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26
Sinfonia N. 8
Orchestra
Large orchestra - Digital Download SKU: S9.Q3053 Composed by Hans Werner Henze. Thi…
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Large orchestra - Digital Download SKU: S9.Q3053 Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 25 minutes. Schott Music - Digital #Q3053. Published by Schott Music - Digital (S9.Q3053). ‘My Sinfonia No. 8 is not at all tragic or moody like the Seventh. It is a summer piece and is based on three moments from Shakespeare’s A Midsummer Night’s Dream‘, writes Hans Werner Henze. This, however, is all we get to know from the composer regarding the work’s reference to Shakespeare’s comedy. On closer examination of the three-movement symphony it turns out that the first movement is a fantasia on Oberon’s order to Puck to search for the magic flower. In the second movement, Henze apparently set the love scenes between Titania and Bottom to music. Ultimately, the final movement shines gracefully and peacefully as if everything that had happened before had only been a dream. - Hans Werner Henze2 (1. auch Picc., 2. auch Picc. u. Altfl.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 4 · 2 · 1 · Basspos. · 1 - P. S. (3 hg. Beck. · 3 Tamt. · Schellentr. · 3 Tomt. · Mil. Tr. · gr. Tr. [mit u. ohne Beck.] · Tempelbl. · Peitsche · Marimba · Vibr. · Glsp · chin. Gong · Fingerzimb.) (3 Spieler) - Hfe. · Cel. · Klav. - Str.
$47.99
43.7 €
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Orchestra
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Hans Werner Henze
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Sinfonia N. 8
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Schott Music - Digital
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SheetMusicPlus
N. Medtner - Two Pieces, Op. 58, Orchestrated by A. Leytush - Score Only
Orchestra
Full Orchestra - Digital Download SKU: A0.1368041 Composed by N. Medtner. Arranged …
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Full Orchestra - Digital Download SKU: A0.1368041 Composed by N. Medtner. Arranged by A. Leytush. 20th Century. 153 pages. Arkady Leytush #952396. Published by Arkady Leytush (A0.1368041). Nikolai Medtner - Two Pieces, Op. 58, 1. Russian Round Dance 2. Knight Errant, Orchestrated by Arkady LeytushMedtner, one of the last romantic composers, remained in the history of music as the author of a number of piano compositions, three piano concertos, as well as vocal and chamber compositions. In addition to piano concertos, he unfortunately did not write a single work for a symphony orchestra. This can only be understood considering that he himself was a brilliant pianist and has been focused on this instrument throughout his creative life. Meanwhile, analyzing his piano compositions reveals not only mastery, a variety of development techniques, polyphony and multi-layered presentation, but also a symphonic scope and an assumed variety of timbres. In particular, his opus 58 Two Pisces for 2 pianos fully corresponds to what is written above. These circumstances prompted me to orchestrate this work for a large symphony orchestra and thereby try to expand its creativity and popularity.
$50.00
45.53 €
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Orchestra
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N
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N. Medtner - Two Pieces, Op. 58, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
¿Quién está por Cristo? (Who's on the Lord's side?)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1008330 Composed by Luise Reich…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1008330 Composed by Luise Reichardt. Arranged by John Gross, Esaú Flores. 20th Century,Christian,Concert,Graduation,Sacred. Score and parts. 46 pages. Esaú Flores Carreño #4762087. Published by Esaú Flores Carreño (A0.1008330). ¿Quién está por Cristo?. Un arreglo para orquesta sinfónica en un estilo grandioso, casi como tipo parade. No muy difÃcil para las cuerdas, pero sà requiere de alientos de nivel intermedio.
$24.90
22.67 €
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Orchestra
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Luise Reichardt
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¿Quién está por Cristo?
