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13 sheet music found
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1
Boeing B-29
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Orchestra
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Contemporary
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Lore Burns
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Boeing B-29
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Lore Phoenix Burns
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.506989 Composed by Lore Burns. Classical,Contemporary. Score and parts. 50 pages. Published by Lore Phoenix Bur...
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Full Orchestra - Digital Download SKU: A0.506989 Composed by Lore Burns. Classical,Contemporary. Score and parts. 50 pages. Published by Lore Phoenix Burns (A0.506989). A program piece describing the sonic journey of a Boeing B-29 bomber plane during WWII, from droning flight to an attack run and the ensuing destruction. Contact the composer for a discounted price.
$15.00
ATON part 10-Orchestermusik Ballett - woodwind, strings, piano, harp, timpani
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Orchestra
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INTERMEDIATE
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David Warin Solomons
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ATON part 10-Orchestermusik Ba
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.576188 Composed by David Warin Solomons. Contemporary,Multicultural,Opera,World. Score and Parts. 30 ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.576188 Composed by David Warin Solomons. Contemporary,Multicultural,Opera,World. Score and Parts. 30 pages. David Warin Solomons #4573. Published by David Warin Solomons (A0.576188). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
ATON part 6-Orchestermusik nach dem Lied an die Sonne - woodwind, strings, piano, harp, timpani
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Orchestra
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INTERMEDIATE
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David Warin Solomons
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ATON part 6-Orchestermusik nac
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.576184 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 17 pages. David W...
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Full Orchestra - Level 3 - Digital Download SKU: A0.576184 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 17 pages. David Warin Solomons #4563. Published by David Warin Solomons (A0.576184). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
ATON part 14-Ballett-Ausgelassenheit woodwind, strings, piano, harp, timpani
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Orchestra
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INTERMEDIATE
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David Warin Solomons
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ATON part 14-Ballett-Ausgelass
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.576192 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 26 pages. David W...
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Full Orchestra - Level 3 - Digital Download SKU: A0.576192 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 26 pages. David Warin Solomons #4583. Published by David Warin Solomons (A0.576192). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
Albeniz/Leytush – “La Vega”, (The Alhambra)
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Orchestra
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ADVANCED
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Classical
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Isaac Albeniz
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A
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Albeniz/Leytush – “La Vega
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. A...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
El viaje de los Honrados IV Movimiento
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Orchestra
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INTERMEDIATE/ADVANCED
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Ricardo Romero y Ana MarÃa
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Ricardo Romero y Ana MarÃa
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El viaje de los Honrados IV Mo
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Ricardo José Romero Núñez
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.919318 Composed by Ricardo Romero y Ana MarÃa Imperato. Arranged by Ricardo Romero y Ana MarÃa ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.919318 Composed by Ricardo Romero y Ana MarÃa Imperato. Arranged by Ricardo Romero y Ana MarÃa Imperato. Contemporary,Film/TV,Multicultural,Sacred,World. Score and parts. 27 pages. Ricardo José Romero Núñez #3518611. Published by Ricardo José Romero Núñez (A0.919318). IV movimiento de la obra ''El viaje de los Honrados'' la cual describe como sus anteriores movimientos la decadencia de la especie humana y como algunos sobrevivientes buscan un planeta donde preservar la humanidad , emprendiendo un viaje interestelar. funciona esta obra con el programa Finale 2011 o 2014, es apropiada para todo público , puede ser usada para servicios religiosos . Algunos de sus textos están basados en referencias bÃblicas . su temática gira en torno a la degradación , corrupción y contaminación del planeta , por lo cual un grupo de elegidos emprende un viaje a través del espacio profundo , buscando un nuevo planeta donde se pueda preservar la especie humana. su duración es de 10 : 40 minutos.
$55.00
El Viaje de los Honrados I Movimiento
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Orchestra
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INTERMEDIATE
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Ricardo José Romero NúÃ
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Ricardo José Romero NúÃ
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El Viaje de los Honrados I Mov
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Ricardo José Romero Núñez
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.919310 Composed by Ricardo José Romero Núñez y Ana MarÃa Imperato Varela. Arranged by Ric...
