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No Lie
Orchestra
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TELL 'EM A WHOPPER (TELL 'EM A LIE)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.991705 Composed by MICHAEL L. R…
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Full Orchestra - Level 3 - Digital Download SKU: A0.991705 Composed by MICHAEL L. RICCIARDI AND JOHN D. NUGENT. Arranged by JOHN D. NUGENT. Broadway,Contemporary,Musical/Show. Score and parts. 14 pages. Creative Horizons Music Publishers (ASCAP) #3063131. Published by Creative Horizons Music Publishers (ASCAP) (A0.991705). A VERY FUN DUET NUMBER PERFECT FOR DUAL AUDITIONS. THIS COMEDY SONG IS FEATURED IN THE BROADWAY BOUND MUSICAL BROADWAY ANGELS' TWO VERY FAMOUS ARCHANGELS (MICHAEL AND GABRIEL NO LESS) HAVE BEEN TURNED INTO ORDINARY MORTALS BECAUSE THEY HAVE DOUBTED THE WISDOM OF GOD FINDING A SOLUTION TO THE PLIGHT OF A GROUP OF DOMINICAN NUNS BEING EVICTED FROM THEIR CONVENT BY A GREEDY EVIL CARDINAL WHO HAS SOLD HIS SOUL TO THE DEVIL. RECORDED AND SUNG HERE BY DISNEYLAND SINGER BILL LEWIS AND VOCALIST BRIAN MARTIN. SONG FOR TWO TENORS
$3.00
2.74 €
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Orchestra
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MICHAEL L
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TELL 'EM A WHOPPER
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Creative Horizons Music Publishers
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SheetMusicPlus
I Believe
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1337963 By Aled Jones. By Eric …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1337963 By Aled Jones. By Eric Levisalles. Arranged by Flavio Regis Cunha. Christmas,Classical,Contest,Festival,Instructional,Wedding. 66 pages. Flavio Regis Cunha #923709. Published by Flavio Regis Cunha (A0.1337963). DESCRIPTIONEric Levisalles: I Believe for Orchestra (Andrea Bocelli & Cecilia Bartolli VERSION).🎶 Elevate Your Orchestra's Performance with I Believe 🎶Are you ready to transport your audience to the realm of pure emotion and musical brilliance? Look no further! Introducing the enchanting sheet music of I Believe for orchestra, composed by the renowned Eric Levisalles and beautifully interpreted by the incomparable Andrea Bocelli and Cecilia Bartolli.🌟 Why I Believe for Your Orchestra? 🌟1ï¸âƒ£ **Emotional Resonance:** Immerse your audience in the powerful emotions conveyed through every note. I Believe transcends the ordinary, creating a musical experience that will leave a lasting impact.2ï¸âƒ£ **Versatility:** Perfect for professional orchestras seeking a challenging and captivating repertoire, as well as school and church orchestras aiming to inspire and connect with their community.3ï¸âƒ£ **World-Class Composition:** Eric Levisalles' masterful composition combined with the enchanting voices of Bocelli and Bartolli ensures a musical journey that is both profound and awe-inspiring.🎼 **Unlock the Potential of Your Orchestra** 🎼🌈 Whether you're aiming for a soul-stirring performance, seeking to captivate a diverse audience, or simply wanting to elevate your orchestra to new heights – I Believe is the answer.🔥 **Order Now and Let the Music Speak for Itself!** 🔥Visit our website or call [Your Contact Information] to secure your sheet music today. Transform your orchestra into a beacon of musical excellence with I Believe – where passion meets precision.🎶 **Believe in the Power of Music. Believe in Your Orchestra's Brilliance. I Believe.** 🎶Level: Intermediate Format: Concert, 9 x 12 inchesSize: 66 pagesContent: Full Score and Parts)PLUS!!! Engraved with Urtext Kapellmeister Music Font#IBelieve #andreabocelli #EricLevisalles # CeciliaBartolli #flavioregiscunha #OrchestraMagic #MusicalBrilliance #EricLevisalles #BocelliAndBartolli #SheetMusic #ElevateWithMusic #EmotionalResonance #MusicJourney #OrchestraExcellence #BelieveInThePowerOfMusichttps://youtu.be/rjO__MKd9Mc
$69.99
63.88 €
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Orchestra
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Aled Jones
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Cecilia Bartolli VERSION)
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I Believe
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Flavio Regis Cunha
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SheetMusicPlus
Hungarian Dance no. 19 and no. 20 - Extra Score
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.840086 Composed by Johannes Bra…
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Full Orchestra - Level 4 - Digital Download SKU: A0.840086 Composed by Johannes Brahms. Arranged by Glen D. Lienhart. Classical,Romantic Period. Score and parts. 15 pages. Glen D. Lienhart #9537. Published by Glen D. Lienhart (A0.840086). Extra score for the orchestral transcription of the same name.