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Esaú Flores Carreño
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.844229 By Nat Cole With N. Ridd…
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Full Orchestra - Level 4 - Digital Download SKU: A0.844229 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Chris Rinaman. Christmas,Contemporary,Holiday. Score and parts. 54 pages. CGR Music Service #6630971. Published by CGR Music Service (A0.844229). An original arrangement of the holiday classic for full orchestra and male vocal in the key of C, modulating to Db.  Can be performed with or without the optional rhythm section (piano, electric bass and drum set) giving your orchestra some flexibility in programming this arrangement.  Visit www.chrisrinaman.com for more information on the arrangements and compositions of Chris Rinaman.   As a composer, arranger and orchestrator, Chris's work encompasses big band writing, orchestral arranging and film composition. In 2002, while working as an assistant to Academy Award-winning film composer Howard Shore, Chris Rinaman was the head score consultant for the world premiere of The Fellowship of the Ring for Symphony Orchestra and Chorus at the Hollywood Bowl. He has created orchestral and big band arrangements for many talented vocalists, including Deana Martin, Micheal Castaldo, William Michals, and Allan Harris.  His string arrangements can be heard on the 2016 PBS special, Giada Valenti:  From Venice With Love.
$80.00
72.85 €
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Orchestra
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Nat Cole With N
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The Christmas Song
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CGR Music Service
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SheetMusicPlus
Seven Orchestra Texture On A Reggaeton's Rhythm
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1119835 Composed by William Pag…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1119835 Composed by William Pagan-Perez. Multicultural,World. Score and parts. 77 pages. William Pagan-Perez #721180. Published by William Pagan-Perez (A0.1119835). Seven Orchestra Textures On A Reggaeton's Rhythm by Composer William Pagán-Pérez. This is a music composition for the Youth Symphony Orchestra. It combines two melodies over the reggaeton-pop ostinato, showing seven orchestral textures. Instrumentation: Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Bassoon 1, Bassoon 2, Horn in F 1, Horn in F 2, Horn in F 3, Horn in F 4, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Trombone 1, Trombone 2, Bass Trombone, Tuba, Timpani, Glockenspiel, Xylophone, Djembe, Snare Drum, Tenor Drum, Bass Drum, Violin I, Violin II, Viola, Cello, Double Bass.
$50.00
45.53 €
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Orchestra
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William Pagan-Perez
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Seven Orchestra Texture On A Reggaeton's Rhythm
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William Pagan-Perez
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SheetMusicPlus
NIMROD from 'Enigma Variations', n. IX, Op. 36 (for Orchestra)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.597598 By Edward Elgar. By Edwa…
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Full Orchestra - Level 4 - Digital Download SKU: A0.597598 By Edward Elgar. By Edward Elgar. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional,Romantic Period. Score and parts. 40 pages. Flavio Regis Cunha #6698103. Published by Flavio Regis Cunha (A0.597598). This ninth variation from Elgar's Enigma Variations is themost played of the variations.Due to its overwhelming expressive quality, it has become England's counterpart to Adagio for Strings by Samuel Barber, being played when music of great emotion and dignity is called for in that country.This adagio movement from the Enigma Variations provides an excellent opportunity for developing orchestras to work on tone, blend, intonation and dynamics. With clean writing, this makes an ideal choice for any orchestra.Full Score and Orchestral Parts.Advanced Intermediate.Format: Concert, 9 x 12 inches.40 pages.
$49.99
45.52 €
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Orchestra
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Edward Elgar
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NIMROD from 'Enigma Variations', n. IX, Op. 36
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Flavio Regis Cunha
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SheetMusicPlus
Song Without Words/Lieder Ohne Wort - Op. 19 Nº 4 - Felix Mendelssohn | Orchestral Arrangement
Orchestra
Full Orchestra - Digital Download SKU: A0.500814 By Felix Bartholdy Mendelssohn. By…
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Full Orchestra - Digital Download SKU: A0.500814 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Lennon Strabelli. Multicultural,Romantic Period,World. Score and parts. 30 pages. Published by Lennon Strabelli (A0.500814). One of the most lyrical of the Songs Without Words are now transcribed for full orchestra. This little piece in size can bem very powerfull on this formation. Mendelssohn explore the melody in a orchestrak way. This arrangement increases the melodies by giving new colors with the instruments. It's difficult is easy but the beaty is terrific.
