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1
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holland #4359113. Published by James Nathaniel Holland (A0.730488). INDIVIDUAL INSTRUMENT PARTS only, Full score sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip) maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$42.95
39.53 €
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Orchestra
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James Nathaniel Holland
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Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
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James Nathaniel Holland
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SheetMusicPlus
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel Holland #4357263. Published by James Nathaniel Holland (A0.730486). FULL SCORE only, Individual instrument parts sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip), maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$18.95
17.44 €
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Orchestra
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James Nathaniel Holland
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Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
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James Nathaniel Holland
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.26 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.26 €
#
Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
#
SheetMusicPlus
How Firm a Foundation - 8 Core Orchestra
Orchestra
Full Orchestra - Digital Download SKU: A0.742692 Composed by Public Domain. Arrange…
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Full Orchestra - Digital Download SKU: A0.742692 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 74 pages. AnderKamp Music #3637263. Published by AnderKamp Music (A0.742692). This arrangement has a ‘little’ bit of the feel of a Bruce Hornsby type song for the piano and rhythm section. Though it has some life and energy to it, there are no tricky rhythms in this arrangement. This should be a pretty easy arrangement to pull together with limited rehearsal time that sounds GREAT! This arrangement begins in the Key of Eb and changes keys to F. You don’t have to have a rhythm section to play this piece. It’s great if you do, but it’s not critical. As long as you have a piano player, they can play the written out piano part and you are good to go. As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
$49.99
46.01 €
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Orchestra
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Public Domain
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How Firm a Foundation - 8 Core Orchestra
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AnderKamp Music
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SheetMusicPlus
All About That Bass
Orchestra
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxop…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.764218 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Steve Hoover. Pop. Score and parts. 31 pages. Steve Hoover Music #3133799. Published by Steve Hoover Music (A0.764218). ALL ABOUT THAT BASS - the HUGE HIT from MEGHAN TRAINOR - PRO COMBO6 horns and full rhythm section partsscored for trumpet 1 and 2, trombone, alto, tenor and bari saxes, piano, guitar, bass and drums - full scoreNO VOCAL CHART PROVIDED
$27.99
25.76 €
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Orchestra
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Meghan Trainor
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All About That Bass
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Steve Hoover Music
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SheetMusicPlus
Jesus, What a Wonderful Child with Amen
Orchestra
Orchestra - Digital Download SKU: H1.C6106ODP Arranged by Joel Raney. Piano Accompa…
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Orchestra - Digital Download SKU: H1.C6106ODP Arranged by Joel Raney. Piano Accompaniment with Optional Orchestra or Rhythm. Christmas, Spiritual. Set of Instrumental Parts. 90 pages. Hope Publishing - Digital #C6106ODP. Published by Hope Publishing - Digital (H1.C6106ODP). Luke 2.Traditional Spiritual Ideal for both church and school Christmas celebrations, this high energy arrangement also includes the spiritual Amen, and comes from Joel's best-selling cantata, Joy! (Code No. 8721). It may be accompanied simply with piano, or with an added rhythm section, or full orchestra. Any way you choose, choirs will enjoy the upbeat rhythms and joyous proclamation of the birth of Jesus. This rhythm chart is written in lead-sheet style with chords for piano, guitar and bass. Four copies are included. There is no separate drum part.
$89.95
82.78 €
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Orchestra
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Jesus, What a Wonderful Child with Amen
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Hope Publishing - Digital
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SheetMusicPlus
So What
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1120068 By Miles Davis. By Mile…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1120068 By Miles Davis. By Miles Davis. Arranged by Ross Wright. 20th Century,Classical,Jazz. Score and parts. 40 pages. Ross Wright Music #721371. Published by Ross Wright Music (A0.1120068). This is an arrangement or full orchestra. Instrumentation: Flute 1 (Double Piccolo) Flute 2 Oboe 1 Oboe 2 Double English Horn Clarinet in Bb 1 Clarinet in Bb 2 Double Bass Clarinet Bassoon 1 Bassoon 2 Double Contra Bassoon French Horn 1, 2, 3, 4 Trumpet 1, 2, 3 Trombone 1, 2, 3 Tuba Piano Percussion 1: Timpani Percussion 2: Glockenspiel, Xylophone, Vibraphone Percussion 3: Suspended Cymbal, Crash Cymbal Percussion 4: Snare Drum, Bass Drum, Castanets Harp Violin 1, Violin 2, Viola, Cello, Bass This arrangement is one of the five songs from the Kind of Blue Orchestral suite. The piece utilizes some of the improvised material from the iconic Kind of Blue Album and treats it orchestrally. The piece uses a classical size orchestra, there are no improvisation sections, or rhythm section. Thereby creating a fully formed classical composition. Miles Davis's music, once improvised, is now a formal composition that can be performed in orchestral concert halls by any orchestra, anywhere in the world.