$10.00
9.13 €
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Orchestra
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Johannes Brahms
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Hungarian Dance no. 19 and no. 20 - Extra Score
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Glen D. Lienhart
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.12 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
9.12 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasmagorey Ballet
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Thomas Oboe Lee
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.82 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.82 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.82 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Hungarian Dance No. 5 by Brahms for Multi-level string ensemble
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.919195 Composed by Johannes Bra…
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Full Orchestra - Level 2 - Digital Download SKU: A0.919195 Composed by Johannes Brahms. Arranged by Julie Millow. Instructional,Romantic Period,Standards. Score and parts. 39 pages. Julie Millow #5026481. Published by Julie Millow (A0.919195). A fun and accessible arrangement of Brahms Hungarian Dance No.5, scored for 4 violins, 4 violas, 3 cellos, 2 double bass and piano. Parts range from open strings to approximately grade 2 standard, and all are in first position. .
$15.99
14.59 €
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Orchestra
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Johannes Brahms
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Hungarian Dance No. 5 by Brahms for Multi-level string ensemble
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Julie Millow
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SheetMusicPlus
Symphony No. 14 "Jenaer"
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1219808 Composed by Friedrich W…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1219808 Composed by Friedrich Witt. Arranged by Alexis Delattre. 19th Century,Classical. Score and Parts. 104 pages. Telemann Edition #816174. Published by Telemann Edition (A0.1219808). The Symphony No. 14 in C major, the so-called Jena Symphony by Friedrich Witt, is a symphony that was at one time attributed to Ludwig van Beethoven. The symphony was discovered by Fritz Stein in 1909 in the archives of a concert society in Jena, from which it derived its name. Stein believed it to be the work of Beethoven and it was so published by Breitkopf und Härtel in 1911. It is now known that the piece was the work of Witt (born the same year as Beethoven). [source : wikipedia]This arrangement keeps the original material while adding optional flute 2 and clarinet 1 & 2 to the score.
$10.00
9.13 €
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Orchestra
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Friedrich Witt
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2 to the score.
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Symphony No. 14 "Jenaer"
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Telemann Edition
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SheetMusicPlus
Valse des Astres sans Nuage (Waltz of Stars with no cloud)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1153011 Composed by Julien L'HE…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1153011 Composed by Julien L'HERMITE. Arranged by Marc GARETTO. Christmas,Classical,Wedding. Score and parts. 31 pages. Marc GARETTO - Harmonie Editions #753254. Published by Marc GARETTO - Harmonie Editions (A0.1153011). Waltz for Full Orchestra - Easy Level Free additionnal parts (transposed and world parts) on request by e-mail : contact@harmonie-editions.com.
$45.00
41.07 €
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Orchestra
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Julien L'HERMITE
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Valse des Astres sans Nuage
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
L'Arlésienne Suite No. 2
Orchestra
Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition…
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Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, study score. Ernst Eulenburg & Co. GmbH - Digital #Q21191. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21191). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, given at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet, however, did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death, the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.In 1872 Bizet wrote the incidental music to Daudet’s famous tragedy ‘L’Arlésienne’. He had to tailor his composition to an orchestra of only 26 players, but these limited forces turned out to pose a stimulating challenge rather than an obstacle. Shortly after the premiere, he arranged four of the movements and formed them into the Suite No. 1 for large orchestra. The Suite No. 2 was arranged by Ernest Guiraud four years after Bizet’s death.
