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Orchestra
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22 sheet music found
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1
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachm…
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Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99
73.74 €
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Orchestra
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Sergei Rachmaninoff
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Rachmaninoff: Alla Marcia in g Minor | Full Orchestra
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Michael Barrera
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SheetMusicPlus
Symphony No. 8 G major
Orchestra
Orchestra - Digital Download SKU: S9.Q21193 Composed by Antonin Dvorak. This editio…
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Orchestra - Digital Download SKU: S9.Q21193 Composed by Antonin Dvorak. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 88. Ernst Eulenburg & Co. GmbH - Digital #Q21193. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21193). Key: G major.Together with the “New World†Symphony, Dvorák's Symphony in G minor is one of the composer’s best-known works. This new critical edition draws for the first time on printer’s proofs for the first edition of the score which were rediscovered 40 years ago, thus offering some exciting new insights.
$15.99
14.74 €
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Orchestra
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Antonin Dvorak
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Symphony No. 8 G major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto in Bb Major for Double Bass and Orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Pr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
18.39 €
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Orchestra
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Robert E
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Concerto in Bb Major for Double Bass and Orchestra
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R. E. Proctor
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SheetMusicPlus
Concerto in A Minor for Double Bass and Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.809759 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809759 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 148 pages. R. E. Proctor #2897651. Published by R. E. Proctor (A0.809759). A more challenging work for the double bass and orchestra than the Concerto in Bb Major. Rhythmic with interesting melodies and harmonies the Concerto in A Minor gives the soloist an opportunity to display his / her facility on the double bass while remaining interesting to a wide cross-section of listeners. The harp plays a major roll in this work setting the harmonic background on which the bass plays over. Set in the standard fast / slow / fast arrangement of movements in the traditional concerto format. The approximate performance length is 15 minutes and 44 seconds. The full range of the standard double bass is explored. Piano reduction available separately. See my publisher page on this website. Email to: musicbyrobertproctor@hotmail.com.
$19.95
18.39 €
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Orchestra
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Robert E
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Concerto in A Minor for Double Bass and Orchestra
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R. E. Proctor
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.6 €
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Orchestra
#
Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.6 €
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Orchestra
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Orchestra
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (187…
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Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes<br> <br> Sergei Rachmaninoff’s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.<br> <br> <br> <br> Instrumentation<br> <br> 2 Flutes<br> <br> 2 Oboes<br> <br> 2 Clarinets (B flat)<br> <br> 2 Bassoons<br> <br> 4 Horns (F)<br> <br> 3 Trumpets (B flat)<br> <br> 2 Trombones<br> <br> 1 Bass Trombone<br> <br> 1 Tuba<br> <br> Timpani<br> <br> Snare Drum<br> <br> Tambourine<br> <br> Harp (substitute piano ifnecessary)<br> <br> Violins I and II<br> <br> Viola<br> <br> Violincello<br> <br> Double Bass
$24.99
23.04 €
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Orchestra
#
Sergei Rachmaninoff
#
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra
#
Michael Barrera
#
SheetMusicPlus
Symphony in C minor - Full Score - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1395044 Composed by Alice Mary …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1395044 Composed by Alice Mary Smith. Arranged by edited by John M Laverty. 19th Century,Classical. 147 pages. Zephyrwindmusic.com #978510. Published by zephyrwindmusic.com (A0.1395044). British composer Alice Mary Smith (1839-1884) was in her early 20’s when she wrote her first major work, Symphony in C minor. Despite the many challenges faced by a female composer in Victorian era Great Britain, Smith’s composition received a high level of praise from the British press following the work’s premiere by the Musical Society of London in 1863. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s.This edition is based entirely on Smith’s original manuscript. The edition is highly edited including an update to modern instrumentation and the addition of missing/inconsistent dynamics and articulations. The original hand-written manuscript contains many additional markings in pencil (also included in this edition), apparently added after the inked manuscript was complete.Parts are also available, and as with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in B-flat2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTimpaniStrings.
