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16 sheet music found
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1
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
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Orchestra
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ADVANCED
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James Nathaniel Holland
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The Discontented Housewife, A
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,O...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 292 pages. James Nathaniel Holland #4309153. Published by James Nathaniel Holland (A0.730482). The Discontented Housewife FULL ORCHESTRAL SCORE AND INDIVIDUAL PARTS (Individual vocal parts are not included, Piano Vocal Score sold separately), A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/Â YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch, Individual Vocal Parts are not included. Please purchase the piano vocal score, sold separately.)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$42.99
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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The Discontented Housewife, A
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.730481 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,O...
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Full Orchestra - Level 4 - Digital Download SKU: A0.730481 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 124 pages. James Nathaniel Holland #4305803. Published by James Nathaniel Holland (A0.730481). The Discontented Housewife FULL ORCHESTRAL SCORE ONLY, A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$13.35
Autumn In New York
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Orchestra
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INTERMEDIATE/ADVANCED
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Jazz
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Bud Powell
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Kevin Riley
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Autumn In New York
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. S...
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Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. Score and parts. 31 pages. Kevin Riley #457309. Published by Kevin Riley (A0.850639). Autumn in New York is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up!. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella Fitzgerald as a duet. This version for Solo Alto Saxophone and Orchestra requires your soloist to be able to improvise.
$60.00
Tombland Fanfare
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Orchestra
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ADVANCED
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Contemporary
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Publ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00
RAGING FURIES - Goettinnen der Rache
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Orchestra
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INTERMEDIATE/ADVANCED
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classic...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 p...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
THREE ANIMAL SAYINGS 2--THE TORTOISE AND THE HARE--orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Alan Edgar
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THREE ANIMAL SAYINGS 2--THE TO
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.903754 Composed by Alan Edgar. 20th Century,Children. Score and parts. 10 pages. Alan Edgar Ted Moon ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.903754 Composed by Alan Edgar. 20th Century,Children. Score and parts. 10 pages. Alan Edgar Ted Moon #3054071. Published by Alan Edgar Ted Moon (A0.903754). Second in a set of 3 animal tales for orchestra. Play in the children's concert or any time. The plodding tortoise beats the silly hare in the race. I use one of my well-known octatonic scales and some 12-tone serial, but it's all for fun--don't be put off by that! First performance was by the York Guildhall Orchestra under Simon Wright at York St John University.
$10.00
Missa Solemnis, op. 27 - Score Only
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Granada
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Orchestra
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INTERMEDIATE/ADVANCED
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Katherine Jenkins
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juan carlos esteve/Gran Coda
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Granada
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Juan Carlos Esteve
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1043997 By Katherine Jenkins. By Agustin Lara and Dorothy Dodd (English). Arranged by juan carlos est...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1043997 By Katherine Jenkins. By Agustin Lara and Dorothy Dodd (English). Arranged by juan carlos esteve/Gran Coda. Folk,Latin,Traditional. Score and Parts. 48 pages. Juan Carlos Esteve #648710. Published by Juan Carlos Esteve (A0.1043997). Transcript of orchestra score of the topic Granada - AgustÃn Lara Orchestration: double bass, flute, guitar, piano, tenor saxo, thrombone, trunk, trumpeta, viola, violin (1st y2º) and cello. The download contains 48 pages in pdf format A4 folio size (21x29.7cm)-(8.27x11.69 in) original tone: D Total number of bars: 87 Degree of difficulty: High.
$50.00
CONJUNCTION: The Christmas Star of 2020
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Orchestra
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INTERMEDIATE
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Christmas
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. Whea...
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Unchained Melody
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Orchestra
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INTERMEDIATE
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Al Hibbler
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Kevin Riley
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Unchained Melody
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1272619 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Kevin Riley. 20th Century,Film/TV,Pop....