$13.99
12.77 €
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Orchestra
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Georges Bizet
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L'Arlésienne Suite No. 2
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Symphony No 4 for large orchestra - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1322867 Composed by Malcolm D R…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1322867 Composed by Malcolm D Robertson. 21st Century,Classical,Contemporary. 111 pages. Mr Malcolm D Robertson #911135. Published by Mr Malcolm D Robertson (A0.1322867). Composed between the end of December 2022 & the start of July 2023. The Symphony is in 4 movements following a more classical ordering and is a little under 35 minutes in length. The initial rising scale idea with 'missing' notes pervades much of the material in the symphony The symphony took longer to compose than is normal for me as it was composed during the difficult period of my father's swiftly evolving final illness, death & dealing with the aftermath. The shadow of my father's final illness & witnessing his swift decline particularly hangs over the slow 2nd movement. The first movement after a broad but forward moving introduction, is energetic with a continual forward momentum. The 3rd movement is a deliberately elusive scherzo movement with a strange inconclusive coda. The finale, after a reserved opening is surprisingly optimistic pushing to a sonorous conclusion. As is the norm for me, I composed directly into full score.Orchestral parts can be supplied upon request.
$35.00
31.94 €
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Orchestra
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Malcolm D Robertson
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the start of July 2023
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Symphony No 4 for large orchestra - Score Only
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Mr Malcolm D Robertson
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SheetMusicPlus
Symphony No 2 'Variants' for Large Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.928008 Composed by Malcolm D Ro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.928008 Composed by Malcolm D Robertson. Contemporary. 70 pages. Mr Malcolm D Robertson #6638437. Published by Mr Malcolm D Robertson (A0.928008). Composed between the 26th February & 15th April 2021. My 2nd Symphony is in one continuous movement, but four clearly defined sections - slow-fast-slow-fast. The subtitle 'Variants' was perhaps rather apt with the Covid-19 pandemic ongoing during the symphony's composition. The initial idea on the violas provides the thematic basis for the entire Symphony, with various aspects of the initial idea being continually varied throughout the course of the work. Unusually for me the Symphony ends loudly almost brashly. The Symphony is scored for a large symphony orchestra and is around 28 minutes in duration.Parts can be supplied upon request.
$30.00
27.38 €
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Orchestra
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Malcolm D Robertson
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15th April 2021
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Symphony No 2 'Variants' for Large Orchestra
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Mr Malcolm D Robertson
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SheetMusicPlus
No Time To Die
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.780142 By Billie Eilish. By Bil…
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Full Orchestra - Level 3 - Digital Download SKU: A0.780142 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Score and parts. 97 pages. Graham Boag #6864367. Published by Graham Boag (A0.780142). No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast.
$59.99
54.75 €
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Orchestra
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Billie Eilish
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No Time To Die
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Graham Boag
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SheetMusicPlus
Haydn - Symphony No.75 in D major, Hob.I:75
Orchestra
Full Orchestra - Digital Download SKU: A0.819669 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819669 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 103 pages. J.G. Cuco Barber #5988537. Published by J.G. Cuco Barber (A0.819669). Composer Haydn, JosephOpus/Catalogue Number Hob.I:75Key D majorMovements/Sections 4 movements:Grave - Presto (D major, 162 bars)Andante with 4 variations (G major, 95 bars)Minuet - Trio (D major, 48 bars)Finale. Vivace (D major, 165 bars)First Publication 1781 or earlierAverage Duration 25 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:FluteOboe 1Oboe 2BassoonHorn in D/G 1 original & F transposedHorn in D/G 2 original & F transposedTrumpet in D 1 original & Bb transposedTrumpet in D 2 original & Bb transposedTimpaniViolin IViolin IIViolaVioloncelloContrabass