$50.00
46.1 €
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Orchestra
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Alice Mary Smith
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Symphony in C minor - Full Score - Score Only
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zephyrwindmusic.com
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SheetMusicPlus
No More Tears (enough Is Enough)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1304465 By Barbra Streisand and…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1304465 By Barbra Streisand and Donna Summer. By Bruce Roberts and Paul Jabara. Arranged by Matt Amy. Contemporary,Disco,Funk,Pop. Score and Parts. 134 pages. Matt Amy Music #893956. Published by Matt Amy Music (A0.1304465). Key: C major intro; A minor disco modulating to G minor BPM: 66 - 136Style: Ballad/Disco (as per original)Duration: 4’20“ Ensemble type: Pops OrchestraInstrumentation:- Lead Vocal- Piccolo- 2 Flutes- 2 Oboe- 2 Clarinets- Bass Clarinet- 2 Bassoon- 2 Alto Saxophones- 2 Tenor Saxophones- Baritone Saxophone- 4 Horns- 3 Trumpets- 3 Trombones- Tuba- Keyboard 1- Keyboard 2 (opt.)- Guitar- Bass- Drums- 3 Percussion- Timpani- Harp- Violin 1- Violin 2- Viola- Cello- Contrabass.
$50.00
46.1 €
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Orchestra
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Barbra Streisand and Donna Summer
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No More Tears
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Matt Amy Music
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SheetMusicPlus
F# minor
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.844066 Composed by Don Hicks. C…
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Full Orchestra - Level 2 - Digital Download SKU: A0.844066 Composed by Don Hicks. Contemporary. Score and parts. 14 pages. Don Hicks #3620957. Published by Don Hicks (A0.844066). Each year I get new students who have never held a violin mixed in with my more experienced students from previous years. I wanted to write something that had parts that would challenge my experienced students and other parts that would be playable by my beginners. A Major is the key that most violin players start in. F# minor shares the same key signature, so, I was able to come up with an exciting sounding piece for all to enjoy. Score, all parts and play along mp3 are included.
$8.99
8.29 €
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Orchestra
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Don Hicks
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F# minor
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Don Hicks
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SheetMusicPlus
Suite from the opera "Hamlet", op. 64a
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
92.19 €
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Orchestra
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Adrian Gagiu
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Suite from the opera "Hamlet", op. 64a
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Adrian Gagiu
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SheetMusicPlus
EASIER SCHOOL ORCHESTRA SERIES 5 Toreador March (Carmen)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.984864 Composed by Georges Bize…
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Full Orchestra - Level 2 - Digital Download SKU: A0.984864 Composed by Georges Bizet. Arranged by John Beale. Romantic Period. Score and parts. 44 pages. John Beale #4791151. Published by John Beale (A0.984864). I arranged music for my school's musicians to come together and perform in our school concerts. I chose and arranged many well-known pieces but, unfortunately, can only publish the public domain music. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. A great piece to start a concert with its well-known tune. Tune is in the Flute for the Fminor section then Violin 1, Recorder and Flute in the Fmajor section.
