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11 sheet music found
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1
What Child We Sing?
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976706 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976706 Composed by Robert Myers. 20th Century,Christian,Christmas,Contemporary,Sacred. Score and parts. 46 pages. WheatMyer Music #4604745. Published by WheatMyer Music (A0.976706). The title,What Child We Sing, is a play on two traditional Christmas carols, What Child Is This and Sing We Now of Christmas, which are the basis of this new work. What Child Is This is almost always paired wth the 16th Century English tune, Greensleeves, a ballad of unrequited love. Both the text and tune of Sing We Now of Christmas come from a traditional French Christmas carol, Noel Nouvelet, believed to be even older than Greensleeves. These two traditional Christmas carols blend together in several ways so as to make the compilation into one work a natural result. Both tunes are set in a minor mode with a very similar narrow melodic range that effortlessly flow together. The question of what child lies in the manger is answered in the refrain of Sing We Now of Christmas with the proclamation, Sing We Noel, the King is born, Noel. The result turns out not to be a medley but a melding of two distincts into one union, What Child We Sing?What Child We Sing best works in the Advent or Christmas seasons with its strong exposition of traditional Christmas carols and would be suitable in a sacred concert or as a prelude, offertory, or reflective music in either liturgical or unstructured service. It has sufficient artistic metric to be suitable for the concert stage as well, although it is not at all difficult, being suitable for intermediate or higher level musicians.
$75.00
67.87 €
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Orchestra
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Robert Myers
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What Child We Sing?
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WheatMyer Music
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SheetMusicPlus
John Paul Jones - Symphonic Overture (instrumental parts)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.971716 Composed by WAGSTAFF, Ju…
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Full Orchestra - Level 3 - Digital Download SKU: A0.971716 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Holiday,Musical/Show,Patriotic. Score and parts. 201 pages. Julian Wagstaff #3421021. Published by Julian Wagstaff (A0.971716). The Symphonic Overture (for orchestra) has its roots in Julian Wagstaff's stage musical John Paul Jones, which premiered in Edinburgh, Scotland in 2001 and was revived professionally with the Scottish Chamber Orchestra in 2010. Essentially a tragedy of ambition, the musical tells the story of the son of a Scottish gardener who became a hero of the American Revolution as the father of the American navy.The work is in three clearly discernible sections: The first interlaces the Scots jig in 6/8 (which opens the musical) with the anthemic 'Freedom Arise' theme in 4/4 (which closes it), by means of metric modulation. The second, slower section is essentially a canon and variation on the 'Home Again' ballad from Act I of the show, while the third and final section is a radical development of the 'Battle of Flamborough Head' sequence from Act I of the musical. For more information visit www.julianwagstaff.com or www.johnpauljonesmusical.com.
$69.99
63.34 €
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Orchestra
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WAGSTAFF, Julian
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John Paul Jones - Symphonic Overture
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Julian Wagstaff
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SheetMusicPlus
Manuel De Falla - The Four Spanish Pieces, #2 Cubana, Orchestrated by Arkady Leytush, Full Orchestra
Orchestra
Full Orchestra - Digital Download SKU: A0.1008418 Composed by Manuel de Falla. Arra…
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Full Orchestra - Digital Download SKU: A0.1008418 Composed by Manuel de Falla. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #6440739. Published by Arkady Leytush (A0.1008418). This remarkably colorful part gives great pleasure with its liberation, colorfulness and originality of the Spanish and Cuban musical traditions. Written in three-part form, this music in particular is notable for its peculiar rhythms and metric comparisons. If in the 1st and last parts I use quite recognizable percussion instruments such as: Triangle, Snare Drum, Castanets, Cymbals, Gong, which indicates more Spanish traditions in classical music, then in the middle part it is mostly Cuban folk music, colored and emphasized by such percussion as: Claves, Cowbell, Bongo and Conga Drums. Undoubtedly, the percussion instruments in this part of my transcription are a very recognizable element, but not the only one that can be determined with careful listening.