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Full Orchestra - Level 3 - Digital Download SKU: A0.1272619 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 43 pages. Kevin Riley #864843. Published by Kevin Riley (A0.1272619). Unchained Melody is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. According to the song's publishing administrator, over 1,500 recordings of Unchained Melody have been made by more than 670 artists, in multiple languages.In 1955, three versions of the song (by Les Baxter, Al Hibbler, and Roy Hamilton) charted in the Billboard top 10 in the United States, and four versions (by Al Hibbler, Les Baxter, Jimmy Young, and Liberace) appeared in the top 20 in the United Kingdom simultaneously, a record for any song.The song continued to chart in the 21st century, and it was the only song to reach number one with four different recordings in the United Kingdom until it was joined by Band Aid 30's Do They Know It's Christmas? in 2014.Of the hundreds of recordings made, the Righteous Brothers' version, with a solo by Bobby Hatfield, became the jukebox standard after its release. Hatfield changed the melody in the final verse and many subsequent covers of the song are based on his version. The Righteous Brothers recording achieved a second round of great popularity when featured in the film Ghost in 1990. In 2004, it was number 27 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
$70.00
We Are The World
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Orchestra
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INTERMEDIATE/ADVANCED
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USA For Africa
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Todd Sheehan
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We Are The World
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Todd Sheehan
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1267774 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Todd Sheehan. Contempora...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1267774 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Todd Sheehan. Contemporary,Pop,Rock. Score and Parts. 98 pages. Todd Sheehan #860311. Published by Todd Sheehan (A0.1267774). The powerful 1985 single We Are The World, as recorded by USA for Africa. Â The guest vocal solos are all indicated in the score and piano/vocal part.Instrumentation: 1000 - 2asax - tsax - bsax - 2330 - drs - 2-3perc - pf - synth - egtr - synth bass (or ebass) - str / Guest vocalsists, SSATB Chorus.
$75.00
Reach
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Orchestra
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INTERMEDIATE
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S Club 7
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Kevin Riley
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Reach
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1469378 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Kevin Riley. 21st Century,Pop. 68 p...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1469378 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Kevin Riley. 21st Century,Pop. 68 pages. Kevin Riley #1047399. Published by Kevin Riley (A0.1469378). Reach is a song by English pop group S Club 7. Released as the lead single from their second studio album, 7 (2000), on 22 May 2000, it is an up-tempo track co-written by Cathy Dennis and Republicakeyboardist Andrew Todd.Reach debuted at number two on the UK Singles Chart and spent three weeks at its peak, unable to dislodge Sonique's It Feels So Good from number one. The song has sold 600,000 copies in the UK, allowing it to receive a platinum sales certification from the British Phonographic Industry (BPI). Reach was the theme tune to the second series of the group's CBBC series, L.A. 7.
$60.00
Love Boat Theme
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Orchestra
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INTERMEDIATE/ADVANCED
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Charles Fox and Paul Williams
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Todd Sheehan
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Love Boat Theme
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Todd Sheehan
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1467964 Composed by Charles Fox and Paul Williams. Arranged by Todd Sheehan. 20th Century,Classical,C...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1467964 Composed by Charles Fox and Paul Williams. Arranged by Todd Sheehan. 20th Century,Classical,Contemporary,Film/TV,Pop. 55 pages. Todd Sheehan #1046271. Published by Todd Sheehan (A0.1467964). Charles Fox-Paul Williams: The Love Boat Theme - 1:35 Instrumentation: 2222 - 443(no BTrmb)0 - 3Perc (incl. drs) - hp - epf - egtr - ebass - str (no Cb) - Baritone Solo Vocal, Background Vocals (*optional) Professional quality arrangement for full orchestra of “The Love Boat” theme from the ABC television series. Baritone vocal solo, with optional background vocals (cued/doubled in the wind parts).
$60.00
Granada
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Orchestra
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INTERMEDIATE/ADVANCED
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Katherine Jenkins
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Matt Amy
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Granada
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1415442 By Katherine Jenkins. By Agustin Lara and Dorothy Dodd (English). Arranged by Matt Amy. Class...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1415442 By Katherine Jenkins. By Agustin Lara and Dorothy Dodd (English). Arranged by Matt Amy. Classical,Contemporary,Latin,Multicultural,World. 79 pages. Matt Amy Music #997178. Published by Matt Amy Music (A0.1415442). Key: Eb majorBPM: 160Style: Flamenco (orchestral)Duration: 3:10“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Granada - in Eb (MIDI)Note: Slightly different to the other version I have in D major (routine and orchestration)Instrumentation- Reed 1- Reed 2- Reed 3- Horn 1, 2- Trumpet 1, 2- Trombone- Voice- Acoustic Bass (Rhythm Section)- Percussion- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$50.00
Granada
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Orchestra
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INTERMEDIATE/ADVANCED
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Katherine Jenkins
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Matt Amy
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Granada
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1415440 By Katherine Jenkins. By Agustin Lara and Dorothy Dodd (English). Arranged by Matt Amy. Class...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1415440 By Katherine Jenkins. By Agustin Lara and Dorothy Dodd (English). Arranged by Matt Amy. Classical,Contemporary,Latin,Multicultural,World. 92 pages. Matt Amy Music #997175. Published by Matt Amy Music (A0.1415440). Key: D majorBPM: 160Style: Flamenco (orchestral)Duration: 3:01“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Granada - in D (MIDI)Instrumentation- Flute- Oboe- Clarinet- Bassoon- Horn 1, 2- Trumpet 1, 2- Trombone- Voice- Piano- Guitar- Acoustic Bass (Rhythm Section)- Percussion- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$50.00
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