$15.00
13.83 €
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Orchestra
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Georges Bizet
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EASIER SCHOOL ORCHESTRA SERIES 5 Toreador March
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John Beale
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SheetMusicPlus
Dwarves, Op. 10
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.742984 Composed by Ian Deterlin…
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Full Orchestra - Level 4 - Digital Download SKU: A0.742984 Composed by Ian Deterling. 20th Century,Children,Contemporary,Film/TV. 89 pages. Ian Deterling #4641591. Published by Ian Deterling (A0.742984). Composed by Ian Deterling, published by Deterling Music I wrote Dwarves in 2018 for Brian Langley - a good friend and wonderful band director. One day over a cup of coffee, he suggested that I should look into writing/arranging works for Flex-Band - a way of scoring music so that ensembles that frequently have to deal with ‘incomplete’ instrumentation (‘incomplete’ as far as traditional concert band ensembles go) can still perform works with the guarantee that all the parts are covered and the ensemble is properly balanced. Dwarves is the first piece I wrote specifically for Flex-Band. This orchestral arrangement was made specifically for the Northshore Philharmonic Orchestra - Tracey Gibbens, conductor. I always find it fascinating yet challenging (in a good way) whenever I revisit a work/adapt and rewrite it for a different instrumentation. Dwarves was definitely no exception. While working on different chord voicing, counter melodies, and having the full pallet of orchestral timbres at my disposal, I decided to transpose the piece up to B Minor (original key of G Minor). I felt this added an extra degree of brilliance while allowing some melodies and musical ideas to be dropped an octave for a contrasting heavier low end. Dwarves is based primarily on two different themes - the A theme (minor and serious) and the B (major, a bit more uplifting). There is a ‘C’ section, but it is loosely based on a variation of the A theme.
$60.00
55.31 €
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Orchestra
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Ian Deterling
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Dwarves, Op. 10
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Ian Deterling
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SheetMusicPlus
Silent Night, Holy Night (for Orchestra)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gru…
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Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
32.27 €
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Orchestra
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Franz X
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
In Bleak Midwinter's Moonlight - Full Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1375804 Composed by French Cana…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sacred,Traditional. 70 pages. Mark R Lewis #960352. Published by Mark R Lewis (A0.1375804). In Bleak Midwinter's Moonlight is a medley of two Christmas carols, In the Bleak Midwinter and Twas in the Moon of Wintertime. The first carol was originally written as a poem by Christina Rossetti and published in 1872. It has been set to music several times, but the tune most associated with the text, Cranham, was composed in 1906 by Gustav Holst. The second carol is a French-Canadian Christmas carol first written by a Jesuit missionary in 1642. This tune is also called the Huron Carol.This medley is written for orchestra with 3-5 octave bell choir and goes back and forth between the two carols several times. Every time the carol changes there is a key change, sometimes between related major and minor keys and sometimes between two closely related keys. The melody is carried by the low, middle, and high ranges of the bells at some point in the piece and the accompanying voices are quite active throughout most of arrangement. Within the orchestra parts, the melody switches between woodwinds, brass, and strings several times, exploring several different sound colors throughout the piece.In Bleak Midwinter's Moonlight is between the level 3 and level 4 range of difficulty. There are definitely passages that will require work and the multiple key changes require multiple handbell changes, but bell changes are never very abrupt and accidentals only happen in the transition passages. The most difficult part will probably be making sure the melody is always heard even when it is buried below active accompaniment. A few times the bass bells have quick passages that will require sharing of bells or a lot of practice. For orchestra, this piece should be playable by most intermediate players, though some brass parts push the comfortable extremes of the instrument.
$34.99
32.26 €
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Orchestra
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French Canadian Carol and Gustav Holst
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In Bleak Midwinter's Moonlight - Full Orchestra
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Mark R Lewis
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SheetMusicPlus
The First Noel (Variations for Full Orchestra) Full Set
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.754301 Composed by Traditional.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.754301 Composed by Traditional. Arranged by Nick Raspa. Christian,Christmas,Holiday,Religious,Sacred. Score and Parts. 106 pages. NJR Music #3216569. Published by NJR Music (A0.754301). Theme and variation setting.  The work starts with a traditional setting followed by 3 variations:  the first variation is in the Major, the second in minor and the third is a gigue.  Forces:  213[1.2.bc]2:22[1.pt]11:timp:str  Contains the full score and a complete set of parts and is approximately 2 1/2 minutes long.  Additionally, there is a setting of this arrangement for string orchestra that is available separately: at Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/850429/Product.aspx at Sheet Music Plus: https://www.sheetmusicplus.com/title/the-first-noel-variations-for-string-orchestra-full-set-digital-sheet-music/20061619?ac=1 ASCAP.