$14.99
13.65 €
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Orchestra
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Felix Bartholdy Mendelssohn
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Song Without Words/Lieder Ohne Wort - Op. 19 Nº 4 - Felix Mendelssohn | Orchestral Arrangement
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Lennon Strabelli
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Orchestra
By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Daryl Mc…
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By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Daryl McKenzie. Christmas, Holiday, Jazz, Standards. Score and parts. 60 pages. Daryl McKenzie #742178. Published by Daryl McKenzie
$99.99
91.05 €
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Orchestra
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Nat Cole With N
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The Christmas Song
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Daryl McKenzie
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1271514 By Nat Cole With N. Rid…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1271514 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Sam Shoup. Christmas,Holiday,Standards,Traditional. Score and Parts. 45 pages. Sam Shoup #863913. Published by Sam Shoup (A0.1271514). The Christmas Classic, originally sung by Nat King Cole, arranged for full orchestra, rhythm section and solo vocalist in Bb major. Instrumentation is 3-3-3-3, 4-3-3-1, drumset, percussion, electric bass, piano, harp, and strings. Intermediate difficulty. Score is 11' x 17', parts are 8 1/2 x 11.
$90.00
81.95 €
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Orchestra
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Nat Cole With N
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The Christmas Song
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Sam Shoup
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SheetMusicPlus
Artsibushev, Wihtol, Liadov, Sokolov, Glazunov, Rimsky-Korsakov - JOKE QUADRILLE - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1380035 By The National Symphon…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1380035 By The National Symphony of Ukraine, A. Leytush. By Artsibushev, Wihtol, Liadov, Sokolov, Glazunov, Rimsky-Korsakov. Arranged by Arkady Leytush. 19th Century. Score and parts. 46 pages. Arkady Leytush #964744. Published by Arkady Leytush (A0.1380035). â??Joke Quadrilleâ? is a collective composition by various composers: N.V. Artsibushev, I.I. Wihtol, A.K. Liadov, N.A. Sokolov, A.K. Glazunov, N.A. Rimsky-Korsakov (the names appears in the sequence corresponding to the order of the six figures of the Quadrille). The quadrille was published by M. Beliaev in 1891. The complete manuscript is kept at the M. I. Saltykov-Schedrin State Public Library (M.P. Beliaev archive, No.c/2a-e). Several of the manuscripts are dated. On A.K. Lyadovâ??s manuscript is â??March 9, 1890â?,on N.A. Rimsky-Korsakovâ??s Manuscript is: â??March 9, 1890. St. Petersburg.â?
$40.00
36.42 €
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Orchestra
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The National Symphony of Ukraine, A
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â?on N
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Artsibushev, Wihtol, Liadov, Sokolov, Glazunov, Rimsky-Korsakov - JOKE QUADRILLE - Score Only
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Arkady Leytush
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SheetMusicPlus
Danzón
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1250299 Composed by Luis Diego …
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Full Orchestra - Level 2 - Digital Download SKU: A0.1250299 Composed by Luis Diego Piedra. Classical,Instructional,Latin. Score and Parts. 65 pages. Piedra Music #844607. Published by Piedra Music (A0.1250299). Inspired on Danzón No. 2 by Arturo Márquez, this piece is fun to play, accessible, and very enjoyable for both the musicians and the audience.
