maria Brandauer played Baron Bror Blixen. Others in the film include Michael Kitchen as Berkeley Cole, Malick Bowens as Farah, Stephen Kinyanjui as the Chief, Michael Gough as Lord Delamere, Suzanna Hamilton as Felicity, and the model and actress Iman as Mariammo. Despite mixed reviews from critics, Out of Africa was a commercial success and won seven Academy Awards including Best Picture and Best Director for Pollack.
$49.99
46.18 €
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Orchestra
#
Studio Musicians
#
Main Title - Out Of Africa
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Graham Boag
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SheetMusicPlus
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh,…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
4.61 €
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Orchestra
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Jeremy Goh
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SheetMusicPlus
Mr. Blue Sky
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1025683 By Electric Light Orche…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1025683 By Electric Light Orchestra. By Jeff Lynne. Arranged by Brett A Foster (BF Music). Pop. Score and parts. 96 pages. Brett A Foster #6682945. Published by Brett A Foster (A0.1025683). Mr. Blue Sky is a song by the Electric Light Orchestra (ELO), featured on the band's seventh studio album Out of the Blue (1977). Written and produced by front man Jeff Lynne, the song forms the fourth and final track of the Concerto for a Rainy Day suite, on side three of the original double album. Mr. Blue Sky was the second single to be taken from Out of the Blue, peaking at number 6 in the UK Singles Chart and number 35 in the US Billboard Charts.Like the album from which the single was issued, promotional copies were released on blue vinyl. Due to its popularity and frequent use in multiple television shows and movies, it has sometimes been described as the band's signature song. The song has been used in the films , Megamind, Role Models, The Magic Roundabout, Wild Mussels, Eternal Sunshine of the Spotless Mind, Paul Blart: Mall Cop, The Game Plan, Doogal, Martian Child, The Invention of Lying, Guardians of the Galaxy Vol. 2.and Shaun of the Dead.
$60.00
55.43 €
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Orchestra
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Electric Light Orchestra
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Mr. Blue Sky
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Brett A Foster
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SheetMusicPlus
The Parting Glass
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Tr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Traditional. Arranged by Josiah V. Smiddy. Folk,World. Score and parts. 31 pages. Josiah V. Smiddy #4615131. Published by Josiah V. Smiddy (A0.1032233). This arrangement of The Parting Glass is written for full orchestra with tacet percussion and modeled after the style of the of the Irish supergroup, Celtic Woman. The Parting Glass is in the same vein as Auld Lang Syne but is still sung traditionally by the Irish though not so much by the Scottish. The original lyrics from this song describe a person bidding farewell to a good friend who is leaving and my not return. This arrangement opens with a cadenza solo from the principal cello that is intended to set the tone of the piece in that sorrowful dismissal of a good friend. It is intentionally written with basic instrumentation. It does not stretch the ranges too far, but still provides some technical and musical challenges to your ensemble. This would be a great performance piece for a high school or community orchestra.
$30.00
27.71 €
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Orchestra
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Scottish Traditional
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The Parting Glass
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Josiah V. Smiddy
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SheetMusicPlus
Piano Concerto in C minor ("Concert pt pian si orchestra in do minor") - full score&parts (272 pag)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1026909 By Andrei-Lucian Dră…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1026909 By Andrei-Lucian Drăgoi. By Andrei-Lucian Drăgoi. Arranged by Andrei-Lucian Drăgoi. Contemporary,Contest,Festival. Score and parts. 272 pages. Andrei-Lucian Dragoi #632345. Published by Andrei-Lucian Dragoi (A0.1026909). Concerto for piano and medium-sized symphonic orchestra (or chamber orchestra) Music (sketched between 2002-2010; firstly published on May 8th, 2022) by `dr. Andrei-Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com, YT.dragoii.com) Dedicated to all my all my past and future music teachers and models Motivation*: Because my father bought me a guitar instead of a piano many years ago... (and I've thus decided to at least create a piano concerto instead of playing one!) I still ask myself if I'd ever created such a piano concert if my father would have bought me a vertical piano or even an electronic piano from the beginning... *Motivație: Pentru că tatăl meu mi-a cumpărat cândva o chitară clasică în locul unui pian acum mulți ani... De aceea am decis să creez un concert de pian, dacă nu am putut să cânt profesional la pian! Mă întreb și acum dacă aș mai fi ajuns să creez acest concert dacă tatăl meu mi-ar fi cumpărat atunci o pianină sau chiar și o orgă electronică... Full Score & parts (272 A4 pages) Târgoviște, May 2022.
$30.00
27.71 €
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Orchestra
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Andrei-Lucian Drăgoi
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Piano Concerto in C minor
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Andrei-Lucian Dragoi
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SheetMusicPlus
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