$28.00
25.55 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.75 in D major, Hob.I:75
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J.G. Cuco Barber
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SheetMusicPlus
Haydn - Symphony No.55 in E flat major, Hob.I:55 "Der Schulmeister" (The Schoolmaster)
Orchestra
Full Orchestra - Digital Download SKU: A0.819647 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819647 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 70 pages. J.G. Cuco Barber #5988379. Published by J.G. Cuco Barber (A0.819647). Composer Haydn, JosephOpus/Catalogue Number Hob.I:55IKey E-flat majorMovements/Sections 4 movements:Allegro di molto (E♠major, 216 bars)Adagio, ma semplicemente (B♠major, 128 bars)Minuet – Trio (E♠major, 72 bars)Finale. Presto (E♠major, 179 bars)Year/Date of Composition 1774First Publication 1786 – Mainz: Schott (or earlier)Average Duration 25 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:Oboe 1Oboe 2BassoonHorn in Eb/Bb 1 original & F transposedHorn in Eb/Bb 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00
25.55 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.55 in E flat major, Hob.I:55 "Der Schulmeister"
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J.G. Cuco Barber
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SheetMusicPlus
Haydn - Symphony No.66 in B flat major, Hob.I:66
Orchestra
Full Orchestra - Digital Download SKU: A0.819660 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819660 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 80 pages. J.G. Cuco Barber #5988427. Published by J.G. Cuco Barber (A0.819660). Composer Haydn, JosephOpus/Catalogue Number Hob.I:66Key B-flat majorMovements/Sections 4 movements:Allegro con brio (B♠major, 152 bars)Adagio (F major, 89 bars)Minuet - Trio (B♠major, 52 bars)Finale. Presto) (B♠major, 242 bars)Year/Date of Composition 1774-76First Publication 1779 (Hummel) (incomplete, without minuet), 1783 or earlier (all 4 movements)Average Duration 20 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:Oboe 1Oboe 2Bassoon 1Bassoon 2Horn in Bb/F 1 original & F transposedHorn in Bb/F 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00
25.55 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.66 in B flat major, Hob.I:66
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J.G. Cuco Barber
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SheetMusicPlus
Haydn - Symphony No.64 in A major, Hob.I:64 "Tempora mutantur"
Orchestra
Full Orchestra - Digital Download SKU: A0.819658 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819658 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 73 pages. J.G. Cuco Barber #5988423. Published by J.G. Cuco Barber (A0.819658). Composer Haydn, JosephOpus/Catalogue Number Hob.I:64Key A majorMovements/Sections 4 movements:Allegro con spirito (A major, 149 bars)Largo (D major, 108 bars)Minuet – Trio (A major, 48 bars)Finale. Presto (A major, 198 bars)Year/Date of Composition 1773-75First Publication 1782 or earlier - Sieber / 1804 ca. full score - Le DucAverage Duration 23 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraOboe 1Oboe 2BassoonHorn in A/D 1 original & F transposedHorn in A/D 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00
25.55 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.64 in A major, Hob.I:64 "Tempora mutantur"
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J.G. Cuco Barber
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SheetMusicPlus
Haydn - Symphony No.79 in F major, Hob.I:79
Orchestra
Full Orchestra - Digital Download SKU: A0.819673 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819673 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 113 pages. J.G. Cuco Barber #5988563. Published by J.G. Cuco Barber (A0.819673). Composer Haydn, JosephOpus/Catalogue Number Hob.I:79Key F majorMovements/Sections 4 movements:Allegro con spirito (F major, 155 bars)Adagio cantabile - Un poco allegro (B♠major, 106 bars)Minuet - Trio (F major, 64 bars)Finale. Vivace (F major, 230 bars)Year/Date of Composition 1784First Publication 1785 or earlierAverage Duration 25 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:FluteOboe 1Oboe 2Bassoon 1Bassoon 2Horn in F/Bb 1 original & F transposedHorn in F/Bb 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00
25.55 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.79 in F major, Hob.I:79
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J.G. Cuco Barber
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SheetMusicPlus
Haydn - Symphony No.88 in G major, Hob.I:88
Orchestra
Full Orchestra - Digital Download SKU: A0.819682 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819682 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 121 pages. J.G. Cuco Barber #5988861. Published by J.G. Cuco Barber (A0.819682). Composer Haydn, JosephOpus/Catalogue Number Hob.I:88Key G majorMovements/Sections 4 movements:Adagio – Allegro (G major, 268 bars)Largo (D major, 113 bars)Minuet – Trio (G major, 70 bars)Finale. Allegro con spirito (G major, 221 bars)Year/Date of Composition 1787First Publication 1789 – Paris: Sieber (or earlier)Average Duration 22 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:FluteOboe 1Oboe 2Bassoon 1Bassoon 2Horn in G/D 1 original & F transposedHorn in G/D 2 original & F transposedTrumpet in C/D 1 original & Bb transposedTrumpet in C/D 2 original & Bb transposedTimpaniViolin IViolin IIViolaVioloncelloContrabass