$97.00
89.27 €
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Orchestra
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Miles Davis
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So What
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Ross Wright Music
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SheetMusicPlus
All Blues
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1120603 By John Coltrane. By Mi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1120603 By John Coltrane. By Miles Davis. Arranged by Ross Wright. 20th Century,Blues,Classical,Contemporary,Jazz. Score and parts. 80 pages. Ross Wright Music #721849. Published by Ross Wright Music (A0.1120603). This is an arrangement or full orchestra. Instrumentation: Flute 1 (Double Piccolo) Flute 2 Oboe 1 Oboe 2 Double English Horn Clarinet in Bb 1 Clarinet in Bb 2 Double Bass Clarinet Bassoon 1 Bassoon 2 Double Contra Bassoon French Horn 1, 2, 3, 4 Trumpet 1, 2, 3 Trombone 1, 2, 3 Tuba Piano Percussion 1: Timpani Percussion 2: Glockenspiel, Xylophone, Vibraphone Percussion 3: Suspended Cymbal, Crash Cymbal Percussion 4: Snare Drum, Bass Drum, Castanets Harp Violin 1, Violin 2, Viola, Cello, Bass This arrangement is one of the five songs from the Kind of Blue Orchestral suite. The piece utilizes some of the improvised material from the iconic Kind of Blue Album and treats it orchestrally. The piece uses a classical size orchestra, there are no improvisation sections, or rhythm section. Thereby creating a fully formed classical composition. Miles Davis's music, once improvised, is now a formal composition that can be performed in orchestral concert halls by any orchestra, anywhere in the world.
$97.00
89.27 €
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Orchestra
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John Coltrane
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All Blues
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Ross Wright Music
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SheetMusicPlus
You Give Love A Bad Name
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1260631 By Bon Jovi. By Desmond…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Contemporary,Rock. Score and Parts. 12 pages. Brett A Foster #853824. Published by Brett A Foster (A0.1260631). You Give Love a Bad Name is a song by American rock band Bon Jovi, released as the first single from their 1986 album Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora, and Desmond Child about a woman who has jilted her lover, the song reached No. 1 on the U.S. Billboard Hot 100 on November 29, 1986, and became the band's first number one hit. This Pops style arrangement for full orchestra (with optional parts for Saxophone and Rock Rhythm Section) is sure to be a sing along hit for your next concert. If you are looking for a great combined choral orchestral work, the arrangement also features optional parts for a TTBB Choir and Piano. The arrangement works with and without the choir. A TTBB Choral Arrangement is also available for separate sale, for those who don't have the luxury of a full orchestra.
$79.00
72.7 €
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Orchestra
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Bon Jovi
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You Give Love A Bad Name
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Brett A Foster
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SheetMusicPlus
Text Me Merry Christmas
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.778500 Composed by Adam Schlesi…
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Full Orchestra - Level 3 - Digital Download SKU: A0.778500 Composed by Adam Schlesinger and David Javerbaum. Arranged by Garrett Breeze and Michael Berg Raunick. Christmas,Holiday. Score and parts. 86 pages. Lagom Music #385995. Published by Lagom Music (A0.778500). This is the full orchestral accompaniment score and parts for use with the SATB and Piano arrangement. This tongue-in-cheek Christmas arrangement originally performed by Kristen Bell and Straight No Chaser is a hilarious novelty number but packs a real vocal punch. The SATB & Piano score may be performed on its own or with Rhythm Section or Full Orchestral Accompaniment (each sold separately). Arranged by Michael Berg Raunick and orchestrated by Garrett Breeze.