$20.00
18.21 €
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Orchestra
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Luis Diego Piedra
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Danzón
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Piedra Music
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SheetMusicPlus
Valses Poéticos for Saxophone Orchestra - Enrique Granados Arr. Iván Sánchez Iglesias
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.997143 Composed by Enrique Gran…
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Full Orchestra - Level 4 - Digital Download SKU: A0.997143 Composed by Enrique Granados. Arranged by Iván Sánchez Iglesias. Romantic Period,Standards,World. Score and parts. 58 pages. Sanchez Music #5045535. Published by Sanchez Music (A0.997143). Saxophone Orchestra arrangement of the piano work by Granados, Valses Poéticos (aprox. 7 minutes) [MIDI rendition]The arrangement is a selection of some of the pieces together with the introduction that I rewrote using the original material by Granados. For the original valses I try to keep the original material, together with new material of my own to make it more suitable for saxophones.The music has a playful character alternated with beautiful and melodical passages Orchestration:2 Sopranos4 Altos2 Tenor2 Baritones1 BassMore information about me and other works can be found on my website: www.ivansanchez.nl
$11.10
10.11 €
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Orchestra
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Enrique Granados
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Valses Poéticos for Saxophone Orchestra - Enrique Granados Arr. Iván Sánchez Iglesias
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Sanchez Music
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SheetMusicPlus
A Christmas Overture
Orchestra
Arranged by Stacey N. Brown. Christian, Sacred, General Worship, Christmas. Set of Parts. …
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Arranged by Stacey N. Brown. Christian, Sacred, General Worship, Christmas. Set of Parts. 87 pages. Published by Sunshine Music (S0.217277). - Set of Parts - Christian,Sacred,General Worship,Christmas - Sunshine Music
An exciting medley to begin any Christmas program. "Good Christian Men Rejoice," I Saw Three Ships," and ends with a great organ and orchestra fantasia on "O Come Let Us Adore Him." Arranged for Church Orchestra. Flute, Oboe, Clarinet, Bass Clarinet, Bassoon, Saxes, Trumpet, Horn, Trombone, Tuba, Percussion, Piano, Timpani, Violin, Viola, Cello, Bass, String Reduction, Rhythm. May be edited for your band by contacting the arranger stacey.brown.music@gmail.com
$50.00
45.53 €
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Orchestra
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A Christmas Overture
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Sunshine Music
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SheetMusicPlus
La Línea de la Concepción "La Sinfonía del Silencio"
Orchestra
Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez …
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Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Instructional,Multicultural,Traditional,World. 82 pages. Alicia Dominguez #949514. Published by Alicia Dominguez (A0.1365197). The charm lies in the fact that complete silence does not occur, where there is an audience you can hear the ambient sound: The sum of the breaths, the small movements, coughs... The sound qualities of the air itself and the reverberation of the room. The spectator suddenly discovers that the piece of music is composed of the sounds that surround him and of which he is not usually aware, including his own breathing, the beating of his heart or even the plaintive sound of his own shoes. In society, noise, as in this case, sound in music is present in our daily lives, forgetting to appreciate and the importance of silence. Silence does not have to give a feeling of fear. Appreciate silence, giving it that perception of inner peace and balance, equally linked to perseverance, that perseverance that occurs with music, with its constancy and persistence making it flow. Thus, just as each musical figure has its corresponding silence representing its same value and duration. Although the painter Pablo Picasso said that you have to learn the rules like a professional to be able to break them like an artist, reaffirming what Don Blas Infante, father of the Andalusian homeland (Spain), said: any paper on the ground must always be read , since any role can be important. Music scores and the time spent making them do not take the degree of value in human beings of this century. When they own it for themselves.https://youtu.be/GvEx1Bn2HS8?si=IW1ZUw1yFcJzz0uf
$7.00
6.37 €
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Orchestra
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Alicia DomÃnguez Arcos Sonay
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La Línea de la Concepción "La Sinfonía del Silencio"
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Alicia Dominguez
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SheetMusicPlus
Orchestraining No. 01 [Orchestra]
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃ…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumà la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$5.00
4.55 €
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Orchestra
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Juan MarÃa Solare
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Orchestraining No. 01 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.76 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.76 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.76 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.533844 Composed by Therese Bren…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage
$16.95
15.43 €
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Orchestra
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Therese Brenet
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Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.533845 Composed by Therese Bren…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. Published by Musik Fabrik Music Publishing (A0.533845). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the chorus part, which contains a piano reduction, only. The orchestral parts are on rental from the publisher. The score, is available for sale. Ronel Il fait noir, enfant, voleur d'étincelles ! Il n'est plus de nuits, il n'est plus de jours ; Dors... en attendant venir toutes celles Qui disaient : Jamais ! Qui disaient : Toujours ! Entends-tu leurs pas ?... Ils ne sont pas lourds : Oh ! les pieds légers ! – l'Amour a des ailes... Il fait noir, enfant, voleur d'étincelles ! Entends-tu leurs voix ?... Les caveaux sont sourds. Dors : Il pèse peu, ton faix d'immortelles : Ils ne viendront pas, tes amis les ours, Jeter leur pavé sur tes demoiselles... Il fait noir, enfant, voleur d'étincelles ! English translation It is Dark, child, thief of sparks! There are no longer nights, There are no longer days Sleep..waiting for those who say never, who say always, to arrive Do you hear their footsteps? They are not heavy. Oh, the light steps! Love has wings... It is Dark, child, thief of sparks! Do you hear their voices? The tombs are silent. Sleep, it weighs little, your weight of dried flowers They will not come, your friends the bears, to throw their cobblestone on your fireflies It is Dark, child, thief of sparks! Translation © 2008 by Paul Wehage
$2.50
2.28 €
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Orchestra
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Therese Brenet
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Dors
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Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Xena: Warrior Princess
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1435518 By Soundtrack. By Josep…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1435518 By Soundtrack. By Joseph LoDuca. Arranged by Pablo Guerrero-Martín. 21st Century,Classical,Film/TV. 37 pages. Pablo Guerrero-Martín #1013603. Published by Pablo Guerrero-Martín (A0.1435518). Orchestra and optional Female Chorus ( English phonetics of original Bulgarian)For more previews. Contact the arranger on: pabloguerreromartin@gmail.com Check your copyright laws for non educational purposes.In a time of ancient gods, warlords and kings. A land in turmoil cried out for a hero. She was Xena, a mighty princess forged in the heat of battle. The power, the passion, the danger. Her courage will change the world.The lyrics, chanted in the Bulgarian language, are:Жената язди самотна / Zhenata yazdi samotnaНейното минало срази я / Neinoto minalo srazi yaСрещу войските от тъмен свят / Sreshtu voiskite ot tumen sviyatВоюва за добро тя/ Vouva za dobro tyaРогови звънове идват / Rogovi zvanove idvatНапрейте път на война / Napreyte pat na voyina!Тъпани бият в ритъм / Tapani biyat va ritamПринцесата е пак тука / Princesata ye pak tuka!https://youtu.be/q8YH9AL4gnY.
$49.99
45.52 €
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Orchestra
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Soundtrack
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Xena: Warrior Princess
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Pablo Guerrero-Martín
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SheetMusicPlus
Part Of Your World
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1147613 Composed by Alan Menken…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1147613 Composed by Alan Menken and Howard Ashman. Arranged by Pablo Guerrero-MartÃn. Broadway,Film/TV,Musical/Show,Singer/Songwriter. Score and Parts. 42 pages. Pablo Guerrero-MartÃn #747791. Published by Pablo Guerrero-MartÃn (A0.1147613). Orchestral edition of the original 1988 Broadway Version. For more previews. Contact the arranger on: pabloguerreromartin@gmail.com Check your copyright laws for non educational purposes.
$69.90
63.65 €
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Orchestra
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Alan Menken and Howard Ashman
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Part Of Your World
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Pablo Guerrero-MartÃn
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SheetMusicPlus
Albeniz/Leytush – “La Vega”, (The Alhambra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Alben…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
54.63 €
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Orchestra
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Isaac Albeniz
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Albeniz/Leytush – “La Vega”,
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Arkady Leytush
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
10.01 €
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Orchestra
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Johann Strauss Jr
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Live And Let Die
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCa…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.
$70.00
63.74 €
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Orchestra
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Wings
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Live And Let Die
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Kevin Riley
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SheetMusicPlus
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