$28.00
25.55 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.88 in G major, Hob.I:88
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J.G. Cuco Barber
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SheetMusicPlus
Haydn - Symphony No.41 in C major, Hob.I:41
Orchestra
Full Orchestra - Digital Download SKU: A0.819634 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819634 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 88 pages. J.G. Cuco Barber #5987421. Published by J.G. Cuco Barber (A0.819634). Composer Haydn, JosephOpus/Catalogue Number Hob.I:41Key C majorMovements/Sections 4 movements:Allegro con spirito (C major, 202 bars)Poco andante (F major, 89 bars)Minuet - Trio (C major, 58 bars)Presto (C major, 143 bars)Year/Date of Composition 1768First Publication 1771 or earlierAverage Duration 26 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:FluteOboe 1Oboe 2BassoonHorn in C/C basso 1 original & F transposedHorn in C/C basso 2 original & F transposedTrumpet in C 1 original & Bb transposedTrumpet in C 2 original & Bb transposedTimpaniViolin IViolin IIViolaVioloncelloContrabass
$28.00
25.55 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.41 in C major, Hob.I:41
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J.G. Cuco Barber
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SheetMusicPlus
Haydn - Symphony No.48 in C major, Hob.I:48 "Maria Theresia"
Orchestra
Full Orchestra - Digital Download SKU: A0.819642 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819642 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 89 pages. J.G. Cuco Barber #5987623. Published by J.G. Cuco Barber (A0.819642). Composer Haydn, JosephOpus/Catalogue Number Hob.I:48Key C majorMovements/Sections 4 movements:Allegro (C major, 196 bars)Adagio (F major, 89 bars)Minuet (C major, 44 bars)- Trio (C minor, 40 bars)Finale. Allegro (C major, 160 bars)Year/Date of Composition 1768-69First Publication 1784 or earlier – Paris: Imbault and SieberAverage Duration 30 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:Oboe 1Oboe 2BassoonHorn in C/F 1 original & F transposedHorn in C/F 2 original & F transposedTrumpet in Bb 1 optionalTrumpet in Bb 2 optionalTimpaniViolin IViolin IIViolaVioloncelloContrabass
$28.00
25.55 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.48 in C major, Hob.I:48 "Maria Theresia"
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J.G. Cuco Barber
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SheetMusicPlus
Haydn - Symphony No.39 in G minor, Hob.I:39 "Tempesta di mare"
Orchestra
Full Orchestra - Digital Download SKU: A0.819632 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819632 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 72 pages. J.G. Cuco Barber #5987397. Published by J.G. Cuco Barber (A0.819632). Composer Haydn, JosephOpus/Catalogue Number Hob.I:39Key G minorMovements/Sections 4 movements:Allegro assai (G minor, 115 bars)Andante (E♠major, 100 bars)Minuet (G minor, 32 bars) - Trio (B♠major, 20 bars)Finale. Allegro molto (G minor, 95 bars)Year/Date of Composition 1765-68First Publication 1773 (Venier) or earlierAverage Duration 21 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraOboe 1Oboe 2BassoonHorn in Bb 1 original & F transposedHorn in Bb 2 original & F transposedHorn in G 1 original & F transposedHorn in G 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00
25.55 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.39 in G minor, Hob.I:39 "Tempesta di mare"
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J.G. Cuco Barber
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SheetMusicPlus
Haydn - Symphony No.44 in E minor, Hob.I:44 "Trauersinfonie"
Orchestra
Full Orchestra - Digital Download SKU: A0.819637 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819637 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 77 pages. J.G. Cuco Barber #5987459. Published by J.G. Cuco Barber (A0.819637). Composer Haydn, JosephOpus/Catalogue Number Hob.I:44Key E minorMovements/Sections 4 movements:Allegro con brio (E minor, 157 bars)Minuet (E minor, 60 bars) - Trio (E major, 28 bars)Adagio (E major, 82 bars)Finale. Presto (E minor, 187 bars)Year/Date of Composition 1772First Publication 1781 or earlierAverage Duration 24 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraOboe 1Oboe 2BassoonHorn in G 1 original & F transposedHorn in G/E 2 original & F transposedViolin 1Violin 2ViolaVioloncelloContrabass
$28.00
25.55 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.44 in E minor, Hob.I:44 "Trauersinfonie"
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J.G. Cuco Barber
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