$20.00
18.1 €
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Orchestra
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Manuel de Falla
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Manuel De Falla - The Four Spanish Pieces, #2 Cubana, Orchestrated by Arkady Leytush, Full Orchestra
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Arkady Leytush
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SheetMusicPlus
John Paul Jones - Symphonic Overture (score)
Orchestra
Full Orchestra - Digital Download SKU: A0.971701 Composed by WAGSTAFF, Julian. 20th…
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Full Orchestra - Digital Download SKU: A0.971701 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Holiday,Musical/Show,Patriotic. Score and parts. 58 pages. Julian Wagstaff #14603. Published by Julian Wagstaff (A0.971701). The Symphonic Overture (for orchestra) has its roots in Julian Wagstaff's stage musical John Paul Jones, which premiered in Edinburgh, Scotland in 2001 and was revived professionally with the Scottish Chamber Orchestra in 2010. Essentially a tragedy of ambition, the musical tells the story of the son of a Scottish gardener who became a hero of the American Revolution as the father of the American navy.The work is in three clearly discernible sections: The first interlaces the Scots jig in 6/8 (which opens the musical) with the anthemic 'Freedom Arise' theme in 4/4 (which closes it), by means of metric modulation. The second, slower section is essentially a canon and variation on the 'Home Again' ballad from Act I of the show, while the third and final section is a radical development of the 'Battle of Flamborough Head' sequence from Act I of the musical. For more information visit www.julianwagstaff.com or www.johnpauljonesmusical.com.
$14.99
13.57 €
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Orchestra
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WAGSTAFF, Julian
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John Paul Jones - Symphonic Overture
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Julian Wagstaff
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SheetMusicPlus
The Bell Carol
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.518882 Composed by Mykola Leont…
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Full Orchestra - Level 3 - Digital Download SKU: A0.518882 Composed by Mykola Leontovich. Arranged by Kevin Riley. 20th Century,Christmas,Classical. Score and parts. 47 pages. Kevin Riley #129566. Published by Kevin Riley (A0.518882). Carol of the Bells is a popular Christmas carol, with music by Ukrainian composer Mykola Leontovych in 1914 and lyrics by Peter J. Wilhousky. The song is based on the Ukrainian folk chant Shchedryk.The music is in the public domain, Wilhousky's lyrics are however under copyright protection (owned by Carl Fischer Music). The music is based on a four-note ostinato and is in 3 4 time signature, with the B-flat bell pealing in 6 8 time. The carol is metrically bistable, and a listener can focus on either measure or switch between them. It has been adapted for many genres, including: classical, metal, jazz, country music, rock, trap, and pop. The piece also features in films, television shows, and parodies.
$50.00
45.25 €
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Orchestra
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Mykola Leontovich
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The Bell Carol
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Kevin Riley
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SheetMusicPlus
Divinum Mysterium
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
67.87 €
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Orchestra
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12th Century Plainchant
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
SAGINA
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976733 Composed by Thomas Campb…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976733 Composed by Thomas Campbell. Arranged by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 90 pages. WheatMyer Music #6318013. Published by WheatMyer Music (A0.976733). OK, to answer your first question, call it suh-JEE-nuh. Rhymes with Regina. This arrangement is a colorful and moving setting of the Charles Wesley hymn, And Can It Be, for traditional orchestra. The beauty of the music, the prominence of the familiar tune, and the text painting of Wesley's poignant lyrics will find immediate acceptance in the hearts of its hearers. Aside from frequently shifting asymmetrical meters the difficulty level is very basic yet your musicians should still find it interesting and fulfilling to play.