$150.00
138.05 €
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Orchestra
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Adam Schlesinger and David Javerbaum
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Text Me Merry Christmas
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Lagom Music
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SheetMusicPlus
Stuff Like That There
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.718553 Composed by Jay Livingst…
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Full Orchestra - Level 4 - Digital Download SKU: A0.718553 Composed by Jay Livingston and Raymond Evans. Arranged by Daryl McKenzie. Contemporary. Score and parts. 96 pages. Daryl McKenzie #6436409. Published by Daryl McKenzie (A0.718553). Arranged in the style of Bette Midler. Female Vocal (no voice part included) and either Concert Band (with Rhythm Section) or Pops Orchestra. Key of F. Flute 1, Flute 2/Picc., Oboe 1, Oboe 2, Clarinet 1, Clarinet 2, Clarinet 3 (Concert Band), Bass Clarinet, Bassoon 1, Bassoon 2, 2 Alto Saxes, 2 Tenor Saxes, Baritone Sax, 4 Horns in F, 4 Trumpets, 4 Trombones, Euphonium (Concert Band), Tuba, Piano, Guitar, Acoustic Bass, Drum Kit, Timpani, Percussion, Vln1, Vln2, Vla, Vcl, CB.Cross cueing allows for reduced instrumentation.Same arrangement for Big Band and optional Strings also available on SMPSame arrangement for Small Band (5 horns) also available on SMPMore arrangements by Daryl McKenzie: https://tinyurl.com/y4tjxfen
$89.99
82.82 €
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Orchestra
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Jay Livingston and Raymond Evans
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Stuff Like That There
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Daryl McKenzie
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SheetMusicPlus
South Of The Border (down Mexico Way)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.718605 By Patsy Cline. By Jimmy…
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Full Orchestra - Level 3 - Digital Download SKU: A0.718605 By Patsy Cline. By Jimmy Kennedy and Michael Carr. Arranged by Daryl McKenzie. Country. Score and parts. 41 pages. Daryl McKenzie #6473331. Published by Daryl McKenzie (A0.718605). Arranged for Voice (no Lyrics on part) and Pops Orchestra (2 Flutes, 2 Oboes, 2 Clarinets in A, 2 Bassoons, 4 F Horns, 3 Trumpets, 3 Trombones, Tuba, Tympani, Percussion, Drum Kit, Piano, Acoustic Guitar, Double Bass (rhythm section), Violin 1, Violin 2, Viola, Cello, Contrabass). Vocal range is low F# to high C#More arrangements by Daryl McKenzie: https://tinyurl.com/y4tjxfen
$99.99
92.02 €
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Orchestra
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Patsy Cline
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South Of The Border
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Daryl McKenzie
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SheetMusicPlus
All The Way
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1091233 By Frank Sinatra. By Ja…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1091233 By Frank Sinatra. By James Van Heusen and Sammy Cahn. Arranged by Matt Amy. Contemporary,Jazz. Score and parts. 58 pages. Matt Amy Music #695398. Published by Matt Amy Music (A0.1091233). Key: Db major BPM: 72 Style: Ballad Duration: 3.13 Instrumentation: Orchestra (3 saxophones/flute doubles, 4 french horns, 4 trombones (if no french horns), rhythm section, violin 1, violin 2, viola, cello, contrabass) This arrangement is in the style of Frank Sinatra. More arrangements from Matt Amy here: https://www.sheetmusicplus.com/publishers/matt-amy-music-sheet-music/3005565?ac=1 Contact (and more info) Matt here: http://www.mattamymusic.com/contact.