$55.00
50.71 €
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Orchestra
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Traditional
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The First Noel
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NJR Music
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SheetMusicPlus
Saltarello from the Dance Suite for Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.809816 Composed by Robert E. Pr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.809816 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 36 pages. R. E. Proctor #3417163. Published by R. E. Proctor (A0.809816). Saltarello - A lively dance that dates to 14th century Italy. This is the 5th movement from the Dance Suite for Orchestra. It is a lively dance that alternates between D Major and D minor. The tempo is 1/4 = 120 throughout. Duration is approximately 2 minutes and 32 seconds.
$7.95
7.33 €
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Orchestra
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Robert E
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Saltarello from the Dance Suite for Orchestra
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R. E. Proctor
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SheetMusicPlus
with their absences we mourn
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1074986 Composed by Nathan Groc…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1074986 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 115 pages. Nathan Grocholski #679248. Published by Nathan Grocholski (A0.1074986). The past year has been filled with collective grief throughout the entire world. In some way or another, the global pandemic of 2020-21 has affected each one of us in our own way. In this piece, I illustrate the five stages of grief; denial, anger, bargaining, depression, and acceptance. The entire piece is harmonically based on two pitches, E and G-sharp. In the denial and anger stage of this work, this is characterized by a C augmented chord. Once the music finally makes sense of this loss, each of the instruments begin to play off each other; as part of the bargaining. About two-thirds of the way into the entire composition, the piece dramatically slows down and the E and G-sharp chord returns, only this time with C-sharp to represent a minor chord. The texture is heavy to represent depression. At measure 201, the flute enters with a melody that gradually grows, symbolic of accepting the loss as the texture increases. The final phrase of this piece ends with the true acceptance of this loss, but the grief has not completely dissipated. It shrinks, but still remains. The opening section’s E and G# are retained in the final chord of the composition to show that grief remains. But they are now part of an E major triad, suggesting acceptance and moving forward.
$5.00
4.61 €
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Orchestra
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Nathan Grocholski
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with their absences we mourn
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Nathan Grocholski
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SheetMusicPlus
Colors Of The Wind
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1404314 By Vanessa Williams. By…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1404314 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Mat Davis. Film/TV. 56 pages. Mat Davis #987415. Published by Mat Davis (A0.1404314). A stunning arrangement of Colors of the Wind from Pocohontas for Vocal Solo and Orchestra, suitable for any orchestras. Guaranteed to stir the emotions of your audience.It would make a fantastic addition to a film music programme, but also easily fit into a programme alongside classical repetoire or make a lovely encore to any concert. It has been tested throughout the arrangement process by an amateur film music orchestra in UK to ensure that it is suitable and balances well. I have tried to keep it as close to the original as possible, the key is dropped to C Minor/Major and there are some alterations and edits to make it more accessible. The solo instrument can be changed if requested. www.matdavismusic.co.uk.
$59.99
55.31 €
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Orchestra
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Vanessa Williams
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Colors Of The Wind
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Mat Davis
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SheetMusicPlus
Where Eagles Dare (Theme) - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.82 €
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Orchestra
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Ron Goodwin
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Romance and Dance for Horn and Orchestra (with piano reduction of orchestra)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.889843 Composed by Gary Friedma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.889843 Composed by Gary Friedman. Contemporary. Score and parts. 51 pages. Gary Friedman #2034225. Published by Gary Friedman (A0.889843). A romantic melody alternates with the lively dance passage. There is also alternation between major and minor keys. Performed by Glenn Widener with the Starlight Symphony in Portland, OR in 2013 and by Eric Andersen with the San Francisco Civic Symphony in 2014. Since Glenn wanted his part with key signature and Eric, without, both solo parts are provided. Duration: about 6 minutes Year: 2010.
$40.00
36.88 €
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Orchestra
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Gary Friedman
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Romance and Dance for Horn and Orchestra
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Gary Friedman
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SheetMusicPlus
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