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Full Orchestra - Level 3 - Digital Download SKU: A0.919310 Composed by Ricardo José Romero Núñez y Ana MarÃa Imperato Varela. Arranged by Ricardo José Romero Núñez y Ana MarÃa Imperato Varela. Contemporary,Multicultural,Sacred,World. Score and parts. 29 pages. Ricardo José Romero Núñez #3418447. Published by Ricardo José Romero Núñez (A0.919310). El viaje de los Honrados , es una obra basada en una visión apocalÃptica de los seres humanos en el planeta tierra, donde la destrucción moral, la contaminación y devastación de la vida , conlleva a la realización de un proyecto de viaje a través del espacio profundo, en la búsqueda de un nuevo planeta para preservar la especie humana. Se puede abrir este archivo con finale 2011 0 2014, por otra parte la obra puede enviar un mensaje de reflexión al público en general. además puede ser interpretada en servicios religiosos. El contexto de la obra es el actual, por la alta conflictividad mundial. Este primer movimiento tiene una duración aproximada de 15 minutos.
$55.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestra
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ADVANCED
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #94204...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestra
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ADVANCED
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Contemporary
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Nocturne for Orchestra
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Orchestra
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INTERMEDIATE
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Contemporary
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Madelyn Byrne
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Nocturne for Orchestra
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Madelyn Byrne
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Pu...
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Full Orchestra - Level 3 - Digital Download SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Published by Madelyn Byrne (A0.986832). Nocturne for Orchestra began as a piece that would celebrate the 400th Anniversary of Galileo’s telescope while using a musical language that would be in keeping with a program of American music. I thought that The Unanswered Question by Ives, and the emotional depth and poignancy of much of Copland’s music, would be a perfect compliment to a tribute to Galileo. But then two friends passed away and the piece turned into a tribute to them, with the night sky and the Unanswered Questions that surround us creating a consoling environment for this effort. The songlike themes of Nocturne grow out of my journey from mourning the premature deaths of my friends to celebrating their rich and vibrant lives. Section A is the dreamlike introductory section, B is a transition to the song-like section, and C is where the songlike themes are stated outright. D is a development section, E is an interruption - returning to the dreamlike music, F merges the dream music with the thematic material, G is the expressive high point of the piece and is articulated by the violin and cello solos. The remaining sections are intended to convey freedom and celebration. This is followed by a brief coda.
$10.00
Repetitions
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Orchestra
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EASY
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Adam Grim
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Repetitions
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Adam B. Grim
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.939372 Composed by Adam Grim. Concert,Contemporary,Standards. Score and parts. 4 pages. Adam B. Grim ...
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Full Orchestra - Level 2 - Digital Download SKU: A0.939372 Composed by Adam Grim. Concert,Contemporary,Standards. Score and parts. 4 pages. Adam B. Grim #5726213. Published by Adam B. Grim (A0.939372). This piece is inspired by Terry Riley's In C. Repetitions is a solo for found objects and The Repeater Orchestra, a free program online that mimics live sounds in real time, and plays them back in a stereo/spacial environment. It has non-standard notation in a way, with single bits written on a staff arranged in an order to play them. The player is given freedom to repeat things as many times as they want, making the piece possible to play in under 2 minutes, to well into the dozens. In my interpretation (shown in the YouTube video), it takes around 11 minutes. This piece is about making a soundscape of repeated patterns, and overlapping and combining them to create one conglomerate. Instruments include: planks of wood, a bucket of water, ceramic tiles, a glass bottle with marbles in it, a can, and a separate glass bottle for hitting. Implements include: a 2 paintbrush, a ring, rubber xylophone mallets, and oak dowel rods with Moleskin wrapped on one tip. Note, I apologize for the feedback near the first third of the recording, I had to adjust the settings, and did not hear the feedback as hard as the computer did!
$4.99
Mi Amigo
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Orchestra
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Christopher M Pile
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Christopher M Pile
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Mi Amigo
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Christopher M Pile
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1023002 Composed by Christopher M Pile. Arranged by Christopher M Pile. Contemporary,Patriotic,World. Score and...
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Full Orchestra - Digital Download SKU: A0.1023002 Composed by Christopher M Pile. Arranged by Christopher M Pile. Contemporary,Patriotic,World. Score and parts. 48 pages. Christopher M Pile #4299629. Published by Christopher M Pile (A0.1023002). This Orchestral music was written in memory of the crew of the B-17 Flying Fortress - 'Mi Amigo'. The crew died after their plane crashed in Endcliffe Park, Sheffield, Uk on the 22nd February 1944.The ten bells at the end of the music are in memory of each of the 10 brave crew.
$3.99
Carson Cooman: Orbital for orchestra, score only
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Orbital for orc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher
$11.95
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