$75.00
69.02 €
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Orchestra
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Frank Sinatra
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All The Way
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Matt Amy Music
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SheetMusicPlus
Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Ar…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon Cherry #641207. Published by Gordon Cherry (A0.1036106). Below is a description of Volume 2 of Orchestral Excerpts for Tuba with Piano accompaniment arranged by Japanese Tubist Takahiro Kim. This new edition includes the following music: Piano accompaniments to the orchestral excerpts from major works for Tuba. This edition does not include a separate Tuba (the tuba part is in the piano accompaniment part though), however, if the performer needs these parts, they are readily available in the Complete Collection of Low Brass Orchestra Music compiled by Gordon Cherry. Many tuba players (at any level) will play in an orchestra or practice the tuba part of a piece as part of their studies. You will also have the opportunity to listen to reference recordings and study those pieces. In this textbook, I have arranged the tuba part so that it can be played with piano accompaniment. Some pieces are difficult to understand from the orchestral soundtrack alone. I have transcribed the piano part as simply as possible. By doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra. I have included many parts other than the ones to be played in the audition pieces. This is because I want you to practice with a strong image of the musicality and sound feeling used in those pieces. I think you will be able to fully understand the outline of the music. Bruckner: Symphony No. 4-9 - You may only have the opportunity to practice the sections for auditions, such as No. 4 (4th movement) and No. 7 (4th movement). However, by practicing other sections as well, you will be able to study the ideal style, sounds, and harmonies that are appropriate for Bruckner's symphonies. By referring to the piano part, you will be able to understand the harmony very quickly. Mendelssohn: A Midsummer Night’s Dream Overture - If you have a chance to practice with a pianist, try practicing at a slower tempo so that you can visualize the ideal tone and nuance of articulation for bass tuba while feeling the harmonic background of the piano playing. Of course, mp3 files will also help you. Mussorgsky: Pictures at an Exhibition - Each section is very unique, so it is best to practice with a clear purpose. In Bydlo, everything is arranged for concert use. So it will be possible to play it in a real concert or orchestral situation. If you play with the accompaniment in mind, your approach to the phrases will surely change. I recommend that you practice all sections of Pictures at an Exhibition with a pianist at a slow tempo. When you listen to recordings or practice by yourself, it may be difficult to pay attention to each harmony. Knowing a clear harmonic standard will help you take your sound and articulation in a more ideal direction.
$30.00
27.61 €
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Orchestra
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doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra
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Various
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Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
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Gordon Cherry
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SheetMusicPlus
The Black Mass
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1143117 Composed by Piano Sonat…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th Century,New Age. Score and parts. 43 pages. Blake P. McCabe #743479. Published by Blake P. McCabe (A0.1143117). This composition is an arrangement of Scriabin’s Piano Sonata No. 9 Op 68. This piece has traditionally been nicknamed The Black Mass and was written for piano. Scriabin himself accepted this nickname for the piece and earlier on wrote a piece that would be nicknamed The White Mass. The Black mass was completed in 1913, a mere 2 years before his untimely death. The piece is built upon his ‘mystic chord, a hexachord built on fourths. Scriabin described this chord of embodying the divine and having a smoky tonal color, stemming from his own perception of sound as color. This piece moves from haunting sounds in its first motif to a chilling climax, returning to a mysterious murmur, and moves through multiple tempos to drag the listener along its march through its gothic vision, until finally returning to its first motif and leaving the listener haunted by the dark, colorful visions it invokes. To date of publication of this arrangement, I have yet to find an arrangement of The Black Mass for orchestra, band, nor symphony. The piece has many layers within it and includes complex polyrhythms typical of his music. The dark uncurrent, along with the form and choice of lack of direct key signature pose a unique challenge in the arrangement of this piece. I have deigned to maintain the feel of the original piano version, including his choice of time signatures and rhythmic choices while bringing it to life through the sounds of a modified symphony orchestra. This arrangement relies on the timbres of the instrument families to portray the emotional colors of the piece and particularly highlights the woodwind section of the symphony orchestra, along with the angelic sounds of the harp. Percussion is added through timpani, xylophone, glockenspiel, and multi-percussion to heighten the emotional experience of the arrangement.
$35.00
32.21 €
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Orchestra
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Piano Sonata No
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The Black Mass
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Blake P. McCabe
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SheetMusicPlus
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