$75.00
67.87 €
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Orchestra
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Thomas Campbell
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SAGINA
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WheatMyer Music
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SheetMusicPlus
Ponder Anew
Orchestra
Full Orchestra - Digital Download SKU: A0.976722 Composed by LOBE DEN HERREN. Arran…
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Full Orchestra - Digital Download SKU: A0.976722 Composed by LOBE DEN HERREN. Arranged by Robert Myers. Christian,Contemporary,Sacred. Score and parts. 64 pages. WheatMyer Music #4808643. Published by WheatMyer Music (A0.976722). Joachim Leander's Praise to the LORD, the Almighty, as translated by Catherine Winkworth, has consistently been one of the most published hymns in the English language since the mid-20th Century. Its anonymously composed tune, LOBE DEN HERREN, almost exclusively paired with this text since the 17th Century, is also much loved. Even J.S. Bach found it suitable to feature in his 137th cantata. The title of this arrangement, Ponder Anew, as taken from the commonly used third stanza of the hymn, Ponder anew what the Almighty can do, invites one to consider afresh the attributes and works of Almighty God as one listens to this completely new setting of the tune. This arrangement for orchestra features three variations of the complete hymn tune utilizing metrical and harmonic changes to maintain focus on the tune and its text. These are bracketed via repetitions of the first five tune pitches in harmonic planing over a crescendoed pedal tone producing steadily increasing tension with unexpected resolutions of the beginning and concluding phrases. The music in not particularly difficult and should be readily playable by high school or higher level musicians. Yet, both musicians and audience will find the work interesting and enjoyable with music that reflects the majesty and mystery of its subject. Robert Myers S.D.G.INSTRUMENTATION Picc, Fl1, 2 Oboe 1, 2 Bb Cl 1, 2 + Bass Cl Bsn 1 Hn 1, 2 Tpt 1, 2, 3 Tbn 1, 2, 3 Tuba Timpani Perc. 1 (glock, crash cym, sus cym, ride cym, mark tree, claves, tam tam) Perc. 2 or Drum Set (snare, bass drum, toms (lo/mid/hi), crash cym, finger cym or triangle, ride cym, sys cym) Vln 1, 2 VlaVC DB
$75.00
67.87 €
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Orchestra
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LOBE DEN HERREN
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Ponder Anew
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WheatMyer Music
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SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
45.2 €
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Orchestra
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Rainer Fabich Orchestra
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RAGING FURIES - Goettinnen der Rache
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Fajora Music
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SheetMusicPlus
Pieces of Loathing: Thugnderdome
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1118972 Composed by Michael Jef…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1118972 Composed by Michael Jeffrey Indrawan. Contemporary,March. Score and Parts. 115 pages. Man Model Music #720379. Published by Man Model Music (A0.1118972). A piece (somewhat) based on things in Asymmetric’s Kingdom of Loathing! This movement is a march, with a rousing half and a calming other half.
$37.00
33.48 €
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Orchestra
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Michael Jeffrey Indrawan
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Pieces of Loathing: Thugnderdome
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Man Model Music
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SheetMusicPlus
M. Mussorgsky: Pictures at the Exhibition "Promenade" For Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.871413 Composed by M. Mussorgsk…
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Full Orchestra - Level 3 - Digital Download SKU: A0.871413 Composed by M. Mussorgsky, M. Ravel. Arranged by Clara Obsidian, Decamonto. 20th Century,Concert,Patriotic,Romantic Period. Score and parts. 23 pages. Clara Obsidian #6328647. Published by Clara Obsidian (A0.871413). Pictures at an Exhibition (A Remembrance of Viktor Hartmann, Tableaux d'une exposition) is a suite of ten pieces originally composed for piano by Modest Mussorgsky in 1874.Promenade With simple, strong rhythms in asymmetrical meter, Mussorgsky depicts himself roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend.This arrangement of Promenade is adapted from Maurice Ravel's 1922 version for full symphony orchestra. ------------------------------------------------------OrchestrationOrgan Piano Strings (Vln1 Vln2 Vla Vlc Db)Winds (2Bb Cls, 2Fls, 2Obs, 2Bsns, 4 Hns)Brass (2Bb Tpts, Tbn 1, Tbn3, Tba)Glockenspiel---------------------------------------------
$24.00
21.72 €
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Orchestra
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M
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M. Mussorgsky: Pictures at the Exhibition "Promenade" For Orchestra
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Clara Obsidian
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SheetMusicPlus
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